Calitsnow - Us Weirdos Have To Stick Together

Ducktales S3 stuff:

Ducktales panel was AMAZING!!! I know S2 isn’t even done but I’m hype for the characters appearing in season 3!!!

Daisy??? Goofy!??? Those flying bears from that show? Talespin??? Chip and Dale!???

The lady mouse mechanic worshiped by people in Russia???

The S3 hype is REAL!!,

I would have liked us to dwell a little more on the death of Uta because it was a bit vague and especially fast. I will have at least that we dwell on the reaction of shanks and his crew

Summary of all mentions of members of Hong Lu's family in the game + comparison with the original book

Summary:

Mention of his “family” in general in the game

Mention of the family elders in the game + comparison with the original work

Mention of his grandmother in the game + comparison with the original work

Mention of his grandfather in the game + comparison with the original work

Mention of his father in the game + comparison with the original work

Mention of his siblings in the game + comparison with the original work

Mention of his brother (Jia Huan) in the game

I wanted to recap all the times Hong Lu talks about his family or a particular member of his family while at the same time comparing them to their version of the original novel by giving some info on the latter (assuming that Hong Lu = Jia Baoyu ). I excluded from this list the uncles and aunts by marriage as well as Baoyu's cousins ​​ for various reasons (too long otherwise, not mentioned...) but I will perhaps do a part 2 to talk about them.

Was also excluded, the entire branch which stems from Jia Yan (the brother of Jia Yuan (the father of Jia Daishan, the husband of Grandmother Jia)), a branch which remains important since it is this one who leads to the actual Head of the Ningguo Mansion (Jia Zhen) when the story takes place. But since, they are distant relatives/cousins ​​of Jia Baoyu, that was taking me too far and so I had to remove them from this list. But I still wanted to mention it since it is an important branch of the family

The Jia family is mainly composed of 4 great families: the Jia Family, the Xue Family, the Wang Family and the Shi family in other words those who were born with the name Jia and those who joined the family by marriage / alliance / by being the brother / sister of one of the grooms… (born Xue or Wang or Shi).

There are also other families like the Xing or Lin family joining the Jia family but whose name appears (very) less often and which are also not considered as one of the great families of the novel.

This list of family members is made in relation to the place they occupy in relation to Jia Baoyu.

I/Mention of his “family” in general in the game

LCB sinner, chatter#3

Abn. logs, Pink shoes: lacking data

Abn. Logs, Sign of Roses: level 1

Abn. Logs, Sign of Roses: level 3

Liu Association South Section 5, story

Liu Association South Section 5, story

K Corp. Class 3 excision staff, post-uptie chat 2

W Corp. L2 Cleanup agent, Idle

Main story, Canto II, episode: 3

Detour Tales, Chapter 5.5, Miracle in district 20, episode: 13

Main story, Canto V, episode: 2

Hong Lu’s promo pre-limbus company release (Hong Lu also mentions the family’s chef’s side dishes but I didn’t include it because it was not about his family specifically)

II/Mention of the family elders in the game + comparison with the original work

W Corp. L2 Cleanup agent, story

W Corp. L2 Cleanup agent, story

Main story, Canto IV, episode: 27

To tell the truth, I don't really know what the term "elders" is supposed to encompass in this context in the sense that, I don't know whether or not parents and/or uncles/aunts should be included in addition to the grandparents.

In my opinion the term "elders" refers to all the generations who are above the one who uses this term (in this case Hong Lu / Jia Baoyu) so I would tend to want to count the parents and uncles / aunts but I cannot say this with certainty.

I will therefore base myself on my interpretation so that it will allow me to talk about more characters of the novel but do not hesitate to let me know what this term encompasses!

