Aelwyn is sixteen and preparing for midterms at Hudol. Uniform pressed and starched, head full of incantations and spell components. She doesn't mean to bump into Adaine and get orange juice all over her shirt but today isn't the day she's going to start showing weakness.
"You know, you really should watch we're you're going," she says archly, playing off the clumsy mistake as a purposeful jab.
Playing it off a bit too well because, the next thing she knows, Adaine is flipping her off and a bolt of queasy looking, green energy is coming towards her. Ray of Sickness. And she can't spare the spell slot for Counterspell because she needs it for her exams.
"You little bitch!" Aelwyn says once she's emptied the contents of her stomach down the front of her shirt.
"Good luck with your exams," Adaine says sweetly.
Aelwyn is eighteen and the oldest, mangiest cat she's ever seen in her life has just vomited on her shoes.
"My," she says, casting a shield spell around her ankles to stop the cat from clawing at them. "You weren't kidding. He is a little bastard, isn't he?"
The shelter volunteer looks mortified. "Oh, gods! I am so sorry. I tried to warn you--I mean, not that I'm blaming you but--"
"No, it's alright. I did ask you to show me stragglers."
The shelter worker gestures to another pen on the other side of the room. "I can show you the kittens we just got in or there are some very well behaved older cats as well if you'd--"
But Aelwyn cuts her off, scooping up the old cat--though she holds him at arm's length for now, just to be safe. "No need. I haven't changed my mind. I'll take this one." She looks at the tag on his collar. "Hector."
Aelwyn is three and, as of a month ago, no longer the youngest Abernant.
She's had baby dolls in the past but never a baby sister and this is exciting new territory. She's full of questions. When is she going to be able to walk? When is she going to be able to talk? When will she be old enough to have lembas bread instead of formula?
Her parents seem less fascinated by the new addition to the family than she is but her mother is amused when she slaps away the hand of a colleague of her father's who tried to touch Adaine before sanitizing his hands, standing between the much larger man and her sister.
"So defensive. Perhaps she'll be an abjurer."
When Aelwyn asks what that is, her mother says that it's a kind of magical protector and she likes that a lot. That sounds like a good thing to be.
At night, Adaine cries. Except, she doesn't hear it because the mobile above her crib is etched with runes that cast the Silence spell.
"But what if she gets hurt?" Aelwyn asks.
Her father brushes her off. That's what the Unseen Servants are for. But she thinks that's what an abjurer might be for too and even though she isn't one yet, that doesn't mean she can't start practicing.
So, every night, Aelwyn waits until her parents have put Adaine down for bed and then tiptoes into her room. She checks to see if Adaine is silently wailing and if she is (and even sometimes if she isn't) she presses her face between the bars of the crib and sticks her little hand over Adaine's face.
"Don't cry," she says, even though the Silence spell mutes her words as completely as the tears. "Mum said I'm an abjurer. Nothing will get you. Don't cry, baby."
Adaine grabs her hand with impressive grip strength for something so small and, within a few minutes, she's trancing peacefully.
Aelwyn is seventeen and her sister is off to save the world again. This time from a Night Yorb--whatever that is.
It feels cruel that Adaine should have to go risk her life again so soon after she just almost died--not almost died, she did die before being raised by her cleric.
She wants to come with, to help in some way. Surely she could be helpful--last quest they brought Gilear for Helio's sake!
But Adaine doesn't ask her and she can't bring herself to say the words she needs to have the conversation she wants. So, instead, she lightly whaps Adaine on the shoulder with her spellbook as she's packing for the quest.
"I know you haven't done much studying lately what with your grades being based on how many hobgoblins you kill or whatever ridiculous system Aguefort has cooked up," Adaine rolls her eyes at that, "But if you don't mind a little cram session before you leave tomorrow, I can show you how to cast Teleport like I said. Might help you stay a touch less dead on your quest."
Her tone is light but her eyes betray her: Please, please, please don't die again.
Adaine's expression softens but then she scoffs, playing her half of their game. "I don't know what a Hudol dropout who's been in jail for the past year is gonna teach me but do your best."
Aelwyn is seven and her father is cross with her.
