A gal of many interests who just wants to get through the day; Age: 20+
91 posts
Latest Posts by clash-of-moonbeams - Page 2
A Helluva Boss OC I’m probably going to end up redesigning soon. Her name is Maeve
Fanart of the Queen herself. Angella, you deserved SO much better…
Totally going to make more art of her
I see so much of "is post-crisis Robin Jason an innocent little sweetie-pie or a mean aggro delinquent" and after reading through all of his batman and detective comic issues post-crisis I think i can safely say he's... an introverted and distrustful, but altogether friendly teen boy who has convinced himself to the deepest level that he is an Adult Man, and also does not hold a particularly good view of adults.
The sweet little babypie characterization falls a little short (assuming we aren't being too silly with it, there's plenty of that in the comedy issues of tec) because it disregards the part where he's a jaded teenager who is constantly going off and trying to take care of his own problems like "his own man" and reacts negatively to any breach of trust or move to take care of him. But negative doesn't mean "violent and rageful." The delinquent angle is incorrect because not only is his disposition peppy, silly, and agreeable most of the time, but assuming the problem upsetting him isn't a predator or the guy who killed his dad (and three out of four canon instances it is a predator to be clear) he reacts to emotional turmoil with Bruce by bedrotting, sulking, communicating through notes, and overall being avoidant. The only times he lashes out are when Bruce is calling him out or after Bruce told him to his face that he chose to look for the Joker over looking for him, and that case of "lashing out" is just getting a little snarky.
More than anything his main personality trait (besides being silly, a robin staple) is kinda coming into this parentified as fuck. Not that it's Catherine's fault, but it really shaped his character, like one of the first things he says to Bruce (after he promised not to turn Jason in to the foster system) is that he kept her fed and warm as long as he could like he wasn't her ten year old child when he started. It's why he views himself on the same level as adults and why he gets all closed off at any insinuation that he needs to be taken care of, both of which heavily inform his dynamic with Bruce. He's constantly checking in on Bruce's wellbeing, like half of Batman: the Cult is just him taking care of Bruce while he recuperates from being brainwashed. (Side note, he's also constantly asking Bruce stuff like "what's your relationship like with this woman or this rogue or the concept of religion, how did that play out, how do you feel about it?" he is Very chatty like that.) The first thing he does when Sheila tells him her (revised to exclude medical malpractice) life story is hold HER and try to affirm her struggle. After a while he starts to act more childish with Bruce (although he doesn't really stop trying to brush off attempts to care for him) but as soon as Bruce admits he prioritized crimefighting over Jason and didn't show up to look after Jason like Jason assumed he came there for, Jason snaps back to acting very independent and rejecting any attempts to be looked after on any terms other than some kind of "equals" thing, which he isn't, as he's a 15 year old boy. Like. He's very sweet to his former neighbor, but also he refers to being a homeless child and the sole provider in his condemned building living situation as "getting by" to her.
He's definitely not. some bloodthirsty delinquent, at least to anyone who's not an uber-misogynistic predator, and he like demonstrably is a pretty sweet kid. It's just that when people say he's a sweet kid they kinda just jump to "untraumatized eight-year-old who grew up in a loving family and just got a new puppy from Santa" instead of "good hearted and curious teenager who has trust issues and is deeply uncomfortable with being taken care of, so kinda just compromises by pretending his dad is a Friend Doing him a Solid and acts like his kid only when he has plausible deniability so he can't get the rug pulled out from under him." Of course. He does kinda get the rug pulled out from under him despite all that. So there's that.
wow. damn. i really cant believe i have to clarify this but godamn
the shit before spyral where bruce forced dick to go to spyral? that was not a spar
the fact that people believe it was a spar is insane to me. pretty sure you agree to fight each other when you have a spar. you want to spar, thats why you spar. thats a spar. a spar definitely doesn't happen right after your heart stopped and you were literally kidnapped by an evil justice league from another universe and 1. you're not in a condition to spar 2. you didn't want to spar in the first place.
and bruce didn't really convince dick to go. he forced him. 'convincing' doesn't involve physical hurt against the person. convincing someone means persuading them, and persuading means using reasoning and arguments. Reasoning does not in fact involve punching someone and throwing them across a room.
And arguably, yes, bruce did use words to tell dick why he had to go, but it was never 'can you go' it was always 'you will go'. and yeah, that's a him problem, and even if we don't touch that right now-
bruce used coercion. you can speak words all you want, but using force immediately made it coercion. that's as simple as that.
Fanart of Adora’s She-Ra form I did…two years ago, I think. I remember it being fun, I should draw Adora more
Here’s another MLP OC of mine, Candy Shard. Maybe I should consider another color for her cutie-mark…Mayhaps one day I’ll tell the story behind her and Promenade…
…You know what could’ve been cool? If Vassago had ACTUALLY looked like a pirate, and if he were Octavia’s mentor.
Like, for a character who supposedly should look like one, Vassago does NOT look like a pirate. Which is disappointing, Viv really could have gone all in and made that guy a pirate stereotype. Like, where’s the peg leg, the eyepatch? Where’s the frilly cravat? Where’s the pirate hook? Where’s the oversized captain’s coat and pirate hat with long, elaborate feathers? Heck, you could have made one of those feathers be from Andrealphus, and Vassago put it in his hat because he LOATHES Andrealphus, and beat his a** once. And he makes sure to wear it because Andrealphus HATES it.
Actually, why is Vassago a red macaw? Why not a green parrot, I feel like when you think ‘pirate’ you picture a parrot, especially a green one. I don’t know, sounds like a missed opportunity. And hey, you still could have put stars on his outfit.
As for being Octavia’s mentor, maybe Vassago could have taken pity on the fact that until recently, she’s never had formal lessons in her potential duties regarding astrology. And yeah, Vassago might not occupy the exact same space, but it is said that he can divine and tell summoners of past and future events apparently. And you can use the stars to do the latter, so he could at least reach her something in that.
Really, if we’re going with the Goetias being nobility, Octavia SHOULD have a couple private tutors to guide her in potential duties and proper etiquette. Since she’s the spare and all, honestly now that I think about it did either Stolas or Stella get her something like an etiquette teacher? She’s going to need one since she’s slated to take over Stolas’ position in (assumedly) less than a year. I think Stolas started recently teaching her through the book (she probably should have started a couple years ago), but he can’t do that anymore, so…
Anyway, like I said, could be cool if Vassago took pity on the girl (since Vassago is apparently good-natured) and started overviewing her lessons on her duties in astrology. Or maybe, she’s having trouble navigating through the Goetia social expectations and stuff and he decides to not leave her to the sharks. Idk, might have been better than just having him be a Stolas hype man, despite the fact that Stolas not having any friends other than Blitzø that one time is supposed to be important. And yet here’s a guy who definitely seems to like him somewhat, could Stolas not have been friends with him?