1st generation:

Grand parents:

Jia Daishan:

Son of Jia Yuan

first Duke of Rong

husband of Grandmother Jia

father of Jia She, Jia Min and Jia Zheng

grandfather of the three first Spring Ladies (Jia Yuanchun, Jia Tanchun and Jia Yingchun), Jia Zhu, Baoyu, Daiyu, Jia Huan, Jia Lian

died before the beginning of the novel, reason why we don’t know much about him

Grandma Jia (the Dowager):

Daughter of the Marquis Shi of Jinling

Wife of Jia Daishan

Grandmother Jia is a generation above the oldest member of the Rongguo Mansion (Jia Jing)

Thus, members of the Jia family all defer to her

For further information, refer to the paragraph dedicated to her below

Great uncle(s):

Dowager’s brother:

We don't know much about the Dowager's brother

He is Grandmother Jia’s brother

He is the father of Shi Ding and Shi Xiangyun's Father

He is Shi Xiangyun’s grandfather

died before the beginning of the novel, reason why we don’t know much about him

2nd generation:

Parents:

Jia Zheng:

Jia Zheng is the second and youngest son of Jia Daishan and Grandmother Jia.

He has a wife, Lady Wang, and two concubines: Zhao (with whom he had two children) and Zhou

For further information, refer to the paragraph dedicated to him below

Lady Wang:

Daughter of one of the four most prominent families of Jinling (Wang)

Primary wife of Jia Zheng

Mother of Baoyu and Yuanchun

Because of her purported ill-health, she hands over the running of the household to her niece, Wang Xifeng

In the eyes of her servants, she appears as a statue of a lifeless Buddha.

Although generous, she is described as without will or conviction.

Lady Wang seems kind and caring but can be cruel and ruthless when her authority is questioned.

She shows excessive concern about her son Baoyu's romantic relationships and closely monitors his maids.

Lady Wang plays a role in the death of Baoyu's maid, Qingwen, due to her suspicion and cruelty toward maids she perceives as threats to her son's virtue.

Uncles:

Jia She:

Elder son of the Dowager

Big brother of Jia Zheng and Jia Min

Husband of Xing furen

He has 2 concubines: Yingchun’s mother and Jia Cong's mother

Father of Jia Lian, Jia Yingchun and Jia Cong

He inherited the title of Marquis Rong

He is treacherous and greedy, as well as seductive/woomanizer.

He feels jealous towards his younger brother, favored by their mother.

He was later stripped of his title and banished by the government.

Father of Wang Ren and Wang Xifeng:

Lady Wang’s brother

Also brother of Wang Ziteng and Wang Zisheng

Father of Wang Ren and Wang Xifeng:

Wang Ziteng:

Lady Wang’s brother

Also brother of Wang Xifeng’s father and Wang Zisheng

Wang Zisheng:

Lady Wang’s brother

Also brother of Wang Xifeng’s father and Wang Ziteng

Aunts:

Jia Min:

Daughter of Jia Daishan and Grandmother Jia

Sister of Jia She and Jia Zheng

Wife of Lin Ruhai

Mother of Lin Daiyu

Xue Yima also known as Aunt Xue:

Sister of Lady Wang

Sister of Wang Ziteng, Wang Zisheng and Wang Xifeng’s father

Mother to Xue Pan and Xue Baochai

She is generally kind and affable.

However, she struggles to control her rambunctious son.

III/ Mention of his grandmother in the game + comparison with the original work

K Corp. Class 3 excision staff, story

K Corp. Class 3 excision staff, story

K Corp. Class 3 excision staff, story

K Corp. Class 3 excision staff, story

W Corp. L2 Cleanup agent, chatter #1

K Corp. Class 3 excision staff, post-uptie chat 1

Detour Tales, Chapter 5.5, S.E.A, episode: 4

If Hong Lu is indeed the equivalent of Jia Baoyu in the world of limbus company, Hong Lu's grandmother should be the one known as Grandmother Jia, née Shi:

Grandmother Jia:

Also called Dowager Shi or simply the Dowager

She is the daughter of the Marquis Shi of Jinling

Grandmother Jia is a generation above the oldest member of the Rongguo Mansion (Jia Jing)

Main elder of the great family, she is the oldest and most respected authority of the Jia Clan

Of an enjoyable temperament, she does not intervene in the private lives of her children provided that they do not disturb her, even if they have become debauched or high rollers.

