Latest Posts by ealdwineoldfriend - Page 4

Discussions of what "counts" as "canon" queer representation fall apart the second you start talking about media older than about five years or so. If your only metric for "canon queerness" is a character looking directly into the camera and explaining their identity in specific, modern, US-American-English terminology, you're not going to get a good picture of what queer media looks like. If your barometer for what counts as "canon" requires two characters of the same gender to kiss on-screen, you're not going to get a good picture of what queer media looks like.

Dr. Septimus Pretorius (portrayed by Ernest Thesiger in 1935's Bride of Frankenstein) was never going to look directly into the camera and explain his sexuality in 2024 terms, but he remains an icon in queer media history. You cannot look at that character (blatantly queer-coded in the manner of the time, played by a queer man in a film directed by another queer man) and tell me that he isn't a part of queer media history.

To be honest, even when discussing modern queer media, I would argue that the popular idea of what "counts" as "canon" is very narrow and flawed. I've seen multiple posts in the past few days that say the Nimona movie is "implied" trans representation, and I just...no, y'all, it's not "implied," it's an allegory. The entire damn movie is about transgender struggle, and the original comic is deeply tied into N.D. Stevenson's own queer journey. It isn't subtle. You cannot look at that movie and pretend that it isn't about trans struggle. It's blatant, and to say that Nimona "isn't canonically trans" is a take that misses the story's entire message, and the blatant queerphobia that almost kept the movie from happening. (I wrote a five thousand word essay about the topic.)

Queer themes, queer coding, queer exploration, and queer representation can all exist in a piece of media that doesn't seem to have "canon queer characters" on the surface. Most queer characters are never going to be able to explicitly state their specific identity labels, be it due to censorship or just due to the fact that scenes like that don't fit in some narratives. Some stories aren't conducive to a big "so what's your identity?" scene.

Explicit, undeniable, "this is my identity in no uncertain terms" scenes are very important and radical, and I'm not saying they shouldn't ever exist. I am saying that you can't consider those scenes the only way for queerness in a piece of media to be "canon."

Sometimes you need to outline a whole ass fantasy novel in a single day instead of dealing with your feelings

i love characters who are always like fear not, i shall take care of this problem for you….. by sacrificing myself!! and everyone else is like i swear to god if you pull this shit again i’ll kill you

you know you’re a writer when…

you spend 30 minutes choosing the perfect synonym for “said” only to change it back to “said.”

you google “how long does it take to bleed out” at 3 a.m. and now the FBI is probably watching you.

you write one sentence, stare at it, rewrite it 14 times, and somehow end up back at the original version.

“this scene is so important” but you have no idea what the scene actually is or why it’s important.

you come up with the best story ideas… in the shower… with no way to write them down.

your characters feel like real people but also you’re like “who are these guys and what do they want from me?”

your brain says “start writing!” but instead you reorganize your desk, reread your notes, and spend two hours naming a side character who shows up once.

you’ve cried over your WIP exactly 67 times and will do it again because the pain is the point.

you reread something you wrote and think, “wow, did i peak as a writer three months ago?”

every writing session begins with the sacred ritual of scrolling social media, opening unnecessary tabs, and procrastinating until panic sets in.

you have no idea how long a chapter should be, so you just… vibe.

you can’t watch tv or movies without mentally critiquing the plot, dialogue, and pacing.

your writing playlist is 98% vibes, 2% songs you’ll actually listen to while writing.

you keep a “murder notebook” but swear it’s not suspicious because it’s for your novel (probably).

the phrase “just one more draft” is your eternal mantra, even though you’ve rewritten this thing more times than you can count.

Me: *writes an amazing chapter*

Me: Ah yes. That is amazing. Can't wait to begin the next one. So many possibilities!

Me: *turns off my laptop and goes into a month-long depression*

👁️

Make the first move. Pronounce your OWN name wrong. Assert your dominance. You Have The Power Now

screaming, crying, throwing up, as I force myself to write a story i'm very passionate about and love writing and have no obligation to write except that i want to

Recommendations for media about translation, interpreting, and foreign languages

Movies and TV

Quo Vadis, Aida? (2020) The Interpreter (2005) The Last Stage (1948)

Books

Babel: An Arcane History by R.F. Kuang The Centre by Ayesha Manazir Siddiqi Translating Myself and Others by Jhumpa Lahiri The Interpreter by Suki Kim Girl in Translation by Jean Kwok Translation Nation by Héctor Tobar Alphabet of Thorn by Patricia A. McKillip Translation State by Ann Leckie

Other Important Topics and Subjects

La Malinche The Rosetta Stone The Tower of Babel The Adamic Language Esperanto Philology Goethean World Literature

Documentaries and History

The Interpreters: A Historical Perspective The Nuremberg Trials Biblical Translation St. Jerome - patron saint of translators Shu-ilishu's Seal (first depiction of an interpreter)

writing badly and cringily is actually an essential part of the writing process, both in terms of individual projects and in gaining voice and confidence as a writer in the long term. there is no way around the cringe. there's no way around the work.

Two roads diverged in a wood, and I— I took the one that added 35k extra words to the projected length of this fucking story ahgeilahgleiag

Just finished an entire chapter-by-chapter outline in one day, I need a shot and a burrito