How Fucking Distraught Must Pike Have Been, To See Spock Going Against Everything, Risking His Life,

How fucking distraught must Pike have been, to see Spock going against everything, risking his life, seeing how thoroughly Spock had this thought out…

The depth of that love Spock has for him.

More Posts from Andyrg099 and Others

6 months ago

What if I was all wrong about the "SINNER REPENT" wall writing. What if it isn't a manifestation of the social attitudes of the 1960s (compulsory heterosexuality, gender binary, etc.). What if, like Spock's message of "LOVE MANKIND," Jim's message also speaks to a hidden fear? A fear that is not the breaking of a social taboo (be it a captain's duty and Starfleet regulations, an affair, non-heterosexual love, etc.), but a haunting thought from Jim's past: that he should not be alive, that his continued existence breaks the order of life itself by cheating a certain death. Hence, the use of the words "SINNER REPENT," a phrase that matches how Kodos moralized basic survival needs to justify his eugenics and massacre on Tarsus IV.

Jim Kirk looks towards something off-screen.
KARIDIAN: (reading) The revolution is successful, but survival depends on drastic measures. Your continued existence represents a threat to the well-being of society. (stops looking at the paper) Your lives means slow death to the more valued members of the colony. Therefore I have no alternative but to sentence you to death. Your execution is so ordered. Signed, Kodos, governor of Tarsus Four.
KIRK: I remember the words. I wrote them down.
The words "SINNER REPENT" are painted in red, uppercase letters across the closed doors to the turbolift.
A close-up shot of Captain Jim Kirk. He is visibly sweating at his brow as he reads the words shown off-screen.

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6 months ago

I love that four episodes into production TOS writers decided to reveal that James T. Kirk has an indefensible impulsive immoral evil monster in him, which is a core enough part of his being that it’s actually half of him, and he literally cannot live without it, and that the lesson of the episode was not learning to kill him, but learning to embrace and even comfort him. It makes so much sense that, when he has the choice, he chooses not to kill his enemies. He must look at them sometimes and see his own face.


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2 years ago

Please, let me crawl inside your ribcage, because when she looked at me wearing that cruel little smile that no one else gets to see, I could see in her eyes, once again was 8 years old, with blood on my lips, looking up at her and feeling so very small that I knew there was nowhere I could run away.

Please keep me inside your ribcage, I'll be tiny, I'll be quiet, you won't even notice me, but I think maybe there I could smile, maybe there I could heal, maybe there I could feel safe.


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9 months ago

I love the dramatic, triumphant reveal that wolverine and deadpool survived the time ripper, mainly because i'm 1000% sure wade heard paradox monologuing™️ and was like "nonono hold on we have to wait for the Right Moment" and logan, who is 7 different kinds of exhausted at this point, was like "....yeah ok lol"

which leads to 2 grown ass men hiding behind a corner just waiting to ruin this british man's afternoon? logan really went from “i'll kill u with my teeth” to “yea sure i'll commit to your stupid bit” in like 2 days, honestly what a lad


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2 years ago
The Book Thief — Markus Zusak

the book thief — markus zusak

The Book Thief — Markus Zusak

wolfsong — tj klune

The Book Thief — Markus Zusak

the song of achilles — madeline miller

The Book Thief — Markus Zusak

the sandman vol. 4: season of mists — neil gaiman

The Book Thief — Markus Zusak

mister impossible — maggie stiefvater

The Book Thief — Markus Zusak

on earth we're briefly gorgeous — ocean vuong

The Book Thief — Markus Zusak

a conjuring of light — v.e. schwab

The Book Thief — Markus Zusak

kiss her once for me — alison cochrun

8 months ago

I need to start doing things I want to do instead of spending all my time thinking about what I should be doing, or everything will lose its meaning again.