It was she who arranged for Daiyu, her only "outside" (i.e., maternal) grandchild, to come to the Rongguo Mansion

She spoils her grandson Baoyu whom she carries in adoration

Despite this, she does not approve of his love for Daiyu

She is the one who supports the marriage arranged by Sister Pheonix (Wang Xifeng) between Baoyu and Baochai

She will die at the ripe old age of 83

Maybe it's just me, but she seems to be one of the people if not the person who pays the most attention to Jia Baoyu's jade, reminding him to take care of it, asking him if he knows where it is his jade when he is not wearing it, paying attention to the stone...

IV/ Mention of his grandfather in the game + comparison with the original work

Detour Tales, Chapter 5.5, Yield my flesh to claim their bones, episode: 4

Abn. Logs, Pink shoes: lacking data

Hong Lu’s promo pre-limbus company release (yéyé" (爷爷) meaning "grandfather" or “grandpa”. It is an affectionate term used to refer to one's grandfather in Mandarin.)

So we don’t really know which of his two grandfathers Hong Lu is referring to but knowing that in the novel only his paternal grandfather is mentioned and died before the novel begins, I think the "grandfather" Hong is talking about is Jia Daishan (and that he probably died in the world of Limbus Company too)

Jia Daishan:

Son of Jia Yuan

first Duke of Rong

husband of Grandmother Jia

father of Jia She, Jia Min and Jia Zheng

grandfather of the three first Spring Ladies (Jia Yuanchun, Jia Tanchun and Jia Yingchun), Jia Zhu, Baoyu, Daiyu, Jia Huan, Jia Lian

died before the beginning of the novel, reason why we don't know much about him

V/ Mention of his father in the game + comparison with the original work

LCB sinner, chatter#1

If Hong Lu is indeed the equivalent of Jia Baoyu in the world of limbus company, Hong Lu's father should be Jia Zheng:

Jia Zheng:

He is the second and youngest son of Jia Daishan and Grandmother Jia.

He has a wife, Lady Wang, and two concubines: Zhao (with whom he had two children) and Zhou

Father of Jia Zhu (deceased), Jia Yuanchun, Jia Baoyu, Jia Tanchun and Jia Huan

Confucianism had a great influence on him: he is a Confucian scholar who tries to be an upright and decent person, he fulfills his duties of filial piety towards the Dowager, and wants to educate his children strictly

Afraid his one surviving heir will turn bad, he imposes strict rules on his son (Jia Baoyu), and uses occasional corporal punishment.

Jia Baoyu is afraid of him

He has the ambition to become a good civil servant

But he lacks experience and is easily deceived by others, which earns him a bad reputation.

VI/ Mention of his siblings in the game + comparison with the original work

Main story, Canto III, episode: 2

Detour Tales, Chapter 5.5, episode: 13

Abn. Logs, Pink shoes: lacking data

If Hong Lu is indeed supposed to be the Jia Baoyu of the world of Limbus Company, then, if we refer to the novel The Dream of the Red Room, Hong Lu should, like Baoyu, have 4 siblings:

Jia Zhu:

First son of Jia Zheng and Lady Wang

Big brother of Jia Baoyu and Jia Yuanchun and half-brother of Jia Tanchun and Jia Huan since they share the same father.

In the original novel, Jia Zhu is already dead prior to the action of the novel, so we know very little about him.

He had a son (Jia Lan) with Li Wan

Jia Yuanchun:

First female family member of the quartet of "Springs", first daughter of Jia Zheng and Lady Wang

Big sister of Jia Baoyu and Jia Yuanchun and half-sister of Jia Tanchun and Jia Huan since they share the same father.

She is about 10 years older than Baoyu.

She was raised by her grandmother

As an older sister, she taught Baoyu to read and write when he was liitle like his mother would have done.

Originally one of the ladies-in-waiting in the imperial palace, Yuanchun is later promoted to the highest ranking of imperial concubine "Xiande”, having impressed the Emperor with her virtue and intellect.

Despite her prestigious position, Yuanchun feels imprisoned within the four walls of the imperial palace.

She died at the age of forty, following an illness, in total isolation.

Jia Tanchun:

Third female family member of the quartet of "Springs", second daughter of Jia Zheng and his concubine, concubine Zhao

Big sister of Jia Huan and younger half-sister of Jia Zhu, Jia Yuanchun and Jia Baoyu since they share the same father.

