more psychological concepts as reference for your poem/story
Absent grief - a form of complicated grief in which a person shows no, or only a few, signs of distress about the death of a loved one. This pattern of grief is thought to be an impaired response resulting from denial or avoidance of the emotional realities of the loss.
Being love - (or B-love) in Abraham Maslow’s humanistic psychology, a form of love characterized by mutuality, genuine concern for another’s welfare and pleasure, and reduced dependency, selfishness, and jealousy. B-love is one of the qualities Maslow ascribes to self-actualizers.
Cyclopean eye - a theoretical eye, located on the midline between the real eyes, that has access to the functions of both eyes and is used in descriptions of space perception and eye movements.
Dream ego - in the analytic psychology of Carl Jung, a fragment of the conscious ego that is active during the dream state.
Epiphany - a sudden perception of the essential nature of oneself, others, or reality.
Family mythology - the shared stories, norms, and beliefs within a family system. The mythology can be used to deny trauma or pathology within the family or to ascribe meaning to events in ways that suggest their inevitability or importance.
Guilt culture - a trend or organizing principle in a society characterized by the use of guilt to promote socially acceptable behavior. Guilt cultures emphasize both self-control in the face of temptation and self-initiated responsibility for one’s actions if transgressions should occur.
Hedonic treadmill - a metaphor for a hypothesis proposing that people’s happiness tends to return to a preexisting baseline level after positive or negative life events have occurred. According to this concept, positive and negative events may produce short-term shifts in mood, but these shifts tend to erode in a relatively brief period of time. This process of adaptation is thought to be responsible for the persistence of mood states over time, often in the face of considerable efforts to change them. Although there is good evidence for this hypothesis, research has demonstrated that people do not always return to baseline after the occurrence of mood-changing events.
Jactitation - (or jactation) extreme restlessness marked by frequent movements and tossing about.
Leaving the field - the act of removing oneself from a situation when confronted with seemingly insurmountable obstacles, insoluble conflicts, or intensely frustrating problems. It may involve physical withdrawal, escape into psychogenic illness, or some other behavior, such as distraction or changing the subject during a conversation.
Source ⚜ More: Notes & References ⚜ Part 1 2 3 ⚜ Writing Resources PDFs
this looks like that one "me in hell looking for x" meme and it makes sense actually
anaphora the repetition of a word or phrase, usually at the beginning of a line.
alliteration the repetition of sounds in a sequence of words.
allegory narrative with two levels of meaning, one stated and one unstated.
apostrophe direct address to an absent or otherwise unresponsive entity (someone or something dead, imaginary, abstract, or inanimate).
assonance the repetition of vowel-sounds.
beat a stressed (or accented) syllable.
binary dual, twofold, characterized by two parts.
blank verse unrhymed iambic pentameter.
caesura an audible pause internal to a line, usually in the middle. (An audible pause at the end of a line is called an end-stop.) The French alexandrine, Anglo-Saxon alliterative meter, and Latin dactylic hexameter are all verse forms that call for a caesura.
chiasmus from the Greek letter Chi ( Χ ), a "crossed" rhetorical parallel. That is, the parallel form a:b::a:b changes to a:b::b:a to become a chiasmus.
climax the high point; the moment of greatest tension or intensity. The climax can occur at any point in a poem, and can register on different levels, e.g. narrative, rhetorical, or formal.
consonance the repetition of consonant-sounds.
couplet two lines of verse, usually rhymed. Heroic couplet: a rhymed iambic pentameter couplet.
diction word choice, specifically the "class" or "kind" of words chosen.
elegy since the 17th century, usually denotes a reflective poem that laments the loss of something or someone.
end-stopped line a line that ends with a punctuation mark and whose meaning is complete.
enjambed line a "run-on" line that carries over into the next to complete its meaning.
foot the basic unit of accentual-syllabic and quantitative meter, usually combining a stress with one or more unstressed syllables.
free verse poetry in which the rhythm does not repeat regularly.
imagery the visual (or other sensory) pictures used to render a description more vivid and immediate.
meter a regularly repeating rhythm, divided for convenience into feet.
metonomy a figure of speech in which something is represented by another thing that is commonly and often physically associated with it, e.g. "White House" for "the President."
ode a genre of lyric, an ode tends to be a long, serious meditation on an elevated subject.
prosody the study of versification, i.e. the form—meter, rhyme, rhythm, stanzaic form, sound patterns—into which poets put language to make it verse rather than something else.
refrain a phrase or line recurring at intervals. The definition does not require that a refrain include the entire line, nor that it recur at regular intervals, though refrains often are and do.
rhythm the patterns of stresses, unstressed syllables, and pauses in language. Regularly repeating rhythm is called meter.
scansion the identification and analysis of poetic rhythm and meter. To "scan" a line of poetry is to mark its stressed and unstressed syllables.
simile a figure of speech that compares two distinct things by using a connective word such as "like" or "as."
speaker the "I" of a poem, equivalent to the "narrator" of a prose text. In lyric poetry, the speaker is often an authorial persona.
speech act the manner of expression (as opposed to the content). Examples of speech acts include: question, promise, plea, declaration, and command.
stanza a “paragraph” of a poem: a group of lines separated by extra white space from other groups of lines.
symbol an image that stands for something larger and more complex, often something abstract, such as an idea or a set of attitudes.
symbolism the serious and relatively sustained use of symbols to represent or suggest other things or ideas. (Distinct from allegory in that symbolism does not depend on narrative.)
synecdoche a figure of speech in which a part of something is used to represent the whole, e.g. “wheels” for “car.”
tone the speaker’s or author’s attitude toward the reader, addressee, or subject matter. The tone of a poem immediately impresses itself upon the reader, yet it can be quite difficult to describe and analyze.
topos a traditional theme or motif (e.g. the topos of modesty).
trope a figure of speech, such as a metaphor (trope is often used, incorrectly, to mean topos)
valediction an act or utterance of farewell.
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