Flirtation

Flirtation

It's been the same voice

circling the very same concerns,

the banks are spilling over with

slang and the great unlearned.

the waves wont let the good themes

flow or take hold

but the brave are frauds, amongst us,

made pretty like lanterns in the cold.

find yourself in the place of the unnurtured flame

the one that dances as if by accident

I wandered down, the paint of the sky drying

from the high roads of sentiment.

and there's a way, a better way to narrow

down desire

I say a young spark like you

could do with

a flirtation with fire

and silly angels dance in the near dark

always with something heavy and worthy

in mind

the agendas overheard of the great untamed

the rules they swear by are barely defined

If i'm to become a fighter of sorts

i must learn to replace the sharpness of a smile

with the blunt edge of swords

and there's a sadder fate for the straight man in the comedy

of the liar

there's nothing ill-fated,

over a flirtation with fire

failures to condemn, retreats to an apology

the smile that frames the forgiven face I say its better that the blessing words are uttered

with great respect at the resting place

but the silence that follows, the bird-less trees mooning over some paradise names

not knowing their mortality when stretched across the age

they foolishly fall in love with the rougish flames.

More Posts from Emiguess and Others

11 years ago

A Blood-splatter analysis of the Dexter finale

The confusions to be found at the base of this narrative seems to suggest a sadistic writing team who used whatever "blunt instruments" were at hand to overpower the audience. The angle they took, if you can follow the attempts at tying up of all the messy loose ends to the right of the victim tells us that this was not a Six Feet Under copycat killer as Michael C. Hall's work there was at least given a satisfying conclusion. The abrasions to this body of work could be described as heavy handed and seems to be the act of a showrunner in a rush, perhaps fleeing with a large amount of money before the true nature of his crime is discovered. Writers of this type seem to have an innate lack of subtlety probably stemming from a childhood need to insert unnecessary symbolism and a love of endings which require absolutely no investment. We're looking at an 8th season suspect who very often talks to himself in the guise of ponderous "voice overs". The suspect is syndicated and dangerous and currently at large on the re-run.


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11 years ago

Chatter

a clipped message

man to boy

and back again

im not sure

if i even want to touch you

but i ll know again

tonight when the chatter

dies down

and im helped by the forces

and cogs of age

in the drawn out years

ive avoided the answer

some twisted leg chairs

and the onset of winter


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11 years ago

M

the ghostly air between the cars

i checked the moon obsessively like a watch

legs like trees caught in a typhoon

my exhale hoped it would brush against your breath

my head never pounded, in fact it sang

something old, the thing that falls behind

cabinets

the letters that become too tangled

to ever write

the dreams that rise to be the debris

of the heavens

these things re-discovered through you 

I felt like the lonely soul embraced 

back into a fold

the most simple paradox

of returning but still arriving for 

that first time

you leaned back with your legs coiled

hair swirled, words tumbled,

it was as if my iris stretched to breaking point

by the light of a thousand houses

but instead it was just a lazy gaze

my direction

amongst some greying figures

tiny stones that are strewn around

I dreamt I knew what to say

I dreamt your heart purred in reply

11 years ago

Well, for Starters...