Jason Todd has two little words for you by breaking through the fourth wall (REAL). See the entire tiktok here
Much more seriously I am sick and tired of Red Hood being used as the “I am the distraction” for Batman, for the Bat Family, even going so far as to kill him for a page because they have a portable Lazarus pit serum anyway.
And instead of being angry, hurt, after being brainwashed and willing to “kill him for his father Bruce Wayne's mission” he passively accepts everything. Easily.
I swear it seems angrier Nightwing these years than Jason-
This is not just for the last story arc, but it is in the last few years. A great character they don't know how to use.
How I would love to have even an ounce of the luck of the Daredevil character, who has amazing story arcs.
Of course all this is my personal opinion, from an incredible romantic of the character
Support me with a coffee ☕
PEOPLE, WHATEVER YOU DO, DO NOT SPREAD AND SHARE THIS LINK CONTAINING THE LEAKED EPISODE OF MOON GIRL AND DEVIL DINOSAUR THAT DISNEY SHELVED BECAUSE OF THE “political climate” THAT FEATURES A TRANSGENDER CHARACTER AND THE STRUGGLE SHE FACES BY BIGOTS TRYING TO EXCLUDE HER FROM SPORTS
AND WHATEVER YOU DO, DO NOT SPREAD AND SHARE THIS LINK TO THE ONLINE ARCHIVE IN CASE MR MOUSE AND HIS ARMY OF LAWYERS INEVITABLY HAVE THE LEAKED EPISODE REMOVED FROM YOUTUBE.
…You know what? I’ve decided something.
If ever I were somehow able to get isekai’d into the DC Comic!verse, and somehow get close enough to Jason to do this, I’d slap a sticker on his face. Like, those really awesome scratch-n-sniff stickers you could get at Scholastic Book fairs that just reminded you of the smell of books (my favorite was the popcorn). And I’d just slap a bunch of those suckers on his face. Bruce would NEVER have any of those stickers on his face! It’s not much, but eh, it’s something!
Or I’d use face paint if he’d let me. I’d make him look cool, like a dragon! Or I could just make him look silly. Let’s see him be as sad now!
Jason canonically looks really fucking similar to Bruce. During off days, he avoids mirrors and reflective surfaces because all he sees is his dad who failed him
A compilation of resources
Hi guys, sorry for spam-posting this morning: I have over 2000 drafts and needed to get these posts out so I could put them in order, in order to make this post.
FOOD
5 ingredients/45 minutes recipes
Apple chai caramel cider
How to make cookies in a mug
Edible plants catalogue:
Homemaking, gardening and self-sufficiency resources that will not radicalize you:
RESOURCES FOR PHYSICAL AND MENTAL HEALTH AND SUPPORT
Toothbrushes you can use while in bed!
Hey, person who's feeling overwhelmed by life!
How to do hard things
Reality statements for interpersonal effectiveness
In case anyone else is having a bad night
Stretching advice
Learn the Beck Columns with Cassandra Cain!
READING RESOURCES
Public domain websites
Bookshop is in the place!
Reading sites
Ao3 cheatsheet
Support your local library
Study time!
WRITING RESOURCES
Disability writing guide
On villains with tragic backstories
On carrying children
Some writing resources
Ref recs for whump writers
Writing dialogue
Writing characters with Schizophrenia
Writing advice ("crime")
Taking emotional intelligence in account!
Non tragic backstories
Useful geographical descriptors for writers:
How to say "it hurts"
You don't need an agent
GRAPHIC ARTS RESOURCES
Anatomy help
Hot artists don't gatekeep
SURVIVING THE DIGITAL HELLSCAPE
Resources for staying safe online
Escape the discord generative AI
Stop NCII
Back-up your tumblr blog
Fuck ads
Fuck your paywall
Fuck your paywall, science edition
MISCELLANEOUS
Dealing with the worst case scenario
Supporting native artwork
Correct your misconceptions!
Free classes!
Small ways in which you can support science!
Care packages
There we go! Hopefully some of those help make your life easier.
Fanart/a slight redesign of Elaine from Seven Deadly Sins
Anybody else ever think about how convenient it was that Micah, Scorpia, and Mermista were chipped in S5? You know, before the Best Friend Squad, Best Girl Entrapta, and Catra landed back on Etheria?
No seriously, how CONVENIENT that it was those three specifically that couldn’t interact freely one-on-one with Catra once she, the Best Friend Squad, and Best Girl Entrapta touched back down on Etheria. Catra caused Angella to be trapped between two dimensions, treated Scorpia like sh*t, and conquered Mermista’s kingdom. And yet Micah and Mermista never got to interact with her, and Scorpia just seemed to insta-forgive at the end of S5. Well, that’s not TOTALLY true, after being de-chipped Mermista looks around and sees Hordak and Catra and is like “So we’re just ok with this?”. The most reasonable question EVER.
So much was lost because Catra was not able to properly interact with these three (not to mention Glimmer only got to really interact with the father she lost at a young age RIGHT at the end). We see Catra apologizing to both Adora and Entrapta (not GOOD apologies where she acknowledges all she’s done against them and sincere remorse for her actions, but apologies nonetheless), but she never really does this with anybody else. She kind of tries with a chipped Scorpia, but the latter is chipped so that doesn’t go anywhere, and by the end she never even finished he apology before Scorpia hugged her.
No complicated feelings, no confrontations, no visible grudges being held (except for Perfuma in that one episode). But why, you ask, am I insisting upon this? Catra still apologized, or at least tried to, in Adora, Entrapta, and Scorpia’s cases. She doesn’t even really know Micah and Mermista anyway!
That’s kind of the point.
Catra only tries to apologize to those who she personally knew, she doesn’t actually acknowledge to harm she’s done to people outside of them. She never apologized for Angella, never apologized to Bow for all the things she did to him, heck she didn’t even try to apologize to Frosta for “ruining Princess Prom”. She just let Adora tell the others that she jumped sides and that she was cool now. And nobody really batted an eye (except for Perfuma in that one episode). Part of why Catra’s so-called redemption arcs sucks is because she’s barely made to really be confronted with all the bad she’s done, and try to atone for it.
Because she hurt EVERYBODY in the Princess Alliance in some way, and she doesn’t even offer a small apology? I know why Mermista and Micah especially were chipped, it’s because those two could hold a GRUDGE. We saw it with Mermista and Entrapta, and we saw it when Micah just glared at Shadow Weaver when he was saved by her. But of course, Catra’s “redemption arc” mostly revolves around ADORA, as does everything with her, especially because Catradora was shoved into S5 and they were sprinting to make that goal. You know, despite how that goal made no narrative sense, especially because before S5 Adora didn’t seem to have any romantic feelings for Catra, but that’s something for another time.