"Really Aelwyn," he says and even though they're talking via crystal she can feel the frost of his glare. "You thought it was appropriate to call me at work for no good reason? How many times have I told you and your sister to not bother me while I'm working."
She hates the word bother. She doesn't want to be a bother. She tries very hard not to be. Maybe she just didn't explain herself well enough.
"I know, father. But Addy got really scared and panicky on the playground. She was breathing really hard and--"
Her father makes a noise of disgust. "I don't have time for this. She is in primary school now. Stop coddling her. And her name is Adaine, not Addy. Please speak properly. I'm raising you better than that."
He hangs up before she can say anything else.
Aelwyn is eighteen and most of the claw marks on her arms have healed, which is nice. On her lap asleep is Hector who has apparently decided he likes her enough to use her as a radiator but not enough to submit to medical treatment without using her arms as a scratching post.
"You little heat vampire," she says as she slides her thumb across the screen of her crystal, searching for a video that will help her out. Eventually she finds one that looks promising and she calls it up.
On the screen, a halfling is standing next to a cat who is actively shredding her sweater with its claws. "You're going to be tempted to use some kind of a shield spell when applying the ointment," says the halfling. "But cats can smell abjuration magic and they don't love it. You won't get close enough to do the job. Isn't that right my darling?"
In response, her cat hacks up a hairball.
"Darling indeed," she says under her breath.
But even laced with sarcasm, the word is sweeter against her tongue than she anticipated.
She sinks her hand into Hector's fur and scratches his back for a few moments before tentatively speaking aloud. "Sleeping well, my darling?"
Hector says nothing--he's asleep and a cat. But warmth blooms in Aelwyn's chest--more than enough to make up for what Hector is leeching from her.
Aelwyn is seventeen and her father has just given her the most horrible command she's ever received in her life--and she's counting being made to sink a ship full of people in that calculation.
She knows her father doesn't expect her to delicately extricate the knowledge he needs from Adaine's mind. He expects her to get it at all costs. To ransack and pillage the memories if necessary with no heed of the consequences on her psyche. He'd probably prefer it that way--the more broken Adaine is, the easier it will be to mold her into a version of herself that is more useful to him.
Aelwyn is usually a smooth talker and a convincing liar but now, she stumbles all over her words, babbling out a stream of deflections and pleas as her heart squeezes tighter and tighter in her chest until she can't hold back the truth that she's been suppressing for years anymore.
"Adaine's just…she's a baby."
Aelwyn is eighteen and her apartment is full of cats.
She's always thought that the phrase, "One thing led to another" was a bit of a cop out--clearly there were key steps between point A and point B being glossed over--but in this case, there is truly no better way for her to articulate how she went from zero cats to ten cats in such a short amount of time.
She's sure that if she was still living with Jawbone, he'd have something to say about it but that's exactly why she isn't currently living with Jawbone.
She portions out food for all of the cats, saving Hector for last because he likes to eat curled up next to her.
"My darling baby boy," she says, lifting him onto the couch with her because the jump up is a bit much for him and his old bones. She kisses him on the top of the head and then pulls out her crystal. She scrolls mindlessly for a bit before checking her messages despite the fact that there's conspicuously no notifications.
Not that she has many people to expect texts from but she hasn't heard from Adaine in a few weeks and it's unsettling. When they weren't getting along, they were still living under the same roof. She was able to keep tabs on her, more or less. Now, they're closer than they've been in ages but barely talking.
I'm the older sister, I suppose, Aelwyn thinks. I should take the initiative.
She pets Hector with one hand and drafts a message with another: Are you alive, bitch?
She's about to press send but then she frowns and deletes the draft. After a few moments of thought, she taps out a new message: Can't believe I'm gonna say this. Miss my little sister. Everything all right?
Aelwyn is seventeen--though she doesn't feel like it.
Her mind is telling her that she's sixteen and that she was just been broken out of a jail cell in Solace but Adaine is telling her that she's just been broken out of an entirely different prison after being tortured for months even though she doesn't remember any of that.
But her body feels frail and Adaine says she's been in her mind which means she must have used the hard reset.
