Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
Why is being a writer so hard? Why is coming up with ideas for a possible Persona 6 so difficult and hard? Why is this my life?! Why?’
I showed my dad this image and he agrees with this heavily and it's honestly fucking hilarious to me
Ever since I watched Randomalistic’s Turbo/King Candy video, I’ve been sinking back into my Wreck it Ralph hyperfixation which then made me come up with a crack au of dad Turbo
Like imagine if Turbo never went…..well…..turbo and his game remained plugged in the arcade with Felix over the years. He’s still an egotistic asshole but isn’t as murderous like in the film and sees himself as a role model for the newer racing game characters
But then Sugar Rush is plugged in and he now has a little hell spawn rival who is Princess Vanellope. She’s just as cocky as he is and they’re always spitting insults at each other with the little racer calling him “grandpa” and “bug face”. To her, it’s all fun and games while Turbo is so done with her!
But then he notices her racing and realizes she actually has skills. Maybe not as good as his (no one can ever be better than him) but still impressive. So he gives her tips on how to improve her speed, perform tricks, drive dirty and rough, etc. and then eventually bringing her to practice on his own game’s race track. Everyone is so astonished by this. Turbo not only openly acknowledging another racer but also teaching them?!
Whether they realize it or not, they develop a mentor/student or pseudo-father/daughter dynamic that has everyone in the arcade giggling at how funny and kinda endearing it is
Every time Vanellope wins a race, Turbo brags about it to everyone, saying how “She learnt that from me!” And “Of course she won! I’m her teacher after all!!”
He is the ultimate soccer mom who brags nonstop about his winner child and is such a bad role model (encourages cheating and being a show-off) and always spoils her
Magical Girl Retro! Commissioned @allimocha for this wonderful piece check out their commissions!
I was finally able to rewatch Wreck-It Ralph for the first time in years a couple of days ago and I genuinely cannot believe that I forgot about how weirdly obsessed I was over the Sugar Rush NPCs (especially the hard candy ones). They were really memorable to me as a kid, probably being the character designs that I focused the most on back then, along with the Cybugs.
Anyways, here's a little AU idea that I came up with some of them! A hard candy NPC finds a baby cybug sometime after the events of the movie, adopting it as a pet! Most of my ideas for it are just silly little hijinks with her and a bunch of other Sugar Rush NPCs, lol.
Hi! Absolutely love your writing :) Would you be willing to do a enemies to lovers but with hero x villain? Maybe with like a controlling villain and the hero secretly likes it but is defiant externally? Sorry idk if that made sense lol
Thank you in advance though if you're able to!
"You can't just keep crashing my dates."
The villain glanced over their shoulder, raising an eyebrow in a mimicry of an emotion that didn't quite reach their eyes. "No?"
"No." The hero stalked closer, stopping in front of the villain, in time for them to turn. "I'm not yours."
"No?"
"No!" The hero's heart gave a little skip, at the possibility that the villain would then look at them and then say (in a growl, or devastatingly matter-of-fact, or in a teasing purr) 'yes, you are' or 'you're most certainly mine'. The villain had done it before.
The villain tilted their head, offering the hero one of the two glasses of wine they had just poured.
The hero took it, anticipating.
The villain didn't say anything, simply watching them as they took a steady sip.
The hero's face burned but they refused, stubbornly, to look away.
The villain set their glass down on the counter behind them. No rush.
The hero imagined the villain grabbing them, kissing them, as they had done before too. Twirling them, glass flying and wine sloshing, and pressing them up against the nearest flat surface. They would change every no to yes and please and more.
They both knew the routine, the dance of it. It didn't need saying.
"Your dates look increasingly like me," the villain murmured. "Have you noticed?" Their hands stayed, agonisingly, at their sides, as they leaned lazy against the counter.
The hero blinked, not expecting the comment. They took a sip of the wine instead of replying, hoping that perhaps an equally steady silence might come across as cool and mysterious instead of flabbergasted.
