I’m Sure Someones Already Said This But I Often See Tumblr Described As A Hellsite. This Is Fundamentally

I’m sure someones already said this but I often see Tumblr described as a hellsite. This is fundamentally incorrect.

Tumblr is the faesite. Everybody is super confused and lost, you keep running into random places. Somehow you end up stuck there forever after interacting a couple of times. The people are all strange, everybody simultaneously seems to be from the future and the past as if time is meaningless.

More Posts from Darkstarrydame and Others

10 months ago

Hello! Can I respectfully request the promised lecture and Powerpoint about Fingon/Maedhros? I'll be honest here... I just do not see it, and I truly do want to understand. There are other relationships in the Legendarium that I really do think Tolkien deliberately and unequivocally coded as queer, and I've used all those same examples you list to back up my arguments. And I do see the parallels with Luthien and Beren (just as Sam/Frodo has parallels with that). But otherwise, I don't see a lot of queer coding. Which is not to say that I think it's a bad ship, just that I don't really see much in the text to support it or see much indication that it's what Tolkien intended. I would love to be convinced, though! I swear I'm not trying to bash Russingon or provoke anything. It seems like you have put a lot of thought and research into this, and I'm honestly curious, because this is a ship that has always puzzled me a bit.

First, thank you for asking! It’s always a pleasure to talk about my boys and my OTP to end all OTPs

I want to start what’s probably going to be a long series of self-reblogs by saying something that’s going to be important in the long haul: there is a difference between “I personally interpret this in a way that enhances the story, and it’s canonically compliant” and “I think and will seriously argue that Russingon is supported canonically by things that explicitly exist to point toward it being more than friendship”. The line can get kind of fuzzy, but it does exist, and the foundation of any good queer analysis is recognizing that.

So before I get into Sarah Waters, Mary Renault, and what the British legal system has to do with any of this, I’m going to make three lists.

Stuff That Probably Doesn’t Mean Anything, But That Is Fun To Examine From A Shipping Perspective:

Maedhros wears a copper circlet, Fingon wears gold in his braids

Maedhros abdicated the throne in favor of Fingon entering the line of succession

Maedhros stepped into a position of military authority after Fingon took the throne, working closely with him specifically to attack Angband after the Bragollach

Fingon is stated by Tolkien himself to have never married nor had biological children, and Maedhros never married nor had biological children either

Stuff That Is Ambiguous In Intent, But Is More Significant Than The Above:

Fingon clearly still cared enough about Maedhros that despite probably not knowing whether or not he burned the ships, he set out to rescue him alone in a display of loyalty to the rival royal line that put his priorities firmly in the “this nér whom I love” camp. It’s worth noting that Maedhros’s family are the reason that his sister-in-law is dead, the reason many of his own people froze to death, and the reason his brother is dead. Maedhros’s rescue, and forgiving him, is more important to Fingon than any of that. Why?

Morgoth’s battle plan for the Nirnaeth Arnoediad (as relayed in the Grey Annals in The War of the Jewels) involved forcing Maedhros and Fingon apart and trying to take both of them down simultaneously. Fingon was of course ultimately killed by Balrogs, and Maedhros avoided being killed by allies-turned-spies, but the goal was to keep them apart and incapacitate them both. Why?

Maedhros’s mental stability, willingness to exist in a society, passion for fighting Morgoth, and desire to curtail his brothers’ worst impulses all evaporate after Fingon’s death and Fingon’s death specifically. Why?

Maedhros and Fingon maintain a relationship with each other that is significantly more important to their actions than similar relationships between Finwëan cousins. Aredhel is never recorded as prioritizing Celegorm to the same extent, and Finrod only goes on a hunting trip with Maedhros and Maglor after things between their families are patched up. Why are they different from others in this way?

Stuff That Actually Matters In Analysis:

Fingon and Maedhros, Beren and Lúthien, and Frodo and Sam all share very nearly the same story at a crucial point. All three feature a situation where a rescuing party feared the one they loved was dead, discovered they were actually held prisoner by Sauron, went alone into peril, and used a song to find who they searched for successfully. Both Maedhros and Beren lost a hand in the course of their journey. Frodo lost a finger, and Sam cut the hand from the orc whipping him. All three pairs were rescued by at least one of the great eagles. Sam and Frodo have on-page declarations of love. Beren and Lúthien are the self-inserts of the author and his wife. This connection is not accidental; the author explicitly compares Frodo and Sam to Beren and Lúthien on the Quest for the Silmaril in the text of The Two Towers. If Maedhros and Fingon are being linked thematically with the central romantic relationship of the Legendarium, there is a reason why.

The Grey Annals tells us that Fingon rescued Maedhros “and their love was renewed”. That’s a direct quote from the text, not an exaggeration. This is more canonical proof of love than we get for some married couples (notably Fëanor and Nerdanel, who are never stated to love one another in the text).

Laws and Customs Among the Eldar explicitly states that half-first-cousins are allowed to marry without it being considered incestuous, so long as their parents aren’t close. That seems like an extremely odd standard, until you remember that there is an unusually close pair of half-first-cousins whose parents don’t get along.