The fact that she is the daughter of a concubine is still such a burden that she often claims Lady Wang, Baoyu's mother, as her own

Tanchun is a very clever and capable person, as much as Sister Phoenix for comparison

But, as the proverb says, "he who comes last will have fewer opportunities than the others", and this is what happened to her, because when her family declined she had not done much and she was sent to a distant region following an arranged marriage

Jia Huan:

Third son of Jia Zheng and his concubine, concubine Zhao

Little brother of Jia Tanchun and younger half-brother of Jia Zhu, Jia Yuanchun and Jia Baoyu since they share the same father.

More info just below

VII/ Mention of his brother (Jia Huan) in the game

Main story, Canto I, episode: 30

Main story, Canto V, episode: 18 (there we don’t know if he is talking about Jia Huan or not but there are not many other options and from what we can deduce from Jia Huan’s behaviour (in game and in the book too) it’s not very out off character)

Jia Huan:

Third male family member of the generation of the Jia household, son of Jia Zheng and his concubine, concubine Zhao

Little brother of Jia Tanchun and half-brother of Jia Zhu, Jia Yuanchun and Jia Baoyu since they share the same father.

He is described as ugly and clumsy

He and his mother are both reviled by the family, and he carries himself like a kicked dog.

He is very cunning but mediocre, he shows his malignant nature by spilling candle wax, intending to blind his half-brother Baoyu

That’s all! If I have forgotten any moments where Hong Lu talks about his family, don't hesitate to tell me and I will add it! Also, I tried to verify and proof-read all the info and everything should be correct but if I made a mistake feel free to point it out to me :)

Inktober: broken

Inspired by duck temper which huey has

[Repost following an involuntary erasure]

ᚷᚨᚺ ᛉᚨᚾ ᛏᚨᚲ ᚷᚨᚺ ᛉᚨᚾ ᛏᚨᛏ ᛏᚨᛏ ᛒᚱᚨᚲ

ᚷᚨᚺ ᛉᚨᚾ ᛏᚨᚲ ᚷᚨᚺ ᛉᚨᚾ ᛏᚨᛏ ᛏᚨᛏ ᛒᚱᚨᚲ

Still not over one piece red

Just thinking late at night …

The answer is rather long so I am using a reblog to answer to @buddleu

But their observation was so interesting that I had to write a little thing on it.

I admit I’d never thought of looking at the Spider of Marriage for Hong Lu, but now that you mention it, along with the mention of “naïveté” in his mirror dungeon story, and after going back to review the various possible scenarios in the mirror dungeon, I find your observation very interesting, and I’d like to add my own thoughts.

Firstly, as you say, the theme of marriage is very fitting for Hong Lu because, after all, it’s a very Jia Baoyu theme coded (and also Lin Daiyu), and the theme of a couple being tricked and exploited by those around them due to their naïveté inevitably reminds me of the tragedy of Jia Baoyu and Lin Daiyu, who were lied to and manipulated to achieve something (the marriage of Jia Baoyu to Xue Baochai, which was also intended as a way to motivate Jia Baoyu to behave like an adult and a man of his status/as was expected of him).

They (the abnormality and Hong Lu) didn’t choose to live this way, but they had no choice, and the flowers take advantage of their vulnerability to impose their presence and will:

« Those flowers were not planted or raised by the couple.

The petals were feeding on someone’s naïveté. »

Well, we don’t know if that’s the case for Hong Lu, but given everything we know, and to use the parallel between the two, it’s not far-fetched to say that Hong Lu is likely in a similar situation.

That was my first addition. Then, even if it’s clear that even if the abnormality represents an early commitment and the inability to leave the relationship due to the presence and expectations of others, forcing the grooms to live supporting each other and literally bleeding to fulfill the hunger of others (the flowers):

« The buds appear to be filled with someone’s blood.

The bride and groom crawl between them.

As they scuttle around, blood seeps out of their hands and feet. »

This description is strangely fitting for Hong Lu.

Hong Lu finds himself enduring a situation even if it wounds him, all to satisfy the hunger of, I guess, his family.

It’s even more fitting if the theme of marriage is also addressed and used in Hong Lu’s Canto, echoing Jia Baoyu, who had to marry and enter this relationship because of his family.

