Latest Posts by cardinalfandom - Page 3

Resources For Writing Deaf, Mute, or Blind Characters

 Despite the fact that I am not deaf, mute, or blind myself, one of the most common questions I receive is how to portray characters with these disabilities in fiction.

As such, I’ve compiled the resources I’ve accumulated (from real life Deaf, mute, or blind people) into a handy masterlist.

Deaf Characters:

Deaf characters masterpost

Deaf dialogue thread

Dialogue with signing characters (also applies to mute characters.)

A Deaf author’s advice on deaf characters

Dialogue between Deaf characters

“The Month I Suddenly Went Deaf”

What It’s Like Going Deaf In Your Thirties

9 Women Share What It Feels Like To Lose Your Hearing

What It’s Like Being a Deaf Teenager (video)

Parenting With Sign Language (video)

Deaf Teen Talks About Losing His Hearing To Meningitis (video)

Things Not To Say To A Deaf Person (video)

Deaf Kids Shining in High School (video)

I recently discovered the youtube channel of the amazing Jessica Kellgren-Fozard, a vintage-loving, lesbian, happily married queen, who talks about her deafness in many of her videos.  I can’t recommend her enough.

Black Deaf Culture Through the Lens of Black Deaf History

Black Deaf History

Video: How to Sign in BASL (Black American Sign Language)

Mute Characters

Life as a Mute

My Silent Summer:  Life as a Mute

What It’s Like Being Mute

21 People Reveal What It’s Really Like To Be Mute

I am a 20 year old Mute, ask me anything at all!

Blind Characters:

Things Not To Say To A Blind Person (video)

What It’s Like to Go Blind (video)

The 33 Worst Mistakes Writers Make About Blind Characters.

@referenceforwriters masterpost of resources for writing/playing blind characters.

The youtube channel of the wonderful Tommy Edison, a man blind from birth with great insight into the depiction of blind people and their lives.

As does Molly Burke, “a typical sushi and makeup loving millennial girl who just so happens to be blind.”

And Alyssa Irene, who talks about her experience going blind and life as a blind person.

An Absolute Write thread on the depiction of blind characters, with lots of different viewpoints and some great tips.

And finally, this short, handy masterpost of resources for writing blind characters.

Characters Who Are Blind in One Eye

4 Ways Life Looks Shockingly Different With One Eye

Learning to Live With One Eye

Adapting to the Loss of an Eye

Adapting to Eye Loss and Monocular Vision

Monocular Depth Perception

Deaf-Blind Characters

What Is It Like To Be Deafblind?

Going Deaf and Blind in a City of Noise and Lights

Deaf and Blind by 30

Sarita is Blind, Deaf, and Employed (video)

Deaf and Blind:  Being Me (video)

Born Deaf and Blind, This Eritrean American Graduated Harvard Law School (video)

A Day of a Deaf Blind Person

Lesser Known Things About Being Deafblind

How the Deaf-Blind Communicate

Early Interactions With Children Who Are Deaf-Blind

Raising a DeafBlind Baby

If you have any more resources to add, let me know!  I’ll be adding to this post as I find more resources.

I hope this helps, and happy writing!  <3

Not actually from an episode but still

“Stories cannot protect us from the void, but they can protect us from staring too long into it.” Jeffery Cranor, director’s note for Welcome to Night Vale Episode 90 “Who’s a Good Boy? Part 2”

I miss when everyone on my dash listened to Welcome to Night Vale so there’s be a good chance that on any ole day someone would reblog a quote that would grab me by the throat and forcibly ascend me to a higher plane where I understood myself and the universe better and with more kindness but also a little spook

On a scale...

from Saoirse Ronan

to Saoirse Ronan

How successful were you in drowning your sister?

WEBSITES FOR WRITERS {masterpost}

E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;

Hiveword - Helps to research any topic to write about (has other resources, too);

BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;

Charlotte Dillon - Research links;

Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;

One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;

One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!

Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;

National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;

Penguin Random House - Has some writing contests and great opportunities;

Crime Reads - Get inspired before writing a crime scene;

The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;

Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;

QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);

Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;

Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;

I hope this is helpful for you!

(Also, check my blog if you want to!)

Can’t Take My Eyes Off You by Frankie Valli and The 4 Seasons except from the jukebox of a 50s themed diner, right as you feel like time has stopped because you’ve just caught sight of the most beautiful girl you’ve ever seen and already feel like you’re falling in love. Everything but you and her seem to fade away.

I cannot emphasize enough how much you need to read thoroughly through the terms of any publication before you send your writing to them. It is mandatory that you know and understand what rights you’re giving away when you’re trying to get published.

Just the other day I was emailed by a relatively new indie journal looking for writers. They made it very clear that they did not pay writers for their work, so I figured I’d probably be passing, but I took a look at their Copyright policy out of curiosity and it was a nightmare. They wanted “non-exclusive, irrevocable, royalty-free, perpetual, worldwide license and right to use, display, reproduce, distribute, and publish the Work on the internet and on or in any medium” (that’s copy and pasted btw) and that was the first of 10 sections on their Copyright agreement page. Yikes. That’s exactly the type of publishing nightmare you don’t want to be trapped in. 

Most journals will ask for “First North American Rights” or a variation on “First Rights” which operate under the assumption that all right revert back to you and they only have the right to be the first publishers of the work. That is what you need to be looking for because you do want to retain all the rights to your work. 

You want all rights to revert back to you upon publication in case you, say, want to publish it again in the future or use it for a bookmark or post it on your blog, or anything else you might want to do with the writing you worked hard on. Any time a publisher wants more than that, be very suspicious. Anyone who wants to own your work forever and be able to do whatever they want with it without your permission is not to be trusted. Anyone who wants all that and wants you to sign away your right to ever be paid for your work is running a scam.

Protect your writing. It’s not just your intellectual property, it’s also your baby. You worked hard on it. You need to do the extra research to protect yourself so that a scammer (or even a well meaning start up) doesn’t steal you work right from under you nose and make money off of it.

An NYPD detective is forced into an early retirement after a case gone awry. He moves into a small idyllic town in Canada. But the town holds a dark secret.

Except the secret in all his head. The town is actually as wholesome and idyllic as it seems to be.

The townsfolk are all just playing along with his investigation to make him feel better about losing his job.

maya angelou in a 2010 facebook post / lori preusch - one thousand stories high, 2016 / vintage library card from the public library of toronto / ta-nehisi coates, between the world and me / matilda (1996) / two pictures from “why our future depends on libraries, reading and daydreaming”, a 2018 photo essay with words by neil gaiman & art by chris riddell / caitlin moran, moranthology / istanbul modern library, turkey / tianjin binhai library, china / real biblioteca del monastario de el escorial, spain / jean-paul sartre, the words / lemony snicket, horseradish / ekua holmes - girl - literature, 2015

i was made for the library

Journals, articles, books & texts, on folklore, mythology, occult, and related -to- general anthropology, history, archaeology. 

Some good and/or interesting (or hokey) ‘examples’ included for most resources. tryin to organize & share stuff that was floating around onenote.

