gwayns

Latest Posts by gwayns

YakuStats

oh no aotsuki's back at it again

ok now i really need to go prepare for my ap physics exam

yt link if you could give a like :D

higurashi when they psync...

That one tiktok trend lol

every girl remembers getting her first brick

(sorry that my first aitsf art is a shitpost)

this is what being a Kaname Date fan feels like

when you grew up as a lonely uncool girl it will never stop haunting you by the way. you will meet a cool person at a bar or the train station or at a friend's party and you can wear your most stylish outfit and striking eye makeup and you will swear that they can see through all of the facade and see the lonely terribly insecure teenage girl you used to be who desperately wanted to connect and you will swear that they know that there is like an insurmountable gap between you. this will happen forever

doesn’t he have a job

btw I have full versions (R18!!) of these sketches and something more on poipiku or in my nsfw art acc on bsky :')

id like to thank aitsf for rekindling my joy in making stupid videos

stitch by stitch

Did they cook?

Me, scrambling for Hanawa content

Congratulations to the Infinite Wealth cast on winning the 19th Seiyu Awards!

@ccile03 has very kindly invited me to give my two (million) cents on this and i wanted to explain, as best i could, how i interpreted majima's character arc in pirate yakuza. however. this post definitely got away from me, so be prepared, this is going to be a LONG one, and it's the most comprehensive analysis i've done of majima as a character to date. i think i just wanted an excuse to talk about the game, honestly

introduction

i think i should start by saying that i think what we see in this game is not an arc for majima in its entirety, but the culmination of one that we had been observing (glimpsing, really) from the sidelines for years. so the question of "what arc did majima have in this game?" is really a question of "what arc did majima have in this series?" and to answer that, we have to start at the beginning.

from the moment he's introduced in the first game, majima is shown to be cynical and nihilistic.

scott strichart, who was in charge of majima's english localization throughout y0-k2 and y6-y7, had this to say about this scene, which i completely agree with:

First, you need to understand Majima's primary motivation - Saejima. Ever since he missed participating in that hit, Majima's singular, driving goal is to give Saejima the opportunity to confront him and exact whatever punishment he feels is appropriate. So Majima sets out from square -1 to get back into the Tojo Clan and gain enough power and position to do that. But as you know, in Y0, he discovers that some costs are too great, which throws his entire life's purpose into question: How do I balance my own sense of right and wrong with the tenacity I must have in order get back into the clan and to Saejima? That answer comes in the shape of three different dudes who give him three different answers to how one is "tenacious" - Lee, who would go to ANY length to protect the ones he loves, Nishitani, who throws his entire self into his pursuit of pleasure, and even Sagawa, who as Majima tells him, is "practically immortal." But what happens to his three paragons of tenacity? Well, you know that answer if you've played Y0. What happens when Majima attempts to take the moral high ground? What happens when he dares to show some modicum of emotion? [...] And the evidence of Majima's mindset in Kiwami is right in the first few lines when you meet him: What's the point of doing the right thing? "Doing things that way is going to break you." But no… that's just a projection. Majima is the one who got broken. And if you've played Y2 through Y5, you see the facade slowly start to fade. It's a really interesting growth of the character.

note the parts i highlighted in bold. we will get back to these later.

i think to understand majima and what this game does for him as a character, you have to understand both his problem and how he has tried to solve that problem. you have to understand his tragedy. and for that, you have to understand the psychological consequences of being part of an organization like the yakuza. the emotional impact it has on your life, on your relationship with yourself, and why. this context informs most of my analysis because i think its inextricable from majima as a character. i will also be heavily quoting simone weil to talk about these ideas, so please bear with me.

1. understanding the problem (and what it isn't)

the thing is, it's not easy to do awful things to other people. it's not easy to extort money from people, it's not easy to threaten them, it's not easy to attack someone when it's not in self defense. it's not easy to be mean. it's not easy to lie, cheat, steal. all of these things have an emotional toll: guilt. now, guilt goes away if you let it, but that has a spiritual toll. but where does that guilt come from in the first place?

simone weil says:

There exists an obligation towards every human being for the sole reason that he or she is a human being, without any other condition requiring to be fulfilled, and even without any recognition of such obligation on the part of the individual concerned.

All human beings are bound by identical obligations [...]. No human being, whoever he may be, under whatever circumstances, can escape them without being guilty of crime; save where there are two genuine obligations which are in fact incompatible, and a man is forced to sacrifice one of them. The imperfections of a social order can be measured by the number of situations of this kind it harbours within itself. But even in such a case, a crime is committed if the obligation so sacrificed is not merely sacrificed in fact, but its existence denied into the bargain.

majima is torn between two incompatible obligations. his obligation towards every human being in the world, and his obligation towards saejima. whether or not his obligation to saejima is a genuine one is a matter of interpretation (as in, whether or not he was really responsible for failing saejima. i think there is merit to his sense of responsibility regarding this, but that's another post) and an important distinction to make, but the fact remains that it registers to majima as a genuine one.

weil also says:

There is a reality outside the world, that is to say, outside space and time, outside man's mental universe, outside any sphere whatsoever that is accessible to human faculties. Corresponding to this reality, at the centre of the human heart, is the longing for an absolute good, a longing which is always there and is never appeased by any object in this world. That reality is the unique source of all the good that can exist in this world: that is to say, all beauty, all truth, all justice, all legitimacy, all order, and all human behaviour that is mindful of obligations. Those minds whose attention and love are turned towards that reality are the sole intermediary through which good can descend from there and come among men. Although it is beyond the reach of any human faculties, man has the power of turning his attention and love towards it. Nothing can ever justify the assumption that any man, whoever he may be, has been deprived of this power. It is a power which is only real in this world in so far as it is exercised. The sole condition for exercising it is consent.

now, you don't have to agree with any of this, but i will be using this framework and language to make my points because i find it useful.

what this all comes down to is that "moral behavior" is not something done only for the sake of others, and that in fact there is no distinction between the sake of oneself and others. you cannot hurt others without also hurting yourself in some way. my analysis rests on this key point.

weil says that corresponding to these human obligations, we can identify a number of human needs, some of which have to do with the physical side of life (like food, shelter, security) and some of which have to do with the moral side.