But of course, the most interesting thing, as you said, is that the grooms suffer out of naïveté; they don’t know any better. They bleed, they support each other (literally) , but because they think they have no other choices; they accept their situation and see this environment as their home, even if it hurts them, and as it is said:

« When you tore out a vine, it screamed.

As much as it hurts them, it’s still their home.

Those who ruin it will be detested. »

And the flowers (their surroundings) take advantage of this; they exploit the grooms’ naïveté and gullibility in accepting the presence of the flowers as they were offered as congratulations, even though it’s just hypocrisy since these flowers aren’t there to celebrate and honor their union but to feed off the couple and pressure them to stay together:

« Those congratulatory flowers

may be acting as a curse now,

preventing them from leaving the nest. »

And to return to what you said:

« When you plucked a blood-soaked flower, it expressed joy. »

Since the vines are also their home, even though it’s what wounds them, trapped them and makes them bleed over the flowers, it’s their home (the spider web) where they live, which is why they get angry when someone tries to destroy their home. But if someone chooses to remove a flower, it makes the abnormality happy because it’s like removing a part of the problem, an unwanted guest from their home—a freeloader, someone feeding off their suffering and who pressured them to stay together and trapped in this web.

They can’t remove them themselves because they are there under the guise of congratulatory flowers, but if someone else does, they will be pleased because it’s one less problem, one less flower to feed/satisfy.

In short, all this to say that I completely agree with you that Hong Lu and Spider of Marriage are a very good fit, better than I thought, whether in terms of the marriage theme (arranged in a way), of enduring a painful situation to satisfy those around them, being unable to leave this situation due to this entourage that pretends to be there out of goodwill but only wants to exploit their naïveté, or in terms of how both consider this environment created by their surroundings (the flowers) as their home and don’t question it (maybe once again because of their naivety)

I wrote this quickly, so I hope it’s clear, and I apologize if there are any repetitions but anyway thank you for your observation!

Let's talk about why Hong Lu’s left eye (his jade) is getting dimmer and what are the powers and characteristics of Jia Baoyu's jade in Dream of the Red Chamber.

Today, I would like to discuss Dante’s mysterious phrase about Hong Lu, taking the opportunity to explore the jade of Jia Baoyu in more detail, especially its powers and the influence it exerts over Jia Baoyu. Here is the structure of the discussion:

Does the light of Hong Lu symbolize his break from his false reality?

Does the light of Hong Lu symbolize the end of his journey and his will to "live"?

The appearance of Jia Baoyu's jade and its powers + their loss and how they are regained

Its connection with Jia Baoyu

Brief conclusion

Does the light of Hong Lu symbolize his break from his false reality?

In Canto VII, a phrase from Dante naturally captured the attention of all Hong Lu theorists. Dante observes the following thing about Hong Lu’s eye:

"I noticed that the light in Hong Lu's left eye was growing dimmer, like light fading away as it sinks into the depths of the dark waters…"

But what does this mean? To answer that, we must first determine what this light signifies before interpreting its disappearance. For that, we need to consider the dialogue preceding Dante’s remark—the words of Hong Lu himself when he speaks about the sparkling in Don Quixote’s eyes:

"Isn't Don Quixote the most lucid one out of all of us?" "Her eyes, Dante. Always twinkling like two bright stars. They're so fascinating."

To Hong Lu, the glow in the eyes seems to be linked to clarity of mind and awareness. To him, Don Quixote is the most lucid of all because her eyes twinkle like two bright stars. Yet we know this is inaccurate, as Don Quixote is immersed in the illusion she created by erasing her memory at this point. So, it’s reasonable to suspect that Hong Lu's interpretation might be flawed.

This is also consistent with what we know about Hong Lu. Despite his frequent insightful observations and quick understanding of reality, his judgment can sometimes be clouded by his upbringing. After all, one of the first things we learn about him is that his view of the world and his interpretations can be distorted by his sheltered life.

Are we, therefore, dealing with a case where Hong Lu’s upbringing prevents him from perceiving the truth?

