Latest Posts by chaieanne - Page 3

“… so you can do something about it now or live with it forever.”

Obligatory dog tag appreciation post.

I'm stressed so have some Bucky gifs!

Writing Notes: Villain Archetypes

Many of the great villains that oppose classic heroes fall into a handful of villain archetypes:

Anti-villain: The anti-villain is a villain archetype in which the bad guy has a sympathetic motivation or appealing characteristics. In the same way that an anti-hero is ostensibly a good guy with villainous or immoral tendencies, an anti-villain may have justifiable, noble goals or even a good side. Example: Hannibal Lecter in The Silence of the Lambs (portrayed by Anthony Hopkins in the film version).

The beast: A classic villain whose goal is to terrorize and attempt to defeat the main character, the beast is a literal monster. This type of villain cannot be reasoned with and is often found in the horror or science fiction genres. The whale from Moby Dick and the shark from Jaws are examples of this type of villain.

The bully: Bullies serve as simple, straightforward opposition to the protagonist. This character archetype is sometimes marked by a backstory that explains their mean and oppressive tendencies, such as a childhood marked by abuse or insecurity. Other times, they are simply mean for the sake of being mean. Examples include Nurse Ratched from One Flew Over the Cuckoo’s Nest and Fletcher from the film Whiplash.

The machine: The machine is similar to the beast, with one major difference: It is a technological construct and is therefore lifeless and incapable of pain, fear, and emotion. The machine can often be found in science fiction thrillers—like Ultron in Avengers: Age of Ultron or Arnold Schwarzenegger’s robotic killing machine in The Terminator.

The mastermind: The mastermind opposes the protagonist by overseeing a brilliant, diabolical master plan. They are a gifted schemer and evil genius who attempts to defeat the protagonist mentally as opposed to physically. Great villains in the mastermind tradition include Hans Gruber from Die Hard and Lex Luthor from the Superman series.

Evil incarnate: This villain personifies evil itself, offering little in the way of character development or backstory. This type of evildoer serves as an obstacle to the hero’s journey and is primarily found in fantasy and superhero genres. Examples include Sauron from The Lord of the Rings, Darth Vader from Star Wars, and the Joker from The Dark Knight.

The henchman: The henchman exists to do the dirty work of someone else, usually the mastermind or another major evil character in the story. They are functionally the sidekick of the main villain. Though they usually lack the villain’s brains, they make up for it in brawn. Examples include Boba Fett from Star Wars and the monkeys from The Wizard of Oz.

The fanatic: The fanatic’s villainy is driven by an extreme ideology. Oftentimes, they are propelled by religion or a twisted moral belief that gives them fuel to carry out their twisted mission. The serial killer John Doe from the movie Seven is a true villain in the fanatic tradition.

Tips for Writing Compelling Villains

When it comes to writing villains who transcend cliches, there are 4 techniques that can elevate your writing:

Make sure your villain has a strong connection to your hero. A true villain is inextricably connected to the hero and aids in the hero’s character development.

Make them a worthy opponent. A great villain is a strong and worthy adversary to your hero, directly opposing the hero archetype of your protagonist. The villain shouldn’t be weak and easily beaten, nor should they be so powerful that they can only be defeated by random chance. In the Sherlock Holmes stories, Holmes’s arch-nemesis Moriarty is a brilliant criminal mastermind. Having a villain who is equal in skill and intelligence to your hero will raise the stakes of their encounters, creating a credible threat to your hero.

Put yourself in your villain’s shoes. When it’s time for your villain to act, put yourself in their place. Think about challenges or hardships that might tempt people to act out or behave badly. How do you react to bad things? Tap into those emotions and try to apply them to your villain.

Consider your villain’s motivation. Why does your villain want to rule with an iron fist? Why do they want to put the damsel in distress? As with your main character, determining your antagonist’s motivation can help you unlock other aspects of their character, such as their goals and their personality.