Journals (open access) – Folklore, Occult, etc

Culutural Analysis - folklore, popular culture, anthropology – The Mythical Ghoul in Arabic Culture

Folklore - folklore, anthropology, archaeology – The Making of a Bewitchment Narrative, Grecian Riddle Jokes

Incantatio - journal on charms, charmers, and charming – Verbal Charms from a 17th Century Manuscript

Oral Tradition – Jewish Folk Literature, Noises of Battle in Old English Poetry

Journal of Ethnology and Folkloristics – Nani Fairtyales about the Cruel Bride, Energy as the Mediator between Natural and Supernatural Realms

International Journal of Intangible Heritage 

Studia Mythologica Slavica (many articles not English) – Dragon and Hero, Fertility Rites in the Raining Cave, The Grateful Wolf and Venetic Horses in Strabo’s Geography

Folklorica - Slavic & Eastern European folklore association – Ritual: The Role of Plant Characteristics in Slavic Folk Medicine, Animal Magic

Esoterica - The Journal of Esoteric Studies – The Curious Case of Hermetic Graffiti in Valladolid Cathedral 

The Esoteric Quarterly

Mythological Studies Journal

Luvah - Journal of the Creative Imagination – A More Poetical Character Than Satan

Transpersonal Studies – Shamanic Cosmology as an Evolutionary Neurocognitive Epistemology, Dreamscapes

Beyond Borderlands  – tumblr

Paranthropology

GOLEM - Journal of Religion and Monsters – The Religious Functions of Pokemon, Anti-Semitism and Vampires in British Popular Culture 1875-1914

Correspondences - Online Journal for the Academic Study of Western Esotericism – Kriegsmann’s Philological Quest for Ancient Wisdom 

– History, Archaeology

Adoranten - pre-historic rock art

Chitrolekha - India art & design history – Gomira Dance Mask

Silk Road – Centaurs on the Silk Road: Hellenistic Textiles in Western China

Sino-Platonic - East Asian languages and civilizations – Discursive Weaving Women in Chinese and Greek Traditions

MELA Notes - Middle East Librarians Association

Didaskalia - Journal for Ancient Performance

Ancient Narrative - Greek, Roman, Jewish novelistic traditions – The Construction of the Real and the Ideal in the Ancient Novel

Akroterion - Greek, Roman – The Deer Hunter: A Portrait of Aeneas

Greek, Roman and Byzantine Studies  – Erotic and Separation Spells, The Ancients’ One-Horned Ass

Roman Legal Tradition - medieval civil law – Between Slavery and Freedom 

Phronimon - South African society for Greek Philosophy and the Humanities – Special Issue vol. 13 #2, Greek philosophy in dialogue with African+ philosophy

The Heroic Age - Early medieval Northwestern Europe – Icelandic Sword in the Stone

Peregrinations - Medieval Art and Architecture – Special Issue vol. 4 #1, Mappings 

Tiresas - Medieval and Classical – Sexuality in the Natural and Demonic Magic of the Middle Ages

Essays in Medieval Studies  – The Female Spell-caster in Middle English Romances, The Sweet Song of Satan

Hortulus - Medieval studies – Courtliness & the Deployment of Sodomy in 12th-Century Histories of Britain, Monsters & Monstrosities issue, Magic & Witchcraft issue

Annual of Medieval Studies at CEU

Medieval Archaeology – Divided and Galleried Hall-Houses, The Hall of the Knights Templar at Temple Balsall

Medieval Feminist Forum  – multiculturalism issue; Gender, Skin Color and the Power of Place … Romance of Moriaen, Writing Novels About Medieval Women for Modern Readers, Amazons & Guerilleres

Quidditas - medieval and renaissance 

Medieval Warfare

The Viking Society - ridiculous amount of articles from 1895-2011

Journals (limited free/sub/institution access)

Al-Masaq - Journal of the Medieval Mediterranean – Piracy as Statecraft: The Policies of Taifa of Denia, free issue

Mythical Creatures of Europe - article + map

Folklore - limited free access – Volume 122 #3, On the Ambiguity of Elves

Digital Philology -  a journal of medieval cultures – Saracens & Race in Roman de la Rose Iconography

Pomegranate - International Journal for Pagan Studies

Transcultural Psychiatry

European Journal of English Studies  – Myths East of Venice issue, Esotericism issue

Books, Texts, Images etc. – Folklore, Occult etc.

Magical Gem Database - Greek/Egyptian gems & talismans [x] [x]

Biblioteca Aracana - (mostly) Greek pagan history, rituals, poetry etc. – Greater Tool Consecration, The Yew-Demon

Curse Tablets from Roman Britain - [x]

The Gnostic Society Library – The Corpus Hermeticum, Hymn of the Robe of Glory

Grimoar - vast occult text library – Grimoires, Greek & Roman Necromancy, Queer Theology, Ancient Christian Magic

Internet Sacred Text Archive - religion, occult, folklore, etc. ancient texts

Verse and Transmutation - A Corpus of Middle English Alchemical Poetry

– History

The Internet Classics Archive - mainly Greco-Roman, some Persian & Chinese translated texts

Bodleian Oriental Manuscript Collection - [x] [x] [x]

Virtual Magic Bowl Archive - Jewish-Aramaic incantation bowl text and images [x] [x] 

Vindolanda Tablets - images and translations of tablets from 1st & 2nd c. [x]

Corsair - online catalog of the Piedmont Morgan library (manuscripts) [x] [x]

Beinecke rare book & manuscripts  – Wagstaff miscellany, al-Qur'ān–1813

LUNA - tonnes from Byzantine manuscripts to Arabic cartography

Maps on the web - Oxford Library [x] [x] [x]

Bodleian Library manuscripts - photographs of 11th-17th c. manuscripts – Treatises on Heraldry, The Worcester Fragments (polyphonic music), 12 c. misc medical and herbal texts

Early Manuscripts at Oxford U - very high quality photographs – (view through bottom left) Military texts by Athenaeus Mechanicus 16th c. [x] [x], MS Douce 195 Roman de la Rose [x] [x]

Trinity College digital manuscript library  – Mathematica Medica, 15th c.

eTOME - primary sources about Celtic peoples

Websites, Blogs – Folklore, Occult etc.

Demonthings - Ancient Egyptian Demonology Project 

Invocatio - (mostly) western esotericism

Heterodoxology - history, esotericism, science – Religion in the Age of Cyborgs

The Recipes Project - food, magic, science, medicine – The Medieval Invisible Man (invisibility recipes)

Morbid Anatomy - museum/library in Brooklyn

– History 

Islamic Philosophy Online - tonnes of texts, articles, links, utilities, this belongs in every section; mostly English

Medicina Antiqua - Graeco-Roman medicine

History of the Ancient World - news and resources – The So-called Galatae, Gauls, Celts in Early Hellenistic Balkans; Maidens, Matrons Magicians: Women & Personal Ritual Power in Late Antique Egypt

Διοτίμα - Women & Gender in Antiquity

Bodleian Library Exhibitions Online – Khusraw & Shirin, Hebrew Manuscripts as a Meeting-Place of Cultures

Medievalists – folk studies, witchcraft, mythology, science tags

Atlas Obscura – Bats and Vampiric Lore of Pére Lachaise Cemetery 

I’m sure you get this question all the time, so I’m really sorry if this is repetitive, but how do you start screenwriting? I’ve been writing fiction pretty much forever, but I’ve recently had a few ideas that would work best as a TV show. How do you actually start? What do I need to know before my first attempt? Do you need any qualifications to become an actual screenwriter? Thank you so much!

