EMMA D'ARCY As RHAENYRA TARGARYEN House Of The Dragon | SEASON 2 Official Teaser

Freydis in 5x17 The Most Terrible Thing

And speaking of Sophia Tolstoy, her diaries are just so depressing. 

“I am to gratify his pleasure and nurse his child, I am a piece of household furniture, I am a woman. I try to suppress all human feelings. When the machine is working properly it heats the milk, knits a blanket, makes little requests and bustles about trying not to think […].“

She wrote this when she was 19, one year into her marriage to Leo and as she was pregnant with the first of his 13 children.

A few years later, when she was 25 or so:

“I am so often alone with my thoughts that the need to write in my diary comes quite naturally … Now I am well again and not pregnant—it terrifies me how often I have been in that condition. He said that for him being young meant “I can achieve anything”. For me […] reason tells me that there is nothing I either want or can do beyond nursing, eating, drinking, sleeping, and loving and caring for my husband and babies, all of which I know is happiness of a kind, but why do I feel so woeful all the time, and weep as I did yesterday? I am writing this now with the pleasantly exciting sense that nobody will ever read it, so I can be quite frank with myself […].“

During her 12th pregnancy she wrote about taking scalding baths and jumping from high pieces of furniture to try and miscarry.  And at one point while reading her husband’s diary (which he told her to read) she found the sentence “There is no such thing as love, only the physical need for intercourse and the practical need for a life companion.” In her own diary she wrote “They ebb and flow like waves, these times when I realise how lonely I am and want only to cry…”

A few years before her husband’s death, she published a cycle of prose poems titled “Groans”, under the pseudonym “A Tired Woman”.

Ewan Mitchell as Tom Bennett in WORLD ON FIRE (2019-) created by Peter Bowker

Julius Caesar was my father and I will avenge him. I’m suggesting that we think about the richest senators and knights in Rome. All the people behind the murder of Caesar, all the people still backing Brutus and Cassius. Anyone who supports the Republic. Then we butcher them and take their assets. TOM GLYNN-CARNEY as GAIUS JULIUS CAESAR OCTAVIANUS DOMINA (2021), S1E1

ELIZA DUSHKU as Gina City by the Sea (2002) dir. Michael Caton-Jones

EMMA D’ARCY as RHAENYRA TARGARYEN HOUSE OF THE DRAGON (2022) — Season One

Some of My Favorite Ways to Describe a Character Who’s Sick

pressing their forehead into something cool or comfortable (this could be an array of things. the table, the floor, someones leather jacket, their water bottle, the countertop)

warm to the touch, or heat radiating from them (could be noticed if someone’s gauging their temperature with their hands, hugging them, or just generally touching them)

leaning into people’s touch, or just spontaneously leaning on them (like pressing into their hand when someone’s checking their temp, or just, like, literally walking up and laying their head on them from fatigue. bonus points if the character is usually feral and the other is scared to engage™︎)

falling asleep all over the place (at the dinner table, on their homework, in the car, in the bathroom — just being so exhausted from doing literally nothing)

being overly emotional (crying over things that don’t usually bother them, like their siblings arguing, or their homework, or literally just nothing)

stumbling/careening/staggering into things (the wall, furniture, other people. there is no coordination in feverish brains. running into chairs, hitting the door, falling over the couch, anything and everything)

slurring their words (could be from fatigue or pain. connecting words that shouldn’t be connected, murdering all of their conversations with the excessive use of ‘mm’ and ‘nn’ in place of words) (this is my favorite thing ever)

being overly touchy (basically like a sick kid — just hold them, please. do that thing where you brush their hair back out of their face, or rub circles on their back, or snuggle them. they won’t care. bonus points if this is also the feral character and they refuse to believe it afterwards)

being extremely resistant to touch (flinching away when they usually don’t so someone can’t feel the fever, not letting themselves be touched because they’re so tired they just know they’ll be putty in their hands if they do)

growing aggressive or being extremely rude (it’s a defense mechanism — they feel vulnerable and are afraid of being manipulated or deceived while they’re ill)

whimpering/whining/groaning (this was in my “characters in pain” post but it’s so good that i’m putting it here too. this shite is gold, especially if it’s just an involuntary reaction to their symptoms)

having nightmares caused by a fever and/or delirium (crying and murmuring in their sleep, or being awake but completely out of it and convinced they’re somewhere else)

making themselves as small as possible (curling up into a ball everywhere they lay, hunching over slightly when standing, wrapping their arms around themselves)

TW for vomiting below cut !!

sleeping in the bathroom floor because they keep getting sick over and over (bonus if someone finds them all weak and pitiful. bonus bonus if they find them there in the morning only to learn they’ve been there all night)

using their hands/other body parts to clamp over their mouth so nothing can come out (like pulling their knees up to their chest and using that, or like, their arm, y’know) (~maccreadysbaby who has emetophobia suddenly gets very awkward about this post~) (~yes i have a phobia of puke and still write this happening to my characters, shut up~) (~it’s about the hurt/comfort okay~)

sympathy pukers (people who aren’t the sick ones but get nauseous/vomit when they see someone else throw up) (~aka me~) (~okay I’m done now~)

dry heaving (it’s gross, but good for making your characters absolutely freaking miserable)

rolling/churning/spinning/cramping/ lurching and all those awesome words that describe what stomachs do when sick (i hate these words with a deep, fiery passion. but they’re good for writing or whatever)

Some tips for using a few words to describe voices:

1. Tone Words: Use tone words to convey the emotional quality of a voice. For example, you can describe a voice as "melodic," "soothing," "sharp," "gentle," or "commanding" to give readers a sense of the tone.

2. Pitch and Range: Mention the pitch and range of the voice. Is it "deep," "high-pitched," "raspy," or "full-bodied"? This can provide insight into the character's age, gender, or emotional state.

3. Accent and Diction: Describe the character's accent or diction briefly to give a sense of their background or cultural influences. For instance, "British-accented," "Southern drawl," or "formal."

4. Volume: Mention the volume of the voice, whether it's "whispering," "booming," "murmuring," or "hushed."

5. Quality: Use terms like "velvet," "silken," "gravelly," "honeyed," or "crisp" to convey the texture or quality of the voice.

6. Rate of Speech: Describe how fast or slow the character speaks, using words like "rapid," "slurred," "measured," or "rambling."

7. Mood or Emotion: Indicate the mood or emotion carried by the voice. For example, a "quivering" voice may convey fear or anxiety, while a "warm" voice may express comfort and reassurance.

8. Resonance: Describe the resonance of the voice, such as "echoing," "nasal," "booming," or "tinny."

9. Timbre: Mention the timbre of the voice, using words like "rich," "thin," "clear," or "smoky."

10. Cadence: Highlight the rhythm or cadence of speech with descriptors like "staccato," "lilting," "rhythmic," or "halting."

11. Intonation: Convey the character's intonation by saying their voice is "sarcastic," "apologetic," "confident," or "questioning."

12. Vocal Characteristics: If applicable, mention unique vocal characteristics, like a "lisp," "stutter," "drawl," or "accented 'r'."

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