Anyway, Catra was barely made to acknowledge any wrong she had done to the supposed love of her life and the only two allies she had in the Horde. So it really doesn’t surprise me that she wasn’t made to acknowledge the wrong she did to everybody else (except Shadow Weaver, Catra didn’t have anything to apologize about there) by the writers. Catra was handled with kid gloves, and meanwhile Entrapta did NOT get that luxury.
I’m not saying Entrapta didn’t do anything wrong, but geez did the princesses hold more of a grudge for her than Catra. With some ableism splashed in there too, yikes. And yet, Entrapta actually worked on herself and did her best to atone. She risked her safety trying to get the location of Horde Prime’s ship, she tried to be more sensitive to other’s feelings. She fixed Mara’s ship so they could travel to space, she found a way to de-program the chips, she even visibly reined in her love and fascination for tech in order to get those chips off. Meanwhile, what did Catra do that showed that she was making a change to the Rebelion? To prove she was trying to atone?
The most she does is let them slip by without detection from HP’s forces, and that’s not even her doing, it’s MELOG’S!
Tl;Dr: Catra’s redemption was hastily done and poorly written. Nowhere can that be more found than the fact Micah, Scorpia, and Mermista were not able to confront her with their grievances and make her realize the affects she had on other people BESIDES those in her personal life
There's something so incredibly shitty in the way spop characters act like they constantly have to worry about Entrapta, where she goes and what she does, when in reality Entrapta is the most capable and smart of them all. Think about it. Entrapta was able to hide from the infected robots until Glimmer and Adora found her. One could argue that was easy for her because she was in her own casle, but remember what happened in the Fright Zone?
Entrapta separated from the other princesses, she found a robot friend (Emily), even saved Sea Hawk from Scorpia and then she returned to her friends like she went to take a smoothie. All of that in a place she has never been. Of course, Entrapta also survived the fire trap that her friends thought killed her.
When Catra and Scorpia interrogated her, Entrapta set herself free from the handcuffs and even took the taiser from Catra's hands like it was nothing.
What else? Oh yeah. She also surved on Beast Island without magical powers. In season 5 she got the datas to locate Glimmer and repaired Mara's ship from space with a spacesuit she made. She also took off Catra's chip and found a way to deactivate all the chips.
The list of good things that Entrapta did is longer than Catra's list of crimes, and that's a list longer than Doofenshmirtz arms!
Now, I'm not saying that Entrapta is so talented that she doesn't need anyone and she didn't need rescuing. At the end of the day everyone needs a little help, like how Entrapta needed help to stop the infected robots and to leave Beast Island.
I'm saying that it's really unfair how Entrapta is portayed like someone who needs babysitting because she can't take care of herself, when it's clearly not like that. It would have been great if the princesses worried the right amount for Entrapta, like Scorpia did, instead of treating her like a problematic child. I have the feeling all of that was rooted in ableism and the love for the writers to babyfy Entrapta.
Some fanart of Glimmer I did last year! Might just draw her again, not completely satisfied with this…
My Jason Todd Rec List and Character Manifesto! (Version 3.0! Edited and updated first on 28/01/2024 and then again on 23/09/2024)
This is a fuckin mess my ghouls, but I got categories and I got opinions and who can stop me from typing em out? Certainly not @lazaruspiss who is the reason this thing got made!
The format is gonna be:
title and page numbers (No #s if I'm recommending the whole title IMPORTANT UPDATE: Each title will be a direct link to a free digital copy! Make sure you have a good adblocker and enjoy!) picture Summary and general notes My estimate of how unhinged he is in this portrayal What his morals are like; note this isn't about whether he's a protagonist or antagonist
Since cream rises to the top, let us start with:
The Creme de la Creme
The best of the best. The most fun, the most compelling, the most interesting looks into his character.
Seeing Red aka Green Arrow (2001) #69 - #72
This one really does have it all. Jason runs rings around both Batman and Green Arrow at the same time, all the while going after a goal neither of them ever truly figures out in large part because this story wasn't afraid to let Bruce be either wrong or lying about Jason's motives. It also wonderfully leverages the ways in which the Bats and the Arrows are really good foils for each other. I think I'm going to be turning over the ways these interactions went down for a long ass time. I've been really wanting to go page by page for a comparison between the way Jason treats Mia in this and the way Jason treats Tim in the Titans Tower showdown. Bottom line for this one: It's just so good!
Jason's sanity level: Six out of Ten hinges affixed. He's got a solid grip on things, is reasonably level headed, only problem is he might have completely forgotten how to interact with other human beings outside of combat. Love him for that.
Jason's moral compass bearing: Sympathetic Villain. Decidedly willing to mow down some "brain donors", and his goals are pretty morally grey, but he clearly still has a strong code of ethics.
Task Force Z
This whole comic one big love letter to Jason Todd. The author, Matthew Rosenberg, very deliberately takes time to showcase all the strengths and flaws of his character that make him so beloved. He's competent, he's mistrustful, he's determined, he's heroic and yet poses as the villain, he's human yet badass, and he holds his ground against the rest of the Bats while still clearly loving them. If I was ranking these comics purely by plot and pacing this would not be in creme de la creme territory, but it's a fantastic synopsis of what Jason is all about and if I could only give someone a single series in order to let them understand who Jason is (and I couldn't give them Under the Red Hood), I'd give them this.
Jason's sanity level: Eight out of Ten hinges affixed. He's pretty level headed, but at the same time he very clearly is way too casual about violence to be full hinges affixed - the PTSD is very apparent in him.
Jason's moral compass bearing: Antihero. His motives are understandable and firmly rooted in doing the right thing, but at the same time he is very willing to be ruthless and to kill when he feels it's the right decision. Balanced!
Pay as You Go aka Outsiders #44 - #46
Jason's role in this story is fairly small, but it's a wonderful bit of characterization for him. The way he approaches Nightwing to offer his help and the way Nightwing accepts that offer are fascinating and very deserving of your time!
Also there's gay sex and a prison breakout, like, what more could you want? Actually I suppose you could also want (what I'm pretty sure is) Roy's first time meeting Jason as the Red Hood and some really cute scenes of him and Lian, and guess what this story has got that too!
Jason's sanity level: Ten out of Ten hinges affixed.
Jason's moral compass bearing: Antihero. He's deliberately choosing to play the villain, but he's very willing to work with the Heroes and is going out of his way to exonerate an innocent man.
Batman (1940) #408 - #411 Jason's debut featuring Ma Gunn's School and his first ever outing as Robin fighting Two-Face
Just LOOK at this PRECIOUS BOY! I wanna pinch him on his cheeks and give him a handful of these bad boys
Jason has a ton of personality to him right out the gate. The first story has Ma Gunn as the villain and she's a lot of fun. The second story in here with Two-Face is also enlightening with regards to Jason's early personality, even if it's not quite as fun.