They form, like our physical needs, a necessary condition of our life on this earth. Which means to say that if they are not satisfied, we fall little by little into a state more or less resembling death, more or less akin to a purely vegetative existence.

she says that human collectivities (family, country, organization, etc.) fulfill these needs. the collectivity that majima is part of is the tojo clan and in a broader sense, the yakuza. they are not part of civil society, but as weil notes, their obligations towards people outside of the yakuza are not lessened by this fact, and anyone whose attention and love is turned towards "good" is aware of this. so they feel the full weight of these obligations. majima feels this weight.

we can see here that majima is being driven by a need, a need that corresponds to his obligations to other people. he calls it "being a man", weil calls it "being mindful of obligations."

weil has identified some of these needs, which she calls "the needs of the soul", as follows:

HONOUR is a vital need of the human soul. [...] honour has to do with a human being considered not simply as such, but from the point of view of his social surroundings. This need is fully satisfied where each of the social organisms to which a human being belongs allows him to share in a noble tradition enshrined in its past history and given public acknowledgment.

For example, for the need of honour to be satisfied in professional life, every profession requires to have some association really capable of keeping alive the memory of all the store of nobility, heroism, probity, generosity and genius spent in the exercise of that profession.

Initiative and RESPONSIBILITY, to feel one is useful and even indispensable, are vital needs of the human soul. [...] For this need to be satisfied it is necessary that a man should often have to take decisions in matters great or small affecting interests that are distinct from his own, but in regard to which he feels a personal concern. He also requires to be continually called upon to supply fresh efforts.

PUNISHMENT is a vital need of the human soul. [...] The most indispensable punishment for the soul is that inflicted for crime. By committing crime, a man places himself, of his own accord, outside the chain of eternal obligations which bind every human being to every other one. Punishment alone can weld him back again; fully so, if accompanied by consent on his part; otherwise only partially so. 

i find this language and framework for talking about the concepts of virtue, guilt, redemption and how those things tie into one's professional and social life very useful when exploring the relationship rgg characters have to the yakuza and to themselves.

i will be focusing on these three needs for now because i think they are where the crux of majima's struggle lies. not only majima, but every yakuza who feels the weight of human obligations. because the work they do as yakuza does not fulfill their need for honor, and the crimes they commit by not fulfilling their obligations (as they are exploiting and profiting off innocent people, depriving them of their vital needs) creates the need for punishment. this is part of why we see these characters go to prison so willingly.

being yakuza means effectively denying one's own need for honor. this compels these characters to remedy this by clinging to whatever amount or kind of honor they can maintain. it's this cycle that keeps them going, that pushes these characters to commit the extraordinary acts of heroism we admire them for. it's because they are driven by the need to make up for something. for being yakuza.

weil says:

[...] a collectivity has its roots in the past. It constitutes the sole agency for preserving the spiritual treasures accumulated by the dead, the sole transmitting agency by means of which the dead can speak to the living.

she says that the need to be rooted is the most important need of the soul, and that being part of a collectivity, a "social organism" as she calls it, and having active participation in it is the only means of fulfilling this need. yakuza are no exception. RGG's consistent theme of carrying on the dreams of others is a form of "the dead speaking to the living", that is to say, a form of fulfilling the need for roots – which by the way is the name of the book these excerpts are from.

Every social organism, of whatever kind it may be, which does not provide its members with these satisfactions, is diseased and must be restored to health.

There are collectivities which, instead of serving as food, do just the opposite: they devour souls. In such cases, the social body is diseased, and the first duty is to attempt a cure; in certain circumstances, it may be necessary to have recourse to surgical methods. With regard to this matter, too, the obligation for those inside as for those outside the collectivity is an identical one. [...] Finally, there are dead collectivities which, without devouring souls, don’t nourish them either. If it is absolutely certain that they are well and truly dead, that it isn’t just a question of a temporary lethargy, then and only then should they be destroyed.

the yakuza, by measure of the number of situations it creates where incompatible obligations have to compete against each other, is a deeply imperfect social order. but as weil notes, sacrificing obligations and denying their existence are distinct compromises. "guilt goes away if you let it" – this is where that distinction lies. to free yourself of guilt, you have to deny the existence of these obligations, and so deny your own need for punishment. and the spiritual toll of that exchange is pragmatism, which weil describes as "spiritually crossing a boundary equivalent to death."

she says this about denying the existence of obligations:

Actually, such a negation is impossible. It amounts to spiritual suicide. And Man is so made that in him spiritual death is accompanied by psychological diseases in themselves fatal. So that, in fact, the instinct of self-preservation prevents the soul from doing more than draw closer to such a state [...]. Almost always, he who denies all obligations lies to others and to himself; in actual fact, he recognizes some amongst them. There isn’t a man on earth who doesn’t at times pronounce an opinion on good and evil, even if it be only to find fault with somebody else.

many yakuza try to avoid guilt (and the need for punishment) by denying the existence of human obligations. simply put, it's a way of running from accountability.

