When Mathematics Meets Politics in a Lunchbox
Every time a grisly murder ordered by his father, King Taejong, takes place, King Sejong despondently buries himself in magic squares—n x n matrices in which each number from 1 to n2 appears just once and the sum of numbers in each row, column and main diagonal (a value known as “magic constant“) is identical. But the troubling news would not leave him alone in this introductory portion of Tree…
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“Is there a taste you want to remember?” In a quaint alleyway in the heart of Seoul, a scarred, reticent chef known only as “Master” operates a low-key eatery from midnight to seven in the morning. The menu has just one modest dish, but patrons are free to order whatever they want. Night after night, various sorts of workers drop by and share their woes and joys over the hearty dishes, while…
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Reminder: The point is not to demonize anyone, but to get a better look at fault lines so that we can mend them and become one. Note also that selection of "None of the above" for the above question does not always reflect stubborn discrimination. The question is after all whether the series has expanded your possibly already wide-ranging knowledge of the subject matter or made you feel more for autistic persons than you already felt.
May the wages, employment rates and mental health indicators of autistic communities around the world soar in the years to come.
"No hearing is sharper than that which can hear silent soul-quakes and muted battle cries.
No sight is more acute than that which can see a real tomorrow where a beggar's child and a president's child have the same odds of receiving a maximally uplifting and productive education."
—Her Excellency Ilera, non-hearing founder of the Extratemporal Serenetics Habitat
100% Human-written. Not quite the last we're seeing of Ilera.
Here you can see some of Puuung’s lovely illustrations. “Love” is something that everybody can relate to. And “Love” comes in ways that we can easily overlook in our daily lives. So, She tries to find the meaning of love in our daily lives and make it into artworks. These are a part of her illustrations. Please visit her portfolio on Grafolio. We hope you enjoy more Puuung’s works. http://www.grafolio.com/puuung1
Everyone else's reaction to The Acolyte: Not DEI again.
Your soapbending T-Rex: Moar, MOAR!
Announcement: 2015 AlKemist Awards
After toiling for months, The Asian Drama Philosopher (A-Philosopher)’s Chair‘s inaugural year-end special is finally out! What is the secret behind the name A-Philosopher? Which 2015 productions reminded Asian drama bloggers of magic spells? What were some of the memorable elements of 2015 Korean dramas and outstanding art, literature and ideas featured in them? What were the highs and lows of…
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Many people in the Asian drama-watching community know of 2011 Chinese production Scarlet Heart (available on Dramafever) as a girl-meets-many-boys time-travel romance, but the rich cultural tapestry within perhaps deserves more credit. Over 35 episodes, viewers are treated to an eye-opening array of Qing costumes, headdresses and jewelry as well as fascinating references to various Chinese teas and snacks. The talented but doomed eighth prince, for instance, is described as favoring “Rizhu Snow Buds” or “Day Cast Snow Buds” (a word-by-word translation; Rizhu is actually a geographical location)—a type of green tea which name is thought to conjure up an image of beautiful snow melting away with the rise of the Sun, leaving only sadness in its place.
Certainly, too, the drama includes a great wealth of literary references, of which a Tibetan poem and a passage by Chinese philosopher Zhuangzi have been discussed on this site before. As a sample of the plethora of Chinese prose and poetry also woven into the script, below are the poems in scenes corresponding to some of those aired in the Korean adaptation so far:
1. The eighth prince sends the heroine, Ma’ertai Ruoxi, Song poet Qin Guan's “To the Tune of Magpie Bridge Immortal,” an extraordinarily spectacular and romantic poem that provides much comfort to couples in long-distance relationships. Its lines would solve the supposed mystery of the above headline. (Original text | Translation)
2. He next sends her “Fallen Low,” a succinct and highly rhythmic work which historically has different interpretations bound by the common theme of human-inflicted suffering. (Original text | Translation â one of the interpretations)
3. When Emperor Kangxi orders Ruoxi to explain why she calls him a good ruler, she quotes the lines "But alas! Qin Shihuang and Han Wudi [...] Look to this age alone” from Mao Zedong’s “Snow.” They may sound sycophantic to modern ears but mark the start of their friendship. If we put aside political differences and regard its mentions of archery and literary prowess as mere symbols of less advanced stages of human civilization, the poem is additionally a reminder that the best need not be in the past — the sources of our problems may also be the sources of our solutions. This is a dose of optimism the world at large can benefit from as it grapples with political, economic and environmental upheavals. (Original text | Translation)
It is unfortunate that time constraints prevent The Chair from listing the numerous other classical texts referenced and far more so that few Western-language drama review sites seem to take a profound interest in East Asian literature. The analysis of the portrayal of regional literature in East Asian dramas is a niche area in cultural critique is badly in need of new blood and, pun intended, a few more scarlet hearts.
