HAVING FUN and ENJOYING the process of writing is so important. Whether you strive to work professionally or write just for the hell of it, remember why you started in the first place. It all comes down to love honestly
A bunch of resolutions for writers and people who want to try writing this year. It's in no way something you must do, these are just ideas how you can set out to improve your writing in the new year.
Try something new
Try to write something you have never written before.
Write something silly, write something serious, write in a different genre, try to write characters that you haven't explored yet.
Write consistently
Writing consistently will not only give you exercise to become a better writer, it can also keep your voice as a writer consistent.
If you have a first draft, write it down quickly and without big breaks inbetween.
Don't wait for inspiration
Waiting for inspiration to come can take forever. So don't wait for inspiration: search for it.
Make writing into a habit that comes natural to you every day, look up writing prompts, read a book you like, get yourself into the mood to write and do it!
Do your research
As a writer, you need to know about a lot of different things.
You can do research by reading books, listening to podcasts, watching movies, talking to other people, etc.
Take this year to learn something new and then tell your reader all about it.
Edit that draft
We all have that one story we wrote a while ago and then stopped at the first draft.
Take it and reread it and then rewrite it. You have a new perspective on it now and maybe this will be the year you turn your idea into a book.
Set yourself a goal
This explicitly doesn't have to be a goal about how many words or pages you write.
Your goal can be to finish something, to edit something, to write a few sentences every day, to share more of your writing or to publish something.
Don't compare
Try not to compare your writing with that of someone else.
Writing is about finding your own voice and telling a story that only you can tell. Also: other people's accomplishes don't diminish your own!
Write!
Whatever the outcome of your writing may be and whatever you want to do with it, if you want to publish it, if you want to share it with friends, or if you want to keep it to yourself: just start writing!
Do what you love to do.
To all my lovely writers, I wish you a great year, may everything work out in your favour!
- Jana
Reminder that whatever you’re writing, you shouldn’t give up because no one else can put the puzzle together the same way you can. It’s unique to you, so stop comparing yourselves to others. That completely eliminates the whole purpose.
Misplaced is a fantasy romance interactive fiction WIP, wherein your choices not only determine your own fate, but that of an entire kingdom. Let me take you an adventure filled with both whimsy and tragedy alike.
The current demo goes up to the end of Chapter 3, available here: https://calliopefiction.itch.io/misplaced
For decades, the human kingdom of Gaiapeia has been fighting against the fae living in the surrounding lands. How this conflict started depends entirely on who you ask.
You are the child of Lady and Sir Grahm, a noble familiy who has been serving the crown for generations. Eager to follow in your father's footsteps, you have been training for years to become a knight worthy of being Prince Az'Lean's Champion - his right hand, his closest confidant, the one who protects his life from the growing danger of the fae.
When the time finally comes and you are chosen for the position, it's a dream come true. You couldn't be happier. But just one day later, on your 21st birthday, a terrible truth is revealed to you.
You are a changeling - a fae child that was smuggled into a human family with only one purpose: to gain the prince's trust and use it against him.
A war between humans and fae is surely brewing and the outcome depends entirely on you.
Customize the appearance of your MC, play as non-binary, female, or male and romance whoever you like however you like, including the choice for asexual or queer-platonic relationships.
Enjoy the story without having to worry about stats - you will be a competent knight no matter what. There is no failure or success, only different choices and their outcomes.
Shape your personality, and your trustworthiness, with your actions. Other characters' disposition to you will change depending on how they perceive you.
Pick a side early on, play the long con, or refuse to make a choice at all. There are multiple split paths that will feature the same romancable characters - but their relationship to you might vary greatly (including villain romances).
Vynn (nb):
Vynn is one of your fellow knights and a long-time friend. Unlike you they aren't a knight by choice and don't care much for fighting. You get the feeling they'd much rather be a bard if they could, seeing as they love playing the lute, spinning epic tales and generally being a source of levity. They are fiercely loyal and good-natured, though there is that bit of resentment that will never quite leave their heart.
Prince Az'Lean (m):
Az'Lean is your prince, the one you are sworn to protect. On first glance, he is the very picture of a fairytale prince: charming, chivalrous, and powerful. He is an excellent fighter, loves animals, and prefers to be treated like an equal. Anyone who cares to look will soon notice the darkness lurking beneath that shining exterior, festering ever since the death of his mother.
Lady Meave (f):
Maeve is a powerful dryad who was sent to educate you on the ways of the fae. She is usually playful and soft, though her patience tends to run short. As much as she cares about decorum and courtly things, she finds joy in the simplest things and easily turns into a giggly mess. For all her humour, you can never quite tell if she is being serious. Sometimes it feels like she's just playing with you.
Thianne (f):
Thianne is a sorceress and one of Az'Lean's most trusted advisors. She is intelligent and hard-working, though sometimes at the expense of her own well-being. Although she comes across as abrasive and rude, she is always willing to help those who need it. Her dry sense of humour and brutal honesty have endeared her to just as many people as they have made her enemies.
Lester (m):
Lester is a half-fae servant, working in the castle. As with most half-fae, his presence isn't entirely welcome and his reasons for being here seem complexer than he lets on. Lester is known for his mischief and his crude humour, often pulling pranks that border on malicious. Despite the way he presents himself as laid-back and uncaring, it's clear that there's a lot he isn't opeing up about.