She's suddenly feeling very vulnerable--not because of the disorientation or the of the levels of exhaustion she can feel weighing on her like leaden chains. No, it's because of the fact that Adaine using the reset means that she must have read the treacle-y note that she left there for her to find.
It was just an insurance policy, she tells herself. There was wisdom to buttering up your savior to make sure she'd do what you needed her to do.
She manages to mostly believe it. But the small, truthful part of herself that knows how deeply she meant the words is so uncomfortable that she antagonizes Adaine until she's annoyed enough to hit her with a spell, sending her into blissful unconsciousness.
Aelwyn is nineteen and she's going to kill her mother.
Well, not alone of course. Adaine deserves the kill at least as much as she does if not more. It'll be a group effort.
It's a strange mix--the cold fury at her mother mixed with the warmth she feels for her sister, sitting across the table from her. She summons a flame to her palm, a preview of what their mother has waiting for her. She watches Adaine's eyes harden with resolve and she sees the face of her baby sister, left to wail alone silently for hours, soothed by her presence. "Let's get her."
"Yes, my dear," she says, the endearment coming freely as if this has always been their dynamic. "We'll get her."
But there will be time for that later. Right now, it's time for ice cream and seeing Adaine so content in such a simple pleasure causes the warmth in her to surge so suddenly that it would be startling if it wasn't so pleasant. The urge to voice it is so powerful that she doesn't know that would have been able to stop it at any point in life, let alone now.
"I hope we get to eat ice cream and cast magic forever," she says, words that would have been impossible for her to say one short year ago and impossible not to say now.
And, to her delight, Adaine agrees.
And now it’s a rat
Why is the adult in the room a fucking cat?
All I want is to share my dnd campaign ideas with my friends! I want to share the things I love with the people I love! But I can’t! They are playing in the campaign! Life really just keeps sending me hurdles.
I do hope they don’t notice how many ideas I’m stealing from naddpod and d20 /j. They will almost certainly notice
she had taken all of the pronouns in my poems and turned them masculine. every she was he. every her was him. i wrote about women dipping their hands into the honey of my chest and she had changed it in this stark, violent way. men now, in my work. in my ribs, i guess. how odd, to stare at it.
i write a lot about worshipping at the knees of my girl. what sapphic can resist the allure of chapel-talk, the divine nature of what is ours and ours alone. her hair in your shower. her chapstick melting in your car. when we say holy here, it is a different meaning. it is the smithing of our own haloes from mix-tape cds. no hammer to the anvil - only our own palms, skin scorching. forging every astral ray with the prayer please don't leave. our bible a history that is never taught in high school. we shape a church from the tent of her arched back. what other word for hymn but her voice. her moaning.
a poem can be stripped of its component parts, maybe, but can it still breathe? is it still the same ship? the words this woman changed, biting and spiraling up at me: my man is holy. i worship at his feet. he is the divinity of saturdays and the wheat of my communion and he is the hushed summer's glorious release.
it's common knowledge that you can say a word too-many times, and then it loses meaning. but here was something new: it wasn't that the words had lost meaning, but rather that they had shifted in the air somehow and turned radioactive to me. all of my words were otherwise unchanged, except for the unkind and glowing eye of him.
ivory-tower glowing in my aorta, i thought about talking to her on the sanctimonious and erudite level. telling her: a poem can be changed, can be erased or added to or demolished or reconfigured; but we do try to respect the original author. i would tell her i would have preferred her not change only the pronouns; that her actions felt like censorship rather than collaboration.
in front of me: you cannot cut him out of me, i was made to love him. no scrubbing, no penance. i will always come back to this house, come back to loving men.
i thought about telling her why her actions were cannibalism, not care. i would tell her about being 18 and pressured by my catholic family to accept a man as a partner; how i'd dated him for 5 years before being able to escape. how abusive he had been. how he had made me kneel in front of him - that i wasn't using the word worship idly, but rather as a reclamation. how i had to be re-taught even the concept of faith. how when i learned peace again, it was by the hand of a woman.
i thought about telling her about the wound behind it, the unceasing loneliness. i thought about telling her shape of the small and quiet hours; the fear; the endless and unpretty nature of just being queer. i thought about saying: all of my work comes from a place of pain.
i thought about telling her everything. when i finally found the words, it was only one: why? in that was the summary of all i felt: why not write her own poem? why change it so violently? and why choose my work, if she disliked it so much? why me?
i imagine she shrugged when she responded. all i got was a single sentence: "i really like your work but i want to be able to enjoy it without being made uncomfortable."
on her insta, her pinned post is of her boyfriend - now husband - proposing. they were married in 2023. congratulations. i really do hope she's happy.
i hope one day it stops hurting.
