Writing From Scratch #9

Structuring a Series: Part III

Structuring a Series Part III: Planning a Series from 1 Book

Welcome back to Part III of Structuring a Series!  If you haven’t read Parts I and II yet, you might want to.  Or at least familiarize yourself with Dan Wells’s 7 Point Plot Structure. (No word on which one is a bigger time commitment.) Ok, so… you want to write a trilogy (or some other type of close-ended series with at least one arc running through the whole thing), BUT you only know what you…

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Outlining: one writer’s approach

…So I was puttering around on Twitter the other day, as one does, and in mid-putter found that someone on my timeline had just RT’d some tweets from a discussion about which approach to writing a book (or other longish piece of prose) was the best: pantsing or plotting. (”Pantsing”, for those of you who may not have come across the term, indicates just sort of making up a story as you go along, without establishing an underlying structure first or (sometimes) knowing how it’s going to end. “Plotting” means having some kind of plan about where the story is going to go – which I would normally take as meaning a premise or outline of some sort.)

And the person at the core of this particular thread, Rebecca F. Kuang, said this:

wait can someone who isn’t a pantser actually explain themselves? how detailed does your outlines get? do you really know the sequence of and content of every scene ahead of time? how you figure out smaller plot threads before you’re ~in~ it?

Since I’m emphatically not a pantser, but a four-decade plotter, I thought maybe I could bring something useful to the discussion. I asked how much detail on the process was wanted? as I’d been doing this for a while.

Rebecca said: 

haha well what i’m most curious about is how you can “feel” the story’s tone/heft/urgency and connect with the characters and their plight from an abstract outline? i’d like to plan more, but i have a hard time thinking from a birds eye view

It’s a good question. But for a moment there I was brought up short, as the concept of an “abstract” outline kind of startled me. I couldn’t imagine what kind of outline that would be. And then the horrible thought occurred: Wait. Can it be that when some of these folks hear “outline” they’re thinking about that godawful high-school English kind of thing? Full of Roman numerals and numbers and capital letters and small letters – ? 

Oh gods no. No no no no no no, it’s not like that at all.

…So I got into the subject a little: what novel outlines can look like, the trick I was taught about how to structure them, and how to make them work for you. (There are some references to Scrivener in there, because that’s what I use, but the advice will work perfectly well no matter what software or other instrumentality you’re using. My outlines tend to start out with pen and writing paper, but they don’t stay on paper for long.) There are also a couple of examples of the kind of outline you would send an editor when querying.

The thread got long, and a little disjointed. So when it was over I cut my bits together and polished them a little; and at the end added one (extremely important) afternote. Then I put it up on my main blog, right here. So if this is a subject that might interest you, maybe you want to take a look, as (to my great pleasure) I’m already hearing from people who say they’re finding the info / approach in the post useful.

Just as an FYI: A copy of the post will also go up on FicFoundry.com when that site goes live at the end of the month, as that’s where all my writing stuff will be going from now on. (It was past time that whole batch of content had someplace of its own. That’s getting sorted now.)

…And now back to work. (Yet another outline, as it happens…) :)

Writing from Scratch #1

Welcome to Writing from Scratch!

I’ve been writing a long time, and sometimes it feels like I lose the trees for the forest. Writing from Scratch is a chance for me (and you!) to get back to the basics of storytelling.

If you’ve never written a story before, if you’ve never felt like you could come up with one that would be worth writing, my hope is that if you follow along with me here, you will have the confidence and know-how to come up with an idea, build it into a story, and share it with the world.

These posts will be little, easy-to-digest nuggets. At the end of every post, look for a prompt and share your response in the comments!

What Is a Story?

A story can be defined by what it contains: at least one plot, character, and setting, and a style through which it is told.

Story Bits

To begin, let’s take a look at the second smallest unit of a story – the sentence. A sentence is a set of words that conveys a complete thought. And communication is fractal, meaning each part shares the same pattern as the whole. A story and its components, therefore, will also convey a Complete Thought.

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Auditions and Plays and Queries, Oh My!

