Intro Post ✧

I love this so much oh my god, why is Mia Fey so neglected sometimes in this fandom. You've given me a lot to think about, thank you.

I noticed Mia's bitterness when I played through 3-1 for the first time. She is so brutal in insulting Phoenix. And she reacts quite strongly when she finds out Phoenix had been lying on the witness stand.

The fact that both Mia and Phoenix react very poorly to betrayal or to what they think is betrayal... I need to personally analyze all of this under a microscope.

"Of course she told him to fake his smile, or he can't do anything. She's been doing that since she was ten years old." I'm sobbing.

Is it just me or is this piece of advice from Mia, "for a lawyer, the worst of times are when you have to force your biggest smiles", really sad?

Don't get me wrong, there's nothing inherently sad about it. I get that it's about not giving up, pushing through impossible odds and rock bottom for your client. Because for most people, being a lawyer is a just a profession.

But for someone like Phoenix? Someone who hides their pain behind saving others, who never talks about their trauma, who (subconsciously or not) considers being a lawyer not just a job but their entire identity...? All of a sudden, Mia's advice isn't just about the courtroom anymore, because for Phoenix being a lawyer was always about being good enough and able to save people. To Phoenix, Mia's advice is about pretending you're fine, not letting anyone see how you truly feel or else you can't save anyone.

I feel very strongly about Recipe for Turnabout, but I don’t think it’s a very good case. I just think it has so much potential to be amazing. 

Trials & Tribulations’ running themes are deception (personas and disguises) and the lengths people will go out of devotion (usually in romantic relationships but Bridge deals with familial). And there’s so much that could have been said about identity, self worth, and being so devoted to someone that you lie to yourself in Recipe.

If Furio Tigre's impersonation of Phoenix was actually really good (and not played off as a joke), it could have done so much to explore Phoenix's identity surrounding being a defense attorney. I mean think about it, Phoenix lives for other people, he doesn’t seem to know what to do with himself when he’s alone, and became a defense attorney to save people. And Furio Tigre ripped that away from him by pretending to be him and getting an innocent person locked up. Everyone thought Tigre was Phoenix. Maggey thought he failed her. It feels straight out of one of Phoenix's worst nightmares. Seriously, why is this plot point only used for laughs?

Viola Cadaverini is probably the most intriguing new character in 3-3 but she’s completely brushed aside. She's a perfect parallel to Phoenix himself. Viola tries to convince herself that Tigre truly loves her, rather than confront the truth that he is paying for her bills and being so kind to her because he's terrified of her mafia boss grandfather. To the point where she stays by his side and becomes an accomplice to his crime. Similarly, Phoenix believed that Dahlia truly loved him. And while Phoenix wasn’t a willing accomplice to Dahlia’s crime, he still hid evidence for her and ate the necklace out of belief in her.

The game itself even acknowledges this connection briefly.

This is what Phoenix thinks after breaking Viola’s psyche-locks. He was scared of her at first but now he sympathizes with her and is filled with new determination to take Tigre down. Phoenix chooses the drink the espresso she prepared, effectively trusting her not to poison him too.

Also side note: Phoenix is really sensitive to betrayal. And it’s really interesting that he seems to hate it because it’s cowardly. Phoenix seems to hate the deception involved in poisoning and betrayal. He’s is terrified of his believing in someone so much, only to be hurt and left alone. (… eyes Phoenix’s reaction to Edgeworth’s note). Yeah it definitely stems from Dahlia.

Now imagine if Viola was the defendant instead of Maggey. That would mean Tigre, the person she convinced herself truly loved her, disguised himself in order to use her as the scapegoat for his crime. Does that sound familiar? Phoenix would probably be scared of Viola at first too. Maybe she reminds him of Dahlia. But slowly come to trust her.

Viola as the defendant would also continue T&T's pattern of guilty or questionable defendants (Ron DeLite being Mask DeMasque, Terry Fawles being in a relationship with 14 y/o Dahlia, and Iris being an accomplice). No case after 2-4 ever critiques Phoenix's misbeliefs as a defense attorney again (that being an attorney is not about saving people but fighting for them, and they everyone deserves a proper defense). But 3-3 could have done that, because Viola was still an accomplice and would have to go to jail for that. Phoenix could have continued to learn that he doesn't have to save everyone, that he has to fight for them and for the truth.

Do you see my vision? Do you see the potential? Recipe for Turnabout could have been a top tier case.

Oh and here's my collection of Recipe's most... memorable quotes. (Aka why is 3-3 like that??)

This is what I’ve been saying!! I hate mischaracterizations of Narumitsu that make Phoenix Miles’s savior and turn Miles into a poor baby who needs to be saved all the time. That is not them. Do you think Miles “we aren’t some sort of heroes” Edgeworth would ever approve of that? Miles, the only person who properly calls Phoenix out for his savior complex?

I could go on but, everything you said OP.