Oh that's okay, I'd love to talk screenwriting! Seriously. Come drop in with screenwriting asks whenever you want to.

If the concept of screenwriting is completely new to you, I suggest you start reading screenplays to familiarize yourself with how to properly format and build one. You can find free screenplays to read here and here, or you can search on google for scripts of TV-shows and movies that you like. Watching movies and TV-shows is VITAL.

how many pages should my script be?

A quick guide to screenwriting

Switching from novels to screenwriting

What words in a script should be capitalized?

What is a beat?

The importance of mundane scenes (TV-shows)

Implying tone and using parentheticals

How do you write action lines?

Serialized or episodic TV? (TV-shows)

Tip for writing plot twists

Scripts I read

How to learn screenwriting at home (video format) (with a ghost)

A degree isn't necessary to become a screenwriter (but it's useful in terms of learning the industry and building connections). Most important thing is that you know your terminology, how to structure a script, and how to write a compelling story.

Y’all saying “I don’t have a type,” as if my squad of three-piece-suit-wearing deadpan nontemporal storytellers with unparalleled voices hasn’t shaped you into a person, imagining being a character in a weird fiction story at least five times a day

mary maclane, the story of mary maclane / pierre bonnard - jeune femme écrivant, 1908 / louise fitzhugh, harriet the spy / phil grey - two photos from will self’s writing room: a 360 degree view in 71 photos, 2007 / tom astor - susie boyt’s notebooks, 2018 / stephen king, on writing / jill krementz - stephen king at his home office with his corgi marlowe, 1995 / joan didion - “on keeping a notebook” / wayne miller - author and poet maya angelou, 1974 / photo of sylvia plath from the everett collection / anne carson in a 2016 interview with NPR / octavia butler’s motivational notes to self / jim carroll, the basketball diaries / benjamin garcia - writing painting, 2012 / wayne pascal - writer’s block, 2019 / louisa may alcott, little women / little women (2019) / mary shelley (2017) / dickinson (2019) / anne lamott, bird by bird

on writing

This is a compiled list of some of my favorite pieces of short horror fiction, ranging from classics to modern-day horror, and includes links to where the full story can be read for free. Please be aware that any of these stories may contain subject matter you find disturbing, offensive, or otherwise distressing. Exercise caution when reading. Image art is from Scarecrow: Year One.

PSYCHOLOGICAL: tense, dread-inducing horror that preys upon the human psyche and aims to frighten on a mental or emotional level. 

“The Frolic” by Thomas Ligotti, 1989

“Button, Button” by Richard Matheson, 1970

“89.1 FM” by Jimmy Juliano, 2015

“The Yellow Wallpaper” by Charlotte Perkins Gilman, 1892

“Death at 421 Stockholm Street“ by C.K. Walker, 2016

“The Ones Who Walk Away from Omelas” by Ursula K. Le Guin, 1973

“An Empty Prison” by Matt Dymerski, 2018

“A Suspicious Gift” by Algernon Blackwood, 1906

CURSED: stories concerning characters afflicted with a curse, either by procuring a plagued object or as punishment for their own nefarious actions.

“How Spoilers Bleed” by Clive Barker, 1991

“A Warning to the Curious” by M.R. James, 1925

“each thing i show you is a piece of my death” by Stephen J. Barringer and Gemma Files, 2010

“The Road Virus Heads North” by Stephen King, 1999

“Ring Once for Death” by Robert Arthur, 1954

“The Mary Hillenbrand Cassette“ by Jimmy Juliano, 2016

“The Monkey’s Paw” by W.W. Jacobs, 1902

MONSTERS: tales of ghouls, creeps, and everything in between.

“The Curse of Yig” by H.P. Lovecraft and Zealia Bishop, 1929 

“The Oddkids” by S.M. Piper, 2015

“Nightmare at 20,000 Feet” by Richard Matheson

“The Graveyard Rats” by Henry Kuttner, 1936

“Tall Man” by C.K. Walker, 2016 

“The Quest for Blank Claveringi“ by Patricia Highsmith, 1967

“The Showers” by Dylan Sindelar, 2012

CLASSICS: terrifying fiction written by innovators of literary horror. 

“The Tell-Tale Heart” by Edgar Allan Poe, 1843

“The Interlopers” by Saki, 1919 

“The Statement of Randolph Carter“ by H.P. Lovecraft, 1920

“The Damned Thing” by Ambrose Pierce, 1893

“The Legend of Sleepy Hollow” by Washington Irving, 1820 

“August Heat” by W.F. Harvey, 1910

“The Black Cat” by Edgar Allan Poe, 1843

SUPERNATURAL: stories varying from spooky to sober, featuring lurking specters, wandering souls, and those haunted by ghosts and grief. 

“Nora’s Visitor” by Russell R. James, 2011

“The Pale Man” by Julius Long, 1934

“A Collapse of Horses” by Brian Evenson, 2013

“The Jigsaw Puzzle” by J.B. Stamper, 1977 

“The Mayor Will Make A Brief Statement and then Take Questions” by David Nickle, 2013

“The Night Wire” by H.F. Arnold, 1926 

“Postcards from Natalie” by Carrie Laben, 2016

UNSETTLING: fiction that explores particularly disturbing topics, such as mutilation, violence, and body horror. Not recommended for readers who may be offended or upset by graphic content.  

“Survivor Type” by Stephen King, 1982

“I’m On My Deathbed So I’m Coming Clean…” by M.J. Pack, 2018

“In the Hills, the Cities” by Clive Barker, 1984

“The New Fish” by T.W. Grim, 2013

“The Screwfly Solution” by Racoona Sheldon, 1977

“In the Darkness of the Fields” by Ho_Jun, 2015 

“The October Game” by Ray Bradbury, 1948

“I Have No Mouth, and I Must Scream” by Harlan Ellison, 1967 

HAPPY READING, HORROR FANS!

Beware!

ooh you mentioned buying a folk horror anthology in the tags of that horror post, can i ask which one? i’d love to read more folk horror but i don’t really know where to start (also if you have other folk horror recs i would not be upset)

Yeah of course, happy to help! I bought The Fiends in the Furrows: An Anthology of Folk Horror edited by David T. Neal which features stories by current writers (and there's a second anthology with more).

If you're looking to start with some classic folk horror then there's a few major authors and stories that are worth checking out (many of these should be available to read online for free):

'The White People' by Arthur Machen

'The Lottery' by Shirley Jackson

'The Black Reaper' by Bernard Capes

'The Ash Tree' by M. R. James

'Pallinghurst Barrow' by Grant Allen

'The Willows' by Algernon Blackwood

Ritual by David Pinner (basis for The Wicker Man)

'The Music on the Hill' by Saki

The Great God Pan by Arthur Machen

'The Sin Eater' by Fiona MacLeod

Harvest Home by Thomas Tryon

'The Children of the Corn' by Stephen King

And if you want some recent folk horror then these are worth a go:

The Loney by Andrew Michael Hurley

The Owl Killers by Karen Maitland

The Daylight Gate by Jeanette Winterson

Ghost Wall by Sarah Moss

The Plague Stones by James Brogden

Through the Woods by Emily Carroll (graphic story collection)

The Ritual by Adam Nevill (honestly the film is much better and well worth watching, but the first half of the book is fantastic)

Wakenhyrst by Michelle Paver (gothic horror meets folk horror)

The Hidden People by Alison Littlewood

Dark Harvest by Norman Partridge

The Only Good Indians by Stephen Graham Jones (not a traditional folk horror novel but it explores the role of Native American folklore & culture in the modern day in a really interesting way)

The Reddening by Adam Nevill

Pine by Francine Toon

Essays

Here’s a (non-exhaustive) list of essays I like/find interesting/are food for thought; I’ve tried to sort them as much as possible. The starred (*) ones are those I especially love

also quick note: some of these links, especially the ones that are from books/anthologies redirect you to libgen or scihub, and if that doesn’t work for you, do message me; I’d be happy to send them across!