Jason's sanity level: Ten out of Ten hinges affixed.
Jason's moral compass bearing: Hero.
Under the Red Hood would be next if it wasn't already filed under ->
Foundational Texts
This is the shit that defines Jason as a character. Much is mutable in any given comic, but somehow, someway, all depictions of Jason are impacted and informed by these three stories. Enough has been said about all of them that I'm gonna keep it brief.
Red Hood: The Lost Days
(You may have heard a lot about Talia's role in this one: I would encourage you to read my analysis of her in this story and do your best to see her perspective in all this, she's a heck of a lot less villainous than people keep saying she is)
Jason's sanity level: Eight out of Ten hinges affixed.
Jason's moral compass bearing: Antihero. He kills some incredibly nasty people, while also doing some genuinely heroic shit. The only places where his morals deteriorate are in the presence of Batman and the Joker.
Under the Red Hood
Jason's sanity level: Four out of Ten hinges affixed. Remember how his morals deteriorated in the face of Batman and the Joker? Yeah, that's mostly because he's way, way too personally invested to think straight about them. He's strategic as fuck, but this is not a stable man's strategy for dealing with his issues.
Jason's moral compass bearing: Sympathetic Villain. He is a revenant, a vengeful juggernaut, and breaks an awful lot of eggs making this brilliant disaster of an omelette.
Batman (1940) #426 - #429 A Death in the Family
Jason's sanity level: Ten out of Ten hinges affixed.
Jason's moral compass bearing: Hero.
Joker becoming an ambassador to Iran plotlines count: One too many.
Solid Storylines
These ain't the vaulted heights, but not everything has to be the Sistine Chapel. They're solid, and if you're wanting more Jason I do certainly recommend them.
Countdown Presents: The Search for Ray Palmer and Countdown to Infinite Crisis (special note here: Countdown to Infinite Crisis must be read backwards, meaning you start with Issue #51 and then read down to Issue #1 and Countdown Presents isn't in chronological order and just... oh boy this storyline is a mess, but much of it is also quite good)
Jason is in what I like to call his Purposeless Depression Era during this. It's after his plans in Under the Red Hood fail and he's really just got no place to go, no place to be. He's keenly aware that on a cosmic level, he truly does not belong in this world anymore. He's supposed to be dead. There's something I find quite neat about this team up, with Donna Troy and Kyle Raynor and Bob, it's out of the ordinary for Jason, it's not bat related, and the ways he fits and doesn't fit with the other characters are just neat.
I especially recommend Gotham by Gaslight. The plot will be a lil hard to follow if you haven't read the others, but by the end of it Jason hopes to return to Steampunk Gotham instead of his own Gotham where he doesn't think he belongs, and the moments of him hoping to literally leave his universe behind are both sweet and sorrowful.
Jason's sanity level: Ten out of Ten hinges affixed. He's just sad and lonely.
Jason's moral compass bearing: Hero. Even if only Donna is willing to tentatively try to see him that way.
Robin (1993) #177 and two pages of #182 and the front half of #183
Despite how much Jason is known for it, I think this is the only time we see him trying to run organized crime outside of Under the Red Hood (and uh debatably Battle for the Cowl). Short lil string of appearances, but critical for understanding how he's seen by Tim during this era if you care about that. Also I think this combined with Outsiders #44 - #46 (further down this list) it really cemented my understanding of Jason being strangely honest and forthright.
I think a major way other Bats fail to comprehend him is that they expect him to manipulate through lying, which just isn't his style. He doesn't lie about his motives; he doesn't obfuscate his tactics; he doesn't hide how he's feeling. Hell, he doesn't even try to lie his way out of prison! I could not tell you why this series of interactions gave me this impression but it is why I have such faith that when Jason says something, he probably just means it, even when characters like Dick or Tim assume otherwise.
Pity this was the lead up to Battle for the Cowl.
Jason's sanity level: Ten out of Ten hinges affixed. He's even attempting to pick himself up out of his Purposeless Depression Era slump at the start.
Jason's moral compass bearing: Antihero.
Nightwing (1996) #118 - #122 aka Brothers in Blood aka the One Where Jason Gets Tentacles
COWARDS and KNAVES will tell you "the tentacles are so icky and everyone is so OOC" or whatever but again they are KNAVES and COWARDS because bitch this shit is GREAT
Jason: Wow! My bestest big brother killed someone who deserved it, so now I (the person he's rejecting only because I kill people who deserved it) have a real chance at being his family again!! :D Hooray! :) Dickie-Bird why don't you look happy to see me? :) Dickie-Bird I went out of my way to get us matching outfits and stalked your work and killed people in your name so it's nice and easy to make room for me in your life! :) :) :)
Dick:
Jason's sanity level: Two out of Ten hinges affixed. My mans is off his rocker and I adore him like this. Frankly, the entire storyline is unhinged, and it only feels appropriate that Jason is similarly bonkers in yonkers.
Jason's moral compass bearing: Villain. You can sympathize with him, and he is still trying to carry out justice, but I have to call it for straight villain when he's threatening to bomb a building full of innocent people.
Batman and Robin (2009) #23 - #25
I don't have much to say about this one. It's good. The above page is pretty much the highlight.
Wait actually I do have something to say and it is that I would like to lick Jason's abs, pls & thx, because the other highlight is that Winick clearly believes in redeeming Jason's value as a villain through sex appeal and it is working lmao
Jason's sanity level: Ten out of Ten hinges affixed. Certifiably sane, he's passed all his psych exams!
Jason's moral compass bearing: Villain. He threatens to bomb a train station full of innocent people. While he does do that in service of freeing himself and Scarlet, thus making it not completely self centered, I still gotta put him firmly in Villain.
Nightwing (2016) 2021 Annual
In high contrast to the previous two in which Jason acts as a villain to Dick, this one has them working together and the tentative peace and cautious trust they've got going is interesting to me. Very reminiscent of his appearance in Outsiders!
Jason's sanity level: Nine out of Ten hinges affixed. He's quite chill, but there's just this little edge to him that says his relationship to violence is a little too casual a little too deep to really be fully hinged.
Jason's moral compass bearing: Edgy Hero.
Joker: The Man Who Stopped Laughing
With Jason's return to being an antagonist after a long stint in the Hero bin comes his return to being really fucking dangerous and whip smart! My boy quotes serious philosophy that gives him a real point to make against non lethal vigilantes and cops! I also think the part where he lets himself be arrested just... it says so much and all of it is wonderfully interesting and feels fitting for his character. He's kept deeply human, and just all of this portrayal gels together really well.