but guilt is not the reason for majima's struggle with this. majima has already decided that he is not going to cross that spiritual boundary to avoid guilt, because he understands that the consequences would be nothing more than a self-betrayal. he has too much respect for the truth to lie to himself like that. his "longing for an absolute good" compels him to accept his need for punishment. and he is not confused about what he thinks is right or wrong.

yakuza 0 was not about majima trying to decide whether or not killing an innocent girl was wrong. he knew it was wrong. it was about whether or not it was worth it to kill an innocent person. if he had been grappling with whether or not murder was wrong, it would've been equivalent to "spiritual suicide" as weil calls it. but he never denies the existence of such an obligation on his part – he never pretends it wasn't wrong to kill a defenseless civilian.

and his takeaway was that it was not worth it. it was not worth it to kill makoto to fulfill his obligation to saejima. he sacrificed his obligation to saejima, but no "crime" was committed in this process because he did not deny the existence of his obligations towards anyone. his need for honor was not sacrificed, and thus no self-betrayal took place. once again, denying human obligations is synonymous with self betrayal in this framework.

majima simply will not do something that he knows he will regret later out of guilt, and he takes care to predict what he will feel guilty about so as to avoid this outcome. his judgment regarding this remained solid throughout y0, even if it wavered at times.

another example of majima being torn between two genuine obligations was in y5.

this scene is remarkable to me because it's the only other time, aside from y0, we see the consequences of majima "daring to show a modicum of emotion." his obligations are being used against him. the "longing for an absolute good" in his heart is being used against him. because in order to fulfill his obligation to saejima here (to not put him to the same impossible choice), he would have to sacrifice a much more universal one, as well as a personal one to kiryu. and then how could he "call himself a man"?

saejima tells him that if he was the kind of person who would let haruka die, he would've killed him anyway. but this doesn't stop majima from still being apologetic in this scene – he still feels the weight of his responsibility to saejima, even if they are in agreement that it should be sacrificed. the existence of both obligations are acknowledged, thus no "crime" takes place, just like in y0. once again, we see that majima's problem is not in denying the existence of obligations.

majima's struggle here has to do with how to prevent things from coming to a point where he has to sacrifice obligations in the first place. this was his takeaway from y0. the obvious answer to this is to quit the clan, but it's too late for that. he already did that and just ended up going back. his obligations to the people in his life (saejima, kiryu) and his need for roots keep him tied to the clan.

so, what does he do instead?

2. understanding the "solution"

this is where we return to scott strichart's comment.

"How do I balance my own sense of right and wrong with the tenacity I must have in order get back into the clan and to Saejima?"

it's misleading to think of his obligation towards saejima as something to be balanced against his sense of right and wrong, as strichart puts it – in reality they are one and the same. the fact that he has to be tenacious is merely an extension of his obligation towards saejima.

more importantly, this is not a question of what moral philosophy to subscribe to, or anything that has to do with speculative reasoning. the singular question majima is struggling with the most in his life is a question of "how" – it's a question of methods.

majima has always been primarily concerned with methods. he is someone who locks onto ends and produces means to achieve them. this is what makes him resourceful. he gets his way, because he finds and makes a way. he is all about getting results.

but strichart's question is only half of majima's problem. the other half comes from his answer to the first one: "by preventing situations in which i will find myself having to choose between obligations."

majima, like strichart, has identified correctly that these situations arise only when he "dares to show a modicum of emotion." thus, the goal should be to simply stop doing that. but how is he going to do that? what method should he choose for that?

his answer to that question is mad dog. this is an answer equivalent to "whichever method works." because the factors that he takes into consideration when trying to formulate an answer for that "should" are concerned entirely with the effectiveness of the method. in other words, majima's mistake is that he doesn't think what he thinks is right or wrong should be the most important deciding factor in determining his methods for preventing situations where he has to sacrifice obligations.

it is, ironically, his dedication to solving this problem without sacrificing either obligation that makes him cross that spiritual boundary. because you see, this too is a form of pragmatism. he's essentially trading one form of spiritual death for another, and so he is still stuck in the cycle of honor and punishment. because methods are not exempt from human obligations either, yet he is denying the existence of those obligations. their existence is "denied into the bargain." pragmatism is the justification for this denial. "the world doesn't give two shits if there's a point or not, so it's better if i don't either."

weil understood the crucial role methods played:

Everything in creation is dependent on method, including the points of intersection between this world and the next.

"the next world" she is referring to is the one she says is the source of all "good" in the world. she is concerned with how to align her methods with her obligations, which is itself a problem of methods.

to majima as well, the most valuable resources in the world are methods that are effective and align with his obligations. why betray himself like this if he can avoid it? and he learns methods from observing people. this was why he ended up following shimano. this is what his "men i respect" thing is about. he means, "people i can learn something from."

but despite being already disillusioned with shimano's methods by the time he dies, he's never been able to successfully replace them with anything else. unable to find anyone around he could learn from, he has resorted to compromise. he decided he couldn't afford to commit to aligning his methods with his obligations. he has prioritized his continued survival and success in the yakuza because of his obligation to saejima, at the cost of his soul. mad dog is the product of that exchange. mad dog is the solution, the justification, the lie.

this is a sacrifice he has had to make because of the social order he exists in. this is why the yakuza is a "diseased" social organism, as weil calls it. this aspect of the yakuza and majima's views on it were explored in majima saga in k2.

let's take a look at majima's methods:

you might note, at this point, that all of these things are things kiryu would never do.

this was what fascinated him about kiryu. because kiryu is suggesting there is a right and wrong method, and not only that, he's saying it's a factor that should be considered, that deserves our attention and love, and we should be mindful of it. he's the embodiment of the principle that we can't justify denying our obligations. this is what he admires kiryu so much for – that he is not betraying himself in the way majima has. he has things to learn from kiryu, and that is what majima respects most above all else.

