witch, of a kind.
76 posts
Stop equating animism with anthropomorphism challenge, go!
In my worldview and my understanding of animism, it is more about acknowledging and recognizing that everything on this planet is a part of the planet's whole and that each thing - no matter how big or how small - carries a spark of that whole within its part. That spark does not in any way apply the meaning of "life" as we know it and certainly not human-like intelligence or emotional capacities.
To not appropriate the terms from another culture, the best word for this spark is most likely "spirit" but that is where things get tricky. We often call the remaining presence of a human after death a spirit, but we mean very different things here despite using the same term. When used to describe what resides within all things on this planet, I would say that "spirit" here means something more akin to "life force". But that also gets confusing because by calling it "life force" it can get confused with "living" which is also not really what is meant at all.
If one considers, for a second, that every object inside of your house has one thing in common - to paraphrase Carl Sagan: every bit of it is made of star stuff. More specifically, we exist because of vast volcanic eruptions early in our planet's history so we could say instead (and this is a deeper hint into my personal religious predilections here): it is all made of volcano stuff.
That to me, that space stuff, or that volcano stuff, that is the spark of life - that is the spirit - that is the life force within all things.
That doesn't mean that all things are living (obviously?). That doesn't mean that all things have a big S Spirit or that they have sentience, intelligence, and most certainly it does not mean that they have human-like emotions.
What it does mean is that once upon a time, every object - your plant, your toenail, your cat, your spork - all of them were a part of the primordial fire that created all of this (/crazyhandwaving). That each thing plays its role and has its place. And because it has a role to play and a place - it is deserving of respect.
How does this idea of respect for everything play out in my life? I think about what I consume. I try not to throw things away unnecessarily. I care for the objects in my life by cleaning them, using them as intended, storing them properly, etc. It means that I don't value humans over the other creatures on this planet (we are all made of the same volcano stuff and this is the home to all of it). It means that I don't value the life of animals over the life of plants (sorry vegans - you keep doing you but that doesn't work for me). But that doesn't mean sentience. My knife isn't out to get me and won't get mad if I use another knife because it is an object. It has a simple existence: it is made for cutting. Do I think that you can imbue an object with something more than that? Yes, but I don't believe that it is a simple matter to do so and I don't think that it just happens. I strongly suspect that even knives that have been used to inflict great harm are still most likely just knives. Perhaps it is best to understand that in order for anything to experience the world in the way that we, as humans, experience the world, it would have to be quite close to human. Yes, your cat may experience some level of jealousy if you pet your other animals - or get mad at you when you go away from two weeks; but watch how quickly those emotions leave your animal. Compare that to the way that a human acts and how long emotions remain. Then consider, in the relative scheme of things, how close your cat is to a human.
Your plant doesn't get mad at you if you don't water it. Your house doesn't get resentful if you fall into a depression and can't sweep the floors. In my worldview, even the gods aren't as rageful as we've been led to believe - most of that is just made-up human shit.
And honestly, that makes me feel better about my life, and it makes me feel connected, which is why I keep believing in it.
Every January, as we scurry off to the grocery store to buy pounds upon pounds of citrus fruit, we joke in my household that we must have scurvy. I have multitudes citrus-forward cocktails that are designed to fight of the mid-winter ennui - lemon-drop martinis and whiskey sours - weâve even experimented with putting clementine juice into drinks!
So when I found a recipe online for a Vitamin C heavy syrup that doesnât HAVE to be served in alcohol form - I was pretty excited.  Better yet, it called for using evergreen needles which (if youâve been following along) is completely in line with my study of Eastern White Pine that I have decided to undertake this month.
Serendipity is funny things: along with evergreen needles, the major vitamin C contributor in this recipe is rose-hips and I happen to have dried a bunch from Rosa Rugosa that I harvested at the beach in September that have been waiting for the perfect project.  Because Iâm an overly ambitious kitchen witch (who also has a partner that loves food) - I had everything else needed for this recipe all set to go.
The crafting was surprisingly simple - its just a simple syrup - something that Iâve made dozens of times out of all sorts of ingredients. You just want to leave the âteaâ part of the mixture on the stove for a long time - weâre talking hours.
In the end I used Eastern White Pine and Rosa Rugosa rose hips for the vitamin C; cardamon, cinnamon and allspice for flavoring, a knob of ginger for its anti-inflammatory properties; lemon balm for its calming effect, and orange and calendula for sunshine energy.  For a sugar, I used raw local honey which is my go-to for most things.
So far, Iâve been loving having this in my life. Iâve been adding some to my turmeric and ginger tea every day - it adds a nice earthy/herbal/woodsy taste but isnât overpowering.  I will absolutely make this again and look forward to experimenting with different flavors/added intentions in my syrup.