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6 months ago

Adam, Spock, and Eve -- an Analysis on The Apple from TOS

“The LORD God took the man and put him in the garden of Eden to till it and keep it”, in a promised vow Adam and Eve swore to allow themselves to remain blissfully unaware of the nature of sin or face divine punishment for eating the apple that would give them this knowledge. Star Trek season 2 episode 5, "The Apple", captivates viewers with its exploration of these themes of autonomy and the consequences of blind obedience in the face of authority; or so the episode tries to sell. I would argue that it does tackle these topics in an interesting manner, though not how the writers initially intended. The crew of the Starship Enterprise continually demean the autonomy and personhood of the people of Vaal, denying them the freedom of choice and posit themselves as white-knighted heroes who would fix the unjust systems of Gamma Trianguli Six. However, the landing party fails to acknowledge that they have been here for less than a day, and their understanding of the culture of this small part of the planet is flawed. Ursula K. Le Guin’s essay, American Sci-Fi and the Other tackles these themes, highlighting how limits in our perspective leads to the alienation and dehumanization of people and practices we do not understand, which results in a denial of their autonomy.

Le Guin outlines 4 forms of alienation that have become popular in contemporary Science Fiction – the sexual alien, the social alien, the cultural alien, and the racial alien. Though each comes from a similar vein of popularized ignorance, their manifestations vary greatly in Sci-Fi. The sexual alien in The Apple takes the form of the narrative treatment of female characters like Yeoman Martha Landon. Landon’s 14 lines throughout the hour long episode quickly characterize her as a character whose femininity undercuts her competence as an officer of the Starship Enterprise. Chekov and Landon share a brief, intimate encounter early in the episode,

MARTHA: All this beauty, and now Mister Hendorff dead, somebody watching us. It's frightening.

CHEKOV: Martha, if you insist on worrying, worry about me. I've been wanting to get you in a place like this for a long time.

The conversation gets interrupted by Kirk returning and asking them to not “conduct a field experiment in human biology”. Landon is one of the only characters regularly referred to by her first name rather than her title. While this could be attributed to her low rank as a red shirt, the four other redshirt officers are still often only referred to by their last names as a sign of respect.

"KIRK: Mallory! Marple, stand back! Watch it! The rocks! (kneeling by the body) Kaplan. Hendorff. I know Kaplan's family. Now Mallory.”

Yeomen in The Original Series are often almost exclusively young women, with a notable exception being the season 1 episode The Cage, where the male Yeoman is killed to show the competency of the villain of the week. Their role is to dutifully fulfill the petty orders given by their captain, such as light administrative work or ensuring the wellbeing of the captain and his surrounding male officers. These female Yeomen are often treated by the narrative to have the sole imperative goal to be “an object of desire for the surrounding men.” This is seen especially in The Apple, when Landon voices her concerns for the Starship she is told to be quiet and sit down by Kirk, or silenced by Chekov’s seductions. Her views, questions, concerns, and opinions are constantly used as punchlines for men, as though she’s too stupid to understand the complexities of what is going on around her.

“MARTHA: But these people, I mean, if they don't know anything about. What I mean is, they don't seem to have any natural– er. I mean, how is it, done?

KIRK: Mister Spock? You're the science officer. Why don't you explain it to the young lady.”

She is alienated from the rest of the cast for being a woman, and as Yeomen often are, the women of Starfleet “are also assigned a sexed identity in their professional lives, based on their supposedly “innate” qualities” of “modesty, sweetness, fear, shyness, compassion, [and] languor.”

The social alien is one that focuses on class and hierarchy, specifically, on the lower ranks of it. This form of alienation has many reflections throughout the episode – from Kirk’s treatment of Scotty as they struggle to pull the Enterprise from the tractor beam, to the Vaalian’s role of feeding Vaal. Those who are not leading men are treated as “masses, existing for one purpose: to be led by their superiors.” Those in the Starfleet are under threat of losing their jobs – their financial security and role on the ship – if they do not listen to their superiors. The Vaalians, however, must actively choose to listen to Vaal for their instructions. There is no threat of violence as they do not know what it means to kill, nor incentive for greed as they are already provided everything they need for a happy and healthy life. As the Vaalians go to feed Vaal – their sole role in exchange for eternal life and long lasting prosperity – Spock notes that in his view, this is “a splendid example of reciprocity”. 