This story contains potentially triggering content. There will be graphic depictions of violence, death, discrimination, body-image issues and mental illness (including panic attacks, suicidal thoughts and paranoia). Discretion is advised.
Thank you so much for showing any interest in this project at all! If you would like to receive biweekly update posts, participate in polls, and get access to bonus short stories, consider supporting me on patreon: https://www.patreon.com/CalliopeFiction
Hiii!! You know those memes with birds and quotes besides them? The ones like 'the risk i took was calculated but man i am bad at math' and such? Which ones do you think apply to the ROs (or the cast?) ? 🦉
Bahaha okay so:
The Sage:
Oisein:
The Healer:
The Magesmith:
The High Sheevra (just...all of them aksjdjssk):
Thank you for the ask! ❤️
And now my normal Rain World OCs are up :)
Part VIII
slightly open mouth
downturned mouth
eyes slightly more open
being hesitant in their movements
shrugging shoulders
wringing their hands
crossed arms to protect themself
buckling of the legs, becoming instable
speaking softly and shaky
openly smiling
relaxed face
bright, attentice eyes
steady and natural eye contact
open and upright posture
energetic and animated movements
speaking in an upbeat and positive tone
walking with a spring in their step
walking confidently
bright and open eyes
looking around
sweaty palms
trembling hands
heart racing
fidgeting with their entire body
crossing and uncrossing one's legs
having restless legs, rocking them
drumming with their fingers
bouncing on one's toes
shifting from one foot to the other
pacing around
fussing with clothes
eyes twinkling with mirth
chuckling
bursting out in laughter
eye contact to share their amusement
being open and relaxed
a genuine smile
raised eyebrows
crinkling around the eyes
tilting of the head
slapping their thigh
playfully nudging other characters
standing tall with good posture
maintain steady, appropriate eye contact
avoiding direct staring to not make them feel uncomfortable
speaking in a calm and measured tone
showing attentiveness by listening actively
using polite language and manners, not interrupting or talking over anyone
no crossing of arms and relaxed hands
More: How to write emotions Masterpost
If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰
If you are asking this question, you have yet to challenge the “default” of your culture’s media. Consider that the majority of modern Western media fill their casts with white men, and when there are women or POC, they stick out conspicuously. Many people view adding diversity as tweaking some white man characters by toggling race or gender. But this assumes that “white man” is some default, standard character template.
If you feel pressured to include diversity in your writing, distance yourself from this pressure and ask yourself why you feel it. If you feel attacked when seeing campaigns for more diversity or criticism of all-white, uninclusive media, sit with the discomfort and ask yourself why those who are different from you say they need diverse media.
These are people whose voices and faces are rarely visible in entertainment. Despite this, they enjoy an adventure as much as anyone, and have become accustomed to projecting onto white characters. Yet, when the reverse is asked of white audiences to acknowledge protagonists of color, it becomes a difficult ask. These character choices are immediately questioned, discredited, fought against, and accused of being “woke” or “unrelatable.”
This resistance reflects a larger issue: the imbalance between audiences’ empathy towards the majority/“default” and empathy towards those perceived as Other.
By mostly reading about white people, they become easier to relate to. By the same token, if we are not reading media and histories from the perspective of POC, we end up with more people who literally fail to relate to POC. When we talk about hope-deficits, increased alienation and lower self-worth among marginalized populations, underrepresentation in media is a big factor. Imagine for a moment: never the beautiful princess in the tower, never the badass hero riding dragons; always the two-second sidekick.
People of color are people and want to be seen and treated as such. Not as a burden to devote your time to, but people who have a place in the world, fictional or no. Really, writing a world in your story that is all or mostly white is more unrealistic, more forced—after all, there are far more non-white people on Earth. Becoming comfortable with diversity requires unlearning White as the Default and POC as the Other. It takes setting aside feelings of pressure to emphasize, open your heart and listen.
“Diversity has gone too far!”
Diversity is for everyone.
Children and the Myth of Colorblind Youth
Those who read about aliens learn to emphasize with aliens. Those who read about wizards empathize with wizards.
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This Q&A is an excerpt from our General FAQ for Newcomers, which can be found in our new Masterpost of rules and FAQs. If you liked this post, we have more recommended reading there!
-Writing With Color
And since people were doin Soul Jam Light designs I figured I'd do some for Common Beasts.
Duty, Reason, Civility, Productivity and Unity
Idk about everybody else, when I think ANCIENT EMBODYMENT OF AN IDEA my brain does go to Animals and stuff like that. I also attempted to do an alliteration thing (as seen with the Duty Dragon and the Reason Ram) but gave up.
*grabbing you by the shoulders and shaking you* don’t EVER say it’s so over. it’s not over. There’s hope. It’s not over for the flowers that get paved over because they grow through the cracks in the concrete, stronger than ever. It’s not over for the moths on a soot-blackened tree because they will grow black wings and evade predators faster than ever. It’s not over for the tree that gets chopped down because it will survive off nutrients from its root neighbors and keep holding on. It’s not over because it’s hard. There’s hope. There’s hope. There’s hope.
21 | Chinese | Autistic | Aspiring Fantasy Writer and Narrative Designer | Fae and Chinese Mythology Enjoyer | @charmycharmcharms' writeblr!
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