Don Quixote’s reality is an illusion, much like Hong Lu’s appears to be. But because he sees his form of reality reflected in Don Quixote’s, he can only conclude that Don Quixote’s twinkling eyes are an expression of clarity when it might actually be the opposite. This could foreshadow Hong Lu’s arc of breaking away from his past, family, and conditioning, realizing that what he associates with reality might be a lie, simply because he didn’t know any better.

After all, Dulcinea connects the term "naive" with Don Quixote’s twinkling eyes, (and "naive" is the adjective used for Hong Lu):

"I almost prefer that naive look from earlier. I still hated your eyes, twinkling or not, but…"

To clarify what “naive” implies, I like relying on The Walking Dead 4’s definition: Naive means you think a certain way because you don’t know the way it really is.

I find this perfectly matches how naivety is understood in the world of Limbus Company, even if we cannot be certain of that. But if we accept that this definition applies to “naive” in Project moon’s world, then being naive implies both innocence—almost childlike—and living in a lie or denial of reality.

Additionally, the emphasis on the sparkles might support the theory of the moonstone, or that Hong Lu is connected to the abnormality Yang, as it involves disregarding reality (to avoid mental breakdown). But we are not here to talk about that.

Thus, if Hong Lu is mistaken, and the twinkling represents disillusionment and denial of reality, then the more Hong Lu's eye sparkles, the more he’s immersed in illusion, a false sense of truth.

So, the first reason Hong Lu’s eye is dimming could be that he’s beginning to realize his reality wasn’t true, symbolizing the start of his awakening. After all, even Vergilius reacted with « … » to Hong Lu’s remark so it could mean that he knows that Hong Lu is in the wrong.

So, if the glow represents the jade influences on Hong Lu’s mental state and perception of reality, then the dimming of his jade’s light might signify that he’s starting to break free from this mental crutch. However this is not what I believe in…

Does the light of Hong Lu symbolize the end of his journey and his will to "live"?

What bothers me is that Dante describes the dimming of Hong Lu’s eye light in a rather pessimistic, almost fatalistic way, as though Hong Lu is fading along with his jade's light, loosing himself:

"I noticed that the light in Hong Lu's left eye was growing dimmer, like light fading away as it sinks into the depths of the dark waters…"

So, if this dimming light is a symbol of breaking free from an illusion why does Dante describe this so negatively with an emphasis on the idea of loosing Hong Lu? Maybe because, it is indeed a bad omen.

According to what Dulcinea says, Don Quixote's eyes were empty of light before when she was Sancho, this absence of twinkling at the time seems to be linked to the fact that Don Quixote/Sancho does not really believe in life and has already suffered too much from the latter. Dad Quixote then offers her a new life and hopes to bring those stars into her eyes by giving her a new family and then inviting her to participate in her adventures with him.

If we follow this analysis, then the light in Hong Lu’s eye equals his will to live and optimism about the future. So if this light is fading, does that mean Hong Lu is beginning to lose the will to live?

Well, yes, I think so... but in a very specific way.

Hear me out, Hong Lu’s eye is dimming because he’s aware his journey is nearing its end, that 7 of the 12 sinners have already regained their golden boughs, and that he may be the next:

Hong Lu’s day is ending, and it is reflected in his eye. I would even go so far as to say Hong Lu, in some way (without being aware of it), equates his return home with the end of his life (this life of new experiences and in the City, and this life with freedom).

So, this take is much more of a speculation than the last one, but if we stick with the idea that twinkling = will to live (forward) then Hong Lu started his journey in a new world with a bright eye with expectations and a desire to live new experiences, but he knows that one day he will have to return home, he knows that his journey will end one day and therefore it is normal that the closer Hong Lu gets to his golden bough moment the more the light of his eye fades, since this will be the end of his "new experiences".

Which could also echo Hong Lu's suicidal tendencies.

But then, why does Hong Lu’s eye produce sparks during Bloodfiend Hunter, Liu Story, and Yurodivy Story?

And it is now, that I would like to propose something. What if we separated the glow of Hong Lu’s eye and the sparks it produces: What if these two manifestations relate to different things? If Hong Lu’s glow reflects his mental state, then perhaps the sparks represent an effect of his jade’s power.

This leads me to discuss Jia Baoyu’s jade, both to support this analysis and to share information about the stone and its powers for those who might not have time to read the novel.