Life-changing audition, a friend's play, and writing those queries. #actorslife #writerslife

Been gearing up for a big, potentially life-changing, audition.  It just doesn’t seem real yet.  I feel like I’m drifting along in a dream state, and this is some far off thing when it really isn’t.  I mean, I’m prepared.  I just feel like until I’m actually in the room, I’m not going to accept that this could be happening to me.  And maybe I’m just protecting myself from the very real…

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Writing from Scratch #4

The Milieu Plot

The problem of the milieu plot involves a problem of location or setting. The character is often either in a place they need/want to escape from or not in the specific place they need/want to be in. The try-fail cycles will involve traveling away from or to the location. Gulliver’s Travels, The Great Escape, and The Hobbit contain milieu plots.

The Lord of the Rings contains one very large milieu – the problem of getting the One Ring from the Shire where its been hidden for a number of years to Mordor where it can finally be destroyed. We can further break this down into smaller milieu plots. Let’s look at one: the problem of crossing the Misty Mountains. (And we’ll use the events as they occur in the movie, since more people have watched that than read the book)

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Writing from Scratch #7: The Event Plot

The Event Plot

The problem of an Event plot is a disruption to the status quo. The solution comes either from setting everything right again or adapting to the change. The Event plot is probably what most people think of when they think “what is a plot?” Any story that deals with a life-changing or world-changing event is an Event.

The first plot I analyzed, from The Expanse television series, is an Event plot. Let’s look at another: The Princess Diaries. As we did with Lord of the Rings, we’ll look at the movie rather than books because more people will be familiar with the movie (which is a damn shame).

The Event: Mia Thermopolis’s grandmother tells Mia that she is the princess of small European kingdom Genovia, and she must take the throne.

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So somebody on my Facebook posted this. And I’ve seen sooooo many memes like it. Images of a canvas with nothing but a slash cut into it, or a giant blurry square of color, or a black circle on a white canvas. There are always hundreds of comments about how anyone could do that and it isn’t really art, or stories of the time someone dropped a glove on the floor of a museum and people started discussing the meaning of the piece, assuming it was an abstract found-objects type of sculpture.

The painting on the left is a bay or lake or harbor with mountains in the background and some people going about their day in the foreground. It’s very pretty and it is skillfully painted. It’s a nice piece of art. It’s also just a landscape. I don’t recognize a signature style, the subject matter is far too common to narrow it down. I have no idea who painted that image.

The painting on the right I recognized immediately. When I was studying abstraction and non-representational art, I didn’t study this painter in depth, but I remember the day we learned about him and specifically about this series of paintings. His name was Ad Reinhart, and this is one painting from a series he called the ultimate paintings. (Not ultimate as in the best, but ultimate as in last.)

The day that my art history teacher showed us Ad Reinhart’s paintings, one guy in the class scoffed and made a comment that it was a scam, that Reinhart had slapped some black paint on the canvas and pretentious people who wanted to look smart gave him money for it. My teacher shut him down immediately. She told him that this is not a canvas that someone just painted black. It isn’t easy to tell from this photo, but there are groups of color, usually squares of very very very dark blue or red or green or brown. They are so dark that, if you saw them on their own, you would call each of them black. But when they are side by side their differences are apparent. Initially you stare at the piece thinking that THAT corner of the canvas is TRUE black. Then you begin to wonder if it is a deep green that only appears black because the area next to it is a deep, deep red. Or perhaps the “blue” is the true black and that red is actually brown. Or perhaps the blue is violet and the color next to it is the true black. The piece challenges the viewer’s perception. By the time you move on to the next painting, you’re left to wonder if maybe there have been other instances in which you believe something to be true but your perception is warped by some outside factor. And then you wonder if ANY of the colors were truly black. How can anything be cut and dry, black and white, when even black itself isn’t as absolute as you thought it was?

People need to understand that not all art is about portraying a realistic image, and that technical skills (like the ability to paint a scene that looks as though it may have been photographed) are not the only kind of artistic skills. Some art is meant to be pretty or look like something. Other art is meant to carry a message or an idea, to provoke thought.

Reinhart’s art is utterly genius.

“But anyone could have done that! It doesn’t take any special skill! I could have done that!”