Amy and Mark had several reservations as they entered the establishment. A tray of champagne glasses bubbling over with resentment glided by them as they were approached by a well dressed man. "We have smoking or non-smoking seething. Which would you prefer?" Mark looked at Amy. "Well her constant smoking is a factor so put us there in smoking. We wanna make a real meal of this." The well dressed man smugly added. "That's our job, Sir. Welcome to Bickerings, known throughout the country for it's fine quizz-ine." "We could have just had this out at home, Mark," Amy sternly said. The couple were being led to their table.  "If we're going to have a proper argument we might as well do it in a five star row-staurant which is what Bickerings is, "Mark retorted. "Let's just try and have some fun here." Amy sighed as she pulled up her seat. Looking around she noticed a number of sobbing couples and a few others completely in silence. "Spend all this money to just sit in silence. That's a good thing?!" Mark didn't reply as he was already perusing the menu.  Amy picked up hers and began to scan it. "Hmm...infidelity is never rare...that's sort of funny..." Mark saw a chance for first blood. "But it can be well done!" Amy glared at him.  "I'm not sure I have the right appetite tonight. Destruction doesn't look all that appealing," Mark was wondering aloud, not really addressing his dinner date. "I'm going to have the salad," Amy flatly said. "I hear they use some of the finest olive vitriol around for it." A waitress walked over to them. "Hi,  my name is Tiffany, Tiff for short. I'll be waiting on you this evening. If you'd care to look at our specials. We have fresh recriminations, chicken bones of contention and of course our famed Fracas bar which is located to my left or if you wish to argue with me, to your right." Mark addressed her. "I know revenge and all that serving cold stuff, but I'd rather it hot. Any suggestions?" "Well, we could bring it out when your conversation is getting more heated or we could have the meat roasted on a spat!" "Hmmm...I don't know," Mark mulled. "I do have a real beef with this woman but I don't want it overdone. Ro-Misery cooking doesn't do it for me. I'll stick with plain revenge. Straight up." Tiff smiled and handed another menu. "The resign list?" Mark took it while Tiff looked at Amy. "Salad was it?" "Yes, with some rude barbs." Tiff corrected her, "Do you mean Rhubarb?" Amy nodded. "Just a pint of Bitter for me then." "And a drink for you Miss?." "Faultless to a tea, thank you." Their first (dis)course were some insults they skewered each other with. Amy was unhappy with the belittle portions but didn't make any more of a scene than the two were already making.  Their main coarse was intense. Mark had to send back his first piece of revenge as it was raw. He settled with the second piece even if it was a little undercooked. Tapping a nearby table he asked. "We got some wounds here, but no salt. Could we trouble you for some of yours?" Over the meal a lot was aired but this was no mere food fight. This was Dinner breaks all. The sort of argument that chews up a couple and then spits them out. They scoffed at one another before they scoffed down some more food.  During a break in the hostilities and as a palate cleanser they decided to engage in perfectly civil chat. Mark laughed."I've heard such good things about this place. It's way nicer that that old dump we'd go for a little bite, I mean fight. What was that placed called?" "Oh yeah Quarrels. I don't know, it had a nice in your face quality. The Anger-biance there was second to none." It wasn't long, though it felt like an eternity like most arguments do, before they had im-gibed enough drink and devoured enough food for thought and were onto their just desserts.  Having had their fill of each other they got up to leave Bickerings and as they were making their way out, Mark noted, "It's a bit steep. But we've had too many disagreements tonight. We won't dispute the bill." Amy replied, "I hear they like when people do that though!" As they neared the door they came across the well dressed man once again. It was clear he was the Haître d' of the place.  "Finest fight we have ever had! Thank you! My compliments and complaints to your staff." The Haître d' just sneered.  "Well, what else would you expect from a 5 Star location such as Bickerings? We're hardly Fast Feud!"


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11 years ago

Half Past Danger, Long Past time

Half Past Danger Issue #1 - Review by Emmet O'Brien Torn from every cliffhanger comic strip, blessed with the same breathless energy as a matinee serial and full of dynamic energy, Stephen Mooney's Half Past Danger is an absolute delight and easily one of the most fun comics being put out at the moment. It's the province of pulp to throw element after element at you and for any thrill seeking heart a comic that packs in retro hi-jinx, femme fatales and "War is (Prehistoric) Hell" asides will charm a particular sort of reader. Comics can be so dour and psychological these days, deconstructing but not celebrating. Now I must admit, my own particular sensibilities run alongside this tonal tornado as a kid weaned on, Indiana Jones, Tintin, The Phantom, Ka-Zar, Doc Savage and their ilk and despite a resolutely Irish hero in HPD's Tommy Flynn the DNA is easy to isolate as being of a very American flavoured action story. It's the Irish aspect that adds a little extra spice to this brew of disparate action tropes. The story of an Army Squad coming face to face with dinosaurs while on patrol on an isolated Japanese Island, the book is fast paced and dangerous, a tricky thing to establish legitimate peril  while having a tongue very much in its cheek but it succeeds with roguish aplomb. If anything almost too much happens, Flynn finds himself traumatised after the Jurassic jaunt and is drowning his sorrows in New York when he is approached by two mysterious British military types, one being a Steve Rogers-esque bruiser while the other is an alluring dame. Pitched at a hyper real level with Mooney's art at its current apex (we can only imagine the more settled he becomes in this world, the even more vibrant the art will become) this is the sort of comic I have been waiting for, for a very long time. Beautifully punched up with Jordie Bellaire's superlative colouring skills, further adding a timeless old world sheen, one can get lost in the tones and textures of the mad-cap world Flynn has to navigate through. With just enough intrigue to hook but not overwhelm and spectacle aplenty, this is derring-do, daringly done right. Keep up to date with Half Past Danger and the talented Stephen Mooney through his site. http://www.halfpastdanger.com/