Wrightworth is not "Sunshine x Grumpy"

They are "Visibly Traumatized x Repressed Trauma", they are bitch for bitch, they are so many more interesting things than that overused dynamic.

Miles is not some sad boy who needs to be coddled, he is a grown ass adult who sent many people to jail. Some of which could have possibly been innocent. He's done some shitty things that are influenced yes--but not excused by his trauma. He can and SHOULD be called out on things he did, stop blaming all his bad actions on Manfred or Gant.

Phoenix is not a golden retriever boyfriend. Maybe he was in college when he was "Feenie" but that shit ended the day Dahlia was arrested (Hot take Feenie feels more ooc to the Phoenix we knew in the trilogy than Beanix ever did to me). Phoenix is a snarky bitch almost all the time, even thinking/saying downright mean things to/about people he cares about like Maya. He has massive big brother energy but not always in the "I'll take care of you" way but often in the "I'm gonna disgust/upset/annoy you on purpose because I think it's funny" way. (Like if you choose the fishing pole in Turnabout Goodbyes, he teases Maya by suggesting they use Missile as bait, which Maya takes as well as you'd expect).

Miles is not a princess who waited every day for Phoenix to save him. Miles was perfectly content to forget his past entirely as is his coping mechanism, and Phoenix has a savior complex that no one asked him to have. Miles never asked for Phoenix to reappear in his life, Phoenix just realized Miles was gonna ignore him, so he became a lawyer himself so that would no longer be an option for Miles.

This isn't to say Wrightworth is a bad ship by any means. This is to say that their characterization and relationship are so often blatantly misunderstood by the fandom. So often watered down to fit a basic mold. Which is a shame because their actual relationship is so much more interesting to me.

Sooo many fanfics get both of their characters wrong to either fit a dynamic they never were or because they want to give them less accountability than they deserve.

Here’s our girl

Still not very good at digital art but I don’t mind how this one turned out :)

Click for higher res

mine are:

I told my partner that Phoenix went to law school for Miles, and she was immediately like: omg stalker???

I showed my irl friend fanart of Miles smirking and she immediately pulled up a picture of Sasuke smirking (I have not watched Naruto).

I showed another irl friend Miles' dismayed courtroom sprite (the one below), and now she does it whenever she's mildly annoyed at something.

ace attorney fans: what are some of the funniest ways your offline friends have reacted to seeing you play ace attorney?

mine are:

1. my partner at the time shouting "HE'S 23?!?!" and going through all 5 stages of grief upon learning that aa1 miles edgeworth is not, in fact, in his 40s

2. i showed my IRL bestie kristoph gavin and mentioned he was a villain. without skipping a beat they said "well of course he's a villain. he's blonde"

Manfred von Karma!

Thank you for the ask <3 (to every else who sent me a character ask, I'm working on it :)

First impression

I actually never hated him or had strong feelings about him. I was introduced to AA through narumitsu fanfic but I knew I wanted to play the games so I avoided everything with spoilers, including everything Manfred. I guess I just thought of him vaguely as a villain and Miles' mentor/father figure.

Impression now

He's one of my favorite Ace Attorney characters. I have him at 4th but honestly, maybe he's 3rd now?? I have developed an attachment to this ridiculous evil man. I love him so much. I wish there was more canon content of him, but I think he's an interesting character with a lot of room for nuance.

Favorite moment

He doesn't really have many canon moments (and I haven't played AAI). But probably when he gloated Phoenix into cross-examining Polly the parrot and it's implied that he witness-coached a parrot. Manfred, you are an insane person.

Idea for a story

I just want to see a story where Manfred is force-fed a redemption arc. Like for example a no DL-6 AU where Gregory manages to get a Manfred properly investigated for forging evidence. But to ensure he doesn't get another penalty, Manfred tries to frame another prosecutor to throw Gregory off his trail.

Only, Manfred finds out that the person he is framing is actually guilty of forging evidence. Manfred has to follow through with his plan and gets dragged into working with Gregory. Gregory is surprised but grateful that Manfred has been so helpful in weeding out corruption in the prosecutor's office, and wants to befriend/ally with Manfred. Manfred is seething with hatred. (Oh and eventual Shingou :)

Unpopular opinion

Manfred as a character deserves a lot more nuance. There's... a lot to talk about but these are the three main things I have a strong opinion on:

1) He was a flawed parent and I think it's more interesting to explore those flaws than to just label him abusive for the sake of villainizing him.

2) It does not makes sense for Manfred to be sexist/homophobic/etc. Simply because I don't think he cares enough to hate a group of people like that. He is very rational, efficient, and his perfectionism is focused on his prosecuting career. If anything, he discriminates against defense attorneys (lmao).

3) Manfred didn't brainwash or force Miles into becoming a prosecutor. I'm sure Manfred was influential but Miles had his own reason to be a prosecutor that stemmed from DL-6. Miles was also always a perfectionist (the paper cranes thing) and the von Karma family brand of perfectionism just amplified it.