Kelp diet must have played some part in Human's air nomadhood, which certainly has its downsides. On the other eight-trigram-palm hand, the troubled, wounded Earth all of us are stuck in need to go beyond taking sides. The real camp we need to join is Alternatives. Take up arms not by pulling up yet more rifles but by brainstorming and refining fresh ideas.
None upon a time, a clerk named Sunshine was so utterly repulsed by his soul-sucking job, which was barely funding his occasional time travel jaunts, he tried many methods to jazz it up—task gamification, plugging in to groovy music, sprinkling more decorations over his dedicated workspace (before the grand comeback of hot desking). Finally, he wondered if it would help, counterintuitively, to reduce the jarring contrast between his work hours and non-work hours and pioneered the hobby of adminpunk—remaking bureaucratic mouthpieces into pop songs, common email refrains into romantic dance shorts and his best public deliverables into glowwave art pieces. Sunshine became so engrossed with adminpunk he bemoaned he did not have more publicly disclosable material to work with. And so, he started to sieve through history for pinnacles of human success he could reverse-engineer into meteoritins, hyperspread bulletins that marked moments of great dreams or great devastation or both. That was where he became fascinated with the intriguing figure Ilera's legacy. The following was a meteoritin Sunshine typed up:
"The Inter-Time Ethics Agency (hereafter 'the Agency') has imposed temporal ethics courses and non-disclosure agreements in relation to technology transfer on time travelers and tight quotas on time travel journeys to minimize butterfly effects capable of reversing births across generations. These reversals are now regarded as a form of death to otherwise existing individuals. While it is acknowledged that much controversy surrounds the preventive measures, which carry their own downsides such as temporal inequality and epistemic bystanderism, the Agency has come to the consensus that the wipe-offs of existing lives on the timeline is the greatest of all harms.
Nevertheless, heeding the calls of campaigners behind the All-Time Freedom of Movement, the Agency has conducted public consultations to seek a greater balance between birth reversal prevention and mobility rights. One of the outcomes of the consultations is the construction of the Mink Membrane Network, a brainchild of Her Excellency Ilera from the Extratemporal Serenetics Habitat. The commencement of network operation as a mode of time travel is scheduled to take place concomitantly with the abolishment of time travel mechanisms involving moa/antimoa manipulation.
Aspiring time travelers wishing to proceed with their journeys despite exhaustion of quotas for the year shall utilize the network and, in so doing, agree to having their age group and gender swapped to whatever are more disadvantageous at their geotemporal destinations. If their own age group and gender are the relatively disadvantaged demographics at those destinations, the travelers shall have their skin converted to a wood-like appearance on arrival. These changes are excellent learning opportunities and will be undone on return.
Since mental alterations are seen as unacceptably invasive, in the absence of overwhelming neurological need and even with free consent, at the time of this decision, nothing in the network is to modify any time traveler's gender identity (including any pre-existing transgenderness or agenderedness) or religion. Because gender psychologies remain the same such that declared or apparent gender identity can be deceiving, unlike the case of natural transgenderness, physically gender-swapped time travelers must adhere to etiquette codes explained by local culture coaches stationed at their arrival points and enforced by time patrols.
To honor Her Excellency Ilera's triumphs against the many adversities that marked her life as a non-hearing, self-taught slave who escaped from her time to pioneer the field of tempochemical science and engineering as well as the above-mentioned habitat for time refugees, members of organizations which percentages of employees from demographic groups marginalized in their times match or exceed the percentages of these groups among their respective general populations shall enjoy priority in the processing of applications for time travel."
100% Human-written. A lengthy epilogue for Confession 91-02
An energy economy intubated, intercepted and interrogated by its multiverse escape game, TikTok-addicted black holes, go-getting cerebral vampires and healing rice ball spirits. Originally an extension of The Asian Drama Philosopher (A-Philosopher)’s Chair, a site examining literature, art and ideas featured in East Asian series.
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