people realizing that they can do anything, have anything, delete anything, create anything because they are only pure consciousness and their reality is manageable to their will and have nothing to do but only imagine and not do literal witchcraft.
sooooooo much material on that one scene im so.
"Mikey, I mourned YOU."
"And, I missed you! But, I got a fucking family, Trevor."
these are such insane dialogues to be honest.
They both pull out their gun at the same moment and Michael goes ;
"I didn't want it to come to this."
"Yes, you did!" Grits out Trevor. "You just don't have the fucking balls to do it. But, I do!" Trevor taunts him.
"I've got more to lose than you." Michael's voice cracks, as he practically begs, and it almost makes Trevor snort. "Never a truer word has been spoken, brother." He nearly spits out.
this is so sad i'm literally destroyed every time i watch this scene. like... Trevor has nothing to lose anymore, since Michael got a fucking family, and Trevor has none. He has nothing... im so sad
"Now, pull the fucking trigger!" Trevor orders him, his voice firm despite the flicker of his gaze, hopeful Michael will and will not fire first, because Trevor won't, for sure. It's not that he doesn't have the balls to, he just doesn't have the heart.
For a while they stand still, inches from each other in the murdering cold of North Yankton, beside Michael's fake tombstone, their pistols aimed at each other uselessly, unable to make the next move. "You ain't got the guts." Trevor mutters, with all his might he tries to heat up Michael's ego, hurt him until he has to prove him wrong, and it doesn't work.
A crow cries in the dark night, and Michael yells. "Take the fucking shot!" Because despite having "a fucking family", he'd rather not kill Trevor, it seemed.
Both Trevor and Michael had like a LOT of time and opportunities to absolutely end each other. They also both have the balls to do it, despite how they keep on insisting the other doesn't, they just don't want to.
And then, they get interrupted, Trevor throws his own gun at Michael's face (why would he do that? to hurt him? okay. but wouldn't it be safer to keep his gun while his enemies are obviously searching for him?) and Michael finally fires in his direction, and misses, twice. (wow, Michael the pro is shit at aiming, it seems.)
Finally, my favorite part ;
"Get the boyfriend!"
"Boyfriend? Motherfucker."
Michael ending up getting kidnapped because Trevor's enemies think (know) he is Trevor's lover... do I need to say more...
It's almost as if Michael was offended to be called Trevor's boyfriend. like mind you they just had the most gutwrenching-anxiety-inducing-angsty face off a married couple could have... so, put some respect on the word HUSBAND. Or lover, works too. It seems.
(this is a screen record from a youtube video)
HES SO BABYGIRL
Painting practice with Tanaka
KoKeiKai
May or may not finish this idk...
Filipino Isekai
Iām lost for words
*seeking for comic's style* initially thought of colouring it, but I think I'll stick with black and white ver. for now @engardeitsme tagging you, sure thing:)
*Bonus below*
In my canon they are physically unable to meet in this age due to my OC's nature, buuuut...
DONT LOOK TOO CLOSE PLEASEEE THANKYUUUU ššš