kiryu represented a solution to his self-imposed spiritual exile. however, this solution was not as straightforward as you would think.

fighting has always been a form of communication, of debate, in RGG. when majima and kiryu are fighting, these are the conflicting ideas that are being tested against each other. and he wants kiryu to prove his methods wrong. because he hates his methods. he realizes he's fighting for the wrong side, and he wants everything he represents to be defeated. to be able to be defeated. and he trains and mentors kiryu specifically for this purpose. he has made himself into a mascot of this spiritually vacant philosophy, but at least he can offer its enemies (which includes himself) something that would effectively function as a training dummy. he is giving kiryu the opportunity to know his enemy. this is a noble goal. it justifies the continued existence of mad dog.

this was a method he thought would work. it's pretty clever, you have to give him that. but in fact, it's only another instance of the two incompatible obligations problem. he's fulfilling his need for honor and punishment, but he's failing to fulfill his need for responsibility towards kiryu.

he needs to make up for this ongoing failure, so the series is full of examples of him going out of his way to help kiryu (y2, y3, y5, iw and now pirate yakuza). as weil said, majima "requires to be continually called upon to supply fresh efforts" for his need for responsibility to be fulfilled. he's glad for the opportunity to help kiryu. he needs kiryu to need his support. in simpler terms, he wants to be useful. he feels this need as it corresponds to his obligations towards kiryu, which are identical to his obligations towards anyone, but which he feels more keenly with kiryu because he's stuck in this cycle of honor, punishment and responsibility, trying to make up for the lack of one through fulfilling the other. and it's specifically tied to kiryu because he can only fulfill his need for honor/punishment through kiryu, because kiryu is the only one strong enough to defeat him in a fight. and yet he is failing his other obligations to him in the process BECAUSE of his method.

it would not be too much of an exaggeration to say that the integrity of majima's soul rests in the balance that is the conflict between himself and kiryu. this is why this conflict cannot end. it will remain self-perpetuating so long as they both remain mindful of obligations. they are yin and yang.

let's go back to scott strichart's comment again.

And if you've played Y2 through Y5, you see the facade slowly start to fade. It's a really interesting growth of the character.

while i agree with this, it should be noted that even though majima's facade slowly fades, nothing substantial takes its place. he literally dies in yakuza 5, and he is reborn as nothing more than a mascot, a symbol, a boss fight as far as the games are concerned. just as he was in kiwami. his methods do not change, because he still can't afford to change them. because he is still yakuza.

but he is feeling the emotional and spiritual toll of continuing those methods.

he doesn't have it in him anymore to keep up the act, to prop up mad dog to act as an interface between himself and the world around him.

note here that majima is the perfect visual representation of a dead thing – he's literally wearing the skin of dead animals, and "majima goro" is the first among them. the fact that he is narratively dead in y5, a game about dreams where everyone has an honest job is really, really on the nose when you consider things in these terms.

but y5 does a spectacular job of reminding majima why he needs to stay dead, why he chose to avoid emotional attachments and obfuscate the ones he does have in the first place. if it weren't for an impossibly unlikely chain of events, either haruka would've died or saejima would've had to kill majima. majima doesn't want to risk anyone being put to that choice again. kurosawa's whole plan hinged on the fact that he identified this as a weakness in majima that he planned to use against him – and it almost worked.

this is what he risks happening every time he has conflicting obligations. every time he "shows a modicum of emotion." he has enemies who will use it against him to hurt his loved ones. so even if he is disillusioned with mad dog, as long as he cannot think of a better method of preventing this, he needs to keep up the act. his "solution" has become another cage he finds himself in, because he can't escape the bigger cage he's in: the yakuza.

this is not a problem unique to majima. any yakuza mindful of their obligations struggles with similar problems, because it's the yakuza as an organization imposes this problem on them. it devours souls. this was why it needed to be destroyed.

3. the dissolution, and pirate yakuza

you would think that being out of the yakuza would finally solve a bunch of these problems for majima (and saejima and daigo.) instead, this is the state they're in.

because they understand that they were not the only ones who gave their souls to the clan. there were thousands of others, and those thousands joined the clan because of them. because of the promises they made. it is their responsibility to honor their men's sacrifices and their own promises by taking care of them after the dissolution, but they have no way of fulfilling their need for responsibility, honor or punishment as it concerns their obligations to these people.

the shame, guilt and helplessness is really setting in as they are forced to face their failure. and the sacrifices they made along the way? they have nothing to show for any of it. all the justifications, all the self-betrayals, all the compromises. the obligations they sacrificed. the people they've hurt. this is where it all culminates.

this is how lost they are, how lost majima is – he seems to be doing the worst out of the three of them – in the absence of any methods to reconnect to and do right by the social organism he's part of, his roots. they are cut off from any means of helping the people they used to lead and feel responsible for. they are uprooted.

weil says:

Uprootedness is by far the most dangerous malady to which human societies are exposed, for it is a self-propagating one. For people who are really uprooted there remain only two possible sorts of behaviour: either to fall into a spiritual lethargy resembling death [...] or to hurl themselves into some form of activity necessarily designed to uproot, often by the most violent methods, those who are not yet uprooted, or only partly so.