The villain smiled. "Say please."
"W-what?"
"Say please if you want me to screw your pretty brains out until you can't think straight."
The hero spluttered. "That's not - I'm not - that's not why I'm here." They undoubtedly would say please, but it had never been so close to the start, so when there wasn't any excuse they could possibly give for the desperate needing of it.
"No?"
"No." The hero swallowed.
"So you don't go on your little dates just to wind me up?" The villain finally straightened, taking a step closer.
The hero stepped back, but didn't run, didn't want to. Mesmerised. Their mouth felt very dry. "No." Such a lie.
The villain's smile grew. "You don't secretly wish I'd kiss you, claim you, in front of all of them?"
"No." The hero jutted their chin up. "I'm not a thing to be claimed."
The villain advanced; the hero back-tracked.
"You don't," the villain continued, a honeyed murmur, "say no, because you love all the ways I can persuade you. Because then you can pretend you don't want this. Because you like watching me take control of you."
The hero's back hit the wall. Miraculously, the wine didn't spill, still clutched uselessly in one hand.
"No."
"Mm." The villain set their palms on either side of the hero's shoulders, and the hero felt the very air between them might start vibrating with the urge to close the gap. "Perhaps I'll never crash one of your dates again then."
The thought was unbearable. The villain was bluffing, right? They had to be bluffing.
The hero wet their lips. The villain's gaze dropped to follow the movement, then flicked back up to the hero's eyes.
"You're a bastard," the hero whispered, because it was true and it wasn't no.
"Why yes," the villain's eyes gleamed, "I am." They waited.
The hero's stomach squirmed. "Are you actually going to make me say it?"
"I thought I didn't control you. I thought you weren't mine."
The hero shivered.
"So how could I," the villain leaned in to the hero's ear, still not quite touching, "possibly make you do anything?"
"...please."
"What was that, love?"
"I hate you."
"Do you?" The villain's lips finally pressed against their skin, kissing down their neck.
"Yes. So much." The hero's head fell back, offering more of their throat. The wine glass drooped in their hand.
"Don't spill on my floor."
The wine glass righted with titan concentration. There was nowhere to put it down.
The villain kissed them; soft, so soft, a promise of so much more to come.
"Would you like me to stop?" the villain asked against their lips.
"...no."
"No?"
"No."
The villain hummed and kissed them again, a little harder. The wine glass wobbled treacherously in the hero's hand once more. The hero's other hand clutched the villain's shoulder.
"I think we're done with the stage in our relationship where you pretend to date other people," the villain said, when they pulled back, breathless. They caught the hero's chin, and their stare was, for a moment, serious.
The hero scrambled past the kiss-drunk haze, brow furrowing. "It's actually bothering you?"
"No," the villain said, in the same tone that the hero said no, meaning yes.
"Okay." The hero leaned in to kiss them, just once, reassuring.
Tension eased out of the villain's shoulders. The wicked playfulness returned, and they shoved the hero back against the wall again. The next kiss was a consuming, hungry thing, and the hero could only chase after more than they were given, gasping.
The villain nipped the hero's neck, before giving a chiding click of their tongue. It once again sent an anticipatory shiver of delight down the hero's spine.
"Oh, would you look at that," the villain said, with soft and bewitching menace. "You spilled my wine. However shall I make you pay me back for that?"
"Make me?" The hero bit their lip. "You think you can make me do anything? Please."
The villain grinned.
There were no more dates with other people after that.
Save our lives ‼️🚨
Thank you 🩷
Please please please can we stop calling unnecessary sequels and remakes by big companies “bad fanfic”??? Even the most poorly-written fics are somehow born from a love of the original text. A soulless cash grab made people who don’t give two shits about what they are actually creating is not “bad fanfic” and will never be.
Ready to jam?
The Chipmunks are trying something new
Well, Simon and Theodore are trying something new.