Source ⚜ Writing Resources PDFs ⚜ Villains

chuuya who passes the time with you once dazai leaves the pm. you’ve always had a crush on the man, always been enamored by his effortless charm and suave nature, but he never paid much mind to you. his heart had always been set on dazai, his partner from day one, and everyone knew that. everyone knew the two were inseparable, even if they never said it outright - it was just an unspoken truth.

but everything changed when dazai defected. chuuya could barely get out of bed for weeks. you had taken it upon yourself to coax the man out of his house and back into the outside world, much to his chagrin but mori’s pleasure.

so chuuya latched onto you. you were sweet and pretty and nurturing and more than anything you were just… right there. and dazai wasn’t. he’ll take you on dates and hold your hand and fuck you dumb, but there’s always a wall up. he’s just never fully there with you, and you’re not dumb enough to think he ever will be. not when his other half disappeared into thin air. but you’ll take it - you’ll take the empty love if it means you get to be with him, and he’ll take you as long as your presence can at least half-fill the dazai-shaped hole in his chest.

If anyone’s gonna appreciate my sudden obsession with Baby Girl Bucky Barnes it’s tumblr

Anyway please enjoy these drawings I’ve made

ze boys

Missionary with your fav military man, but his dog tags keep tapping you in the face, causing you to giggle. He scoffs and nips at you playfully before taking the chain in his teeth and thrusting even harder, fucking you up the bed in punishment

“i love you” during sex is such an insane level of horny to me. one side moaning i love you feeling so vulnerable and full of everything at once as is that it just slips like that, and the other letting it sink in for a moment and it fogs their mind more than it already is with pleasure and adoration to then groan that they love them so much more and fuck them harder about it. as if to let it sink in more for them. feel me love you. pouring it inside, moaning at how it feels good to love you. oh how i love you i love you i love you

man of war

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──── ୨୧ ────

SEBASTIAN STAN as JAMES "BUCKY" BARNES THE FALCON AND THE WINTER SOLDIER (2021), dir. KARI SKOGLAND 1x04 "The Whole World is Watching"

size difference kink but in the “i grew up being made fun of for being chubby so now the idea of a giant of a man being able to toss me around and tower over me without making my weight a problem makes me really horny” way, you get what im saying?

Writing Notes: Foreshadowing

No one likes a spoiler, but everyone loves a good breadcrumb. When done the right way, foreshadowing brilliantly steers a reader’s journey through a story.

Foreshadowing - a literary device used to give an indication or hint of what is to come later in the story. It is useful for creating suspense, a feeling of unease, a sense of curiosity, or a mark that things may not be as they seem.

How to Use Foreshadowing in Your Writing

Foreshadowing does not necessarily mean explicitly revealing what will happen later in your story. In fact, when it is used effectively, many readers may not even realize the significance of an author’s foreshadowing until the end. Examples of foreshadowing range from the very subtle to the incredibly pointed. No matter how veiled your hints are, there are a few time-honored ways to weave them into your storytelling:

Dialogue: You can use your characters’ dialogue to foreshadow future events or big reveals. This foreshadowing may take the form of a joke, an offhand comment, or even something unsaid that adds personality to your characters while planting the seed for later revelations. A prime example of dialogue foreshadowing occurs in Shakespeare’s Romeo and Juliet, when Romeo says, “My life were better ended by their hate, than death prorogued, wanting of thy love.” This line foreshadows Romeo’s eventual fate: committing suicide over the loss of Juliet.

Title: The title of a novel or short story can be used to foreshadow major events in the story as well. For instance, Edgar Allan Poe’s “The Fall of the House of Usher” foreshadows not just the destruction of the physical house, but the demise of an entire family.

Setting: The choices you make about the setting or atmosphere of your story can foreshadow events as well. In Great Expectations, Charles Dickens uses descriptions of foreboding storm clouds and inclement weather to foreshadow the dark turn Pip’s story will take: “So furious had been the gusts, that high buildings in town had had the lead stripped off their roofs; and in the country, trees had been torn up, and sails of windmills carried away; and gloomy accounts had come in from the coast, of shipwreck and death.”