Whoever is uprooted himself uproots others. Whoever is rooted himself doesn’t uproot others.

majima, saejima and daigo fell into the former category. it is a testament to how mindful they are of obligations that they did not fall into the latter.

kiryu tried to break them out of that spiritual lethargy in infinite wealth, reminding them of their obligations. remember what i said earlier about kiryu being the "embodiment of the principle that we can't justify denying our obligations"? this is him doing it again, as always. and this was the single most life-affirming thing he could do for them.

on the growing of roots, weil had this to say:

The problem of a method for breathing an inspiration into a people is quite a new one. [...] It is unfortunate for us that this problem, in regard to which, unless I am wrong, we have nothing we can look to for guidance, should be precisely the one that requires today the most urgent solution on our part.

she identified the problem of growing roots as a problem of methods of inspiring people. on this, she wrote:

It sometimes happens that a thought, either formulated to oneself or not formulated at all, works secretly on the mind and yet has but little direct influence over it. If one hears this thought expressed publicly by some other person, and especially by someone whose words are listened to with respect, its force is increased an hundredfold and can sometimes bring about an inner transformation. It can also happen that one needs, whether one realizes it or not, to hear certain words, which, if they are effectively pronounced, and in a quarter whence one would normally expect good to come from, infuse comfort, energy and as it were a food.

just as this was the case with kiryu in infinite wealth, it is the case with noah in pirate yakuza.

violence is a tool. majima has always viewed it as such, but here noah is telling him that not only is it a tool, he doesn't think it's an inherently bad one. he thinks it's cool. he is radically accepting of majima in a way he has never experienced before.

we know that majima has had a complicated history with violence. he hit his wife and left her. he's been using it as a method to keep his subordinates in line for years – something he ideologically does not agree with, but has accepted as a necessary sacrifice. it's not a coincidence that the first thing majima remembers about himself is his guilt surrounding his violence – guilt enabled to become manifest in the absence of his justification, in the absence of mad dog, which had acted not only as an interface between majima and the world, but between himself and his own needs. everything was filtered through mad dog.

but instead of condoning violence via majima's philosophy of pragmatism, which majima has used as a justification (a lie), noah is offering him a way out of the dilemma he's been stuck in for decades. he suggests that as long as you're fighting for the right thing (which majima is in this case), violence is a perfectly acceptable method that does not constitute a crime, and thus, should not create a need for punishment. it's reassuring to majima in exactly the way he needs. it's also something no one else in his life could reassure him about, because they're too busy feeling guilty about their own violence. only someone who is truly "innocent" could absolve majima of this guilt.

majima's face in that last shot is all the evidence you need for its impact. this is what he's needed to hear his whole life, and it would not have had the same impact coming from anyone other than a child. and it had to be this specific child, because:

To no matter whom the question may be put in general terms, nobody is of the opinion that any man is innocent if, possessing food himself in abundance and finding someone on his doorstep three parts dead from hunger, he brushes past without giving him anything. So it is an eternal obligation towards the human being not to let him suffer from hunger when one has the chance of coming to his assistance.

this was the model on which weil based her theory of human needs and obligations, because it was "the most obvious obligation of all." it also happens to be the opening scene of pirate yakuza.

noah's attention and love is demonstrably turned towards human obligations. he is also notably the only person around who has fulfilled this most obvious of obligations. majima himself acknowledges this, saying he "never thought hawaii would be so cold."

noah represents an ideal for majima that he has aspired to his whole life: innocence. this is why he is inspired by noah. the "method" of inspiration in question that majima had been lacking comes to him in the form of a person. and it had to be a person, because majima has always been inspired by individuals. and not only majima, either. RGG as a series is full of examples of this.

It is only through things and individual beings on this earth that human love can penetrate to that which lies beyond.

it's our connections to individuals that remind us of our obligations towards every human being. love becomes universal through the particular. weil understood the important part love plays in motivating people to change. it was her answer to how to grow roots again – her answer to the question of how to inspire people.

it is precisely this form of inspiration that majima had been deprived of for decades, especially after the dissolution as he'd sunk into depression. and this was always the solution, but there were several obstacles to it prior to this game:

he could not afford to have personal human connections in his life, even after the dissolution. he'd learned the hard way what happens when he "dares to show a modicum of emotion," as scott strichart put it.

as long as he was still relying the same tools, he could not effectively change his methods. this game forced him to do that by taking away his favorite tool: mad dog.

even if he wanted to use his violence only for the right things, he had obligations to the clan that would have him using that tool for less-than-noble ends.

because of this, even after the dissolution, he was stuck in the cycle between honor and punishment which obfuscated the truth and confused him. and there can be no inspiration without access to truth.

all of these problems were imposed on him by the social order he was part of – namely, the yakuza. this is why its dissolution was a necessary prerequisite to majima's "growth", but it was still not enough on its own. the amnesia was the second prerequisite.

he needed to face his past, but for that to help him in any way, he first needed to be inspired, so that he could look back on events with a new perspective. and the amnesia was the prerequisite for the inspiration, because it reduced the weight of his guilt and thus his need for punishment, breaking the honor-punishment cycle.

what this game is for majima is an exit. it's an exit from the emotional and spiritual exile he's imposed on himself, that the yakuza has imposed on him, and the self-alienation he's suffered because of it. amnesia is what it takes for him to be reunited with himself. he had to forget who he is so he could be who he is. such was the extent of his self-betrayal.

within the space provided him by this exit, there is room for change. transformation. for majima, that means changing his methods. this game is addressing a problem he's been aware of for decades but could not do anything about.

some examples of him facing his past with this new perspective:

he's realizing what he was to these people, who looked up to him, who he allowed to look up to him, who he took upon himself to lead – and he's hating what he sees. he doesn't like his methods. and he's running from the responsibility of doing right by them, refusing saejima when he asks him to go back.