Ok. Maybe you could have. But you didn’t.

Give abstract art some respect. It’s more important than you realize.

Writing from Scratch #4: The Milieu Plot

The Milieu Plot

The problem of the milieu plot involves a problem of location or setting. The character is often either in a place they need/want to escape from or not in the specific place they need/want to be in. The try-fail cycles will involve traveling away from or to the location. Gulliver’s Travels, The Great Escape, and The Hobbit contain milieu plots.

The Lord of the Rings contains one very large milieu – the problem of getting the One Ring from the Shire where its been hidden for a number of years to Mordor where it can finally be destroyed. We can further break this down into smaller milieu plots. Let’s look at one: the problem of crossing the Misty Mountains. (And we’ll use the events as they occur in the movie, since more people have watched that than read the book)

A few solutions they could try are not considered because they already know they are too dangerous, such as the northern route, which is swarming with orcs and goblins, and the Gap of Rohan, which gets too close to Isengard for comfort.

First try: take the Pass of Caradhras. Fail: No, they can’t cross this way, and Saruman is actively attacking them.

Second try: enter the Mines of Moria. Fail: Yes, they are able to enter, but the Dwarven reception committee they were expecting to lead them through is not there.

Third try: search Moria for the Dwarves and a guide through. Fail: No, there are no Dwarves to guide them, and goblins have now been alerted to their presence and are attacking.

Fourth try: run like hell away from the goblins. Fail: Yes, they are able to run across a chasm to escape the goblins, but a Balrog takes out Gandalf.

Final try: follow Gandalf’s instructions to flee (or “fly”). Solution: they get out of the Mines of Moria, and are on the other side of the Misty Mountains, ready to continue with another micro-milieu.

Prompt: write a flash fiction with a Milieu in which your character’s plot-problem is that they need to go to their grandmother’s house for Sunday dinner. The character, setting, genre, and stakes, as well as what is preventing them from simply going to Grandma’s is up to you. This simple plot can create a story that is anything from family drama to international spy thriller.

If you want to read more of my 80+ posts, you can check them out on my website theferalcollection.com

I always find it kind of weird that matriarchal cultures in fiction are always “women fight and hunt, men stay home and care for the babies” because world-building-wise, it makes no sense

think about it. like, assuming that gender even works the same in this fantasy culture as it does in ours, with gender conflated with sex (because let’s be real, all of these stories assume that), men wouldn’t be the ones to make the babies, so why would they be the ones to care for the babies? why is fighting and hunting necessary for leadership?

writing a matriarchy this way is just lazy, because you’re just taking the patriarchy and just swapping the people in it, rather than actually swapping the culture. especially when there are so many other cool things you could explore. like, what if it’s not a swap of roles but of what society deems important?

maybe a matriarchy would have hunting and fighting be part of the man’s job, but undervalued. like taking the trash out or cleaning toilets: necessary, but gross, and not noble or interesting. maybe farming is now the most important thing, and is given a lot of spiritual and cultural weight.

how would law work? what crimes would exist, and what things would be considered too trivial to make illegal? who gets what property? why?

how would religion work? how would you mark time or the passage into adulthood? what would marriage look like? if bloodlines are through the mother, bastardy wouldn’t even be a concept - how does that work?

what qualities would be most important in a person? how would you define strength or leadership? what knowledge would be the most coveted and protected? what acts or roles are considered useless or degrading?

like, you can’t just take our current society and say you’re turning it on its head when you’re just regurgitating it wholesale. you have to really think about why things are the way they are and change that. 

Underlined PSA

Figment, the recently closed writing website, has just launched (after a long delay) their long-awaited successor to figment known as Underlined, where users can post their work and receive feedback, supposedly.

DO NOT USE UNDERLINED. DO NOT POST YOUR WORK ON UNDERLINED.

Underlined’s terms and conditions contains a clause stating that the rights to all your work that you post on their website belongs to them!!!!

Underlined belongs to Penguin Random House. This is an extremely dirty trick for them to play on writers, especially young writers and children, who come to the internet to get feedback and will lose the rights to their work. Please boost!!!