Metaphor or simile: Figurative language like similes and metaphors can be effective foreshadowing tools. In David Copperfield, Dickens uses simile to foreshadow the betrayal of David by his mother, comparing her to a figure in a fairy tale: “I sat looking at Peggotty for some time, in a reverie on this suppositious case: whether, if she were employed to lose me like the boy in the fairy tale, I should be able to track my way home again by the buttons she would shed.”

Character traits: A character’s appearance, attire, or mannerisms can foreshadow that character’s true essence or later actions. On second reading, Lennie’s death at the end of John Steinbeck’s Of Mice and Men comes not as a shock but as an echo of a moment much earlier, when George must put down a dog. For George, the two events are not directly linked, but the reader learns that he is willing to do something gut-wrenching in a moment of greater need.

Foreshadowing is a key tool for writers to build dramatic tension and suspense throughout their stories.

It’s a quiet flag from the writer to the reader to pay close attention, and it’s also a great tool to prepare your reader emotionally for big reveals.

For instance, if an abrupt revelation or plot twist is not adequately set up via foreshadowing, your reader may come away from your story feeling annoyed, disappointed, or confused, rather than surprised and satisfied.

Source ⚜ More: References ⚜ Writing Resources PDFs

Not even two braincells amongst them.

You, Me, and the King

18+ f!reader. King bucky. Knight Steve. Queen reader. Dirty talk. polyship. light choking. creampie. Cuckolding. Voyeur!Steve.

~

If anyone noticed the visible bulge in the Steve's breeches they knew better than to say anything. The hefty sword he carried on his hip mixed with the deadly glare he gave everyone that passed by helped. They also knew better than to comment on the high pitched wails coming from the door Steve was guarding with his life. The new King and Queen were still on their honeymoon, locked away for days on end as they worked to fulfill their duty to the kingdom.

"J-James!"

He had you on your knees, your arms long since having given out as he thrusted into you. Every plap plap plap of his balls against your swollen clit echoed by the squelching of your pussy gobbling up his cock greedily. James pulled you up until his hand was around your throat, his hips never ceasing as he forced your back to arch. It made you squeal when he hit that special spot inside you. (Outside the door Steve had to clench his jaw and readjust his erection. He knew exactly what that sound meant, he heard it often enough now.)

You were usually quiet and shy, hiding at your King's side and whispering in his ear when you did have something to say. But every single time James got his cock in you, you couldn't help yourself. And your husband loved it.

"That's it my Queen. Let them, fuck, let him hear you sing for me." James let his scarred left arm wrap around you, his massive hand finding your clit easily as he fucked himself into your slick folds. You'd long since felt your own juices run down to your knees. You were sure James' balls were sticky as well.

"Please, James, I can't-" you sobbed as you came again, milking his thick shaft and making him curse.

"But you can, my love. Just a couple more. You have to if you're to give me an heir." He cooed at you, holding up your limp body as you tried to keep up with his endless stamina.

"Steve will lick you all better if you're sore later, promise." Your pussy tightened at the mention of your husband's head knight making James groan loud and filthy in your ear.

The man had grown up with your King, and you knew James trusted him more than he trusted anyone else. He'd even entrusted you to the blond. When your King was busy and you were aching, it was Steve who used his mouth and his fingers to make you feel all better. You'd even had him in your mouth when you felt bold. You wanted to practice, get better at pleasing your new husband. Steve always taught you so kindly knowing exactly what his King liked. You suspected they were more intimate than they let on and the thought made your pussy throb. But you'd never had Steves cock inside you. It was the one rule you had to follow. So when your husband mentions Steve you can't stop the embarrassed whimper that escapes you.

"I know, I know, you want his cock too." Your face burned at the truth of his words, and he laughed feeling your pussy get impossibly tight around him. "Just gotta let my cum all the way in your pretty tummy first. Gotta give me an hier."

"I'll be g-good, give you baby. Promise!" You knew Steve could hear every single word. Knew he'd be suckling on your clit later as he fucked James' cum back into you with his thick fingers when it leaked out. The very thought made you cum again, your fluttering walls dragging James along with you. He cursed, his grip tightening around your throat as his cock throbbed inside you.

"Take it my love, take every fucking drop-" He growled as he grabbed at the fat of your hip, using the leverage to fuck every spurt of cum deeper than the last.