Favorite relationship

Shingou!! <3 (Gregory Edgeworth/Manfred von Karma)

Defense attorney/prosecutor ship, toxic enemies to lovers, doomed romance, or super slowburn (if no DL-6 AU), bitter courtroom rivals turned bickering old married couple (who still duke it out in court), co-parenting Miles and Franziska (before officially getting together).

Favorite headcanon

Manfred did love Franziska and Miles (in his own way). Regarding Miles, Manfred saw him as a symbol of his failures (the penalty Gregory gave him and the shot in his shoulder). So Manfred struggled a lot when he began to actually care about Miles. When Miles's perfect record was broken, Manfred saw it as a threat to his own perfection. (I hope that makes sense. I do need to think about this more to solidify the headcanon. I just love complicated von Karma family dynamics)

writing around feelings

imo the absence of a feeling in writing is more powerful than directly describing it. people comment about how i do this a lot in writing so i thought i’d share what i mean and how i do it

so basically i’m trying to articulate a feeling without actually acknowledging it in the writing. when people avoid a thought or a feeling they don’t give it a name. it’s like touching around a bruise, you feel a little around it but avoid fully touching it because it hurts. that’s what i mean

in practice i think i have a couple ways of doing this:

1/ does, doesn’t, would, could: even if a character doesn’t take an action or acknowledge a feeling, the possibility is there in the story and i like drawing attention to that, it addresses the periphery of an emotion in an interesting and internal way, examples:

Erik raises the visor of his helmet. A soft summer breeze hits his face, catching on the sweat and cooling him ever so slightly. He feels Istvan’s eyes on him but doesn’t meet them.

Ryunosuke faces forward, letting his hand drop from the hilt of the sword. He takes a short breath. He tries not to focus on the dust.

2/ flat description of actions: you can describe an action without describing the emotion attached to it. i feel this is more impactful than doing both at the same time, or just choosing to focus on an emotion. there is emotion in the action, the reader can decide which one, examples:

“Kate,” he says, a little too sharply. “Be very careful there. Be very careful.” His hands are shaking again. He crosses his arms and shoves his hands under his armpits.

His computer gives a soft chime. An email. A new lead, but the stories are safe and tame, nothing like the danger he was used to. He shakes his wrists again, warding off carpal tunnel for another day. Another chime sounds. He looks out the window again.

3/ bury emotion in metaphor: this one i do constantly, i’ll just go off on a tangent about something else and the emotion will come through, kind of like how a character will try to distract themselves when faced with an emotion they don’t quite know how to process, example:

Sunlight trickles in through the dense tree cover, like water. A ray touches Hans’s golden hair. Henry watches the light play on the yellow strands. His hair is combed back but a few strands fall onto his forehead, pushed around by some invisible wind. They could be harp strings, or silk threads. Something delicate and fine. Another ray of sunlight falls over Hans’s hair and it seems almost to glow.

He unclenches his hands one finger at a time. The stress of muscles tensing no longer exists, not here, but the ghost of tension still lingers, the memory of it, over his knuckles and in his wrists. He wishes he could just have this. Just the pain in his joints of holding onto something too tightly for too long.

you buried two people that day

"#no no i do much mia meta and she meant it exactly like that#phoenix heard her exactly the way she meant#and that's why they're both so angsty" <-- pasting the tags of someone who reblogged my post because omg thank you

I always had this Feeling that there is so much more to Mia Fey than meets the eye. But I was always like: okay, we'll cross that bridge when we get there (aka after I lose my mind analyzing Phoenix, Miles, and Franziska).

Honestly that piece of advice from Mia is what tipped me off first, because I was like: are you telling someone to like, ignore their emotions? hmm suspicious.

And in Reunion and Turnabout, Mia started protecting Morgan? We literally had to break her psyche-locks.

Also in Farewell My Turnabout, Mia seems to be just as suspicious and distrusting of Edgeworth as Phoenix is? But at the end she goes: so now do you know what being a defense attorney means? ... Mia, I swear YOU didn't get it either until Edgeworth showed both you and Phoenix.

These are just observations, I really need to comb through this and properly analyze Mia Fey because gosh. (And I need to finish playing T&T).

Is it just me or is this piece of advice from Mia, "for a lawyer, the worst of times are when you have to force your biggest smiles", really sad?

Don't get me wrong, there's nothing inherently sad about it. I get that it's about not giving up, pushing through impossible odds and rock bottom for your client. Because for most people, being a lawyer is a just a profession.

But for someone like Phoenix? Someone who hides their pain behind saving others, who never talks about their trauma, who (subconsciously or not) considers being a lawyer not just a job but their entire identity...? All of a sudden, Mia's advice isn't just about the courtroom anymore, because for Phoenix being a lawyer was always about being good enough and able to save people. To Phoenix, Mia's advice is about pretending you're fine, not letting anyone see how you truly feel or else you can't save anyone.

free my girl. she did all that but so did a male character and nobody cared