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forever my fave piece of cake ever. perfect carrot cake w the perfect amount of walnuts, heavenly spiced with cinnamon and cardomom & topped with the perfect cream cheese frosting, edible flowers and lime zest. i love her
May has been a long and winding month. As always happens when everything blooms at once, I ran out of time to do all of the things and, moreover, to write about all of the things. Iâm feeling very behind (that may just be Mercury retrograde talking). I did manage to carve out some time for violets, my absolute favorite early spring edible. Iâve been working with violets for two years now â Iâve written in the past about my violet syrup experiments (which were relatively successful) and I also made a violet cordial, violet drinking vinegar, and violet sugar cookies (which were less successful â not inedible but not really what I wanted.)
As fate would have it, my perfect violet picking day was May Day proper. I had a number of helpers â friends who were all helping to collect dandelions for our May Day feast and a little bit extra (violets for me). My friends have all willingly signed up on my journey to eat all of the edible flowers so the promise of future violet edibles was all the encouragement they needed. With extra hands, picking enough to make violet syrup and then some was easy and so I set out to make violet jelly as well.
Both the violet jelly (featured here in the front) and the violet syrup (back pouring bottle) have been a smashing success. Violet jelly is what I have been missing in my life â the flavor is so deep and purple. (I know, descriptive, right?) The jelly has been great with a charcuterie plate (really good on salted meats and cheeses) and it makes a pretty great addition to a cheese danish, too! Truth be told, I like it BETTER than the violet syrup which I have found to be a bit finicky.
If youâve been following along for a while, youâll know that I have a serious thing for cocktail syrups. My go-to is to make them into a gin sour with a good solid juniper-forward gin and some freshly squeezed lemon juice. That is one of my staple cocktails so I know my recipe isnât the problem but honestly, I havenât particularly liked the violet syrup in that application. A lot of my others have so Iâve kept making the cocktail but up until last week, I wouldnât have skipped the cocktail syrup for that jelly any day.
That all changed in a moment. I was staying at a hotel on the beach in Cape Cod with my partner, my coven mate, and her partner. We didnât know what to make for a drink â it was hot. We knew that a tiki drink was in order. But what?
We surveyed our assets: aged rum with pineapple and lime juice sounds like a tiki drink, right? My partner used some Google magic and came up with an absolutely perfect summer cocktail. It called for aged rum, those two juices, Aperol (which I had thrown in our bags on a complete lark), and simple syrup. We happened to have our violet syrup so in it went.
Meet the Violet Bird of Paradise
The bird of paradise is already a riff on the more classic Jungle Bird cocktail and we put our own twist on the drink by using violet simple syrup rather than plain cocktail syrup. The results were spectacular. The violet flavor grounded this drink (as I mentioned before, violet has a surprising amount of depth of flavor for such a tiny flower) and the color-changing properties of the syrup were on full display when combined with the citrus elements of the drink. This is the perfect cool you down on a hot day kind of drink.
1 oz. overproof rum (I used aged rum for this purpose 1 oz. Aperol 1 oz. Pineapple Juice 1/2 oz. Fresh Lime Juice 1/4 oz. Violet Simply Syrup
Mix in a Boston shaker and then serve over crushed ice.
This drink is sweet and needs to be served very cold â donât skimp on the ice. Fill the entire glass. With rum, pineapple, the orange from Aperol, and sweet violet â this drink can be easily enchanted for good times and happiness. Please drink and enchant responsibly!
Minx
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There are some spirits and gods in the worlds that really must be approached with the correct offering, or will be very offended if you bring the wrong one. This post is not about them.
Thanks goes to @river-in-the-woods for help proofreading and providing additional perspectives
Spirit and deity work is a huge part of my deal, and therefore so are offerings. When I help people with various spirit issues or perform divination that suggests a spirit wants to contact them, I usually recommend giving offerings as a first step.
This usually creates a lot of questions, like:
I donât want to worship them, so Iâm not comfortable with offerings.
I only want to work with spirits I donât need to pay.
What kind of offerings are OK? I can't afford to buy extra stuff right now.
I canât have a shrine or leave food sitting out so itâs not possible for me to make offerings.
The reasons why offerings are given change from culture to culture, and situation to situation. I personally see offerings as being one of two things: good manners, or equivalent exchange.
How to do so comes after the saucy radio dialogue and the fairy tale.
Your grandma comes over. She was just on a 5 hour flight to come visit you. She comes in through the front door. You offer her some water and a snack.
Offering grandma water and a snack isnât a form of worship or payment. Itâs polite and respectful. It took her a lot of energy and effort to come and see you. Her well-being and comfort are important to you (in this hypothetical, of course).