When you both collapsed onto the bed, he cradled you to his chest kissing you slow and deep and drugging. You expected him to let you go to help you clean up a bit like he normally did. But he made no move to separate himself from you. You felt your cheeks heat once more when you realized why.

"James-" Your husband's icy blue eyes were locked onto where your bodies were joined, of the creamy mess he'd made of your pussy, but he seemed to know what you were asking if the smirk on his plump lips was anything to go by.

"Shh, just making sure it takes."

pt. 2

Sylus loves the intimacy of missionary, he loves pressing his forehead against yours as his cock moves in and out of you. He admires your face, the expression of absolute bliss you're making all because of him, and he can't get enough. "You look so pretty like this, kitten." His kisses your neck, his fingers interlocking with your as his hips continue to move.

The more moans escape you, the more desperate his thrusts get. "So loud tonight, aren't you?" His cock hits your spot over and over again, the feeling of your velvet walls clenching around him makes Sylus groan. "Fuck kitten....you feel so good." Your body arches causing Sylus to let go of your hands and grab your thighs instead, spreading them wider apart.

You gasp, hands grabbing onto his strong biceps, nails digging into his skin. "My kitten has claws, hmm?" Sylus kisses the side of your neck before kissing up to your lips. The kiss is passionate, the movement of his hips even more so. He is stretching your pussy so deliciously, so good. Your eyes catch his red ones when he pulls back, his face was red, mouth open slightly, he looked majestic like this. Putting your hand on his cheek, you swear that for a moment his whole expression grew soft but it was short as you moved your hips against his own.

Sylus starts fucking you faster, you moan loudly, head falling back against the pillow. He takes hold of your hips, his thrusts getting a little sloppy but still hitting your every spot. You pull him down flush against your body, hips moving against his own. Both of you were close, you came first, feeling the pleasure run all through your body. "That's my girl. Cum for me." He slows down a bit, just enjoying the feeling of your for a little more before leaning his forehead against yours and coming deep inside of you.

sylus who lets you have complete control over onychinus because he trusts you ; sylus who gives you all passwords and access to all his weaponry, manpower, and money ; sylus who despite being the most wanted man, is the most gentle and loving with you ; sylus who loves cats and has cat friends who he feeds ; sylus who would never hurt anyone less fortunate ; sylus who collects vinyls ; sylus who enjoys music and fashion and cooking and all things domestic because he now has the privilege of enjoying life and not just existing ; sylus who is tone deaf because of who he is but still loves music and singing, probably because it reminds him of his beloved who is the only one who would sing for him ; sylus whose soul smells like flowers ; sylus who braids your hair and knows how to take care of textured hair ; sylus who cooks for you, bakes for you ; sylus who would play hide and seek with you, and all things deemed childish without a sense of judgement ; sylus who basks in joy whenever you’re you, always encouraging you to embrace every part of yourself ; sylus who will love every version of you no matter what

Knowing that Sebastian Stan is the one saying this makes it even better

Writing Notes: Cliffhanger

Cliffhanger - a plot device in which a component of a story ends unresolved, usually in a suspenseful or shocking way, in order to compel audiences to turn the page or return to the story in the next installment. A cliffhanger can end a chapter of a novel, a television episode, a scene in a film, or a serialized story (book or movie).

Cliffhanger endings usually fall into two categories:

The main character comes face-to-face with a dangerous or possibly life-threatening situation.

A shocking revelation comes to light, threatening to alter the course of the narrative.

Tips for Writing Cliffhangers from Dan Brown

“Cliffhangers pose big questions at the end of a chapter or section,” Brown says.

“Typically, a cliffhanger stops during a climactic event midway through the action instead of at its natural conclusion. Is your hero about to push the villain off of a racing yacht? Stop where the hero has the villain in his grip. Leave the reader thinking, ‘All right, I’ll read just one more page....’”

Brown suggests these strategies for creating cliffhangers:

Move the last few paragraphs of a scene to the next chapter.

Create a section break between your work.

Introduce a new surprise that the audience will not expect.