Originally I had this up in Creme De La Creme because really, even though Jason isn't the star of the show, and even with Gotham War having, er, Minorly Derailed Jason's role in things, and one or two inevitable scenes where ya just have to accept that he's not as trigger happy as he should be because DC is married to the Joker - even though all of that is true, this is still a phenomenal rendition of Jason. However, with all of those annoyances and with Task Force Z being written by the same author, I decided to put it down here and leave TFZ in it's place. Basically it's got an arguably better story-line than TFZ, but contains less Jason.
Also I like that he's friends with my favorite, Stephanie Brown :3 and he and Rose's chemistry is nice. On top of all that? It's a fun comic. Like, I generally hate the Joker, but I found myself enjoying watching the Joker do his Joker things in this one.
Jason's sanity level: Nine out of Ten hinges affixed. Level headed, calm, careful, really the only reason this isn't a 10/10 is cause he's obsessively focused, which like, honestly is pretty reasonable I think.
Jason's moral compass bearing: Clearly Justified Antihero. I almost put down Hero on this one, but ultimately he is just far enough over the line with how he treats the less threatening of the rogues like Killer Moth.
Your Mileage May Vary
These stories I can't recommend without major caveats or warnings, but I still think are worth mentioning.
Gotham War (It's such a mangled mess that I'm just gonna link a reading guide. The same website that all the others are on will get you to all the titles this guide lists)
So, the main problem here is that Gotham War spans five different titles and had three different authors whose renditions of Jason do not feel cohesive or even coherent. The funny thing is though, each rendition has real merits, and while it doesn't go far enough in condemning Bruce's horrifying treatment of Jason for many people's tastes, I have to point out that it's one of the only comics to condemn an instance of Bruce mistreating Jason at all. The fact that the other Robins come to his defense is a HUGE thing! The bar may be in Hell, but it did clear the bar!
Due to how disjointed it is, I'm going to very loosely separate Jason out into two versions of himself. Think of these not as hard lines, but more a spectrum he slides across depending on what author has him that issue.
Jason Primus combines the ideas in Jason's Under the Red Hood speech about controlling crime rather than trying to stomp it out with his more Heroic modern interpretation. He's a chill, funny, smart guy whose protectiveness over the mooks is really charming.
Jason's sanity level: Ten out of Ten hinges affixed. Jason's moral compass bearing: Hero.
Jason Secundus is much more violent, not used to working with other people, and paranoid and antsy in a way that causes him to take it out on people who really don't deserve it. This is a compelling take on him, though I like him closer to Jason Primus. His trauma has clearly shaped him a lot, both for better and for worse.
Jason's sanity level: Seven out of Ten hinges affixed. Jason's moral compass bering: Anti-Hero, most of this focuses on him antagonizing two former Joker goons which kinda doesn't work well cause they're mostly scarecrow goons actually and also at one point he hurts them in a way that borderline just seems like stress relief. It's nothing worse than what we see Batman himself doing countless times, but it's still jarring because we've been made to strongly sympathize with the goon in question.
Batman: Three Jokers <- I read it while typing this up (the first version of this lol), so I got a lotta thoughts
Guh, this one is just fucking sad
So, I don't mind a story being blunt with its message as long as the message actually holds up. Unfortunately, this three parter's attempt at the cycle of violence lesson is... bad. Real bad.
Jason in it is neat! This is a good Jason portrayal somehow despite literally everything about the way this comic frames him! The narrative expects us to believe he is a danger to society on the cusp of becoming another Joker, because he *checks notes* shot the Joker dead, shot at a Joker loyal guy, and roughly interrogated an injured child abuser. At no point does he show signs of wanting to hurt innocent people. At no point does he show signs of doing any hurting without premeditation or a need to defend himself. I'm baffled by this.
My kingdom for a fucking CRUMB of nuance, I swear, smh...
I hear a lot of people hate his one sided romance towards Barbara. This is understandable as it squanders the opportunity to have a female character not be stuck as the narrative sponge for man emotions. I like it from the perspective of a Jason fan, and give condolences for the Barbara fans. It's not healthy, and good fucking job on the janitor sweeping away his letter to her so poor Babs doesn't have to deal with that shit, but I do like Jason's desperation to be loved by someone, anyone, who might show him compassion.
Jason's sanity level: Six out of Ten hinges affixed. He's sad, he's lonely, he needs some PTSD specific therapy, he's a bit creepy about his crush on Barbara, but quite frankly he has it together a lot more than the narrative would like us to believe. The way the other characters treat him like he's some kind of monster just waiting to snap and start maiming people indiscriminately makes me really uncomfortable.
Jason's moral compass bearing: Antihero. Quite frankly I'm tempted to say Hero out of spite.
Red Hood and the Outlaws (2016) #1 - #43
There are three transcendental character moments in this run that I think make it worth reading even if not all of it's your cup of tea. On the other hand though there are some big issues that could very easily be deal breakers. Oh and anything after #43 is a wasteland and #43 is included purely for the implication that being transgender made a woman immortal.
The narrative structure is really heavily dependent on rule of emotional impact/cool/allegorical usefulness. Many events will not make any fucking sense based on petty things like basic logic or the laws of physics, but they do work just fine in the area of what makes the story more fun or the emotional beats hit harder. Stronger than average suspension of disbelief is necessary for the reward of getting a lot of stuff that's, like, just really fuckin cool.
The romantic side plot with Artemis is... odd. Either the author, Scott Lobdell, intended to write Jason as a desperate loser trying to date his uninterested lesbian friend who he co-parents with, or he accidentally wrote a romance so awkward and comp-het that I cannot wrap my head around reading it as reciprocated. This works for me because I have a lot of fun reading Jason as a desperate loser who's not even actually in love with her, he just is desperate to cling to the closest thing he's ever gotten to a nuclear family and in denial about being either aro/ace or gay.
Now, lets explore a lil bit of the whole Jason is a loser angle, cause it's not the whole story, there are many points in which Jason gets to be a badass motherfucker, but he is much, much less of the hypercompetant, highly determined, murderous threat he used to be. Almost none of the newer renditions of Jason are. This Jason in particular though is very soft and cuddly, and fits the archetype of man trying to be the edgy bad boy but who secretly just wants a hug and a warm glass of milk.
If I were to describe my personal Jason in a few sentences I would say that he is someone who loves himself viciously. He feels he has been wronged and is willing to burn down the world to rectify that. He will hold your ass at gunpoint and demand the hugs and warm glasses of milk that he fucking well deserves!
This Jason is about as far away from that as you can possibly get. I still like him though, and I do not count him as being a different character, because when you start with emotional logic that goes like this:
It wasn't my fault + I deserve better = I get to burn the world down in order to get better
It becomes extremely difficult to ever stop burning the world without also deciding "It was my fault" or "I don't deserve better". Jason is meant to have changed a lot, and this is a plausible evolution of the Jason I prefer.