When I drive 10 minutes to see my best friend, she always offers me tea. Sheâs not paying me for my friendship â sheâs happy I came, she wants me to be comfortable, and itâs a sign of mutual respect. âI value your presence; Iâll offer you some tea.â
If my friend stopped offering me tea, Iâd wonder if our relationship was doing OK â and if she explained to me she was out of money, or sheâs doing a no-tea challenge, weâd be perfectly good.
But if you greet grandma empty-handed and say you donât think itâs your job to provide her meals, the situation feels a little different. It feels to me as if grandma might not be as interested in making the trip to see you next time.
âHey, what are you doing here?â
âIâm going to bury some stuff. I just did ritual and an important part is burying the remnants at the crossroad.â
âRight on, weâre the spirits of the crossroad, so you came to the right place.â
âYeah, so youâll be opening the gates of the four directions and delivering my spell to manifestation, right?â
âSure, we can do that.â
ââŠâ
ââŠâ
âAre you going to, uh⊠pay us for that service?â
âI donât see why I should.â
âBut you need us to open the gates for you. We have to spend our own energy to do this work. I mean itâs not terribly difficult, but still.â
âYeah, but I donât see why that should be on me.â
âNot even a tip? Have you got some change in your pocket?â
âTo be honest, I donât think itâs fair to me to have to pay.â
âSo you want us to work for free?â
âYes.â
âYou donât care what it costs us to do this work for you, you just want to take the fruits of our services without regard for us?â
âYes.â
âAnd we should do it because you feel it's unfair to have to pay us for our work?â
âYou got it.â
âAnd if others told you that you must donate your labor to give them what they want because it's unfair to give you a wage, this would beâŠâ
âA huge injustice. This is actually a major problem in my country right now. We are so underpaid for what is demanded of us that it really is hurting my mental health and wellbeing. You have no idea how hard it is to be exploited for someone elseâs prosperity. I kind of feel like one day I might just go off grid and refuse to be a part of their system.â
The fairy queen Medb was curious about the humans beyond the Greenwood, so she decided to meet them all, from the wealthiest noble to the poorest villager, and to give a gold coin to the kindest one. Before she left, she cloaked herself in a human disguise and dressed as if she were a hardworking seamstress.
First she went to the house of a rich farmer who owned herds of cattle. She knocked on the door and was greeted by the mistress of the house, Frau Hilda.
Medb said, âI am a traveler and the road has been long, may I have some water?â
Frau Hilda kindly invited Medb inside. She sat the queen down at her large, clean table in her warm and cozy kitchen. Frau Hilda went to the larder. Medb could see that her larder was overflowing enough with fine wine, cheeses, and sausages to serve an army. Frau and fetched two jugs of milk and two loaves of bread. One of the jugs of milk was thin, and the loaf of bread was dry. The second jug of milk was thick, as if it was pure cream, and the loaf of bread was hot and fresh.
âHere, have some milk and bread,â Frau Hilda said. âIt is much better than water, and will restore you from your travels.â Frau Hilda poured a glass of each milk, and handed the queen the thin milk and old loaf. Frau Hilda herself drank the rich, delicious milk and ate the hot bread.
âThis is much better than water, and I thank you for your kind generosity,â agreed Medb.
The two women spoke kindly and politely to each other. Medb learned about the wealth and prosperity of the farmer and his household. They spoke until Medb finished her thin milk and old bread. As she left, Medb thought to herself that the thin milk and old bread, although better than water, were the poorest things in the larder. She kept her gold coin to herself, and walked down the road.
The next day, Medb came upon the hovel of a poor woodcutter and his wife. She knocked on the door and was greeted by Frau Brunhild.
Medb said, âI am a traveler and the road has been long, may I have some water?â
Just like Frau Hilda, Frau Brunhild kindly invited Medb inside. Frau Brunhildâs kitchen was small and cramped. She went to her larder and Medb could see it was almost empty. It only held a bag of flour, a scrap of bread, and a jug of water.
Frau Brunhild brought out the water and bread. âI am sorry I donât have any milk for you,â Frau Brunhild said. âBut let us share in what little we have.â
Frau Brunhild poured Medb some water and gave her one-third of the bread. âWe must save some for Mister Brunhild,â she explained.
âI thank you for your generosity,â said Medb. âYou show kindness in sharing what you have.â The two women spoke kindly and politely to each other until they had eaten the bread and drank the water. As she left, Medb thought to herself that although it was only water and a little slice of bread, Frau Brunhild had truly offered the best in her larder.
