Some Messy Sketches Of Severa And My Original Character, Oliver.

Hector is tied with Lyn as my favourite Lord in all the FE games I've played so far so of course I'm going to draw my take on him. I've always felt like there's so much depth to Hector's character so I also wanted to explore that too.

See Eliwood here | Hector and Lyn here | The Tactician here

Yuji.

He is my entry for this month’s CDChallenge with the theme Samurai. 

Based on the scenario given, (which was that the Samurai, was tasked with rescuing his/her daimyo’s love, the Geisha Sudo Magodo.) I wanted to make sure there was no possible way Sudo Magodo could fall in love with her rescuer on the way back to the palace (Didn’t want another Shrek situation). So I was trying to come up with possible ideas for that and figured that the best solution, due to the unlikelihood, would be a child. (Can’t speak for his best friend Fatu though, if he is of age.)

Yuji is a prodigy, and is the Kingdom’s last hope. He’s confident and has no doubts about his own skills, but due to his age is often overlooked. He takes advantage of this in battle but is often left out of certain activities (like drinking with his fellow Samurai) because of it. Despite being self-assured, and his fellow Samurai acknowledging his skill, and seeing him as an ally, he wants to be seen as an adult, instead of just the skilled child. He believes that by saving Sudo Magodo and therefore his Daimyo from committing Sepuku, he would finally be seen as man, and gain respect, instead of just acknowledgement.

I included some sketches of an alternate idea, that I explored just to make sure I didn’t get tunnel vision on a kid design, and therefore miss out on another possibly good design. So I figured, maybe the bonus illustration of the adult samurai could just be Yuji as an adult!

"And that kids, is How I Met Your Mother."

So I will make my very first post a commemoration of the end of my favourite series. It is my favourite scene and is also what I will argue, as the best moment in history.

The Mysterious Woman from my modern-fantasy project, George

Developing a possible design. #regulus #character design

Jiro.

As I continue to get to know Jiro over the past few months, I continually discover more and more wonderful things about him and so I’m very excited to finally get to fully share such a wonderful person with everyone. I hope you find him as interesting as I find him wonderful.

Jiro’s story is the story of the supporting character in everyone else’s. 

One of the most defining characteristics of Jiro, and one of the things I admire most about him, is how great of a support he is to those around him. He may seem scatter-brained and out of it most of the time so he doesn’t come across as reliable (in fact he’s probably coming across as the character, the child, who has to be taken cared of). Jiro isn’t an unyielding rock in the face of adversity. Jiro is the kind of person that spend every moment feeling his surroundings, the sunshine, the flowers, the trees, the air, the heat of the kitchen - everything. He has an almost childlike wonder about the beauty of the world around him and because of his curiosity and awe, he is actually very much in tune with everything that flows around him. His reliability comes from how he has learned to bend with the energy around him. 

Jiro’s earnestness, consistent work-ethic, and humble countenance is what opened doors for him as the perfect supportive member everyone would want on their team. He is subtle and sometimes unnoticeable but the presence that elevates everyone in the team. His personality (and lack of ANY male arrogance) is what allows him to be a wonderful life partner to someone as bright as Danielle and the perfect Sous Chef/Creative partner with a visionary Thai Chef I have yet to name. 

I love talking about my characters so ask me anything about them. I’m afraid to put too much here that it would bore people to death but I have various word files dedicated to each character and their relationships with everyone in their lives when I’m working on them so sharing whatever it is anyone is curious about them is fun.

Sunflower Fields

Finished this time lapse study in Photoshop 😁 

A motorcyclist study I did in pen from some online references to help me with Harvey.

Part 3 - The Sicilian Assassins

      Part 1 - The Family | 2 - Style | 4 - Buttercup and Westley | 5 - The Prince and the Count | 6 - Florin Castle

With Vizzini I was trying to combine the feeling of baby angels from old renaissance paintings, sinister-ish expressions, and ringmaster, plus dash of gaudiness. I made Vizzini prominently red so that there would be a transfer of association from Vizzini in the first half to Humperdinck in the latter half. The colour red and the pawns on his design apart from being on theme for his character can also serve as foreshadowing, that he is not the overarching antagonist.

Sometimes due to Fezzik’s backstory of working in Greenland, people mistake him for being Greenlandic but it was clearly stated that Fezzik is a Turkish wrestler. It was important that his design made it very clear that he was not European. In the books, he is described as hairy, large, and gorilla-like in appearance. By dividing his head into three sections (upper head, cheeks, and mouth-chin) keeping the graphic shape of his head across different angles was made easier. To determine the direction of Fezzik’s overall design the emphasis was established (his arms), inspiration was taken from circus strongmen, then combined with a strong but soft and lovable feeling.

The general direction of Inigo’s features was clear early on, but his head shape did undergo many iterations. His final head shape design has a clear and readable graphic iconography even in different angles. Its iconic integrity is easily maintained but can be difficult to draw, because of that a diagram was made to show how the structure of his head.

It was important to make sure Inigo and the man in black's silhouettes were distinguishable from one another. So I tried to pull their designs in opposite directions. Inigo's leaning towards a more slender swish-flick feel and the man in black's to a larger, billowy, and intimidating direction.

Come as you go, 2017 Acrylic on canvas 50.8 cm x 30.1 cm (20 in x 15 in)

Possible sister of Cloé 🤔