Darcy’s Introduction In Pride And Prejudice Is Really ‘what If You Had Just Had The Worst Month Of

Darcy’s introduction in Pride and Prejudice is really ‘what if you had just had the worst month of your life because your ex-bestie tried to lover boy scam your baby sister out of her share of your dad’s life insurance and your friend dragged you to a shitty party in a dive bar in the neighbourhood where he’d just signed a short term lease, and you decided to let your bad mood show because you were never going to see any of the assholes in this stupid shitty bar EVER again. And your friend ended up making out with a girl he’d just met there while you were stuck talking to her sister who was less cute and then her mother appeared and started trying to matchmake and started saying how if she was twenty years younger she’d clime you like a redwood and ooooh is that a black Amex, guess the next round is on you hahhahahahaha, while her other sister (how many fucking sisters does she have?!) flashed an obviously fake ID at the bar and ordered six vodka-diet red bulls and no one in her family except the less-cute sister even tried to stop her. And you went home and consoled yourself that you would never see any of these people again but then you met them over and over again because they live next door and your friend and the cute sister keep meeting up to make out but not actually date and then. You fall in love with the less-cute sister because it turns out she’s really witty and charismatic but she already knows and remembers and resents the fact that on a day when you were in a shitty mood you called her mid out loud in a dive bar.’

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Tiny moorhen chick having its first little swim! 

Meet Barbie Afanas! He Has Long, Brushable Blonde Hair, Glamorous Outfits, And No Genitals, Just Like

Meet Barbie Afanas! He has long, brushable blonde hair, glamorous outfits, and no genitals, just like a real Barbie 💖

This doll sadly isn’t real :( but if you wanna see @actordougjones as a fabulously dressed vampire like Barbie Afanas, watch WWDITS!


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Helpful things for action writers to remember

Sticking a landing will royally fuck up your joints and possibly shatter your ankles, depending on how high you’re jumping/falling from. There’s a very good reason free-runners dive and roll. 

Hand-to-hand fights usually only last a matter of seconds, sometimes a few minutes. It’s exhausting work and unless you have a lot of training and history with hand-to-hand combat, you’re going to tire out really fast. 

Arrows are very effective and you can’t just yank them out without doing a lot of damage. Most of the time the head of the arrow will break off inside the body if you try pulling it out, and arrows are built to pierce deep. An arrow wound demands medical attention. 

Throwing your opponent across the room is really not all that smart. You’re giving them the chance to get up and run away. Unless you’re trying to put distance between you so you can shoot them or something, don’t throw them. 

Everyone has something called a “flinch response” when they fight. This is pretty much the brain’s way of telling you “get the fuck out of here or we’re gonna die.” Experienced fighters have trained to suppress this. Think about how long your character has been fighting. A character in a fist fight for the first time is going to take a few hits before their survival instinct kicks in and they start hitting back. A character in a fist fight for the eighth time that week is going to respond a little differently. 

ADRENALINE WORKS AGAINST YOU WHEN YOU FIGHT. THIS IS IMPORTANT. A lot of times people think that adrenaline will kick in and give you some badass fighting skills, but it’s actually the opposite. Adrenaline is what tires you out in a battle and it also affects the fighter’s efficacy - meaning it makes them shaky and inaccurate, and overall they lose about 60% of their fighting skill because their brain is focusing on not dying. Adrenaline keeps you alive, it doesn’t give you the skill to pull off a perfect roundhouse kick to the opponent’s face. 

Swords WILL bend or break if you hit something hard enough. They also dull easily and take a lot of maintenance. In reality, someone who fights with a sword would have to have to repair or replace it constantly.

Fights get messy. There’s blood and sweat everywhere, and that will make it hard to hold your weapon or get a good grip on someone. 

A serious battle also smells horrible. There’s lots of sweat, but also the smell of urine and feces. After someone dies, their bowels and bladder empty. There might also be some questionable things on the ground which can be very psychologically traumatizing. Remember to think about all of the character’s senses when they’re in a fight. Everything WILL affect them in some way. 

If your sword is sharpened down to a fine edge, the rest of the blade can’t go through the cut you make. You’ll just end up putting a tiny, shallow scratch in the surface of whatever you strike, and you could probably break your sword. 

ARCHERS ARE STRONG TOO. Have you ever drawn a bow? It takes a lot of strength, especially when you’re shooting a bow with a higher draw weight. Draw weight basically means “the amount of force you have to use to pull this sucker back enough to fire it.” To give you an idea of how that works, here’s a helpful link to tell you about finding bow sizes and draw weights for your characters.  (CLICK ME)

If an archer has to use a bow they’re not used to, it will probably throw them off a little until they’ve done a few practice shots with it and figured out its draw weight and stability. 

People bleed. If they get punched in the face, they’ll probably get a bloody nose. If they get stabbed or cut somehow, they’ll bleed accordingly. And if they’ve been fighting for a while, they’ve got a LOT of blood rushing around to provide them with oxygen. They’re going to bleed a lot. 

Here’s a link to a chart to show you how much blood a person can lose without dying. (CLICK ME) 

If you want a more in-depth medical chart, try this one. (CLICK ME)

Hopefully this helps someone out there. If you reblog, feel free to add more tips for writers or correct anything I’ve gotten wrong here. 

More Torbek From My Backlog :]
More Torbek From My Backlog :]
More Torbek From My Backlog :]
More Torbek From My Backlog :]
More Torbek From My Backlog :]
More Torbek From My Backlog :]
More Torbek From My Backlog :]
More Torbek From My Backlog :]
More Torbek From My Backlog :]

More Torbek from my backlog :]


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imagining the arcane finale as just some bad dream in a another universe is so entertaining. like Jayce waking up in modern au and he’s like shaking and gasping awake and viktor wakes up next to him like “what is it love bad dream?” And Jayce lays back down like “yeah I dreamt you were like this eldritch god thing that was destroying humanity and I was the only one who could stop you and we died holding each other in our arms.” and viktors already half asleep again like “that’s nice honey”


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Long-ways | Box-ways

I hope Phoenix and Edgeworth become canon but it’s like 20% offensive. I hope it comes off like it was written by a gen xer who was trying to be supportive but did not do their research. I hope they become so extremely stereotypical (a la Jean Armstrong) that it circles back around to being iconique. I hope Maya calls someone a metrosexual again. She should call someone a fairy too. I hope they give Apollo another backstory where he was childhood friends with a character called Eaton Cox


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Hey, don’t cry. Free online database of Japanese folk lore


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delightfuldestinytaco-blog - its what on the inside that counts (like beef and fresh veg)
its what on the inside that counts (like beef and fresh veg)

i love my shows! •he/him • 20-ies• multifandom (aspirational)•

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