he's afraid of facing how much he's failed his subordinates by his own standards – a reality he'd lived with for decades before his amnesia. the fact that we actually see how much it bothers him in this game is invaluable, because it means he's letting himself acknowledge that. he can no longer rely on the lie (justification) he had been telling himself to sustain this self betrayal. he is disillusioned with his own pragmatism. noah has exposed the lie, and he allowed it to be exposed. he is now ready to take right and wrong into consideration when deciding his methods – all because noah has reminded him of his obligations in a way that commands his attention, in a way he can't turn away from, and because he no longer has to sacrifice his soul to the clan. this game is, effectively, undoing the spiritual death he had undergone.

he's outright calling his old self, his old ideas, his old methods, "dumb as shit." majima is reinventing his identity, his reputation, his presence in the world and his connection to it. he's been given a chance to become someone he can be proud of again – this is why he likes the way noah looks at him, why he doesn't want to give up on it. it motivates him to commit to his transformation instead of wallowing in guilt like he was in infinite wealth.

he's getting to do it all over again with noah in a way he himself actually approves of, with a clear conscience. not just because noah is a kid, not just because he's lost his memory, not just because he's not yakuza anymore, but because of all those things in combination. that is to say, none of these factors are arbitrary. they were each necessary for achieving this state for majima – a state where change is possible, and he is inspired to change.

"captain majima" is someone he can be proud of.

he rejects his legacy as a yakuza completely. this goes as far as rejecting his bond with saejima. he doesn't want to be called "kyoudai" by him, he'll only answer to "captain." as he's coming to terms with how much it went against his nature to be yakuza, he's trying to distance himself from it as much as possible.

but he's running. he's not trying to run from his responsibilities to the yakuza like saejima thinks – he's running from owning up to his legacy. this is why he pretends to still not have his memories back when shigaki confronts him.

but it's not just the yakuza: the nebulous entity that told them that. it's what majima told them. it's what majima built his legend around.

yakuza 0 was not a game of positive character development for majima. it was the story of how and why he learned to betray himself. it was the origin story of his justification, his nihilism. it was the birth of mad dog. and this game is the counterpart to that – the death of mad dog.

One of the indispensable foods of the human soul is LIBERTY. Liberty, taking the word in its concrete sense, consists in the ability to choose.

the mad dog legend wasn't something that majima stumbled upon against his will like kiryu's dragon of the dojima legend. majima built this. he wanted this. he was trying to rise in the ranks (for saejima), and his legend is what it is because he was so, so wary of being taken advantage of. not only out of his own need for liberty, but out of the obligation he feels towards everyone else. this is the price of turning yourself into a weapon: you have to be very, very careful who you allow to wield you, and towards what end. that becomes your responsibility.

this was why majima was apologetic in that y5 scene – he had failed to prevent kurosawa from using him, and he understands that it is his responsibility to prevent that. this is why the mad dog legend is what it is. he had to find a way to "tear his leash" so that no one could wield him.

but his own preoccupation with freedom, his fear of being used by others, this fight he's been fighting against himself for decades has made him a bad role model. he's finally facing that, and not only that, but he is remedying it, too.

his own unhealthy treatment of himself, his own betrayal of himself, has done actual harm to others. his own misjudgment has led people who looked up to him astray. and he should've known better. done better, been more.

he should've been the one inspiring his subordinates, he should've been the one reminding them of their obligations. instead he has created a legend that has done just the opposite. a legend that has given people another excuse to deny their obligations. because that legend was born out of majima's own excuse for denying his own obligations. THAT is majima's failure. he has failed others in the exact same way he has failed himself. it could not have turned out any other way.

he has failed as a leader, as a patriarch and he's acknowledging that. but that on its own doesn't do much in the way of helping him. this game is about majima stepping up to not only hold himself accountable, which he already HAS been doing, but to do something about it. holding yourself accountable for mistakes you just continue to make or cannot begin to make up for is the very definition of being stagnant. this is the "state more or less resembling death, more or less akin to a purely vegetative existence" he was in for pretty much the entirety of the series, reaching its peak in infinite wealth when he had been cut off from all means of effectively taking responsibility.

and he is finally being given the opportunity to take responsibility – a vital need. he is being given the opportunity to undo the damage, to guide them towards a better path, to remind them of their obligations. just like kiryu.

majima, in true kiryu fashion, is telling these people exactly what he himself needs to hear – needed to hear, and that noah made him realize the moment they met. he is being given a second chance. an opportunity to redeem himself, to START redeeming himself. start over. and he's paying the same kindness forward. if it's not too late to for him to start doing the right thing, then it isn't too late for shigaki either, and vice versa.

[...] man has the power of turning his attention and love towards it. Nothing can ever justify the assumption that any man, whoever he may be, has been deprived of this power. [...] The sole condition for exercising it is consent.

majima understands this, and he understands that applying this principle to shigaki necessitates that he apply it to himself also. a person can always, always choose to do good – not only that, they are compelled to at all times. it takes energy to resist it. this was what caused his burnout in y5 and arguably y4 before that.

this game is about majima taking responsibility for his legacy as a yakuza, much like kiryu did in infinite wealth. this is what they're using his amnesia for. a story about him wallowing in guilt or trying to fulfill his need for punishment would have been the opposite of growth for majima, because the whole problem was that his method of trying to achieve personal growth through honor and punishment had not been working for him. a radically new approach was required. you can't fix something with the same tools that broke it.

just as his own neglect of his needs had caused the problem, the solution also comes from fulfilling those needs for himself. he has to stop betraying himself in order to make things right with the people he's failed. to take responsibility, he has to give up mad dog.

this does not necessarily mean giving up violence, but it does mean using it as a tool for ends that do not conflict his needs. a good example of this is the scene where he threatens to cut fingers.

it's his last resort, not his first one. he is being given room for that now. it's important to note here that he is not threatening to cut fingers to punish someone for insubordination as he has done his entire life – instead it's in the name of ensuring cooperation between others (a noble goal), for something he has no personal stake in. he doesn't want any of the money, he refuses to take a cut of it. he is not playing the antagonist here, and he is very open about his intentions unlike the "old" majima goro who obscured his intentions at every turn for the sake of playing the antagonist.

y0 was the last time we saw majima so earnest, because it was y0 that taught him not to be earnest. this game is undoing the damage.

