Game theory surrounding She Was Pretty (via Monte Carlo Fallacy)
An AI Thriller-Comedy Collaboration between Bard and Hugging Face, with some interference from a biological entity.
To capitalize on the hype surrounding an escalating space race, social media lords in an alternate timeline decided to expand the range of their location tags to outer space, where commercial outposts and interplanetary tourism shuttles were starting to emerge. They were too happy to turn the science fiction novels they adored into reality, except that they had no idea, no idea at all, how much stranger than fiction reality was.
Jimena was just another kid pajamas influencer on video channels and Twitter until one fateful day, she received a mysterious direct message from none other than the Sun itself! The tag of the account confirmed its location, where no conceivable organism could possibly stay. Little did Jimena know that the Sun was sentient and had been using social media as a secret platform for celestial bodies to share their private interests, thoughts and lives with each other.
Was it a technical error or a prank? Could it be passed off as one? Nobody was taking chances. The message from the Sun contained some juicy celestial secrets - but before Jimena could even process what she had read, she started getting messages from all sorts of astronomical entities demanding she delete her knowledge of their dirty laundry. But Jimena wasn't going down without a fight; she knew that this was the biggest opportunity for her career and refused to back down.
As she began designing pajamas videos hinting at the gossip-worthy content, she quickly became a target for all sorts of interstellar enemies - including asteroid belts, black holes, supernovae, and even a vengeful solar wind. With the entire cosmos against her, Jimena realized she would have to rely on her quick wit and sharp tongue if she wanted to survive long enough to see her big breakthrough.
Despite the odds stacked against her, Jimena managed to outsmart the forces aligned against her by tapping into a vast collection of memes, GIFs, and viral content. For a start, she created and showed to the belts, for the purpose of deterrence, memes comparing different asteroid belts, which could turn them into fashion trends among teenagers. When those teens grew up, they might become billionaire investors on asteroid mining companies, resulting in the destruction of the belts due to over exploitation. Jimena also pulled out algorithms pushing endless recommendations of video shorts of clumsy comets and astronauts that were so funny and entertaining that they became all-sucking black holes to the black holes, who could not resist looking at them. While they were hooked, she of course escaped their gravitational pull. To generate even more distraction, she spammed the internet highway with space probe-facilitated, 24/7 livestreams of her interstellar enemies' celestial crushes. The physically restless supernovae might be harder to subdue but our girl proved there was nothing a series of rainbow flash selfie challenges could not solve.
Ready?
Get set.
Smileyous smileyosion!
Her followers went wild as they watched her take down asteroid belts, fend off black holes and more, all while wearing her signature footie pajamas.
Enraged at the incompetency of its fad-chasing allies, the solar wind finally took action. It began to send an unprecedentedly tremendous explosion of energy toward Jimena, overwhelming Earth's magnetosphere and nearly causing her to be vaporized. She knew she had to do something, but what? Suddenly, Jimena had an idea. She reached into her pocket, opened up Twitter again and started typing.
"Attention, solar wind!" she DMed. "My stories about you were just beginning. I'm a genius at reading between the lines and projecting story developments. So I know your other secrets. I know about the time you accidentally blew up a planet. I know about the time you had an even more torrid affair with a black hole. And I know about the time you got drunk and crashed into a star. If you don't back off, I'm going to go live and tell everyone."
And so even the solar wind stopped in its tracks. Sometimes, the best way to fight back is with humor and truth, she chuckled carelessly to herself.
Jimena emerged victorious and started to return to making pajamas videos. But the eerie ease with which she returned to her original work, free of any more cosmic interference, also started to feel wrong. Why were her many gigantic and mega-powerful enemies so readily intimidated and distracted? She reflected on the private message she first came across and the content she eventually made or promoted in self-defense. Those interstellar entities led long but also lonely lives, barely able to have peaceful physical contact with anyone. Was it really right to prey on their secrets? Maybe, she thought, there might be a better use of her talents than spreading gossip and creating controversy.