Literature + Writing

Godot Comes to Sarajevo - Susan Sontag

The Strangeness of Grief - V. S. Naipaul*

Memories of V. S. Naipaul - Paul Theroux*

A Rainy Day with Ruskin Bond - Mayank Austen Soofi

How Albert Camus Faced History - Adam Gopnik

Listen, Bro - Jo Livingstone

Rachel Cusk Gut-Renovates the Novel - Judith Thurman

Lost in Translation: What the First Line of “The Stranger” Should Be - Ryan Bloom

The Duke in His Domain - Truman Capote*

The Cult of Donna Tartt: Themes and Strategies in The Secret History - Ana Rita Catalão Guedes

Never Do That to a Book - Anne Fadiman*

Affecting Anger: Ideologies of Community Mobilisation in Early Hindi Novel - Rohan Chauhan*

Why I Write - George Orwell*

Rimbaud and Patti Smith: Style as Social Deviance - Carrie Jaurès Noland*

Art + Photography (+ Aesthetics)

Looking at War - Susan Sontag*

Love, sex, art, and death - Nan Goldin, David Wojnarowicz

Lyons, Szarkowski, and the Perception of Photography - Anne Wilkes Tucker

The Feminist Critique of Art History - Thalia Gouma-Peterson, Patricia Mathews

In Plato’s Cave - Susan Sontag*

On reproduction of art (Chapter 1, Ways of Seeing) - John Berger*

On nudity and women in art (Chapter 3, Ways of Seeing) - John Berger*

Kalighat Paintings  - Sharmishtha Chaudhuri

Daydreams and Fragments: On How We Retrieve Images From the Past -  Maël Renouard

Arthur Rimbaud: the Aesthetics of Intoxication - Enid Rhodes Peschel

Cities

Tragic Fable of Mumbai Mills - Gyan Prakash

Whose Bandra is it? - Dustin Silgardo*

Timur’s Registan: noblest public square in the world? - Srinath Perur

The first Starbucks coffee shop, Seattle - Colin Marshall*

Chhatrapati Shivaji Terminus, Mumbai’s iconic railway station - Srinath Perur

From London to Mumbai and Back Again: Gentrification and Public Policy in Comparative Perspective -  Andrew Harris

The Limits of “White Town” in Colonial Calcutta - Swati Chattopadhyay

The Metropolis and Mental Life - Georg Simmel

Colonial Policy and the Culture of Immigration: Citing the Social History of Varanasi - Vinod Kumar, Shiv Narayan

A Caribbean Creole Capital: Kingston, Jamaica - Coln G. Clarke (from Colonial Cities by Robert Ross, Gerard J. Telkamp

The Colonial City and the Post-Colonial World - G. A. de Bruijne

The Nowhere City - Amos Elon*

The Vertical Flâneur: Narratorial Tradecraft in the Colonial Metropolis - Paul K. Saint-Amour

Philosophy

The trolley problem problem - James Wilson

A Brief History of Death - Nir Baram

Justice as Fairness: Political not Metaphysical - John Rawls*

Should Marxists be Interested in Exploitation? - John E. Roemer

The Discomfort You’re Feeling is Grief - Scott Berinato*

The Pandemic and the Crisis of Faith - Makarand Paranjape

If God Is Dead, Your Time is Everything - James Wood

Giving Up on God - Ronald Inglehart

The Limits of Consensual Decision - Douglas Rae*

The Science of “Muddling Through” - Charles Lindblom*

History

The Gruesome History of Eating Corpses as Medicine - Maria Dolan

The History of Loneliness - Jill Lepore*

From Tuskegee to Togo: the Problem of Freedom in the Empire of Cotton - Sven Beckert*

Time, Work-Discipline, and Industrial Capitalism - E. P. Thompson*

All By Myself - Martha Bailey*

The Geographical Pivot of History - H. J. Mackinder

The sea/ocean

Rim of Life - Manu Pillai

Exploring the Indian Ocean as a rich archive of history – above and below the water line - Isabel Hofmeyr, Charne Lavery

‘Piracy’, connectivity and seaborne power in the Middle Ages - Nikolas Jaspert (from The Sea in History)*

The Vikings and their age - Nils Blomkvist (from The Sea in History)*

Mercantile Networks, Port Cities, and “Pirate” States - Roxani Eleni Margariti

Phantom Peril in the Arctic - Robert David English, Morgan Grant Gardner*

Assorted ones on India

A departure from history: Kashmiri Pandits, 1990-2001 - Alexander Evans *

Writing Post-Orientalist Histories of the Third World - Gyan Prakash

Empire: How Colonial India Made Modern Britain - Aditya Mukherjee

Feminism and Nationalism in India, 1917-1947 - Aparna Basu

The Epic Riddle of Dating Ramayana, Mahabharata - Sunaina Kumar*

Caste and Politics: Identity Over System - Dipankar Gupta

Our worldview is Delhi based*

Sports (you’ll have to excuse the fact that it’s only cricket but what can i say, i’m indian)

‘Massa Day Done:’ Cricket as a Catalyst for West Indian Independence: 1950-1962 - John Newman*

Playing for power? rugby, Afrikaner nationalism and masculinity in South Africa, c.1900–70 - Albert Grundlingh

When Cricket Was a Symbol, Not Just a Sport - Baz Dreisinger

Cricket, caste, community, colonialism: the politics of a great game - Ramachandra Guha*

Cricket and Politics in Colonial India - Ramchandra Guha

MS Dhoni: A quiet radical who did it his way*

Music

Brega: Music and Conflict in Urban Brazil - Samuel M. Araújo

Color, Music and Conflict: A Study of Aggression in Trinidad with Reference to the Role of Traditional Music - J. D. Elder

The 1975 - ‘Notes On a Conditional Form’ review - Dan Stubbs*

Life Without Live - Rob Sheffield*

How Britney Spears Changed Pop - Rob Sheffield

Concert for Bangladesh

From “Help!” to “Helping out a Friend”: Imagining South Asia through the Beatles and the Concert for Bangladesh - Samantha Christiansen 

Gender

Clothing Behaviour as Non-verbal Resistance - Diana Crane

The Normalisation of Queer Theory - David M. Halperin

Menstruation and the Holocaust - Jo-Ann Owusu*

Women’s Suffrage the Democratic Peace - Allan Dafoe

Pink and Blue: Coloring Inside the Lines of Gender - Catherine Zuckerman*

Women’s health concerns are dismissed more, studied less - Zoanne Clack

Food

How Food-Obsessed Millennials Shape the Future of Food - Rachel A. Becker (as a non-food obsessed somewhat-millennial, this was interesting)