I don’t think anyone understands how much I love Izzy Roland as Jack Manhattan.
His name is Manhattan. He’s from Brooklyn. He’s working in LA. He’s taken down more terrorists than most FBI agents. His partner was killed by the Belgian mafia. He’s a 58-year-old divorcee who is getting divorced another time. He’s a mom. He shoots his gun at doors and misses. He acts like he has a concussion. He doesn’t know how to use a gun but he wants one anyway. He makes out with his own reflection. His catchphrase is “cock-a-doodle-doo bitch.” I’m in love with him and I’m a lesbian
A dildo lawnmower came out and it wasn’t the craziest thing to happen in that episode. This season is really just on another level of chaos
You are loved.
Reference here
The Green brothers make me feel okay. Like I can do this, even if it’s harder for me than it is for other people
i know people make these kinds of posts with fictional characters a lot but like. hank green truly is one of The Most Guys Ever. like. he's one of the earliest youtubers who is still on there. he's a 43-year-old tiktok star. he's a science educator. he got cancer and his response was to make a tier list of the press's coverage of his cancer announcement. the president of the united states sent him a message of support and he told the president that he was pissing out the cancer. years earlier he was diagnosed with ulcerative colitis and his response was to write a polka song about it. he created vidcon. he's the ceo of a company that produces a shitton of educational series (well, not acting ceo at the moment due to the aforementioned cancer). his guitar says "this machine pwns n00bs" on it. he invented 2D glasses. one of his earliest videos to get popular was about animal sex. between him and his brother, he was known as "the science one" (or "the music one") while his brother was "the writer one," and then he wrote two new york times bestselling novels. his most controversial opinion is that butt is legs. he's done so many things that there is a website dedicated to counting the number of days since he started a new thing. he and his brother use their internet following to (among other things) fight maternal/infant mortality in sierra leone. he has a baked bean furby. hes even bisexual
Paper Towns is an amazing deconstruction of the manic pixie dream girl trope.
I don’t understand how anyone could read “The fundamental mistake I had always made…was this: Margo was not a miracle. She was not adventure. She was not a fine and precious thing. She was a girl,” and not understand that the whole of point the book is that Margo is not a mpdg and that Q is wrong for treating her like one. The whole of the book is that Margo wanted to cultivate this image and persona but ultimately it just makes her feel worse.
This quote from Margo summarizes a lot of it: “I was the flimsy-foldable person, not everyone else. And here’s the thing about it. People love the idea of a paper girl. They always have…Because it’s kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way.”
Growing up, I felt this so much. All of this pressure to be funny and smart and pretty and perfect, but the truth is that no one can be all of those things all the time. We are all people, with all of the complexity that that entails. When we pretend not to be, we lose out on having people love us for all the parts of ourselves.
So much of it is related to being a woman too. This pressure to make ourselves smaller so that we can be a supporting character. Every time I show a man that I know something he doesn’t, I can feel how uncomfortable (at best) and angry (more likely) they are. Paper towns is a great reminder that I am not here for anyone else’s development. I am my own story.
I really love that they just started at the end of the Night Yorb thing. Ignoring it completely or making the whole season about it would feel cheap; this was perfect. With all the new NPCs and the level up, it really felt like an actual adventure. Having some of the NPCs die was a great way to create stakes without making something as devastating as Crown of Candy. Really adds to the feel of “you’ll always be this tired forever.” So excited for the next episode!
Can’t believe a few episodes ago they were fighting sex robots and now they are fighting multiple gods. At the same time. Man, things change fast