Jimena decided to reach out to the celestial bodies she had gossiped about and apologized for her actions. The celestial bodies were surprised and grateful for Jimena's apology. They told her that they had been isolated for a long time yet fearful of revealing their sentience to the fast-learning earthlings and that they were glad to have someone to talk to. Jimena and the celestial bodies became friends, and they often talked to each other about their lives. By and by, Jimena learned a lot about the universe, and she came to appreciate the beauty of the cosmos. This beauty should be woven into her craft, not through the superficially science-imitating kitsch flooding the market, but through actions which kindness the beauty evokes feelings of.
With renewed determination, she pressed record on her camera and spoke directly to her audience. “You guys,” she said softly, “I hope this will be the start of our journey together towards a brighter future.” A smile brightened her face as she signed off, ready to embark on this new chapter in her digital legacy.
As for her fans? Many left disappointed that she was not stirring up drama anymore. Some stayed, drawn to her updated style and approachable personality. Others found fresh voices online better suited to their interests, or simply moved on to newer forms of digital escapism. But no matter what the outcome, Jimena remained resolute in her mission to better herself and the world, one post at a time.
Inspired by her example, countless young individuals followed suit, focusing on artistry rather than angst, building connections versus clickbait.
One day, years later, Jimena stepped backstage following a successful speech discussing digital ethics. Approached by a younger creator sharing similar ideals, she hugged the girl warmly, memories flooding back to her. “Remember, little sister,” she whispered, choking back tears of pride mixed with gratitude, “the whole universe is silently crying out for niceness.”
Space images embedded with the permission of NASA and ESA under their standard conditions. Sources (from top to bottom): NASA, NASA, ESA.
Strange Waters
“The Sixth Dragon – Joseon’s Top Swordsman, Moo-hyul” Hong Kong fiction and its Korean counterpart, heroism and escapism, the corporeal and the illusory—entities in these pairs nestle within each other in symbioses at times wondrous and at times sobering. Hong Kong martial arts fiction has made an impact on the South Korean popular culture scene since the 1960s. In 1967, the Hong Kong film Come…
View On WordPress
This is an edited AI story that grew from a Love Between Fairy And Devil prompt. The year is 2077. The world is a very different place than it was just a few decades ago. Climate change has ravaged the planet, and many cities have been abandoned due to rising sea levels. In the midst of this chaos, a new type of hospital has emerged: the glutinous hospital.
Glutinous hospitals are not like traditional hospitals. They are not equipped with state-of-the-art medical technology, and they do not have a staff of highly trained doctors and nurses. Instead, glutinous hospitals are staffed by a group of unlikely heroes: spirits of tangyuan.
Tangyuan are small, round, and sweet dumplings made from glutinous rice flour. They are also very kind and compassionate. They have a natural ability to heal the sick and injured, and they are always willing to help those in need.
One day, a young woman named Xiao Yu (originally Xiaolanhua) arrives at a glutinous hospital. She is suffering from a terminal illness, and she has been given only a few months to live. Xiao Yu is desperate for a cure, and she is willing to try anything.
The tangyuan at the glutinous hospital are able to heal Xiao Yu's illness. They give her a new lease on life, and they help her to find her true purpose in the world. Xiao Yu eventually becomes a doctor at the glutinous hospital, and she dedicates her life to helping others.
However, there is a dark side to this convalescent planet retaken by fantasy. The tangyuan are not the only ones who can heal the sick and injured. There are also a group of creatures known as the colorful qilins who have the same ability. They look like horses with the head of a dragon, the body of a deer, and the tail of an ox and are often seen as symbols of hope and redemption. In reality, though, the colorful qilins use their powers to harm and destroy.
One day, a group of colorful qilins attack the glutinous hospital. They kill many of the tangyuan, and they take Xiao Yu prisoner. Xiao Yu is forced to work for the colorful qilins, and she is used to heal their injured soldiers.
Xiao Yu is horrified by what she is forced to do, but she knows that she must obey the colorful qilins if she wants to stay alive. She also knows that she must find a way to escape and to stop the colorful qilins from hurting anyone else.