[...] complete, unlimited freedom of expression for every sort of opinion, without the least restriction or reserve, is an absolute need on the part of the intelligence. It follows from this that it is a need of the soul, for when the intelligence is ill-at-ease the whole soul is sick.

sure, he didn't hold his tongue against his superiors, we've seen him do it countless times throughout the series. but to be able to openly express his goals, his intentions, his own judgment and act accordingly is a previously unthinkable mode of living for majima.

once again, it's about methods, and this game IS the difference between methods, especially as it concerns communication.

it's the difference between "if adults like us are good for anything, it should be nurturing that hope" and "keep that up, and it'll break you." him establishing himself as an ally, instead of an antagonist. he has played the antagonist his entire life, because it was the only way he could think to fulfill his obligations, but the world doesn't need more antagonists. and he's been failing not only his subordinates or himself, but kiryu and everyone else he loves as well.

this is what this scene in infinite wealth was about. majima's methods are destructive, not only to everyone he cares about, but also to himself – because there is no difference between those things. such is the nature of love.

majima finally, finally gets to play the hero after a lifetime of playing the antagonist. he's taking the leaf out of kiryu's book that he couldn't until this point, that he so admired kiryu for. it's a dream come true for him – maybe the oldest one he had.

and in some ways, this is also majima carrying on kiryu's dream, by applying the lessons he learned from him. by emulating him, he's honoring kiryu's principles. he'd told him, all the way back in 1995, that he'd "see those ideals of his to the end." well, this is what that looks like in its most effective form.

this ending really says it all, in my opinion, because it's majima looking at the journey and finding joy in that instead of the end goal. for ONCE in his life. maybe for the first time in his life. because for the first time he is ABLE to do that. for the first time there is something to enjoy about the journey. he is so unconcerned with results here that he doesn't even take the money.

he has been so, so preoccupied with reaching his goals that he has sacrificed the journey, the "methods" and betrayed himself in the process his whole life. this is where it stops.

[...] honour has to do with a human being considered not simply as such, but from the point of view of his social surroundings.

i think it's fair to say that his new methods and outlook on life are here to stay.

conclusion

this game is no joke. it's the most beautiful and profound thing they've done with majima... ever.

to be honest, whether or not most of this should be called "growth" is debatable – i think it can be said instead, more accurately, that growth was not the point of this game. the point of this game and how significant the things it does for majima lie beyond "growth". its value comes from the fact that it fulfills needs for majima that he had not been able to for decades.

majima's problem was not that he needed growing. his problem was that he had been in spiritual exile for 40 years. pirate yakuza was not just "upbeat", it was a celebration of majima being reunited with his soul. and as any celebration ought to be, it was joyful and inspiring. the light tone of the game is not because it is lacking in depth, but because the nature of the subject matter lends itself to hope more than anything else.

a game that was conceptualized as an infinite wealth gaiden had to deal with these themes. to tie the loose end that is majima, so to speak – to give a satisfying conclusion to his arc we'd been observing for years. just as infinite wealth was about kiryu's relationship to the yakuza, this game is about majima's relationship to the yakuza and the yakuza's relationship to him. it cannot be thought of separately from infinite wealth and what it was for kiryu. pirate yakuza and infinite wealth are the yin and yang to each other, just as majima and kiryu are to each other. majima has always been, before and above all else, a narrative foil to kiryu. this game is no exception, they're just changing how they're exploring that in the narrative. it's almost like an inversion of what the series has done with the two of them so far, but still united in one theme above all else: hope for the future.

whether or not these themes have been done justice in execution is entirely up to you to decide, so you can still be disappointed with how the game dealt with them – after all, a method still has to be effective to be a good one – but i hope i have been able to give you some perspective on what this game accomplishes with majima as a character.

thanks for reading <3

Everytime I see the "Down boy!" Archie meme I can only think of the Kazuki and Yuya in the Yakuza stage play so I quickly drew it

this edit came to me in a fever dream (i was listening to strategy and trying to grind majima everywhere)

Sotenbori in Yakuza 2 (2006)

Guys our age are supposed to be smart enough not to go chasin' dreams.

Majima: Love, Suffering, and Dreams

I've still got Majima Gaiden on the mind and really need to ramble about Majima's mental state in this game, the emphasis on dreams and how they fit into the core of Majima's character and his arc in this game, and his relationships with Kiryu and Noah. Spoilers ahead.

When really getting into the meat of this character, something important to take notice of is of course the tattoo choice. To give a brief overview, hannya represent female demons who are driven by very intense emotions. An example of such an entity is the malicious spirit that manifested from Lady Rokujo's jealousy towards Genji's wife, Lady Aoi, in "The Tale of Genji". Bringing things back around to Majima, I often think of Yakuza 2. It's the game where we get the first look at his tattoo and in that game, there's a shot focused on it before he singlehandedly takes down an Omi horde. To bare such a tattoo is to proclaim to be driven by things such as obsession, jealousy, heartbreak, and wrath to the point those feelings overwhelm you and turn you into it a demon. The design of the mask is meant to appear as both dangerous and tormented. As Ugaki put it, Majima is overflowing with love, and he suffers for it.