Colonialism’s effect on how and what we eat - Coral Lee

Tracing Europe’s influence on India’s culinary heritage - Ruth Dsouza Prabhu

Chicken Kiev: the world’s most contested ready-meal*

From Russia with mayo: the story of a Soviet super-salad*

The Politics of Pancakes - Taylor Aucoin*

How Doughnuts Fuelled the American Dream*

Pav from the Nau

A Short History of the Vada Pav - Saira Menezes

Fantasy (mostly just harry potter and lord of the rings)

Purebloods and Mudbloods: Race, Species, and Power (from The Politics of Harry Potter)

Azkaban: Discipline, Punishment, and Human Rights (from The Politics of Harry Potter)*

Good and Evil in J. R. R. Tolkien’s Lengendarium - Jyrki Korpua

The Fairy Story: J. R. R. Tolkien and C. S. Lewis - Colin Duriez (from Tree of Tales)*

Tolkien’s Augustinian Understanding of Good and Evil: Why The Lord of the Rings Is Not Manichean - Ralph Wood (from Tree of Tales)*

Travel

The Hidden Cost of Wildlife Tourism

Chronicles of a Writer’s 1950s Road Trip Across France - Kathleen Phelan

On the Early Women Pioneers of Trail Hiking - Gwenyth Loose

On the Mythologies of the Himalaya Mountains - Ed Douglas*

More random assorted ones

The cosmos from the wheelchair (The Economist obituaries)*

In El Salvador - Joan Didion

Scientists are unravelling the mystery of pain - Yudhijit Banerjee

Notes on Nationalism - George Orwell

Politics and the English Language - George Orwell*

What Do the Humanities Do in a Crisis? - Agnes Callard*

The Politics of Joker - Kyle Smith

Sushant Singh Rajput: The outsider - Uday Bhatia*

Credibility and Mystery - John Berger

happy reading :)

Today I learned

videos i find myself frequently rewatching (most of these are film/television related, with some random topics and serotonin perks thrown in here and there)

how andrew wyeth made a painting

why miyazaki is a true romantic

over the garden wall: why is the unknown so familiar?

ginger rogers, katharine hepburn, and the 1941 oscars

the bisexual anti-fascist (marlene dietrich)

missed calls: a eulogy for the movie phone booth

edvard munch: what a cigarette means

parasite vs sunset boulevard: the disillusionment arc

anatomy of anatomy of a murder

saul bass’s movie posters

we’re all stupid and boring

the outsider’s guide to the social world

over the garden wall’s historical clothing inspirations

the psychology of heroism

comedy dies slow: the marvelous mrs. maisel

late night tv needs to change

the man from u.n.c.l.e (2015): style vs substance

when shakespeare got cool

the weird ways to adapt mary jane

aaliyah, britney, & the apathy of lifetime biopics

why chad and ryan switched clothes in high school musical 2

why megamind is a subversive masterpiece

school of rock’s perfect scene

the movies that inspired knives out

can 4 average people beat a pro crossword puzzler?

how david fincher uses pop music

the beach party genre

how to bring folklore to life

is the lonely genius real? 

in defense of love at first sight

forming real human connections? sounds fake but ok

Updated Reading List 6.1: Ancient Jewish History

Historiography, Theory, Methodology, Construction, and Philosophy of History American History Ancient History Atlantic World History European History

Jewish History: Ancient-Late Antique*

A History of Ancient Israel and Judah, Second Edition by J. Maxwell Miller and John Haralson Hayes

A Brief History of Ancient Israel by Victor H. Matthews

The History of the Jews in the Greco-Roman World: The Jews of Palestine from Alexander the Great to the Arab Conquest by Peter Schlafer

The Ancient Jews from Alexander to Muhammad (Key Themes in Ancient History) by Seth Schwartz

Surviving Sacrilege: Cultural Persistence in Jewish Antiquity by Steven Weitzman

*A lot of my preferred books in the realm of “Ancient Jewish History” fall under the heading of “Biblical Studies,” which will be in a separate, “History Adjacent” reading list. Some of these are also featured/repeated in the Israeli/Palestinian Conflict Reading List, which I am presently editing. NOTE: I’m an Amazon Affiliate; I will receive a small portion of the proceeds from ANYTHING [hint] you purchase on Amazon via my links. I am an independent scholar, and need $$$ to pay my translators etc for my book on Jewish women’s Holocaust resistance, so anything you can do helps! If you’d rather not give your $$$ to Amazon but still want to help this independent scholar out, my paypal is here.

Oh yes, that period piece about a gay couple with an age-gap living near the water

i just think it’s incredible how art can touch people and become facets of their identity... human beings’ capacity for empathy and honest, open understanding is astounding to me sometimes

i’ve said in vfdiscord earlier about how the conclusions in Sub-file B in file under: 13 suspicious incidents that don’t have matching counter parts from Sub-file One might possibly be Jacques’ or Kit’s mission / cases / incidents encountered misfiled because of someone maybe someone confused those with Lemony’s cases because of the same last name.

so after getting home today i reread some and i have. some more thoughts. like the misfilings could be of various reasons and not just last name Snicket, though some of them still might be.

take for example:

museum authorities??? well we all knew one person who was hanging around museum during the atwq times. there’s nothing saying it’s the same museum as the one kit was plotting to steal from (implying it’s in The City), but there’s also nothing directly saying that the mine voices was from the same mine Marguerite worked at (implying it’s at SBTS)

anyway more under cut because this got long

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Fantasy Book Rec Masterpost

Here is every fantasy book I’ve ever enjoyed (plus some short stories thrown in). List will be updated regularly as I read. There are books repeated as some fit into more than one category; I designed it this way so that if you’re looking for one specific sub-genre you can look at just that list and not miss out. Enjoy!

*last edited November 27, 2017*

High Fantasy

Ella Enchanted by Gail Carson Levine

The Hobbit by J.R.R. Tolkien

The Prophecy of the Stones by Flavia Bujor

The Seven Realms series by Cinda Williams Chima

Uprooted by Naomi Novik

The Shades of Magic Series by V.E. Schwab (sort of)

The Inheritance Cycle by Christopher Paolini

Six of Crows and Crooked Kingdom by Leigh Bardugo

The Land of Elyon Series by Patrick Carman

The Goose Girl by Shannon Hale

Redwall by Brian Jacques

Deerskin by Robin McKinley

The Hero and the Crown by Robin McKinley

The Blue Sword by Robin McKinley

Flamecaster by Cinda Williams Chima

Down-the-Rabbit-Hole

Coraline by Neil Gaiman

Neverwhere by Neil Gaiman

Stardust by Neil Gaiman

The Spindlers by Lauren Oliver

UnLunDun by China Miéville

The Inkheart series by Cornelia Funke

Gregor the Overlander series by Suzanne Collins

The May Bird series by Jodi Lynn Anderson

The Chronicles of Narnia by C.S. Lewis

Magic in the Real World (sometimes called fabulism)

The Graveyard Book by Neil Gaiman

American Gods by Neil Gaiman

Anansi Boys by Neil Gaiman

The Ocean at the End of the Lane by Neil Gaiman

The Scorpio Races by Maggie Stiefvater

The Darkest Part of the Forest by Holly Black

The Raven Cycle by Maggie Stiefvater

A Monster Calls by Patrick Ness

The Spiderwick Chronicles by Holly Black and Tony DiTerlizzi

The Magician Trilogy by Jenny Nimmo

The Thief Lord by Cornelia Funke

Half Magic by Edward Eager

Urban Fantasy

Neverwhere by Neil Gaiman

UnLunDun by China Miéville

Fairy Tale Retellings

Snow, Glass, Apples by Neil Gaiman (short story)