The appearance of Jia Baoyu's jade and its powers + their loss and how they are regained

In Chapter 8, Jia Baoyu’s jade is described as follows:

The size of a sparrow egg (about 22.5 mm)

Shining like a bright coppery cloud

Smooth and lustrous like marbled cream.

On the jade’s face is inscribed:

"Precious Gem of Spiritual Perception (also called Precious Jade of Spiritual Understanding). If thou wilt lose me not and never forget me, Eternal life and constant luck will be with thee!"

This means the stone is a talisman of protection and happiness. If Baoyu (or whoever holds it) keeps it close and never forgets it, they will be blessed with a long, prosperous life.

The reverse side reads:

"To exorcize evil spirits and the accessory visitations; to cure predestined sickness; to prognosticate weal and woe."

This inscription highlights the jade’s protective power: it can ward off evil, cure illness, and predict fortune or disaster. It is both a magical and prophetic object.

This ability is confirmed again in chapter 25 when a Taoist priest says:

“In your family, you have readily at hand a precious thing, the like of which is rare to find in the world. It possesses the virtue of alleviating the ailment, so why need you inquire about remedies?”

It is then revealed that it appears that the jade has lost some of its powers due to the dissipated life Baoyu has led; it has been polluted by music, lust, the pursuit of wealth, and other worldly distractions.

The monk then fix the jade and recites a poem reflecting the spiritual journey of the jade, as well as Baoyu's. In it, we are told:

The jade was once bound neither by heaven nor earth, existing in a state of spiritual purity undisturbed by human emotions (joy or sorrow).

However, upon entering the human world, it was exposed to disturbances. The jade is now tarnished by material elements ("the traces of powder and rouge stains"), symbolizing the carnal pleasures and temptations to which Baoyu has succumbed.

Finally, the monk predicts that, although the jade is currently trapped ("caged like a duck"), it will awaken from its "slumber," and once it fulfills its destiny, it will be freed.

[Little paranthesis]

I find the sentence used by the mond really interesting : "House bars both day and night encage thee like a duck" because it is really fitting for (yes Jia Baoyu but also) Hong's Lu's situation, especially with the use of the word "house".

[End of the little paranthesis]

Its connection with Jia Baoyu

The jade and Baoyu are interconnected and can be seen as one and the same, with each influencing the other. For instance, Baoyu's mood and emotions affect the appearance of the jade (its brightness), and the presence of the jade impacts Jia Baoyu's mental state (its absence renders him completely witless/foolish).

At one point in the novel, Jia Baoyu's jade shines particularly brightly when he believes he will marry Lin Daiyu (when he will actually marry Xue Baochai). This strong light seems to be triggered by Jia Baoyu aligning with his spiritual destiny.

All of this to say that even in the novel the glow of Jia Baoyu’s jade can mean several things at the time.

Brief conclusion

Returning to Hong Lu, I wonder if Project Moon has separated the manifestation of the jade's powers from the expression of its alignment with Hong Lu’s mental state: therefore, when there are small sparks, it indicates that his jade’s powers are manifesting, while the varying intensity of light would reflect a part of his mental state.

It would suggest that Hong Lu, as an individual, is gradually disappearing, maybe renouncing to his will, becoming a puppet entirely under his family's control. Indeed, when Jia Baoyu loses his jade and becomes completely foolish, his behavior shows that he is controllable and malleable; he is so witless that he cannot act independently and only repeats what he is told.

However, I can’t complete this analysis without mentioning that Jia Baoyu’s jade also loses its shine due to worldly influences, like music, lust, the pursuit of wealth, and other earthly distractions. So, does the city’s dark and horrific environment tarnish Hong Lu's jade?

Well, the issue is that, although the city is an apocalyptic world grounded in reality, it can’t truly be described as an environment where Hong Lu experiences lust or wealth, the false pleasures of life; which are what tarnish the jade in DOTRC.

On the contrary, he lives more of a life that Jia Baoyu begins to envy at one point in the novel because it is a life free from the obligations and facades imposed on him by his family. Therefore, what he is currently experiencing should not affect the brightness of his eye.