(Obligatory note: the published Silmarillion does state that Idril and Maeglin are too close to marry. The published Silmarillion’s treatment of Maeglin is also almost certainly invented by Christopher Tolkien - Maeglin in the drafts written by JRRT himself is wildly different than how he appears when Chris writes him. Tolkien himself avoided making any such statements about cousin marriage and Turgon opposed Maeglin marrying Idril because he didn’t think it was a love marriage.)

The Grey Annals also discusses one of the histories of the green elfstone that Aragorn receives from Galadriel as a wedding gift - in this draft, it was made by Fëanor, and Maedhros gave it to Fingon. When Aragorn receives it, it’s been set in a brooch in the form of an eagle. Here we have another thing that passed between Maedhros and Fingon that is explicitly linked to romantic relationships between two characters echoing Beren and Lúthien. This is once again not accidental.

Fingon’s harp is almost certainly a reference to the myth of Orpheus and Eurydice, which also heavily inspired Lúthien pleading for Beren in Mandos. Yet again, we have deliberate intent by the author to position this relationship in a light that reflects romance above all else. You could even go further and point out that there are parallels between Thingol’s hostility toward Beren and Fëanor’s distrust and hatred of the Nolofinwëans. Túrin and Beleg, who get to kiss on the page, are also echoes of Russingon - early bliss marred by a kinslaying, a hopeless quest alone armed with a bow, an injury that results from freeing the captive party.

The fact of the matter is that none of this is accidental. Tolkien was deliberate in his worldbuilding, his parallels, his setups and his plot choices. There is a reason that Fingon and Maedhros are linked to so much romance, a reason that they are positioned on equal footing with other more clearly queercoded ships, a reason that it’s their relationship that shapes the First Age. When you accept that none of it happened accidentally, that allows you to broaden your scope, and look at Tolkien’s inspirations, his life, his friendships, cultural influences, and why he might have been so cagey about his M/M ships when they aren’t just important but vital to the text. (After all, Sam and Frodo’s happy ending comes after Sam’s time in heteronormativity, and Túrin and Beleg fall apart in a similar fashion.)

It’s just - it’s not crazy or insane or Shipper Goggles to say “these relationships matter, and the stories actually don’t make sense without them”. That’s all.

(Next time, if you like, we’re going to talk about historical fiction, and there will be lesbians.)

1 year ago
Love Wins 😌
Love Wins 😌
Love Wins 😌

Love wins 😌

And a version for my aro/ace/not interested in kissing for whatever reason siblings:

Love Wins 😌
5 months ago
Just A Handy Little Info Chart On The Spectrums Of Sexuality.

just a handy little info chart on the spectrums of sexuality.

1 year ago
Transphobes Can Die Mad 🤷🏻

Transphobes can die mad 🤷🏻

1 year ago

bro u really tell on yourself when you cope about your AGP so hard...you're not in a place to be speaking to what's normal for women. how tf would you know 🤡

I'm not sure what you're attempting to communicate by "when you cope about your AGP". I've never heard that phrase before. But I'm willing to understand it, if you're willing to explain.

How do I know what's normal? The same way as anybody else I guess: research, study, experience, getting to know people on a personal basis, being in a state of mind that allows me to see others perspectives, understanding that my worldview isn't the same as everyone else. What even is the definition of normal?

Are you in a place to know what's normal for women? All women or just some women? How tf do you know? 🙃

3 months ago

I'm not okay. Took a mental health day to do my part and make some art about it. No matter the opposition, we won't be erased. A world without trans people has never existed, and it never will! 🏳️‍⚧️

May this piece be a small light in the darkness for those in need of comfort and hope. Feel free to share/re-post elsewhere if this resonates with you. Just please make sure you include the alt text!

A four-panel comic featuring typographic art and crisp, colorful vector graphics. The first three panels are of bold, white all-caps text on a black background. A larger, fourth panel spans below them.
Panel 1: "THEY CAN BURN OUR BOOKS" (The largest word, "burn" is filled with an image of burning fire.)
Panel 2: "THEY CAN BAN OUR BODIES" (The largest word, "ban" has a bright red no symbol behind it.)
Panel 3: "BUT OUR COLORS WILL STILL LIGHT THE SKY" (The largest words, "our colors" are filled with an image of the trans pride flag.)
Panel 4: A sunrise with soft pink and white clouds stretching across a pale blue sky. The colors used are the same colors and layout as the trans pride flag. The glowing, white sun rises above mountains that are silhouetted in black. The text "TRANS RIGHTS ARE HUMAN RIGHTS!" is shown in bold white text across the mountain range. The small artist's signature in the lower right corner reads "Nova '25".
5 months ago

Today is trans remembrance day. For all our fallen trans brothers, sisters, and siblings, we keep going today. Know that you have a place in this world. You belong here because this world is yours just as much as anyone else's. You are wanted, loved, and appreciated, whether it be by your closest friends, or by a stranger online. There is at least one person on this planet who genuinely cares about what happens to you, whether or not you know it. Your life matters, and I'm so proud of you for still being here, despite the countless hardships you've faced. Please, keep going today. I believe in you. I support you. I'm proud of you.

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Helicopter mechanic. Witchy. Granola. Gamer. Mother. GSXR750. Trans-Lesbian switch. 40+yo.

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