At the moment of conception, the story exists as a superposition of possibility, idly waiting for someone to crack it. Waiting for someone to skip to the last page.
“You couldn’t make Blazing Saddles today!” is an adage I am so sick and tired of hearing that I made a half hour video debunking it. It also goes into exactly why the film is considered one of history’s most disruptive classics, and if you have time, you should check it out!
My channel is tiny, so any subs/shares/likes/comments you have are highly appreciated. Thanks in advance, pardner.
In what we would consider a long dead universe, the last quark hangs in existence. Really, it cannot be said to hang or float, or be described with verbs at all.
There is nothing outside the quark. There is nothing beyond it. When we imagine this, we may imagine an expanse. A white void that stretches into infinity. This is incorrect. Outside the quark, there is nothing. There is no void, no expanse. The lack of existence is not something the quark inhabits; it is a force pressing down on it from all sides. The quark, in this sense, is all existence. The Quark is now everything.
This is what he would imagine, if he could. Never shutting his eyes, he watches Seychelles disappear beneath the bow as the ocean gently lifts and releases the ship. “It’s a small thing”, he thinks without knowing exactly what the thought refers to. To Seychelles, his ship was indeed small. To his home country of Somalia, however, Seychelles was perhaps even smaller. He continued on like this in his head as he watched the crown of the archipelago blink in and out of existence over the waves. To France, Somalia must seem small. He wasn’t sure, he assumed it must be so.
When someone does wrong, scale can be very comforting. He avoids eye contact with his fellows, and instead finally turns his gaze to the other ship. So much larger, so many more people. He takes comfort knowing that, to the sea, they are both small. I his mind, he moves up. Up to where the two boats are dwarfed by the ribbon of islands, up still to nothing but the ocean, up still until he can no longer picture the map. If he could have imagined that quark, he would have felt very comforted. To what hadron was it once attached, he might wonder. What he does consider is that there will eventually be something that will be the last thing to exist.
It could only take him so far, though. There is a hungry pain and a looming fear that disturbs the serenity of scale.
It is a mistake to think Nihilism comes easy. It would have been a great comfort for him to picture that quark at this moment, and felt the embrace of insignificance. To imagine his own cells, on the microscopic level, and travel back a quarter of a million years with them. To imagine the light from the very same moon hitting Mitochondrial Eve‘s eyes for the first same. To picture the Old Mother when she herself was new, before her genes branched off into a million directions, one artery of which lead him here, to this ship, on this night, holding this gun. How would any of this unease matter to him then?
You can be hungry, but you can’t steal. You can steal, but you can’t hurt anyone. You can hurt people, but you can’t kill them. How far back from that print do you have to stand before you can’t read it anymore? What could be done that Eve or the Quark would ever know?
He knows what it is that he has to do whilst feeling what he is told he has to feel. “It would be a blessing”, he might think, “to be small and to know it.”
Instead, he imagines the ship, sliding across a granite sea. He moves back until it disappears into the glint of the moon on the waves, and then further back until the light itself is gone. He could do anything.
A huge thank you to my 4,022 subscribers. That number really snuck up on me. If you’re an artist please hit me up! I’m sitting on a episode of Castles in the Air until I have some cool art to go alongside it, and I’ll start uploading them to Youtube as well.
My first video essay. I talk about the film “A Ghost Story” and how it uses things like aspect ratio and literal temporal editing to get across tone.
Would really appreciate any likes/comments/subscriptions at this point. Let me know what you all think!
A video I made on Nostalgia Culture and the representation of Millennials in film, I’m quite proud of how this one turned out! If you like it, please do feel free to like, comment, share and subscribe. It’d mean a lot!
And, of course, check Brigsby Bear out if you’re interested! It’s a great little film, and I wish more people knew about it.
He could never shake the calamity of time from his face, nor the persisting ache of life from his demeanor. Without knowing a thing about the man, you would look at him and think "My God... he survived all that?"
Stage notes from "Lilytooth”, a work in progress
In response to the “Star Wars: The De-Feminised Cut” (which was an edit of The Last Jedi made by some weirdo that removed all female characters), I created “Star Wars: The De-Sci-Fi-ed Cut”. This version of A New Hope removes anything in the film remotely Sci-Fi or Fantasy related.
It’s five minutes long. Please enjoy A New Hope the way it was always meant to be seen.
Jordan Peterson is debating Slavoj Zizek! For money! For only a thousand dollars, you can watch two old men read a script where they luke-warm agree with each other so as to not look bad!
I am very sick and this was easy to make. Give me a like, share or sub if you can, it means a lot!
Howdy everyone. Please take a moment and watch this quick video I made about the best film of last year; Sorry to Bother You. If you enjoy it, feel free to give me a sub/like/share/the good stuff! If you don’t like it, pretend you didn’t see it!