Use pulses, or short sentences or phrases to remind the reader of lurking danger.

Tips for Writing Cliffhangers from R.L. Stine

R.L. Stine advises writers to develop the very end of the novel first and creating at least 5 potential cliffhangers for each chapter ending.

To successfully build up to a cliffhanger, Stine suggests using descriptive elements to remind readers of potential danger.

He also advises using these structural elements to frame a cliffhanger for maximum impact:

Start chapters with a sense of urgency.

Keep passages concise and cut out superfluous descriptions.

Blend descriptive passages into action scenes.

Stay grounded in a protagonist’s sensory experience.

Find plausible ways to withhold key information from a reader (i.e. narrate from the point of view of a character who can’t get/doesn’t know the information).

Open a chapter in the middle of a scene.

Open a chapter or section with a question, an interesting fact, or a change of pace.

Use a “pulse” to remind the reader of lurking danger.

Use flashbacks to open new sources of suspense.

Finish a chapter with a cliffhanger ending.

Source ⚜ More: References ⚜ Writing Resources PDFs

bucky barnes who doesn’t trust unless it comes to you. whose eyes soften at the sight of you, because his heart knows that it’s okay to let his guard down. he believed the world always had its claws out to get him, until he fell straight into your gentle arms. he tells you the word love meant nothing to him until you came along.

bucky barnes who would live for you. the winter soldier would kill for anyone, the white wolf would die for anyone, but bucky would live for you. he’s never believed in fate, but if it wasn't destiny that brought you to him, he doesn’t know what it was. he thinks maybe it was all worth it, the trauma and the scars and the pain, if it all lead up to the moment when you told him i love you.

bucky barnes who searches for you even in nightmares, screams your name till his lungs burn with self-hatred. you’re his safe space, his home. he’s drawn back to wakefulness as soon as he feels your touch, the gentleness of your breath on his skin like an aching balm to his wounds. he’ll never stop apologising for the burden that comes with his affection, yet he won’t ever stop loving you.

bucky barnes who thinks of hurting you as no less than a sin. who believes even pulling out a single strand of your hair is a hundred times worse than every murder committed as the winter soldier. because what’s a few dozen people in comparison to his whole universe?

bucky barnes who wakes up a little earlier in the morning; not to see the sun rise, but to watch the soft rays dapple your face. he thinks you look angelic, the golden hue painting you in so much beauty that he feels blessed; wonders if he oughts to start praying to gods he never once believed in.

bucky barnes who tells you he loves you more times than he can count. whose voice is hardened from years of tortured, ragged cries; but the word doll tumbles out of his lips like soft petals when he looks at you. he knows seven different tongues, and is fluent in every single one. he claims that none of them have the words to describe how you make him feel.

bucky barnes who kisses like a hungry dog, like there’s an ache in his soul that can only be filled by the feeling of your lips on his, skin to skin. he believes the sole purpose of his metal arm is to pin you to the wall. roughness is the only form of love he’s ever known.

bucky barnes who buys you everything you talk about in passing, who takes you out wherever your heart yearns to go, who kisses your knuckles with the softest touch of his lips. he inhales when you exhale at night to make space for the rise of your chest. he only ever holds your hand with his non-metal one so as to not hurt you. he traces your features while you sleep. he loves you with the full force of the word, because you’re his girl.

bucky barnes who could never unlove you, would never want to. even if the strings of his soul were tied to another, he would cut them off and run straight to you.

I can't-

List of “not-so-random suggestive and non-suggestive” prompts 

“How was your sleep?” “Mm.. It was good. Better.” “Better how?” “Better because you’re here.” (THE WAY I GOT SO FLUSTERED WTF)

“That’s my girl/boy,” Character B murmurs in a hushed voice, stroking their fingers through Character A’s hair while Character A rests their head on their chest, trying to catch their breath. (THE SCREAM I SCRUMPT INTERNALLY, THE AUDACITY HE AUDACITIED??? WHAT THE FUCK??? EXCUSEEEE MEEEEEE??? BTW, SIR, HOW DO YOU LIKE YOUR EGGS IN THE MORNING-)