Finally, the handling of Bizarro, a mentally disabled character, is a sensitive enough topic that your mileage will vary, even if I can't think of a bad thing to say about it. Jason and Artemis are really pretty good about treating him with respect, giving him help where he needs it and autonomy where he's capable of taking it. They raise him, but don't control him, and he is literally like three days old when they find him so this isn't infantilization. It takes the framing of Lenny from of Mice and Men and Flowers for Algernon and rejects them in a way that I am satisfied with. You'll just have to read it for yourself to see if you're satisfied as well.
Jason's sanity level: Ten out of Ten hinges affixed. I kinda wish he was more unhinged.
Jason's moral compass bearing: Hero. He even saves a puppy and gives them pats.
Knight Terrors: Robin
Have you ever been in the mood for a syrupy sweet hurt/comfort fanfiction in which Jason and Tim were magically forced to talk about how much they like each other in order to overcome their own insecurities? Do you wish that existed as a lavishly illustrated two issue comic?
If you answered yes to those two questions then congratulations! It does exist; this is it; go have fun!
If you think that sounds like ham fisted garbage turning what should be several long arcs of serious reconciliation and deeply meaningful character moments into two issue fan service schlock then condolences! I wish you all the best in denial, as all comic fans sail that river sooner or later and I shall join you upon it someday.
What category do I fall into? Well I think this is definitely ham fisted, but I won't kick a boar out of bed as long as they ain't a bore, and this little ditty is certainly entertaining.
Jason's sanity level: Ten out of Ten hinges affixed.
Jason't moral compass bearing: Hero.
Batman and Robin Eternal
This is a decent portrayal of Jason in his modern, much friendlier, and much more bat family integrated rendition. He has some fun moments in it, and I like his staby bracers.
I don't like this comic. It commits the most dire of writing sins: Being boring. I think about Jason every second of every minute of every day; if your comic that majorly features a good portrayal of him cannot hold my attention, then something has gone very wrong. Hopefully one of you will like it more than I do.
Jason's sanity level: Ten out of Ten hinges affixed.
Jason's moral compass bearing: Hero.
Suicide Squad: Get Joker! (Content warning for suicide, skip to the hot take if this'll get to ya - also spoiler warning cuz I can't discuss this properly without discussing the ending)
A three issue miniseries in which Jason is inducted into the Suicide Squad on a mission to kill the Joker. He's highly competent as a team leader, grounded, intelligent, and uses measured violence in a way that is satisfyingly tactical. The squad they threw together honestly has some pretty neat chemistry as a whole, and the characters were appropriately messy and quite likable.
This isn't higher on the list because it thinks it earned it's ambiguous ending, and frankly, it's wrong about that. Ambiguous endings live and die by the question they make the audience sit with - It has to be worth losing out on the emotional payoff of a solid ending.
The question of "If you left Jason in a room with the Joker and a gun with one bullet, would he shoot the Joker or himself?" is a really shitty question. Like, did the authors not realize that just on a logistical level, Jason could leave the room and find a second bullet after shooting the Joker? Like, seriously, even if we accept the premise that Joker's speech got to Jason, there are no reasons for him not to choose the "both" option. The only way I can imagine this working is if the Joker is actually the fucking Purple Man from Jessica Jones using mind control.
So we exchanged the validation of literally all our protagonists' struggles/sacrifices paying off for... the vague implication that Jason unforgivably betrayed his teammates, himself, and the entire world because he was so eager to die that he couldn't wait ten fucking minutes. If I loved the Joker I might feel differently about it, but as is, I felt insulted.
This would have been Solid Storylines or maybe even Creme de la Creme if not for that implication. It's not boring though! The rest of it up to the end is honestly pretty damn good, if a bit convoluted, and much of the ending's sour taste can be assuaged by getting out a sheet of paper and doodling Jason opening Joker's head with a handgun and then going out for icecream with the team.
Jason's sanity level: Ten out of Ten hinges affixed. He's a sad, sad lad tho.
Jason's Moral Compass Bearing: Anti-Hero, forced to be much more violent than he wants to be.
A Hot Take
I bet you thought the tentacles were the hot take! HAH! MuahahaahhHAHAHAH - Prepare now, puny mortals, to witness me defend Pill Helmet Jason AND his fashion choices!
No, I am not talking about Winick's redo late in the game, we've already been over that one. I mean I will defend Grant Morrison's flop era, three foot head gear wearin, goofy ass, unwashed ass, "how to build ur brand" reading maniac
It's time to talk about Batman and Robin (2009) #1 - #6
The interpretation of one scene makes or breaks this Jason:
If you believe he is being insincere and manipulating her into putting all her emotional eggs in the basket of his crusade, ignoring her wellbeing in favor of his 'brand', then this is probably the worst mischaracterization of Jason ever written.
If you believe he is being sincere, genuinely comforting her in the only way that he's got to deal with his own trauma, giving her real affection and not pushing her to take either option with the mask because he trusts her to make that decision for herself, then this gets Jason very right.
No matter what Morrison might have intended, I choose to believe it's the latter. This is terrible advice to give a trauma victim, but it makes perfect sense for Jason to believe that about his own trauma, and thus to pass that maladaptive view along.
He doesn't try to assure her that the mask can come off safely or that he'll get her a doctor because he really can't promise her either of those things. It would be cruel to her to pretend that he's got a solution. Jason can't undo the damage that was done to her any more than he can force a dead Bruce to kill the Joker.
Instead he offers her purpose, and reassurance that she's gonna look badass if she never does take it off, and protects her when she's in trouble.
You can claim this is just him acting out his chosen Hero role, but like, WHY would he have chosen to method act that role 24/7 if he wasn't trying to BE a Hero who protects people like Scarlet? There's nothing in it for Jason to fake this.
I also think if he was being written out of character as a manipulator we would have seen him use a romantic or sexual angle which he absolutely doesn't do.
Dickie, you are such a funny Batman, they never shoulda brought Bruce back tbh.
Instead, he seems to be taking a more parental role, in a near perfect reflection of how Bruce took him in when he was a kid. Just he's doing it his way, meaning that whenever Scarlet goes further with the violence than Jason seems to want to, he backs her up instead of chastising her.
Speaking of violence and morals, Let the Punishment Fit the Crime is a coherent moral position to take, even if you (understandably) disagree with it, or disagree with what punishments fit which crimes. It's basically the same moral position as every other version of Jason there's ever been! Like, is he even killing more people than he used to in stories like Under the Red Hood? No, I don't think he is. In fact, I would argue that Morrison's Jason is significantly less violent than Winnick's overall!
The branding thing is weird, lil annoying too after a while, but ultimately it still makes sense. And brings me around to my promised defense of his fashion choices.
First of all the symbolic importance of the fact that he wears white cannot be overstated in my mind. Will I elaborate? No, this post is way too long already lmao! Second off, it's supposed to be silly. I believe the silliness was a conscious, calculated choice, and the right one to make.