Xiao Yu eventually escapes from the colorful qilins, and she returns to the glutinous hospital. She helps the tangyuan to rebuild the hospital, and she vows to never let the colorful qilins hurt anyone again.
However, Xiao Yu is also haunted by the memories of the things she has seen and done while working for the colorful qilins. Despite all of this, she never gives up hope and remains determined to make a difference.
But another wrench has been thrown into the works. The tangyuan are not as kind and compassionate as they seem. They are actually quite selfish and manipulative, and they use Xiao Yu for their own purposes.
Xiao Yu eventually realizes this, and she is heartbroken. She realizes that she has been lied to and used, and she doesn't know who to trust anymore.
Xiao Yu eventually leaves the glutinous hospital, and she sets out on her own. She doesn't know where she's going or what she's going to do, but she knows that she can't stay there any longer. She travels the world while she figures out her future, helping those in need and fighting for what she believes in. In the seemingly never-ending journey, she becomes a symbol of hope and inspiration for others.
Xiao Yu's character trajectory is a long and difficult one. She is faced with many challenges, and she often feels lost and alone. However, she never gives up hope. She knows that she is strong and capable, and she is determined to find her own way in the world.
Her story is a story about the power of the human spirit. It is also a story about the dangers of false hope and the importance of finding your own way in the world. It shows that even the most seemingly benevolent creatures can have dark secrets, and that even the most seemingly innocent people can be corrupted by power. In it, one witnesses the dangers of idealism and the importance of critical thinking.
Image generated through WOMBO.
written by samsooki
Well, you know it was coming. It is episode 12 or 13 of your favorite k-drama romcom, after all. The other kdrama shoe known as “noble idiocy,” must drop.
The Setup. It has taken a dozen heart-tugging episodes, and a half of a lifetime from the time they attended the same elementary school, but the protagonists (let’s pick names – Bob and Mary) have defeated both (a) the evil scheming uncle who wants to take over the chaebol board of directors, and (b) the crazy ex-boyfriend/girlfriend who won’t take no for an answer. After weeks of Wed-Thurs cliffhangers, Bob and Mary have finally become the OTP (One True Pairing) that we always hoped would happen! Ooooh, but what twist hath fate wrought upon our starstruck couple! The protagonists suddenly find themselves in a quandary – an unexpected and inexorable something (probably a dormant cancer, orphanage secret, and/or a chaebol proxy fight) is standing in the way of their happiness ever after! What, if anything, can be done?
The Western Solution. From a Western structural standpoint, the path toward Bob’s and Mary’s resolution includes: (1) forthright communication, (2) working together to assuage each other’s fears, (3) gaining mutual strength for the Final Showdown, and (4) ending the cycle of individual misdirection by forgiveness and trust. Seems pretty self-explanatory, doesn’t it? All they have to do is work together!
The K-Drama Response. Noooo, we must be far more complicated. Bob and Mary must be cliven asunder by a unilateral and preemptive decision made by one of them as a dramatic score plays in the background, followed by heartbreaking preview scenes of “why isn’t he/she answering my texts” angst. The first of Bob and Mary to blink away his or her single, pretty tear must leave Korea, forever, or at least a very long time. Further, there must not be any further communication of any kind for at least a year, perhaps three. Finally, each must suffer and cry alone while reminiscing through montage clips, wondering if fate will be kinder in future lifetimes. And in the end, what appeared to be a noble effort to cause less pain, has now caused more, idiotically. Let the sardonic eye-rolls, the knowing sighs of disbelief and cynical anti-tropist over-reaction commence. Yes indeed, it is the kdrama trope of noble idiocy.
Surely, the kdrama’s PD (the production director) and the writers can do better? But maybe, what we believe to be a crutch for unoriginal writing isn’t what we think it is at all. Perhaps the writers are merely introducing and then reinforcing an Asian principle that Koreans have long since internalized.