“Fuck, you turn me on so much with the noises you make,” Character B groans, thrusting their hips up into Character A’s and Character A whimpering softly at that. (Okay so I added the fuck at the start because it’s hotter this way bUTTTT WKGKSKFS PLSSSSS I JUST- OH MY GOD, I think I just realised that dialogue to me is SO IMPORTANT LMFAOOO)

“There are two hot things in this room right now: you, and the temperature.” (LET ME BREATHE, DAMNNNN) 

“Mmm, I’m gonna hog the bed so you can’t get on,” Character A murmurs, laying sprawled out on the bed. “That’s fine, I can just lay on you,” Character B says, making their way to the bed. “…Are you calling me a bed?” Character A questions as Character B gets on top of them, careful not to crush them under their weight. “Yeah, you're my bed,” Character B murmurs, snuggling close to Character A. (FUCKCKKCKXKDKKSKGKAKD HE’S JUST OUT HERE FLIRTING TO THE MAX WITH ME AND LEAVING ME SPEECHLESS TF)

“I told you my bed’s cozy,” Character B says, chuckling as they make their way over to Character A, who’s snuggled up under the covers. They pull the cover back and climb into the bed next to Character A, wrapping their arms around them. “And now it’s even cozier,” Character B murmurs into Character A’s neck. “Because you’re here?” Character A questions playfully. “Yeah,” Character B answers.

A laughter filled tickling play fight session somehow turning into them making out, turning into Character A straddling Character B, head thrown back in pleasure as they grind their hips against Character B’s while Character B holds onto their hips, thrusts matching the momentum of Character A’s movements.  

Spending way too much time tickling each other, peals of laughter coming from them both as they both try to attack each other’s sensitive spots. (His laughter is so cute AND I REALLY MISS HIM PLS WJDSK)

Morning cuddles and kisses as sunlight spills into the room.

“I’m gonna fuck you so good once we get there, yeah?” (MY HONEST REACTION WAS LITERALLY “???” I JUST?? WHAT?? SINCE WHEN WAS HE- AND HIM SWEARING? HOT HOT HOT HOT WKGKAKS)

Character A taking Character B’s hand into theirs while they’re driving. “You can drive with one hand, right?” they ask with a little grin, and Character B chuckles and nods. “Of course I can.” (HIM DRIVING WITH ONE HAND IS SO HOT BYE)

Character B guiding the speed of Character A’s hips as Character A grinds against them. (can he PLEASE manhandle me-)

“Okay, I’ll let you tickle me wherever you want if you give me one kiss.” (He lied a few times AHAHA, dodged my attacks instead after I gave him his kisses bruhhh) 

Character B lending their clothes to Character A since Character A’s staying the night. (The way I smelled like him AHHHH)

The soft “yeah?” Character B would mutter in response when they’re messing around with Character A and noises would fall from Character A’s mouth, involuntarily.

Stopping their play fight every now and again to kiss each other. 

Character B flirting with Character A and Character A not knowing how to respond other than half groaning and half laughing and calling them insufferable (affectionately). (Like I said, I’m romantically constipated-) 

Character B laughing every time Character A calls them annoying and insufferable whenever they flirt with them. 

Character A leaning in to kiss Character B… And then using that opportunity to tickle them when Character B’s guards are down. 

Them just laughing with each other at the dumbest shit until they’re out of breath; finding comfort and joy in each other’s company. 

Character A teasing Character B with how ticklish they are on certain spots. 

Character B tugging at the hem of Character A’s top, wanting to take it off, but Character A shakes their head and Character B immediately respects that by backing off a bit. (I’m including this because I don’t think people understand that any signs of no means no. Some people need to take notes for real)

“So… Are you going to stay over tonight?” “…Mm, maybe next time.” “You always say next time, though.” (EWLKNFWELN He really wanted me to stay, and I clearly folded so um pwnfewklnf) 

“I’m sorry if I’m like… Slow with all of this? I’m not experienced with any of this, and I don’t know what I’m doing. And I don’t think I’m ready for… You know.” “And that’s fine. Like I said, we’ll take it slow; we’ve got all the time in the world to get comfortable with each other, hm?” (WHEN I SAY I WAS GOING WEKJFNEWJKNEWFLN WHEN HE REASSURED ME, I LOVE HIM SO MUCH AHHH)

Character B climbing back into bed after taking their morning shower to get more cuddles in with Character A before they have to go to work.