So, after all this blabla, I think that Hong Lu’s eye is gradually getting dimmer as the end of Hong Lu's journey approaches, which signifies the end of his new experiences and his return to a life of wealth but also to a life with his family and to how things used to be.

We could see this light fading away as an hourglass where the sand is slowly falling down but little by little there will be no more remaining sand at the top.

I fear that when this happens, by going back home, Hong Lu will lose all individuality and will, becoming docile and obedient as he seems to have always been at home. And he is accepting this and it is because he is accepting this that his eye is getting dimmer, it is reflecting Hong Lu’s decline.

I think that during Hong Lu’s Canto, one of the biggest challenges will not only be to retrieve the golden bough but also to convince Hong Lu to leave with us. It’s almost certain that when we reach his home, Hong Lu won’t be able to leave with us because, his family won’t allow it, and above all, he won’t want to either because he’ll convince himself that he can't and that his little trip is over.

I’d like to finish by saying that Hong Lu’s Rose Hunter EGO Corrosion could really be linked to this because we can see that Hong Lu in his corrosion has a hangman’s like rope around his neck, formed by his horse’s reins.

Even if I want to analyse Hong Lu’s EGOs in another post I will just say that for me it is the symbol that Hong Lu is dependent of his (determined) fate and the will of the narrative (his family) even if it has to equal to his death (literally or figuratively or mentally we don’t know). I think it also means that even if Hong Lu believe being in control of his actions and decisions, in reality he is just following the lead of « his horse », the one conducting him, deciding where he is going — and so I think following his family’s wishes.

Voilà, thank you for reading!

Hopes and thoughts for the episode "day of the animals"

So I want to share some thoughts. After finishing writing this post I wondered if the debates of my thoughts really interested other X) but since it is written, let's go.

I'm waiting for tomorrow's episode with a lot and strange impatience, I do not know why, it's just the synopsis that intrigues me a lot.

This whole story of magical prison intrigues me a lot, maybe more than it should X).

But here since it is the episode that precedes the dreaded episode "be afraid", I like to think that this episode will be a bit important since it is preparing the next episode.

Is this magic protection caused by cassandra? Or the ghost girl, it is said that they will be present but they can very well be there at the end of the episode as in previous ones.

After, I have 2 hopes for this episode,

1.I really hope that Varian is present in this episode. Nothing says it will not be there and nothing says there will be but doubt is allowed since it is not mentioned in the cast of the episode

However, he was also not mentioned in today's episode, nor in "The Lost Treasure of Herz Der Soone" and yet he played a more or less important role.

And I do not know, I'm not saying that an episode can not do without Varian, but he has disappeared for a whole season, it's normal to want to see him evolve into a new situation. Especially after what he has gone through, there is still the potential to exploit the case of Varian's redemption and forgiveness, for I doubt that everyone has forgiven him so quickly or that he is no longer anxious by his fear of not being able to be forgiven.

Then I really want to see him interact with the rest of the cast. And I feel that his presence will make the episode more interesting, after all the black rocks and the moon stone will also be there (obviously since Cassandra should be here too).

Bref

2. Second hope, captain of the guard. It is said that he should appear. Finally! Since the return of Rapunzel, I wondered where was he? I had read somewhere that he had gone on a mission, but there is nothing sure at all (probably false) ...

I can not wait to see how he manages his daughter's betrayal toward the princess. The captain really likes his daughter, we know it. Even so, he had trouble expressing his emotions, he repeatedly proved that he cared for his daughter.

I can not wait to see how he deals with all that, did he go looking for his daughter?

I hope that the crew will not miss the opportunity to deepen the character of the guard or just fly over, but I trust.

In addition, it will be interesting to see all the animals cooperate together and save the day

Do not hesitate to give your own advice, it would be interesting.

[Princess…

My valiant daughter…

You, yourself, must become the knight.]

I started this drawing when Aya was first compared to Bram's daughter in the manga but I never found the time to finish it, but the last chapter was like a sign that I had to .... I also put the draft because I like it a lot and I prefer the expression I gave Aya on this last one

[Lend me your voice]

I wanted to draw her in a dress inspired by Belle from the movie Belle, since their characters share many points in common