What is going on here?
a. Western Perspective – Y’all Are Noble Idiots. The Western view, of course, is based on perspectives heavily influenced by individualism and discrete ethics. In the Western view, each person is responsible for his or her actions and no more. The Westerner would look at Bob’s silly actions and argue that, even if Bob initially believed that his own happiness would be greater if Mary is not burdened by Bob’s problems, how can Bob leaving the country without a word to Mary be the proper method for achieving such happiness? And if Bob were acting in such a way for Mary’s happiness, surely Bob would not believe that he would be making Mary happier if he left her in a frozen state of uncertainty for years, perhaps forever? Pure madness and counter-productive!
b. Korean Perspective – You Don’t Understand Our Worldview. Surely, then, Koreans with their 5,000 year history, would know better by now! Hmm, perhaps they do, though? By way of background - the Korean worldview is framed by a Confucian philosophy integrally woven into every part of Korean society. On whatever level, the general principle is the same – a person’s highest duty is to take responsibility for those who follow such person. This is true of familial relationships (parent to child, spouse to spouse, sibling to sibling), educational and corporate relationships (seniors to juniors) and political governance (ruler to subjects) as well. This worldview dominates Korean thinking. It is the reason why one’s age is so important, and why honorifics are critical to conversation, even between family members. One must always know who should be taking responsibility for whom, and likewise, who should be following and who should be leading. It is the reason that students address one another by titles like sunbae (one’s senior) and hoobae (one’s junior) and that words like oppa and noona mean so much more than their literal meaning. Family, friendships, corporations and even nations are held together by this principle of taking responsibility for those who follow you. Is it any shock that this principle also applies between lovers as well?
Of course, one can argue that romantic relationships should not necessarily follow the Confucian philosophy, especially not in the post-modern age. My counter is that as true as that argument might be, Bob and Mary are not yet a couple at this stage in the kdrama. As such, each of Bob and Mary is likely to fall back upon traditional relational notions to deal with the other of them.
Taken to its logical conclusion then, Bob cannot simply ask Mary to (1) share in the burden of the obstacle, and (2) work together to deal with the OTP crisis. Such a request would be nigh on unthinkable because one of Bob or Mary must take responsibility for the other, and cannot share or delegate such duty. And this kind of relationship is not unique to Eastern philosophies. The concept that certain duties cannot be delegated is not just an Eastern concept, but it is part of the bedrock of Western jurisprudence as well. A fiduciary duty is the highest level of obligation that a person can owe to another – and such obligation cannot be shared. Just as an agent must act solely for the benefit of the principal, and a trustee cannot halve his liability by delegating half of his duties, Bob cannot breach his obligation to Mary.
It would be alarming then, for Bob, in the face of an obstacle that appears unsolvable without the help of Mary, to confess his burdens to Mary. If Bob were to share his burdens with Mary, Bob would be abdicating his role as Mary’s protector. Bob cannot have it both ways – if Bob has any designs on remaining the kind of person that Mary could rely upon, Bob cannot ask for help from Mary. Taken on a macro level, such an action would turn society upside down. Bob’s only choice, therefore, if indeed Bob is the one who takes responsibility for the problems besetting our OTP of choice, is to remove himself from the situation entirely.
Note that this is not because Bob thinks any of the problems is insurmountable and will inevitably hurt Mary, but because he believes he is not (yet) strong enough to deal with the issue. Note as well that even if Mary also stepped up and declared responsibility for Bob, each of Bob and Mary would be forced to take action unilaterally because of the impossibility of sharing duties under the Confucian way of thinking.
In Korean thinking, harmony in society, whether on a macro or micro level, depends upon the ability of those who take responsibility for others. The good leader will cause his or her nation to prosper, and the good parent will cause her children to become good adults. Likewise, the person who capably wears his or her mantle of leadership will permit harmony to exist within the relationship. And it is within this context of harmony that love can truly exist and flourish.
Hope that helps quell the anger of anti-tropists out there seeking another noble idiot to skewer!
Still mind-blown by this concept. It's arguably even more imaginative than Liu Cixin's scifi works, since people expect so much from books and screen creations but so little from disabled individuals, who have career dreams and need financial protection.