“You can just change in here if you want.” (WO4HKLWFN THIS FUCKING MAN LMFAOOO, the way I didn’t listen and went to the bathroom to change because I’m still feeling too embarrassed to change in front of him even though he’s kind of seen me topless before)

Hugging each other a little tighter, and Character A mumbling, “God, I really don’t want to leave” before they part ways.

“The way you keep running around in my mind everyday… How dare you?” Character A mumbles. “Well, is there a problem with that?” Character B questions with a chuckle. (I’m bold for this one, praise me LKNEFKLNWG)

The constant check ins from Character B, to make sure Character A’s all good and well. (every prompt list has this because it’s something I’ll always fucking harp on about lmao)

Character B grasping Character A’s wrists so they’d stop attacking their ticklish spots, pulling them in for a kiss instead. (He did this SO MANY TIMES AND FAILED SO MANY TIMES AHAHA, I’m a sneaky menace) 

Character A pulling the Spiderman kiss on Character B while Character B’s lying down. (I WANNA KISS HIM MORE FUCKSLKFNES’F)

Character A waking up in Character B’s clothes and in their bed, hair all mussed up and sporting a faint mark on their neck. (I think I uh… I think I like having marks on my neck?? Made by him, specifically, IDK wpeofnew;nf)

Get home safe! Love you lots and lots, Character B texts Character A. (THE WAY I SMILED WHEN I SAW HIS TEXT WHILE HEADING TO THE STATION AHAHA, it wasn’t even ten minutes since we parted and he sent me this and I was fangirling about it to my friends AHAHA) 

“Aren’t you going to get up now? You gotta get to work,” Character A says, poking Character B’s side. “Mmm, five more minutes,” Character B murmurs, pulling Character A closer to them. (HE’S SO CLINGY AND I LOVE IT SO MUCH AHDFOEKNF)

Character A realising they might actually be falling in love, slowly but surely, with Character B. (YEAH SO THIS IS A REVELATION AND A HALF AND IDK HOW TO FEEL ABOUT IT) 

can’t help but think about

Men who look like they haven’t felt the touch of a woman. (they haven’t) They develop a crush on you. Men who look at you with doe eyes, ready to please. Men who will do anything if you asked. Men who shiver when you whisper in their ear. It can be anything, but the feeling of you getting close— fuck they’re goners. Men who imagine you in ungodly ways, all of this new to them. Men who are on the verge of crying because they are so sexually frustrated.

Men who still can’t believe how someone like them (shy, submissive, a stuttering mess) managed to pull someone as confident and bold as you.

Men who whimper when you finally touch them. Guttural grunts and moans, whines and whimpers— all a part of the melody they let out just for you. Men who look up at you with expectant eyes, wanting–no needing you to praise them. We’ve already established that they love your voice, so throw in a ‘good boy’ or ‘you did so good baby’ and their brain stops functioning.

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I don't want it if it ain't your touch - West Side // Ariana Grande

I’m in class rn and all i can think about is this.

Ethan Landry, Sub!Miguel O’Hara, Simon Aumar, Harry Potter, Yuta Okkotsu, Tyler Galpin, Bucky Barnes +your favs!

Being a girl is pt.2: deciding you’ve read enough fics for the moment and swiping out of the app just to re-open tumblr or open wattpad/ao3

“but how could you live and have no story to tell?”- Fyodor Dostoevsky

(through gritted teeth) sometimes what's good for your mental health isn't another do nothing day or a little treat sometimes what's good for you is putting in some of the work. Not all of it at once but sometimes you have to finish that essay or at least take the next step or you have to clean your room or at least dust the shelves or you gotta do the laundry or at least put it all in the hamper and it's not fun and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks and it sucks but you have to because i read a post on the internet that told me that's what being nice to yourself is sometimes

Franz Kafka, 1912