Working On The New Season Of Castles In The Air. Need A Voice Actor Who Sounds Older, Meant To Be Playing

Castles in the Air, Episode One: Callisto

First episode of the Podcast is out!

Castles in the Air is a bi-weekly horror anthology series in the vein of The Twilight Zone.

An astronaut awakens, frozen in place. He quickly realizes that he has regained consciousness and exited cryosleep ahead of schedule, making him unable to move. He desperately fights to keep control of his withering mind, and figure out if there is a way out of this nightmare.

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As this is the first episode of the podcast, all ratings, subscriptions on iTunes and shares are greatly appreciated.

Written, directed and edited by Will Donelson. This episode features voicework by Zack Furniss.

Music used:

"Bedroom Window" by @sloth-hooks

"He is Like this Wall (Coda)" by Jeff Morton

Opening theme is "Consumed by Love" by Giles Appleton

Episode art by Sage Parker

Scepticism is the luxury afforded to those free from the pain of desperation

Castles in the Air, Episode Five (A Work in Progress)

SCRIPT DOCTOR! Hereditary has AMNESIA

In a potentially new series, you get to look at my slack-jawed mug as I bloviate about film scripts and the changes I'd make to them. If you have any films y...

Hello all! I just started a video series on screenwriting and editing. I’ll hopefully be going over some general advice, common mistakes and even sharing some stories from my time in script editing.

Also, this is my ugly mug.

If there’s anything you’d like me to talk about, let me know! The first episode is on the film Hereditary, and sacrificing thematic value for story.

So the auction scene in Jurassic World 2 is p good, but how would it flow with some big band jazz and snappier editing? (pls forgive me my memes)

The way my life is going... I know if I don't do it now, I'll never die with dignity.

Owen from “Lilytooth”, a work in progress

The tragic tale of why Movie Sonic ended up so Uncanny

We've all seen it. We all hate it. It was always going to turn out this way. Tumblr: https://infranaut.tumblr.com Twitter: https://twitter.com/The_Infranaut ...

I made a video about how stupid movie practices and product placement lead to nightmare sonic. Give me a like and sub you old so and so.

friends, i have been quiet because i have been funnelling all my creative energy into music right now and idk how to move from poems to that on here. I do still make more visually inclined things but right now this is what’s taking over my life. I’m not really calling anything as formal as a hiatus - just that’s why I’m here a bit less right now, though I’ve no doubt I’ll be around again for poems and art.

if you would like to maybe keep up with this music stuff, you can, and I would love it if you did.

twitter.com/breakuphaircut

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Instagram.com/breakuphaircut

I am also working on solo music stuff a fair amount. none of it is being released yet because recording is either difficult or expensive, but old things are on ishanijasmin.bandcamp.com and new things will be too.

Whatever Happens

In what we would consider a long dead universe, the last quark hangs in existence. Really, it cannot be said to hang or float, or be described with verbs at all.

There is nothing outside the quark. There is nothing beyond it. When we imagine this, we may imagine an expanse. A white void that stretches into infinity. This is incorrect. Outside the quark, there is nothing. There is no void, no expanse. The lack of existence is not something the quark inhabits; it is a force pressing down on it from all sides. The quark, in this sense, is all existence. The Quark is now everything.

This is what he would imagine, if he could. Never shutting his eyes, he watches Seychelles disappear beneath the bow as the ocean gently lifts and releases the ship. “It’s a small thing”, he thinks without knowing exactly what the thought refers to. To Seychelles, his ship was indeed small. To his home country of Somalia, however, Seychelles was perhaps even smaller. He continued on like this in his head as he watched the crown of the archipelago blink in and out of existence over the waves. To France, Somalia must seem small. He wasn’t sure, he assumed it must be so.

When someone does wrong, scale can be very comforting. He avoids eye contact with his fellows, and instead finally turns his gaze to the other ship. So much larger, so many more people. He takes comfort knowing that, to the sea, they are both small. I his mind, he moves up. Up to where the two boats are dwarfed by the ribbon of islands, up still to nothing but the ocean, up still until he can no longer picture the map. If he could have imagined that quark, he would have felt very comforted. To what hadron was it once attached, he might wonder. What he does consider is that there will eventually be something that will be the last thing to exist.

It could only take him so far, though. There is a hungry pain and a looming fear that disturbs the serenity of scale.

It is a mistake to think Nihilism comes easy. It would have been a great comfort for him to picture that quark at this moment, and felt the embrace of insignificance. To imagine his own cells, on the microscopic level, and travel back a quarter of a million years with them. To imagine the light from the very same moon hitting Mitochondrial Eve‘s eyes for the first same. To picture the Old Mother when she herself was new, before her genes branched off into a million directions, one artery of which lead him here, to this ship, on this night, holding this gun. How would any of this unease matter to him then?

You can be hungry, but you can’t steal. You can steal, but you can’t hurt anyone. You can hurt people, but you can’t kill them. How far back from that print do you have to stand before you can’t read it anymore? What could be done that Eve or the Quark would ever know?

He knows what it is that he has to do whilst feeling what he is told he has to feel. “It would be a blessing”, he might think, “to be small and to know it.”

Instead, he imagines the ship, sliding across a granite sea. He moves back until it disappears into the glint of the moon on the waves, and then further back until the light itself is gone. He could do anything.

My first video essay. I talk about the film “A Ghost Story” and how it uses things like aspect ratio and literal temporal editing to get across tone. 

Would really appreciate any likes/comments/subscriptions at this point. Let me know what you all think!

So I thought Nier: Automata was a really dumb game where you played as an anime and fought big robot worms, when suddenly I had put 60 hours into it and made this video talking about it’s Hegellian take on the origins of self-consciousness. Go figure! If you enjoy my content, please do give me a sub/comment/like/bell/what have you, as it means a lot!