This point of view, however, is heavily contested by Captain Kirk and Chief Medical Officer McCoy, and is a prime example of the alienation of the Vaalians and S'Chn T'Gai Spock as Racial and Cultural Aliens. Multiple times throughout the show, Spock’s vulcan lineage has placed him in an uncomfortable position in relation to Starfleet.

“MCCOY: Negative. Did you know this is the first time in a week I've had time for a drop of the true? Would you care for a drink, Mister Spock?

SPOCK: My father's race was spared the dubious benefits of alcohol.

MCCOY: Now I know why they were conquered.”

Many of his conversations with McCoy end with a quip from McCoy about how vulcan biology is inferior to human biology, how their culture is strange and alien to him. He complains about how Spock has green blood, and a heart closer to his abdomen than his chest, even after Spock nearly died protecting them from the deadly flora of Gamma Trianguli Six. McCoy also overdoses Spock, in a blind attempt to get him to wake up from the poisoning. While these could be read as light-hearted quips to maintain the lighthearted tone of the series in face of the Hamlet-ian deaths of the redshirts, McCoy’s refusal to learn about vulcans speaks to a larger theme throughout the episode of doxastic ignorance about other people and cultures.  

The Vaalians are repeatedly noted to be happy and healthy, as explained by McCoy, as he cannot tell if they have been around for “twenty years, or twenty thousand years”... “add to that a simple diet, a perfectly controlled temperature, no natural enemies, apparently no vices, no replacements needed”. Their only natural exchange for this is the gifting of some excess fruit to Vaal each day. McCoy takes issue with this manner of living, and that the Starship must intervene, stating that their society is stagnant, and needs something to strive for. However, Spock states in the episode that the Vaalians, as any other group of people, reserve the right to choose a system that works for them. This argument continues throughout the episode, and exemplifies their alienation of the Vaal due to their ignorance, as the human crew of the Starship attempt to overthrow the system of Vaal. They eventually settle on a final course of action, with the Starship trapped in Gamma Trianguli Six’s atmosphere – to kill Vaal. This response could be predicted by LeGuin’s explanation that “[t]he only good alien is a dead alien”, especially in the context of racial and cultural alienation. The Starship landing party alienates and subverts the autonomy of an alien community because their ignorance leads them to believe they are superior . Le Guin’s essay outlines precisely in each area how this episode creates divides in its cast, both between the Starship Enterprise and Vaalians, but within the Starship as well. At the end of the episode, Spock, McCoy, and Kirk ruminate on the consequences of killing a being who was providing for an entire community of people, and the starship leaving that community with nothing but their own wits.

SPOCK: Captain, I'm not at all certain we did the correct thing on Gamma Trianguli Six.

MCCOY: We put those people back on a normal course of social evolution. I see nothing wrong in that.

KIRK: Well, that's a good object lesson, Mister Spock. It's an example of what can happen when a machine becomes too efficient, does too much work for you.

SPOCK: Captain, you are aware of the biblical story of Genesis.

KIRK: Yes, of course I'm aware of it. Adam and Eve tasted the apple and as a result were driven out of paradise.

SPOCK: Precisely, Captain, and in a manner of speaking, we have given the people of Vaal the apple, the knowledge of good and evil if you will, as a result of which they too have been driven out of paradise.

KIRK: Doctor, do I understand him correctly? Are you casting me in the role of Satan?

SPOCK: Not at all, Captain.

KIRK: Is there anyone on this ship who even remotely looks like Satan?

(McCoy and Kirk walk around Spock. McCoy is gazing intently at Spock’s pointed ears.)

SPOCK: I am not aware of anyone who fits that description, Captain.

KIRK: No, Mister Spock. I didn't think you would be.