Jason doesn't believe that fear works, he's not trying for pure intimidation, and he knows that he's going to have to appeal to people in his bid to be seen as a Hero. Making himself seem big but non-threatening, a bright patch in the night, makes real sense.
Take a look at this view of Jason from Scarlet's POV when he comes to rescue her from the cops after she kills her dad:
He's got a smoking gun in his hand and he just shot two cops dead, yet we're hard fuckin pressed to find him intimidating aren't we?? Cornball dialogue, and the silliest fuckin hat in the universe, because he's not meant to be from this era, he's emulating the Golden and Silver age comics and all their goofiness. He's trying to be the older, happier, sillier batman that used to exist (at least in his head), while doing what he believes is right and necessary.
The costume makes sense dammit!
Also it just doesn't look bad, I can't provide an argument for this, it's just true!!
Also also every one of these fuckers should be wearing a helmet too, this is basic brain safety, if you're gonna go around antagonizing fuckers with guns you need to make your head at least nominally bulletproof, it's that simple!!!
Also also also the fact that he had red hair in this is oft maligned, but it gives Jason an in universe avenue to express a grievance with a super important part of the way Bruce treats him in his post-crisis time as Robin - Bruce was using him as an emotional replacement for Dick.
Morrison may not have liked Jason, but he demanded that every single iota of Batman lore be treated as important canon and that means that he also treats all of Jason's history as important canon too.
Now... do I recommend you read this? (This section was rewritten on January 28th, 2024)
Yes, with significant caveats. There's a reason I chunked this in with YMMV.
First is the Batman typical ableism of just really fucked depictions of mental illness. I normally wouldn't warn for this because everyone knows most of the rogues and will be aware of what they bring to the table, but Professor Pyg is obscure enough I wouldn't expect people to know, and the way he's written just... hurts. Like there's just something about him that is painful to read as someone that's got several schizophrenic friends who are near and dear to my heart. I would hesitate to recommend it to any of them the same way I'd hesitate to recommend Silence of the Lambs to most other trans people.
Secondly this comic is Extremely Gay (a definite positive!) however it is Extremely Gay in a way that kinda requires some onboarding and analysis to properly parse and that is actually why this post was edited:
The first time I read this comic, my impression was that it was vitriolically homophobic. Considering that at the time I had heard many things about Grant Morrison, and none of them good, I went with my gut. I put here that while I would defend Jason's characterization, I couldn't in good faith recommend something so bigoted, detailed what felt bigoted, and went on with my day.
Then a while later I saw a post that I suspect was talking about this one saying something along the lines of "How the hell could you call Grant Morrison, who gave us so many of our most iconic gay characters, homophobic? The racism and such I can understand but homophobic? No."
To which my initial response was a resounding: Wha??? Like, genuinely how was I supposed to read this and not get homophobia out of it?? But I went and looked Morrison up and yeah sure enough the guy's queer so I dug deeper and mulled it over until I figured out what the fuck I was missing. So, this section is a correction and an apology about that earlier homophobia claim. Sorry about that.
The styling of this queerness are highly akin to that of the John Waters movie Pink Flamingos which I'll let Matt Baume explain better than I ever could. This guy right here is pretty much the perfect example, Hell, he's even literally named The Flamingo.
Essentially it's queerness is all aggressive, unapologetic, and designed to be provocatively shocking, which can be jarring if you're not ready to flow with it. Also he likely had to arrange a lot of things to get around censorship, same as Judd Winick did. For instance the fact that Dick spoke the same circus lingo as the troupe of Very Queer Freakshow Workers who destroy the police precinct was meant to imply that Dick is Very Queer too. Pretty sure he would've said that in a far less convoluted way if he could've.
So, with the bulk of my initial reservations about this comic disproven... I have no choice but to straight up recommend it to anyone who thinks they can jive with this vibe of storytelling!
Jason's sanity level: One out of Ten hinges affixed. Obsessive, not taking care of himself, possessed of some really maladaptive trauma coping frameworks, completely unhinged. My condolences to his mental health, but I do love to see it.
Jason's moral compass bearing: Antihero. It's weird because this is undeniably a much darker comic, and Jason certainly feels darker, but in terms of what he actually does, and what the other characters do, his violence is honestly very tame.
So, cards on the table, here is the core of who Jason is to me:
He's got clear moral motives and a drive to help as well as harm, though violence and harm are the main ways in which he tries to improve the world.
When confronted he does not back down; he does not let himself be overshadowed or silenced. He is confident in his decisions and every bit of push back is already accounted for in his head.
Everything he does is premeditated. He is not impulsive. His plans may sometimes be unhinged but they are methodically planned.
He is painfully sincere, the way fire is painfully hot.
He desperately desires love and connection, but it will take many years of constant rejection and fighting before he is willing to accept any kind of compromise to his ethics for the sake of civility.
Under all the hurt and combativeness, he's a pretty goofy guy! He's got a sense of fun and likes to be flamboyant and silly when he can!
He's a villain, a hero, a protagonist, an antagonist, and everything between the extremes. He exists as a powerful counter-thesis to Batman, and as such DC can't ever fully answer the question of what to do with him. He exists in this waffling limbo state as his morals are debated, stretched, refuted, turned on their head. I think that makes him a wonderfully fascinating character to love.
I hope you enjoyed this and, like, go have fun reading comics!
I’m so glad I did Best Girl justice! Ngl, it was a lot of fun drawing her, I might do so again because there’s a lot you can do with the hair. Like, maybe Entrapta can use it to form a one-person hide-away or something🤔
All the sketches I’ve ever made of characters from SPOP!
Despite Entrapta being my favorite, I somehow keep drawing Catra. Huh. Maybe I just find her fun to draw…
Aw, thank you so much!😆
All the sketches I’ve ever made of characters from SPOP!
Despite Entrapta being my favorite, I somehow keep drawing Catra. Huh. Maybe I just find her fun to draw…
All the sketches I’ve ever made of characters from SPOP!
Despite Entrapta being my favorite, I somehow keep drawing Catra. Huh. Maybe I just find her fun to draw…
A recent article came out about the mistreatment and pay of Spindlehorse employees, please spread this around.
Spoke to a gen z person the other night and apparently the young folks don't know about the very legal sites from which you can access public domain media (including Dracula, The Strange Case of Dr. Jekyll and Mr. Hyde, and other Victorian gothic horror stories)?
Like this young person didn't even know about goddamn Gutenberg which is a SHAME. I linked to it and they went "aw yiss time to do a theft" and I was like "I mean yo ho ho and all that, sure, but. you know gutenberg is entirely legal, right?"