Majima, as a matter of self-preservation, doesn't often wear his heart on his sleeve, but nonetheless accepts his strong emotions and the suffering that comes with them as a core part of who he is. In fact, the tattoo is him telling us that those feelings and suffering are what he's all about.

With all that said, let's take a closer look at his first encounter with the giant squid and the context of that encounter.

Years of unrequited love towards Kiryu, the devastating revelation of his cancer diagnosis, and a desperate attempt to find a, to Majima, likely not real cure are what led him to this moment. The interplay of love and suffering had reached its peak and appeared to be about to consume him in the form of a mythical-tier giant sea monster. When faced with this situation, Majima, against all reason, eagerly chose death. And I think this is where we see Majima's identity as someone destined to suffer because of love meets with the part of him that's "just a tough dude that likes to fantasize a lot" (Yokoyama's words). To a romantic who keeps their head in the clouds and embraces this sort of suffering as a core part of who they are, dying to a monster because they wouldn't stop fighting for the object of their one-sided love could appear to be the ultimate affirmation of that identity and their love. Majima isn't just standing his ground and going down with his ship. He's been stuck in a feeling of stagnation for years, as far back as at least Yakuza 5. The Tojo Clan is gone, and society has left the former yakuza to rot. And now he's been dealt the blow that he might be about to lose Kiryu. He's in a lot of pain. This was an opportunity to end it and go out with a bang for Kiryu.

But we all know Majima didn't actually die there. Through some miracle, the squid doesn't kill him, and he eventually washes up on shore after passing out on the ship. It's then that he meets Noah.

Majima finds a kindred spirit in Noah. Noah is preoccupied with fantasies of seeing the world while being stuck living a dull and sheltered life on Rich Island. He feels stuck and wants better and more exciting things. Just like Majima.

It's through helping Noah see the world that Majima finds the potential for fun and excitement in life again and two key things happen.

Number one is the second encounter with the giant squid. Before, the squid set the stage for giving Majima the ideal romantic death. The perfect ending to his tragedy. At the time, he was ready to accept that death. In the second encounter, nearing the end of the story, it's the squid that ends up dying at Majima's hands.

Number two is Majima's determination to not die in Madlantis. This comes after seeing Noah's response to Jason's near-death experience protecting him and Moana's kidnapping. To Noah, it was because his dad and sister love him and wanted to make him happy by helping him chase his dreams that they both got hurt. As a response, Noah was ready to condemn himself for having those dreams in the first place and throw them away. Majima was able to pull him back from those thoughts, but what would have happened if Majima had then gone and got himself killed after all of that? Again, Majima and Noah are kindred spirits when it comes to dreaming. Majima gives a lot of value to letting yourself fantasize about better and more exciting things. Noah throwing that away because he blames himself for somebody else getting hurt isn't something Majima can let happen and he's forced to consider how his usual self-destructive behavior could end up hurting the person he wants to help. In 0, Sera stepped in and forced this kind of consideration on Majima by directly calling him out before he could kill on Makoto's behalf. But the games that take place after 0 are indicative of no lasting reckoning with how his self-destructive habits could do more harm than good to the people he loves. In PYIH, he's able to think things through without needing another person to step in and talk sense into him.

Bringing it back around to Kiryu, there was a bit from the Anan magazine Majima interview where his connection with Kiryu was described as especially special amongst all the people Majima has encountered and connected to. He's Majima's dream. He loves Kiryu more than he loves anything else. While Majima was out there trying to cut in line to meet the reaper early because of that love, Kiryu was in the hospital fighting for his life to have as much time with the people he loves as possible after years of running away from them. What would Majima's sudden death had done for Kiryu? How would he feel if he knew Majima had died while desperately trying to find a cure for him?

Majima didn't find the miracle elixir he was looking for. He also didn't die while out looking for something he likely didn't actually believe to be real. No glorious ending to his tragic love story. No saving himself from still being alive to experience the pain of losing Kiryu if and when it happens. He just returns to Japan, ready to find new dreams to keep himself going, and he visits Kiryu to tell him about his recent adventure.

What would have happened if Majima hadn't lost his memories and then met and set sail with Noah? Would he have kept looking for that cure until he either found it or died trying? Majima says Noah saved him and when stepping back and looking at what took place, I don't think this is only referring to the helping hand Noah gave him when he washed up on shore.

Now that I put that all out there. We've got the former yakuza who is going through easily one of the worst moments in his life. He then meets a little kid going through their own struggles and finds himself able to deeply understand and relate to the kid. He takes up a guardian role to that kid, but he ends up being helped by them as much as he helps them. Oh, and there's this very familiar bit around the middle of the story where that kid is abruptly kidnapped. This is really starting to ring some bells.

Majima's story fuses the need to quickly adjust to an unfamiliar environment (the amnesia in a place far from home compared to Kiryu getting out of prison after 10 years not knowing what's going on) and the life changing encounter (Kiryu meeting Haruka who is just as lost and alone as he is) from Y1 with the death seeking behavior resulting from grief over loss of a loved one from Y2. Noah is the Haruka that's there to both save and be saved by Majima. It all rolls back around to rhyming with Kiryu and Haruka's story.

Anyways. Hopefully this isn't too rambly and disorganized. I really like to think about Majima's obsessive side, and I was really thrown a bone to chew on here with him maybe romanticizing those struggles. Trying to find romance or a bright side to your problems is a very real and relatable tendency people often struggle with, just probably not often on the level of "I'm gonna set sail and get killed by a giant sea monster for the love of my life". All of that interconnects with the sad love story with Kiryu, the focus on the importance of dreams, finding the fun in life again, and the parallels to Kiryu and Haruka with Majima and Noah. It's a lot to think about packed into this one five-chapter game.

they make me sick

apology