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11 years ago

Chilly

The smile in the dark Of the potential dangers the safe shores framed by your beacon glow the sun gilded sheen And your rhythm  chimed like the heartbeat of stones along that country walk The blue of the sky softening to something chilly above us . Some narratives I would never cling to, ghost stories in the teeth of fiction The touch of a hand in that false night grants an audience to such things. Shoo away the onset of heavy dusk til the song of morning sounds.


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11 years ago

Suburban One-trick Blues

I love Bob Dylan and decided to write a sort of potted history of key moments in his career using "Subterranean Homesick Blues" as a template. For the record any ribbing is meant as utterly affectionate. It's Alright Bob (I'm Only Teasing).

  Bobby's in his element making a new precedent he sure as hell isn't thinking about the protest movement man from Newport

Wire cut, pissed off

Said Bob's a traitor

Now Judas gone and kissed off

Look out Bob it's something you distort God knows why But the folkies sure got hurt better crash your bike down an alley way looking for time willing The fans in the Royal Albert Hall

wanted folk Zimmerman they got Bob Dylan Bobby in his neat suit Fans full of what the fuck? feeling in a rut

take amphetamines to strut Many later say, they were never that nay in how the band did play but that's retroactive hearsay Rumours from back in the day! Look out Bob next few years gonna be rough going do bad country stuff domestic bliss, you going to bluff but we will get the basement tapes stuff

you don't need the Jokerman to tell you that's more than enough Get married, get divorced Idiot wind such a force Ring them bells, ride that horse Some gospel stuff to endorse Try out Lanois, then Au Revoir Get burnt out, before really fail Fall ill, but then prevail Jack Frost produce, big sale Mumble in theatres, never ending tours in thousand seaters Get medals from world leaders Scorsese film makes him cool Bob then playing the Christmas fool Dylanologists, silly believers Watch the phrasing of his meters Now Tempest, far from his best Dylan shuffle, enunciating trouble Cowboy dressed, some verses he guessed but he's really trying "Aw Bless" Please the die hard, even when he don't try hard Don't download, buy the damn record 50 years of performin' he must be bored Look out Bob, they keep making you hip Better jump into self parody Masked by some senility give the audience mild hostility Keep on keepin' on while you still got mobility And rally against the censors On your never ending tour adventures The man will always work til the end of his mortality...


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11 years ago

Blocking out a Scene

There once was a shape a square, geometric Who wanted to escape a dull life he wished was more hectic. He felt in his family, that he was the dumb dunce No social circle to speak of, not even a circumference