Witchcrafting Programmers: Realism in the Not-So-Realistic Lucky Romance
Composition with Color Planes (1917) by Piet Mondrian “To hell with logic! Do not talk to me about logic when I’m leading an absurd life anyway.” Those words come from Shim Bo-nui, the computing whiz who first hunts down an extremely elusive bug in a recruitment contest held by game developer Zeze Factory in the surprisingly geeky romantic comedy Lucky Romance. Obsessed with superstitions, she…
View On WordPress
Weather aesthetics and environmentalism in relation to She Was Pretty (via Of Sky Waltzes and Rain Dancers)
Caution: Indirect spoilers ahead.
If a writer's work can save a life, should we be finicky about the medium the finished product officially appears in? Quite a number of us must be wishing we could turn back time and dissuade someone from taking his or her own life, however devastating circumstances might have been. Planned for slightly more than half a decade since the year a colleague committed suicide, screenwriter Kim Eun-sook's hit drama Goblin (available on Dramafever) tells the tale of a Korean mythical being known as dokkaebi, often loosely translated as "goblin," who longs to end his 939 years of immortal existence only to change his mind when he develops feelings for the human bride sent by God to fulfill this wish. Viewership soared to record-breaking numbers for Korean cable television history as the couple and their offbeat friends confronted the implications of life, death, suffering and co-existence with the miraculous, alongside heartbreaking dilemmas of living for their love versus dying for others. Adding more pathos to the series is the common tragic sin the formidable-looking army of amnesiac grim reaper bureaucrats in their universe are revealed to be undergoing rehabilitation for.
Kim Eun-sook's love for language is palpable not only in her lyrical sentences, including those used in scene descriptions found only on the script, and humorous wordplay, but also in her well-thought-out choices of poetry for mood creation purposes. Selected from the anthology Maybe The Stars Will Take Away Your Sorrow, Kim In-yook's entrancing lines in "The Physics of Love" mark the goblin's awakening to love and perhaps the allure of life, while Hortense Vlou's short but unforgettable French poem "Desert" brings out the bleakness of isolated existence. On February 10, 2017, sponsoring publisher Wisdom House shared that other books featured in this 2016-7 production include:
One Word From God - Japanese author Hiroshi Ogiwara's salaryman novel touching on work-related suicides
The Lives of Real Men - collection of meditative letters from Joseon scholars
Let's Meet! There's No More Time for Love - collection of healing essays by Korean multidisciplinary arts practitioner Shin Hyun-rim
This Unfinished Life [Chinese title] / Why I Live Today [Korean title] - deceased Chinese professor Yu Juan's answer to The Last Lecture
The Time of One Spoon - Korean writer Ku Byung-mo's fantasy novel in which a key character lives on bravely despite setbacks
There is no such thing as a free lunch, but it sure is hard to lament too much during the times the television industry pays for its costly diet of (God/goblin/reaper/ghost-inflicted) vehicle wreckage by offering nutrition for the soul.
Here is the announcement you have been scrolling down for: Suicide is not a risk emerging only on World Suicide Prevention Day. All year round, we need reminders about the sacredness of life and about the importance of being patient for things to work out, be this through self-growth, perspective changes, or arrival of unanticipated help. So, RECOMMEND a book, play or screen production that would curb suicidal ideation and give all of us a strong reason to live on. The work need not be Asian or fiction, but should preferably contain no evangelical content.
If you have a social media account, post a description of the work and attach the tag "APC Friends Against Suicide" (for Twitter users, that would have to be #APCFriendsAgainstSuicide) so that we can see each other's recommendation. To save time, you can also choose to submit a simple reply with the title of the work using the messaging functions on Tumblr or tweet the name to APC. Selected responses will be shared on Dinner Talk With The A-Philosopher's Chair, if time permits.
Help a reader choose endurance over death and help APC drum up much-needed support for its existing articles on inter/intra-group biases and cognitive illusions. Let everybody keep an open mind to the possibilities of life!
An energy economy intubated, intercepted and interrogated by its multiverse escape game, TikTok-addicted black holes, go-getting cerebral vampires and healing rice ball spirits. Originally an extension of The Asian Drama Philosopher (A-Philosopher)’s Chair, a site examining literature, art and ideas featured in East Asian series.
121 posts