Through the Woods by Emily Carroll

Rags and Bones edited by Melissa Marr and Tim Pratt

My Mother She Killed Me, My Father He Ate Me edited by Kate Bernheimer (this one is a very mixed bag but i really enjoyed some of the stories

The Bloody Chamber and Other Stories by Angela Carter

The Goose Girl by Shannon Hale

Deerskin by Robin McKinley

The White Road by Neil Gaiman (short story)

Dragons

The Hero and the Crown by Robin McKinley

The Inheritance Cycle by Christopher Paolini

The Girl Who Drank The Moon by Kelly Barnhill

Flamecaster by Cinda Williams Chima

Fairies

The Darkest Part of the Forest by Holly Black

The Spiderwick Chronicles by Holly Black and Tony DiTerlizzi

The Artemis Fowl series by Eoin Colfer

Ghosts

Ghostly edited by Audrey Niffenegger

The Graveyard Book by Neil Gaiman

Her Fearful Symmetry by Audrey Niffenegger

The May Bird series by Jodi Lynn Anderson

Witches and Wizards

The Harry Potter Series by J.K. Rowling

Carry On by Rainbow Rowell

The Thickety series by J.A. White

The Girl Who Drank the Moon by Kelly Barnhill

Vampires

Fifteen Painted Cards from a Vampire Tarot by Neil Gaiman (short story)

Other Magical Creatures

Unnatural Creatures edited by Neil Gaiman

The Scorpio Races by Maggie Stiefvater

A Monster Calls by Patrick Ness

The Spiderwick Chronicles by Holly Black and Tony DiTerlizzi

Pretty Monsters by Kelly Link

The Smile on the Face by Nalo Hopkinson (short story)

Intelligent Animal Characters (may not be fantasy exactly but close enough)

Watership Down by Richard Adams

The Plague Dogs by Richard Adams

Redwall by Brian Jacques

The Tale of Despereaux by Kate DiCamillo

Enchanted Forests

Uprooted by Naomi Novik

The Thickety series by J.A. White

The Darkest Part of the Forest by Holly Black

Graphic Novels/Illustrated

The Truth is a Cave in the Black Mountains by Neil Gaiman (also short story and audio versions available)

Instructions by Neil Gaiman

Through the Woods by Emily Carroll

A Monster Calls by Patrick Ness

Short Story Collections

Ghostly edited by Audrey Niffenegger

Stories edited by Neil Gaiman and Al Sarrantonio

Smoke and Mirrors by Neil Gaiman

Trigger Warning by Neil Gaiman

Unnatural Creatures edited by Neil Gaiman

Fragile Things by Neil Gaiman

Pretty Monsters by Kelly Link

Rags and Bones edited by Melissa Marr and Tim Pratt

My Mother She Killed Me, My Father He Ate Me edited by Kate Bernheimer

The Bloody Chamber and Other Stories by Angela Carter

The Language of Thorns by Leigh Bardugo

YA

The Scorpio Races by Maggie Stiefvater

The Prophecy of the Stones by Flavia Bujor

The Seven Realms series by Cinda Williams Chima

The Darkest Part of the Forest by Holly Black

The Shades of Magic Series by V.E. Schwab

The Raven Cycle by Maggie Stiefvater

Six of Crows and Crooked Kingdom by Leigh Bardugo

Flamecaster by Cinda Williams Chima

Middle Grade

Coraline by Neil Gaiman

The Graveyard Book by Neil Gaiman

The Spindlers by Lauren Oliver

A Monster Calls by Patrick Ness

UnLunDun by China Miéville

The Land of Elyon Series by Patrick Carman

The Spiderwick Chronicles by Holly Black and Tony DiTerlizzi

The Magician Trilogy by Jenny Nimmo

Pretty Monsters by Kelly Link

The Inkheart series by Cornelia Funke (sort of in between middle and YA)

The Thief Lord by Cornelia Funke

The Goose Girl by Shannon Hale (again, could be considered YA)

Gregor the Overlander series by Suzanne Collins

The May Bird series by Jodi Lynn Anderson

The Thickety series by J.A. White

The Artemis Fowl series by Eoin Colfer

Redwall by Brian Jacques

Half Magic by Edward Eager

The Tale of Despereaux by Kate DiCamillo

The Girl Who Drank the Moon by Kelly Barnhill

Chapter 6: Lullaby in Frogland

Let’s look back. Way back. Back before the dawn of animation, before the dawn of film, well before Ruby or Spears or Disney or Iwerks or either Fleischer Brother. Back to 1835, in a town named Florida in a state named Missouri when a boy named Samuel was born.

Like Ub Iwerks, Sam was raised in Missouri. And like Max Fleischer, Sam’s family took a financial hit when his father’s work stopped (this time due to a premature death rather than the decline of tailory), giving Sam a practical approach to work. He left school at age eleven to become a printer’s apprentice, then moved to his older brother’s newspaper as a typesetter and occasional columnist, writing humorous articles and drawing cartoons. But unlike Beatrix Potter or the animators we’ve covered, visual art wasn’t in the cards for Sam.

He moved to the East Coast to work for other papers, bouncing between cities before returning to the midwest to embark on a career he’d dreamed of since he was old enough to dream: piloting a steamboat. He thrived on the water, and kept writing about his work along the river, but everything stopped when the Civil War closed off the Mississippi. So Sam headed west to work for the same brother who once ran the newspaper, now a politician in Nevada (I’d be remiss if I didn’t point out that this brother was for some reason named Orion). Sam tried mining, and it didn’t take, but he’d gotten pretty good at writing and set off for San Francisco to get back into his jocular brand of journalism. 

It was here that he had his first success, a short story published in his paper called Jim Smiley and His Jumping Frog. But, like a certain frog we’ve covered in this series, Sam wasn’t huge on permanent names. Within a month, the story was reprinted as The Celebrated Jumping Frog of Calaveras County, and Jim Smiley’s name was changed to Jim Greeley. Until the book version came out, when it was changed back to Jim Smiley. And this whole time, within the story, it’s a mystery whether Jim’s real name is actually Leonidas (it turns out that it isn’t, but it might be). None of this should come as a surprise for Samuel Clemens, who wrote under the names of Josh, Thomas Jefferson Snodgrass, and most famously, Mark Twain.

“I knew you were special.”

Over the Garden Wall is, among other things, a story about the importance of solid communication. After five episodes spent building up our heroes as a group of friends, all it takes is one episode of terrible communication to throw it all away. The specific issues vary, despite leading to a similar result of not verbalizing their thoughts very well: Greg’s youth stops him from articulating his rapidly changing ideas, Wirt’s anxiety leaves him too timid to speak up or too rambling to be clear, Beatrice’s true intentions make her obfuscate the truth, and Jason Funderburker straight-up can’t talk. Or so we think.