His Square parents, (in both meanings of the phrase) they were that shape and painfully un-hip, Decided that maybe he had to get aways and take some sort of learning trip It was the only way they could think to ease some of the tensions Father square to mother, "He's always been angle-ling to get away and discover his true dimensions!" Though as a block he was fairly sturdy his mother insisted he keep warm You know how maternal shapes do worry "Make sure you wear something to match your form!" The whole family saw him off on that Rhom-Bus "I wonder," said his rectangle sister,"will he even miss us?" Choosing some coordinates so far away but keeping the location discrete for certain The block looked back at his family, as if to say I will come back a far more rounded person And what came with this new sense of space Love triangles and some right angles in the wrong place Some errors were made, mostly directional Life can hit you with these types of surprises He realised that he was indeed bisection-al and loved things in all shapes and sizes and in his mind, the words of his family he could hear 'em "You still must prove yourself as a trusted theorum!" He lost his virginity to an acute triangle who smoked a lot of hypot, was real bad nuse the opposite of his next romantic entangle was an algebra-burning mathematical muse He didn't contact his family, he really didn't give a damn Only once every few months, would they receive a cursory parallelogram He had a few part time but big enough gigs Mostly in text books hanging out with some graphs You might have seen him as some numbered Figs He made some cash and had some laughs So for a few years this simple country rube Expanded his horizons and became a cube He wrote a letter to his family one night and hoped they wouldn't be too critical He decided to give paper up and have a bit more byte "Mom, dad, your block son has gone digital!" "I'll be working very closely with new people  you can really bet this, Tomorrow guys I'm trying out for some new game named Tetris!"


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11 years ago

Emmet O'Brien takes on Superman.

Here is my review of Man of Steel. I've made it pretty much spoiler free but still approach with caution if you're trying to stay uninformed before the film is released!


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7 years ago

How I would have changed Star Wars: The Last Jedi

Before I begin this I want it on the record that I very much enjoyed The Last Jedi. It’s far from perfect but where TFA was a lot of fun but fairly uninspired, a new hope for a new generation, TLJ for all its flaws tried new things and dug in deep to big themes and a dissection of the franchise as a whole. I loved it. There’s no denying the film was far too long and the subplots were a mixed bag.  The Rey/Kylo/Luke stuff on a thematic level worked for me. Some minor details near the end perhaps could have been done differently but all in all I think it’s fairly  rock solid. Some rocks can be moved around though as the film very much confirms. I do this not to tell anyone how it should be done but just to give my two cents. I enjoy script writing and would love to be a script doctor/ consultant so I write this in that spirit.. I will try to keep it succinct.

Canto Bight

My brother made the canny suggestion that the Canto Bight story line should have been at the beginning of the film. Imagine panning over the crazy tables, spying all those diverse aliens, we reach a big table, where some ostentatious high roller is wowing a crowd but we can’t see his face. He turns around and it’s Finn! It would be a great surprise since  the last time we saw him was in a bio bed unconscious and now here he is in a totally different milieu and having fun. We could even throw in a shameless piece of exposition where Rose tells him to calm down since it’s not that long since he got the all clear. Finn could say how he’s still feeling a bit raw but that his luck is changing... That should be when he comes across someone from his past in the Casino...Phasma. But in a twist Phasma is sans mask and Finn doesn’t know who this is. This would give Gwendoline Christie an actual character to play. If the audience knows she’s Phasma then the tension comes from not knowing when Finn will figure it out. If you don’t know the actress is Phasma it would be a nice reveal. So Finn believe he has a rapport with this new person and finally feels like he is escaping his past (the film’s central theme) but  the reveal of her true identity would shatter that illusion and the ensuing battle would allow him to put the past to bed once and for all. I also think Phasma should have been evolved beyond the Boba Fett clone (not an actual in story clone!) she ended up being.

Poe is also on Canto Bight with Rose and Finn because they have discovered that the Casino is a front for a weapons facility in which the Empire are stocking up brand new ships such as Dreadnoughts. Their plans is to infiltrate and destroy this place before they can be added to the First Order’s fleet. They need to find a code breaker in the Casino who can be turned to their side. I would have just gone with Justin Theroux’s character here but it still could have been Benecio Del Toro’s DJ either way. Poe is not himself after a botched operation in which he got a number of the fleet killed, including someone important to Rose. I would have made this her lover instead of her sister, explicitly putting in more LGBTQ representation, (having a gay character be killed could be problematic, I admit, but when watching the film the first time and seeing the shared necklace, I honestly assumed this was Rose’s girlfriend/wife and found the sister thing a little meh).  There is understandable tension between Rose and Poe. These story points could be alluded to in PTSD type flashbacks that are interspersed and while Poe is to blame, which has shaken the character from the cocky pilot of the first film, we could see the operation from different Rashomon type flashbacks which would be a nice narrative parallel to the Luke/ Kylo Ren flashbacks.