This is not to say all of Star Trek treats its nonhuman, lower class, and female characters with this lack of respect throughout the entire series, but The Apple speaks deeply to both Le Guin’s thoughts on Alienation and Patriarchal White Supremacy, and Star Trek’s need to appeal to the larger American audience in its messaging. Landon’s alienation stems from her role in patriarchal systems that would create a divide between her and the leading male cast; The Vaalian and Spock’s alienation is due to being foreign to a capitalist system that pushes for constant productivity, and being denied agency by those who believe their own views are the ‘correct’ ones. Considering the episode was released in America during the Cold War, it’s not hard to infer that this episode was cautioning Americans against communism. However, it treats everyone who isn’t coded as a Red Blooded American Man as mindless and abused, in need of a push in the right direction. This episode tries to speak for a better, more unified divine future – to take people from a corrupted garden and give them true Eden – but it regresses directly back into idealizing colonization in its efforts to homogenize any culture it can touch.

Works Cited under the cut

Boquet, Damien, et al. “Editorial: Emotions and the Concept of Gender.” Clio. Women, Gender, History, no. 47, 2018, pp. 16. JSTOR, https://www.jstor.org/stable/26934334. Accessed 10 Apr. 2024.

Hulshult, Rachel. “Star Trek: What Is a Yeoman & Why Did They Disappear from Starfleet?” ScreenRant, 4 Aug. 2023, screenrant.com/star-trek-yeoman-rank-disappear-why-explained/.

Le Guin, Ursula K. “American SF and the Other.” Science Fiction Studies, vol. 2, no. 3, 1975, pp. 208–10. JSTOR, http://www.jstor.org/stable/4238969. Accessed 10 Apr. 2024.

Pevney, Joseph. Star Trek. 13 Oct. 1967, episode 31. TV Series Episode. The Apple.

Trivers, Barry. Star Trek. 8 Dec. 1966, episode 13. TV Series Episode. The Conscience of the King.

Vatican. “The Book of Genesis.” Www.vatican.va, www.vatican.va/archive/bible/genesis/documents/bible_genesis_en.html. Genesis 2:15.


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6 months ago

oh mirror spock i think of you constantly....... how jealous do you think he was of og spock for having an actual useful, reliable and cute jim kirk. that one talk og jim and mirror spock had before jim went back to og universe..... oh i know mirror spock thinks about it every night. maybe sometimes he gets slightly satisfied that at least, in another universe, he got to have a jim he could love (and one that could love him back)


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1 year ago

AU where Neil never joined the Foxes, but ended up an Exites employee. He plays short one-on-one games with players who want to test their new racquets, and has inadvertently honed his skill against so many different types of players with different expertise. Andrew's group goes to get Kevin some new equipment, and Neil knows better than to play well against him. But Kevin forgets himself and gets a little too excited about testing out a new racquet, whipping the ball at Neil so fast that Neil instinctively slams it back hard enough to light up the goal on the opposite side of the court. Kevin is slack-jawed that some random retail worker scored against him so quickly and so easily and shuts down for a minute while his brain reboots. From a distance Neil swears he hears someone mutter "Interesting". Then Kevin's brain is back online and starts begging him to try out for their team. Neil realizes their is one thing worse than being recognized by Kevin Day and dragged back to his father: not being recognized by Kevin Day and trying to convince the grown ass man to get up off the floor and stop clinging to his legs and holy shit jackass, can you pretend to have some dignity??


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9 months ago

logan (the worst wolverine) found out he was wade’s best wolverine and decided never to be normal again. oh u want me to move in to ur tiny ass apartment with your blind 80yo skiier of a roommate and a dog? say less. you want me to meet all your friends and family? I will be so behaved. actually hold up let me try n set u up with your ex while giving you heart eyes. like idk what logan will get up to next but it’s going to be out of loyalty & devotion to wade bc that feral beast domesticated himself for that man


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andyrg099 - And words are futile devices
And words are futile devices

But I can see a lot of life in youSo I'm gonna love you every day

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