This time he’s named for American statesmen George Washington and Benjamin Franklin, which fits the continuing vintage Americana vibe of the series—while I figure it’s a coincidence, it should be noted that Mark Twain’s Jumping Frog was named after American statesman Daniel Webster. Surrounded by other frogs that walk around and wear fancy garb, our frog is more anthropomorphic than ever, standing on his hind legs and dancing along with Greg. But it’s still a shock to hear him open his mouth and sing, a shock that soon cedes to the realization that the frog playing the piano at the beginning of the series is singing the Jack Jones song in the montage that follows.

Lullaby in Frogland is Jason Funderburker’s episode through and through, so much so that it’s the first time we hear of his namesake, Jason Funderberker. This is an episode where Wirt rejects Greg’s assertion that their frog is “our frog,” a plot point that’s paid off in their last conversation in the series. This is an episode where Greg wonders aloud if he can be a hero, sees the frog set off on a diverging path immediately afterwards, and accepts it, because he’s willing to sacrifice his happiness for the good of others. And it’s an episode where the frog returns after a harrowing betrayal, showing that even when all seems lost, there’s still room for hope. Over the Garden Wall (the song) might not sound like a traditional lullaby, but it soothes us into a cold night as the sun sets on the first half of Over the Garden Wall (the show).

Adelaide’s true nature is foreshadowed by Beatrice’s sudden hesitance to bring the brothers to the pasture after several episodes of nagging, but the twist is made tragic by Wirt finally letting his guard down enough to be happy. He sings a completed Adelaide Parade with Greg and joins the dance before collapsing into the most earnest laughter I’ve ever heard in a cartoon. He’s a good enough friend to notice when Beatrice is “uncharacteristically wistful,” and takes a risk by playing the bassoon instead of just giving up. He’s still got growing to do—it’s one thing to blame Greg for getting them in trouble by throwing away the ferry fare and forcing them to sneak aboard, but another thing to literally shout “Take him, not me!” when confronted by the frog fuzz—so it’s clear that his journey isn’t over yet, but he doesn’t even get a full episode of peace before everything blows up.

The whole steamboat sequence flows between simple delights, like saluting the captain mid-chase, the revelation that the frogs love music more than they hate trespassers, and the repeated gags of three gentlemen frogs snatching up flying flies and a frog mother dropping her tadpoles. Everything just feels calm, even when antics are afoot. Wirt gets to save the day with his bassooning, Greg gets to feel rewarded in his knowledge that his frog is special, Jason gets to sing a song after being silent throughout the series, and Beatrice seems, for now, to come to a sort of peace about things after several clear attempts to sidetrack the boys. This is the only episode to feature two major stories instead of one, but the steamer segment is rich enough to feel like a full episode. If only we could’ve stopped here.

All roads lead to Twain when it comes to depictions of steamboats as a go-to American icon, which is why he preceded this discussion of Lullaby in Frogland: I’m not claiming Mickey Mouse wouldn’t have been successful if his first cartoon was about something else, but I’m certainly claiming that we wouldn’t have gotten Steamboat Willie as it was if Ub Iwerks hadn’t grown up in a Missouri whose lore was shaped by Twain’s tales of the river. But while the author’s at the root of the episode’s many influences, I think the most fascinating branch that we borrow from is The Princess and the Frog. 

2009 was a great year for animation, seeing the release of Coraline, Fantastic Mr. Fox, The Secret of Kells, the surprisingly great Cloudy With a Chance of Meatballs, and the first ten minutes of Up (also the rest of Up, if I’m feeling generous). The first two on that list are my favorite of the year, twin stop-motion masterpieces that I’m always in the mood to watch, but The Princess and the Frog is a brilliant last gasp from Disney’s 2D animation studio. It isn’t the final traditionally animated film they made (that would be 2011′s Winnie the Pooh), nor the final fully sincere princess movie they made (that would be 2010′s Tangled), but it marks the beginning of the end for both trends: for better and worse, the modern Disney animation feels the need to loudly subvert old tropes and wouldn’t be caught dead in two dimensions.

Lullaby in Frogland’s connection to The Princess and the Frog is certainly visible on the surface level: both feature a long sequence starring frogs on a steamboat where a lead character must pretend to be another animal and play a woodwind instrument to get out of a jam, and both involve our heroes seeking help from a wise woman far from civilization (even if only one of these women is actually helpful). But it’s the somber nostalgia factor that binds these stories closer than anything, the knowledge that this is the end of the road for this type of tale. The ferry’s gotta land somewhere, and the cold is setting in as the frogs begin hibernating for the winter, but there’s still more story to tell.

The second story of Lullaby in Frogland is scored throughout by a haunting string and piano rendition of Adelaide Parade, and Adelaide herself is immediately captivating. John Cleese returns for the second episode in a row, but as both of these episodes aired the same night, it feels like a consistent through-line: in the first half, he’s an eccentric who might be a deranged maniac but is actually harmless, and now he’s a witch who might be harmless but is actually a deranged maniac.

Adelaide gets a compelling amount of detail for someone who’s barely in the show. We don’t get any explanation about her fatal weakness to…fresh air? Coldness in general? Either way, like the Wicked Witch of the West’s lethal reaction to water, it’s absurd that someone like her has managed to live this long. She never says what she needs a child servant for, why she has scissors that seem custom-made for this specific curse, or what her spider-like deal with yarn and wool is (she has a black widow hourglass on her back, but also reminds me of the Greek Fates with her emphasis on thread). We never find out how she’s connected to the Beast, whose theme bleeds into her music as she proclaims, without much prompting, that she follows his commands; her goal of using children as zombie slaves seems counter to his goal of turning them into trees to fuel his soul lantern. But this blend of unexplained characteristics and seemingly inconsistent motives only makes her more enthralling to me, because she feels like an actual major villain of another story who we only see a glimpse of. 

What makes Adelaide even more compelling on rewatch is that her scissors, despite their gruesome method for curing the curse, actually end up working. Which means she really did mean to help Beatrice out as part of the deal. At no point does Adelaide lie, and given Beatrice knows she’s bad news as she lures the brothers in, it becomes clear that for all her villainy, Adelaide is an honest witch. I’m always down for baddies that tell the truth, but it’s of particular interest when we compare her to the Beast, whose whole deal is lying. 

The only liar in this episode is Beatrice, even if she wanted to set things straight without hurting anyone; she values her friendship with the boys so much now that she’d rather make herself a servant to Adelaide than just tell them she’s dangerous and reveal that she lied. By the time she’s willing to tell the truth, it’s too late, and not even saving Greg and Wirt by killing Adelaide is enough for Wirt to forgive her. Considering he knows in The Unknown that the scissors he uses to escape the yarn can save her family, he was also listening in on the end of the conversation before entering the house, which means he must have heard that she was willing to sacrifice herself, but that doesn’t matter either. Beatrice gave the boys hope, and no matter how badly she tried to stop it, the encounter with Adelaide transforms Wirt. Where he was once nervous and unsure, and was then briefly optimistic, he’s now sullen and untrusting.

But again, in comes Jason Funderburker, croaking and hopping on all fours once more to bring some light to the darkening series. He doesn’t do much for Wirt, but allows Greg to quickly get over whatever trauma he had about getting webbed up in yarn; he’s remarkably quiet about it, but it’s important to remember that he was betrayed, too. Whether he doesn’t understand exactly what happened or is just quicker to forgive, Greg is fine with Beatrice, allowing us to focus harder on Wirt’s reaction from now on.