Leia’s choice to allow Poe on this mission has not been popular and we see a holographic message from Admiral Holdo criticising the decision while still greatly respecting Leia (this is important to establish as their genuine friendship was great and a fantastic rebuke to the two strong women being at odds trope you find in a lot of fiction). Leia says she has faith in Poe and Holdo is forced to see if that faith is justified. Poe himself is conflicted about his future in the Resistance but helping Rose and Finn free those animals that cut a swath through Canto Bight is the metaphor for the Resistance Poe needs to reawaken his faith. He sees that the downtrodden must be free to make a difference.

Leia

The Leia force scene has been a big controversial moment for a lot of people and I would suggest a minor tweak of this could have been more effective. Leia is blasted out into space. We still have the same shots of her floating but we hear her breathing, her heart beating. But suddenly a calm falls over her. She is using the Force to slow down everything to give her a few more precious moments of life when suddenly a fighter appears and picks her up, being flown by Holdo. It would have been a great physical introduction for the character having previously been shown as just a hologram. You’d still have Leia saving herself with the Force but just not in so a cartoony or pronounced way. There could be some fun banter about how Holdo wasn’t meant to be there but she was just passing by the star system and knew Leia would be out for a walk, or something to that effect.

Here is where I will give an odd suggestion for how to deal with Leia in Episode 9. This could be controversial but I’d have it that the General gets sick or is injured and they know they can’t save her so she asks to be frozen in Carbonite but kept alive. She could be the leader who never died and is a living monument to how the Resistance should never die. It’s not perfect but its as elegant a solution to what cruel fate has provided us.

So a single Dreadnought survives the destruction of the weapons facility and this could give us the Holdo sacrifice (clearly Leia could have been the one to do this too, but I digress). Holdo contacts Poe and congratulates him on his successful mission, welcoming him back into the fold but says “As cocky as you are Poe...you missed one.”  And she hyperspaces into the Dreadnought to prevent it from destroying the fleet.

As you can see most of the film would be unaffected and I do believe the subplots would tie in more organically.  Throwing in a Casino jaunt into a ticking clock plot remains my biggest problem with the film and I think structuring it like this would solve a lot of problems.

Snoke

A brief final note on another issue fandom has with the film, the identity of Snoke. The decision to make Rey’s parents nobodies was inspired and I hope they don’t reverse that in future installments. As for Snoke, I have a theory that won’t satisfy everyone but is my take on the character. Although to be honest I don’t think we need to know where he came from. His dispatching was fantastic and allows the series to focus on the more nuanced and interesting antagonist in Kylo Ren but if people were so desperate for an answer here is one.

There should be a scene with Luke in the dark pit with the Infinite Recursion that we see Rey in half way through the film. This can be from a long time ago. Luke has gone their to face his demons. We see him force jump out of the pit and the delayed reflections all follow suit...except one. An obscured reflection in the distance remains down that pit. This is Snoke. He is a manifestation of Luke’s anger and bitterness and the darker thoughts inside of him. (It’s a bit Onslaught with Professor Xavier if I’m to be honest). Snoke didn’t want anyone to find Skywalker because he needs him alive to continue existing and Luke remaining in exile suited his plans perfectly. It even adds an irony to Kylo Ren who unknowingly is still an apprentice to a version of Luke Skywalker. In fact this revelation would have been a nice extra motivation for Kylo killing Snoke.  Fandom could have called this character Snoke Starkiller as a nod to the original name of Luke Skywalker! I very much believe in drawing thematic parallels and contrasts across different narrative threads. For example Kylo sheds his armour to move on but Phasma re-embraces her armour as a symbol of the past.  Both Finn and Rey do not know their parents and are in situations due to this abandonment. There’s definitely more of this stuff that could be teased out over the whole story. So there you go, suggestions for something that has already been made and for adventures that have already happened a long time ago in a galaxy far, far away...


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  • emiguess
    emiguess reblogged this · 11 years ago
emiguess - Em, I guess
Em, I guess

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