INTERVIEWER: It’s Hard, Given His Level Of Fame, To Imagine [George] In Such Fatherly Domesticity.

John was a nail-biter too: a study

'It was just one of his little things... and I was very pleased to see that, 'cause I'd forgotten that...' - Paul McCartney, June 2023

word association with paul (1990)

edited some of William's facial expressions for. reasons.

“I could draw naked ladies. I could do them on folded paper so that when it was closed up the lady had her clothes on and then when you opened it up…wey-hey! The only trouble was before she did the washing my mum used to go through my pockets for school dinner tickets and, of course, one day she found one of my naked ladies. I came home and my dad said, I want a word with you. Did you do this? It was like death. Anguish. Tears.”

— Paul McCartney on his claim to fame in school, from The Paul McCartney World Tour concert program, 1989 (via theoldpaulband)

Pages from Klaus Voormann's ICONIC – The Graphic Novel of The Beatles Revolver Cover Artwork

"John tried to smooth the way for George by telling Mimi what a great guy he was before she ever met him, but once Mimi got a look at his pink shirt, she threw him out the door," reads TLYM.

Hold up ,,, Mal called Paul his love in his diaries?

Yes. In his autobiography. He also analyzed their relationship in his diaries. For some context, here's a longer passage from Ken Womack's book, Living the Beatles Legend (Chapter 31).

As January 1970 came to close, Mal began drifting into an emotional slide that had been developing over the past several years. "Seem to be losing Paul," he wrote on January 27. "Really got a stick from him today. He let me down," and ominously added "Fixing a hole," "Pepper," and "directorship" to a growing list of disappointments. Apparently, the conversation had turned yet again to the issue of Mal's servile role in Paul's life, with the roadie believing that the association was bounded by friendship and love. "A servant serves," Mal wrote, "but he who serves is not always a servant," he added, echoing John's philosophy from December 1968. "Love is as sharp and piercing as a sword, "Mal reasoned, "but as the sword edge dulls — you sharpen it. So love's keenness needs honing — needs honesty." *

[...]

On February 11, Mal joined John and Yoko for a lip-synched performance of "Instant Karma!" on Top of the Pops, with the roadie, clad in beige suit and a light-green tie, playing the tambourine. By this juncture, Mal's long-standing relationship with Paul was in freefall. A few days earlier, he have been awakened by a 1 p.m. telephone call from the Beatle. It went "something like this," he wrote in his diary:

Mal: yeah? Paul: I've got time at EMI over the weekend. Would like you to pick up some gear from the house. Mal: Great, man. That's lovely. Session at EMI?! Paul: Yes, but I don't want anyone there to make me tea. I have the family – wife and kids there. Mal: [thinking to himself] Goes my poor head, "Why????" **

By the next week, Mal found himself behind the wheel of the Apple van, moving Paul's gear from EMI Studios to Morgan Studios, another Northwest London facility where Paul could work incognito. At one point, Neil cornered Mal about Paul's surreptitious recording sessions, demanding to know more. "Where's Paul?" he asked, to which Mal tersely replied, "Not telling you."

In other instances, Mal ordered a Mellotron for Paul, while keeping him fully stocked with plectrums and other gear. In late February, Paul asked Mal to move everything back to EMI, where he was set to record "Maybe I'm Amazed" in Studio 2. For Mal, everything came to a head at 7 Cavendish Ave., when "my long love, Paul, to whom I have devoted so many years of loyalty, turned around to me and said, I don't need you anymore, Mal." *** *, ** : Evans, "Diaries." [1963—1974.] 10 vols. Malcolm Frederick Evans Archives. Entries from Jan 27 & Feb 5, 1970.

***: Evans, Mal, 'Living the Beatles Legend: Or 200 Miles to Go.' Unpublished MS, 1976. Malcolm Frederick Evans Archives.

Paul & Linda McCartney photographed by Robert Rosen, April 22nd, 1982.

❝ There was a Music Awards Party at Abbey Road, the famous recording studio. It was 1982 and I crashed it. Paparazzi were outside, it was snowing and they were there freezing with their zoom lenses. My snappy was in my pocket, the security guy saw me and because I always liked to dress well must have mistaken me for a pop star. He said, "Hurry up inside the awards are starting," and whisked me through the doors. Next thing I know I am inside standing next to Paul and Linda McCartney. We began a conversation and I asked to take a shot, they were in a joyous mood and most accommodating as you can see. On the third click they kissed - I got it! That photo went worldwide and I sent them a print to say thank you. Six months later I bumped into them again, but didn't assume they would remember me; however Linda called to me, "Darling are you ignoring us? Come on, give me a hug." It meant so much to me, maybe more than anything, that she loved that photograph. ❞

— Robert Rosen

There is the video of the Beatles dissolution where George is running.

and the comments are often like this:

But what I've never seen people talking about how the actual reason why George is running in the video is because he was avoiding Klein's lawyers.

Loiacono went back to the Plaza at around 10 p.m. to wait for Harrison, this time reinforced by three additional private investigators. Two of them took up watch outside the hotel, while the third stood near the elevators at the Plaza’s 58th Street entrance. Loiacono positioned himself at the main elevator bank near the Plaza’s 59th Street entrance.

Within an hour, Harrison’s entourage arrived from Madison Square Garden. Imhoff immediately spotted Loiacono. To distract the process server, Imhoff began following him around the hotel lobby, asking questions while a cameraman and lighting assistant who happened to be with the Harrison group recorded the scene. This allowed Harrison the opportunity to bolt from his car and scurry through the hotel lobby into the safety of the hotel’s kitchen elevator.

They wanted to serve him Klein's lawsuit over the ownership of Harrisongs.