It’s all rain and winter for Wirt until the end of his adventure. But the show’s not content to leave him even slightly forlorn: when it gets too dark, he has a frog to swallow a lantern to light the way, and when it gets too cold, he has a brother to cover him in leaves, and when he falls, he has Beatrice to help pull him back up. Even the Woodsman tries to save him in his own way (talk about folks who are bad at communication). Bad things happen, and people make mistakes, but the bigger mistake is allowing that to close you off to others, or to never forgive friends that are genuinely sorry. Our heroes have taken the ferry to the other side, and now the story can shift to one about the folly of abandoning all hope.

Where have we come, and where shall we end?

On top of Jason Funderberker, who’s set up as a major rival to make his eventual reveal one of the show’s best jokes, Wirt gives Beatrice a general summary of Into the Unknown three episodes before we see it play out.

I just realized, I just bloody realized, Moist Von Lipwig’s story arc is a game of Monopoly through the eyes of a conman going through the board and winning all the pieces.

He has the top hat, the dog, the train (which replaces to automotive in newer boards) the friendship of the Seamstress’ Guild (thimble), the walking iron called Gladys, the boot (he’s the incarnation of the Disc God Fedecks who has winged boots) and also the bag of money.*   He goes to jail, but eventually gets to pass and go. He’s integral in the rehabilitation of civic buildings (post office, bank, mint, the acquisition of land to build a railway and then adding stations to said railway), the owner of up market private property, and also he invents paper money which everyone sort of thinks of as a bit of a game.

His very name, Moist Von Lipwig, is a pun about wearing a fake lip wig or mustache. Like so:

Lord Vetinari is quite literally using him to play a life size version of Monopoly with the city. And winning.

(Amendment: Adora with hear deadly footwear is also the shoe/boot.)

(* Alternates: Sam Vimes is boots, Gaspode and Beggars Guild is dog, Wheelbarrow is Harry King, Thimble is Seamstress Guild, Battlehsip/canon is Assassins Guild/Nobility, Money Bag is Thieves Guild, leaving Moist as Top Hat and Train. ANKH-MORPORK MONOPOLY, GIVE IT TO ME) 

((edited for typos, too busy flailing))!!!!!

we need more books that are written like YA novels but have characters in their 20s… like I can’t keep reading books about teenagers but I’m also not ready for the weird adult romance section of the book store

You know what dynamics I lack?

Two charecters being opponents for any reasons. Family, differences, whatever? One of them might appear as more antogonistic, but better for both of them to have inverse outlooks, but none of both to be wrong, just different. I want their opposition, their confrontation. And then for them to copperate, not turn to lovers of anything, not to develop strong affection. Just a silent nod and working together. Being at peice for sometine, for seconds, for minutes.

Film Noir Movies

People think that Film Noir is a reaction to World War II. Not true. Most of the great hard-boiled and noir pulp fiction came out during the 30’s, as a reaction to the great depression. Film noir didn’t become a big thing until after the war (post 1945), because the powers that be didn’t want to release pessimistic, down-ending films that would lower the country’s morale.

This could be a very loooong list. Hundreds of films in fact. So I am just going to list the films that I heard mentioned specifically in various film noir documentaries and books, as examples of great noir.

Film Noir Era 1945-1958

The Letter (1940)

The Stranger on The Third Floor (1940)

The Maltese Falcon (1941)

The Glass Key (1942)

This Gun For Hire (1942)

Shadow of A Doubt (1943)

Double Indemnity (1944)

To Have and Have Not (1944)

Laura (1944)

Murder My Sweet (1944)

Phantom Lady (1944)

Detour (1945)

Fallen Angel (1945)

Leave Her To Heaven (1945)

The Lost Weekend (1945)

Mildred Pierce (1945)

Scarlet Street (1945)

The Big Sleep (1946)

Black Angel (1946)

The Blue Dahlia (1946)

The Dark Corner (1946)

The Dark Mirror (1946)

Decoy (1946)

Gilda (1946)

The Killers (1946)

Notorious (1946)

The Postman Always Rings Twice (1946)

The Strange Love of Martha Ivers (1946)

The Stranger (1946)

Body and Soul (1947)

Born To Kill (1947)

Brute Force (1947)

Crossfire (1947)

Dark Passage (1947)

Dead Reckoning (1947)

Desperate (1947)

Kiss of Death (1947)

Lady In The Lake (1947)

Nightmare Alley (1947)

Out of The Past (1947)

Ride The Pink Horse (1947)

T-Men (1947)

The Big Clock (1948)

Call Northside 777 (1948)

Cry of The City (1948)

Force of Evil (1948)

He Walked By Night (1948)

Hollow Triumph (1948)

Key Largo (1948)

The Lady From Shanghai (1948)

The Naked City (1948)

Pitfall (1948)

Raw Deal (1948)

The Street With No Name (1948)

They Live By Night (1948)

Act of Violence (1949)

Border Incident (1949)

Criss-Cross (1949)

Impact (1949)

The Reckless Moment (1949)

The Set-Up (1949)

Thieves’ Highway (1949)

The Third Man (1949)

White Heat (1949)

The Asphalt Jungle (1950)

D.O.A. (1950)

The File on Thelma Jordan (1950)

Gun Crazy (1950)

In A Lonely Place (1950)

Night and The City (1950)

Panic In The Streets (1950)

Side Street (1950)

Sunset Boulevard (1950)

Where Danger Lives (1950)

Where The Sidewalk Ends (1950)

Ace In The Hole (1951)

His Kind of Woman (1951)

On Dangerous Ground (1951)

The Prowler (1951)

Strangers On A Train (1951)

The Bad and The Beautiful (1952)

Clash By Night (1952)

Kansas City Confidential (1952)

The Narrow Margin (1952)

Sudden Fear (1952)

Angel Face (1953)

The Big Heat (1953)

The Blue Gardenia (1953)

The Hitch-Hiker (1953)

Niagra (1953)

Pickup on South Street (1953)

Crime Wave (1954)

Human Desire (1954)

Rear Window (1954)

The Big Combo (1955)

The Desperate Hours (1955)

Kiss Me Deadly (1955)

The Night of The Hunter (1955)

The Killing (1956)

While The City Sleeps (1956)

The Wrong Man (1956)

Sweet Smell Of Success (1957)

Touch of Evil (1958)

Vertigo (1958)

Neo-Noir Era 60’s-90’s

À bout de soufflé/ Breathless (1960)

Shoot The Piano Player (1960)

Underworld, U.S.A. (1961)

The Manchurian Candidate (1962)

Harper (1966)

Bonnie and Clyde (1967)

Dirty Harry (1971)

The French Connection (1971)

The Long Goodbye (1973)

Chinatown (1974)

Taxi Driver (1976)

Body Heat (1981)

Blade Runner (1982)

Blood Simple (1984)

To Live and Die In L.A. (1985)

Blue Velvet (1986)

Who Framed Roger Rabbit? (1988)

The Grifters (1990)

King of New York (1990)

Miller’s Crossing (1990)

New Jack City (1991)

The Silence of The Lambs (1991)

Basic Instinct (1992)

Reservoir Dogs (1992)

True Romance (1993)

Natural Born Killers (1994)

Pulp Fiction (1994)

Devil In A New Dress (1995)

Heat (1995)

Se7en (1995)

The Usual Suspects (1995)

Fargo (1996)

L.A. Confidential (1997)

The Big Lebowski (1998)

Payback (1999)