Girls. Girls in suits. Girls in dresses. Girls in general.
"x black reader"
why is so much lesbian stuff on here centered towards like.,.,..,.,,. sex things. i am sex positive n shit and everything else but I want more soft lesbian things!!! domestic life!!! simple acts of love!!! yeah getting pounded by your gf is cool but you ever felt safe and loved and cared for in spite of everything wrong with you???? you are emotionally vulnerable and feel like you're unlovable and being loved like it's breathing???? something so soft and sweet???? maybe being warm and comforted??? idk I just am tired of trying to look through sapphic or lesbain or wlw tags and seeing porn posts without warning. kinda a rant post low-key
this is the money minaj, repost in the next 24 hours and money will come your way!!
writing relatable characters may seem like an easy task, especially when you’re constructing your protagonist. but what if you want to make your antagonist likeable? what if you want people to hate your protagonist but still root for them? all of this and more requires that your characters be relatable. they need to feel real, so how do you do that? here’s how:
- flaws: this is probably obvious. everyone has flaws, so we should give our characters flaws, too. this applies even if your character is non-human; they cannot escape the personification that we as writers or readers project onto them. we are humans reading, so we expect to see human qualities everywhere we look. if you’re having trouble of identifying your character’s flaws, here are some prompts for ways to think about flaws beyond a list:
what skills do they lack? what do they struggle with?
can their strengths be turned against them as a weakness?
what makes them react emotionally or impulsively?
are they aware of their flaws? if so, do they want to improve them or change them?
- quirks: these are what make your character unique or special, and no, i don’t mean purple eyes or unique physical traits. i mean: what makes your character authentically themselves? what traits define them that few others have? some ways to think about this are:
how do they react when nervous? do they have a tell? similarly, how do they react on behalf of any emotion?
what skills do they have that hardly anyone else has?
what obscure thing are they obsessed with?
do they have a unique outlook on life compared to their peers?
- values: these come from life experiences: where we were raised, our family and friends, our community, religious affiliations, etc. i suggest identifying eight to ten values that define your character and then narrowing that list down to five values that mark their core or essence. think about how these values influence their choices, decisions, and ultimately, the plot of the novel. here are some more prompts to think about values:
how do they react when their values are challenged? are they one to speak up or do they sit back in the shadows?
what, if anything, will change or shatter their values?
are their actual values misaligned with their believed values?
- stakes: what is at risk for your character? what is motivating them? stakes don’t need to be over the top or life or death; they can be as simple as maintaining a relationship or reaching a goal. unless there’s an outside influence (ie. percy’s mother being kidnapped in The Lightning Thief), most stakes—especially those relatable—tie back to values. even those influenced by outside factors can tie back to values: the only reason percy is motivated to get his mother back is because he cares for her and she is the one person who has always advocated for him and cared for him. he values family and riordan uses his family to motivate him and incite the plot. generally, there will be one overarching stake for your character, but throughout your novel, there should be several smaller stakes. these may not service the plot but should elaborate on your character nonetheless. some ways to think about stakes include:
how can i use internal or external factors to create convincing, relatable stakes that tie back to basic values?
why does the overarching stake matter to my character? why do they care?
how can i raise the stakes or introduce new ones that are relevant to my character and illustrate them as a relatable being?
- connection: even if your character is an introvert, they will still be connected to someone, something, or even an idea. we, as humans, look to certain people, pets, objects, and ideas to maintain our sense of reality whether we realize it or not. if your character prides themselves in having no attachments, think about the ideas or themes that mark the cornerstones of their reality. most human beings strive for some form of connection, so here are more prompts for thinking about your characters and connection:
what does connection mean to my character? how do they show how they value their connections or relationships?
how does my character’s behavior change when around different connections?
what connections define my character and their reality? how will these connections influence my character and/or the plot?
how will removing or challenging a connection change, influence, or motivate my character?
a good rule of thumb is to treat a character as a human, not a plot device. there is a time or place in which a character must act as a plot device, but if you’re wanting your readers to be compelled by your narration and the characters within them, you should strive to write your characters as human (aka as relatable). one of the greatest pleasures i find in writing is when other’s identify themselves in my writing.
you’re not just here to tell a story, you’re here to connect with others through the illustration of your characters. let the reader navigate your prose as a detective, to search for and identify the evidence provided by you. that is to say, show us how these things manifest in your character. don’t tell us.
happy writing! hopefully this post gave you some ways to start thinking about how to show the relatability of your character. if you have any questions about implementing these tools or about writing characters, our ask box is always open.
✎ treats for writers - writing (and daydreaming) prompts ✎
Feel free to use and reblog!
#1 - challenge: what is the most self-indulgent story you've written? try to top it with something even more self-indulgent!
#2 - write yourself a bomb a** review/comment on your favourite story/chapter
#3 - write your favourite character in a colour drabble of your favourite colour
#4 - write one of your (favourite) characters doing one of your favourite activities
#5 - write how one of your favourite characters gets the appreciation they deserve. how do they react?
#6 - write your favourite character in a song drabble of your favourite song
#7 - write a monologue of your character, describing what they would think about YOU
#8 - write an AU or addition to one of your favourite fics by another writer
#9 - let your favourite character do something you've wanted to do for so long. enjoy it together!
#10 - write about your OTP growing old together, surrounded by their love. because that's the ultimate dream, right?
oh to be loved like a hozier song
please please please please reblog if you’re a writer and have at some point felt like your writing is getting worse. I need to know if I’m the only one who’s struggling with these thoughts
sighhhhh
Ain't nothin worse than being a hopeless romantic AND a lesbian
HAPPY BLACK HISTORY MONTH TO ALL MY FELLOW BLACK SAPPHICS 🫶🏾🤎🖤