Anyway I'm gonna put this in a few Choice Tags (sorry dracula fans I DID mention it though so it's fair game) and then put some Cool Links in a reblog so this post will still show UP in said tags lmao.
some fucking resources for all ur writing fuckin needs
* body language masterlist
* a translator that doesn’t eat ass like google translate does
* a reverse dictionary for when ur brain freezes
* 550 words to say instead of fuckin said
* 638 character traits for when ur brain freezes again
* some more body language help
(hope this helps some ppl)
my takeaways from reading tim drake’s robin run so far
-god they would take every opportunity to shit on jason and set tim above him it is endless and also straight up unfounded
-ilu lonnie
-they have made a point to say tim is just some white boy multiple times
-he was ugly crying with snot while shiva kicked his ass he was probably also doing the little kid thing where you have to pause and catch your breath from sobbing too hard lmao
-this run is boring af canon tim is plain buttered noodles personified
-where is steph
- seriously tho i cannot stress enough how much the writers loathe jason for things that every robin does they could go out of their way to praise how much better tim is at breathing or tying his shoes and it wouldn’t be any more egregious than what they are already doing
-the only thing worse than reading about tim drake is reading tim drake vs the joker
Not the 51st State: A Canadian Reflection on Tariffs, Trust, and the State of the Press
Not the 51st State: A Canadian Reflection on Tariffs, Trust, and the State of the Press
By Duncan Fraser for Winding-Roads.ca
On March 3rd, 2025, President Donald Trump made a false claim that huge amounts of drugs were being imported into the United States from Canada.
He used that claim to justify the opening salvo in what has since escalated into a trade war—one that now threatens workers, businesses, and entire industries across borders. The U.S. Senate has since rejected that justification, confirming what many of us already knew: it was a political stunt with no factual basis.
That same day, I began a project to archive and analyze the front pages of major news outlets around the world. I wanted to document how this crisis is being reported, whose voices are being heard—or silenced—and how different media ecosystems interpret the same moment in time.
So far, I’ve digitized the front pages from the BBC, CBC, New York Times, Globe and Mail, and occasionally, the Vancouver Sun, which has been notably quiet on the gravity of the trade war.
I will include the Vancouver Sun a Postmedia publication before concluding the project on April 30th after Canada’s federal election on April 28th and the announcement of global tariffs on April 2nd.
My goal is not only to capture facts but to trace how the framing of truth differs depending on who owns the press.
And ownership matters. It matters when Postmedia, Canada’s largest newspaper chain, is two-thirds owned by Chatham Asset Management, a U.S.-based firm with deep ties to the Republican Party.
It matters when senior editorial figures within Postmedia call their own network “insufficiently conservative” and restructure reporting to ensure more ideologically aligned coverage.
When a foreign-owned media conglomerate influences the political narrative of a sovereign nation during an election and a trade war, we must ask: what’s the difference between that and foreign interference?
April 4th, 2025 – A Snapshot of the Press: What Did They Choose to Tell Us?
The two most pressing issues facing Canadians:
A rapidly escalating Trade War with the United States, triggered by misinformation and now entering global territory.
An upcoming Federal Election on April 28th, with the central question: Which leader can best stand up for Canada on the global stage, particularly against Donald Trump?
On this day, I captured the front pages of:
BBC (UK)
CBC (Canada)
The New York Times (USA)
The Toronto Star
The Globe and Mail
The Vancouver Sun
This visual comparison highlights not just what's being reported—but what's being left out. And in that silence, we can see the shape of influence.
In Vancouver, a city with global connections, economic vulnerability to U.S. trade policy, and a long history of activism and press independence, The Vancouver Sun’s decision to underreport or soft-pedal the trade war raises questions. Is this an editorial oversight—or an outcome of Postmedia’s central direction toward a “reliably conservative” voice?
As a Canadian by choice and a Scot by birth, I take this personally. I was born in a country that fought tyranny, and I chose to live in one that believes in fairness, decency, and the rule of law. Canadians stood with Britain and the United States in both World Wars. The blood of our youth still stains the beaches and fields of France. So when Donald Trump casually refers to us as the “51st State,” I don’t just hear arrogance—I hear the erasure of a friendship forged in sacrifice.
I love the United States. I’ve travelled extensively in that remarkable country and have deep respect for its people. But this attack on America’s closest ally—on its best friend—will take a long time to heal. And it won’t just hurt Canadians. It will devastate millions of hardworking Americans, too, along with families and businesses across the globe.
We’ve seen what trade wars can do. The Smoot–Hawley Tariff Act of the 1930s triggered a spiral that helped turn a financial crash into a global depression. We don’t need to repeat that mistake. Not now. Not again.
So I continue to watch, and archive, and reflect—not because I expect to change the minds of politicians, but because history deserves a witness. Because truth, however fragile, must be protected. And because maybe, just maybe, someone will listen before it’s too late.
Edited with the help of ChatGPT.
Source: Not the 51st State: A Canadian Reflection on Tariffs, Trust, and the State of the Press
probably i just said it but i want to say it again:
- don’t apologise if you don’t know english.
- yes, english is the most common language on the internet but you are not forced to know it perfectly.
- your own language is beautiful.
- non-english people make a huge effort to write in English everyday on this website.
- support non-english people and don’t make them feel bad if they do not know English.
- actually support all the languages.
- spread more language diversity on Tumblr.
thank you.
A while ago I made sketches of possible costumes for various Miraculous. So far I’ve done sketches for the Pig, Rabbit, Bee, and Goat. Might come back to these later…
Jason isn't actually OOC in BTFC.
Or, more accurately, the problem with Jason's character in BTFC isn't that he's OOC. Daniels, or the characters, never treat Jason's behaviour like it's a normal Jason thing to do. Nobody's out there saying "oh classic Jason shooting a civilian child in the chest haha!". And aside from like, you know, Jason's other traits are preserved: he's smart, one step ahead, has convoluted schemes, fancy gadgets, is generally scary competent, semi-suicidal, exhibits typical signs of bpd, has an unhealthy association between Batman and godhood, and his weak point is his mental health and general emotional vulnerability.
No, Daniels and Bruce don't think he's doing it because he's Jason. They think he's doing it because he went insane. Like, he wasn't brave enough to confront the truth about his tragic backstory, despite their repeated efforts for help, and he lost whatever what's left of his mind.
And that's what crazy people do right? They torture people and shoot children. They lose their values. Because, yk, they're cowards.
Of course Jason isn't behaving like Jason! He's getting the Joker treatment of dc villainification 101. And now I'm thinking about that last panel of Jason again.
Because like, sure, it reads as "Jason killed himself because he was crazy and too deep in to accept change." But also I can't stop thinking about that parallel between Jason falling at the end of BTFC and the Joker falling into that cuve.
The problem isn't that Daniels doesn't understand Jason Todd. The problem is that Daniels despises mentally ill people and doesn't understand trauma.
(un)friendly reminder that tim drake was NEVER the ceo of wayne enterprises. that never happened. its all fanon. its wild to me that some of you don't know that.