Medb was so moved by this generosity that she returned to the hovel that night, and hid the gold coin in one of Frau Brunhildâs shoes, and after that the Brunhilds always had better prosperity and fortune.
No matter what you have, your best is your best. You do not need to over-spend, give away too much, or sacrifice your wellbeing to give respectful offerings to spirits. If the best you have is a glass of tap water, that is good enough.
Iâm copying this over from my neighborly protection post.
Food and Drink: Good offerings include things with strong tastes and smells, foods high in caloric value, milk, honey, all nuts, eggs, and seeds (things which contain the potential for life are very good offerings), all home cooked/baked foods, fresh water (an especially good offering), coffee, tea, alcohol, tobacco, and juices all make very fine offerings.
Perhaps tellingly, the finest or most necessary offering is simply a glass of fresh water (yes, it can be tap water).
Consumables: Incense and candles both make good offerings. Both should be burned. I am actually more wary of using real resins and herbal powders for spirit offerings, since the natural powers of these plants are released and may affect what Iâm trying to do (or make it easier or harder for spirits to speak to me, or drive away spirits Iâm trying to talk to, or draw in ones I donât want to talk to). For these reasons I like to use stick or cone incense for offerings. It is the light and warmth from the candle which is enjoyed by spirits so it can be any type or color of candle.
Artwork, fake paper money, origami, and other burnable stuff can be dedicated (another way to think about this is to gift it to them) and then burned. The point is not destruction; the astral essence of these things is released so the spirits can possess them in their world.
Non-consumables: Coins are very common offerings. Small, delightful objects (especially shiny ones), like shells, little figurines, or toys often make good offerings. The act of devoting a ritual tool or vessel to a spirit can be an offering. Things which can be consumed (like cigars or paper art) donât have to be burned and can be given as regular offerings also.
Energy: Your personal energy is a great offering. You donât have to give a ton of it away. Try making an energy ball and sending it upwards and away, intending that it reach the spirit you want to give it to. I often like to pattern these gifts into an object, like an energy coin or energy apple.
Lay out the offerings on a clean surface. It doesnât have to be an altar or a shrine, although I suspect such consecrated places can make it easier for spirits to access and enjoy your offerings. It can be just like setting out a glass of water and half a sandwich for grandma.
Do something which indicates the offering is for the spirits or a specific being. My friend can make me a cup of tea, but if she just sets some tea down on the table and walks away, Iâm not going to be sure itâs OK for me to drink it until she says, âthis is your tea!â
What you do can be as simple as standing before the offering and saying or thinking, âThis is for [names of spirits, or âthe household spiritsâ, etc], please enjoy! Iâll come clean it up by noon, enjoy it before then.â
At a minimum I recommend leaving non-consumable offerings out for fifteen or thirty minutes. If itâs a candle or incense, they burn out when they burn out (you do not have to let large candles burn completely, but be careful of promising a candle as a gift to spirits, then going back on that promise and using it for something else). Energy offerings are given instantaneously and no waiting period is necessary.
Whenever you return to clean up the offering, itâs polite to say something like, âthank you for coming by, and I hope you enjoyed! Itâs time for me to clean up now. Please return to your abodes; as you came in peace, leave as friends.â I personally like to affirm the purpose of giving an offering - that itâs because I want to be a good neighbor, I want to have solid relationships with the spirits around me, and that I hope weâre all going to be friends. I also like to affirm that although I invited them all to the offering, they should go home now - I wanted you for the BBQ but itâs like 9pm now and weâre going to bed, so you need to go home too.
I throw out food. I compost it if I can. Whether or not you can eat food already offered to spirits is a whole discussion and beliefs vary. My belief is that you shouldnât eat it after itâs offered.
Other non-consumable objects can be buried if theyâre nontoxic to the environment. They can be left on an altar or shrine, and cleared out on a regular basis (like once a full moon, or on holidays).
I mentioned briefly above that I donât believe you should eat offerings after theyâve been offered. This is a pretty complex topic that does merit discussion.
For example, I sometimes eat the offerings while theyâre being offered. I have a close relationship with various spirits, and sometimes I invite them into my body to taste and experience the food and drink I eat.
The reason I donât prefer to eat offerings after theyâve been offered is that my belief is that the metaphysical substance which supports us as living creatures has been removed and taken away from the spirits. I donât believe the food would be harmful, but that it also wouldnât be helpful. To me, throwing the food away isn't a waste because it already fulfilled its purpose.
However, tons of people believe that you should eat food and beverage offerings. This is in order to avoid waste (because after all, even if I say metaphysically the food served its purpose, Iâm still throwing away totally edible food). I am advised that in Buddhism, offerings given to ancestors, buddhas, and bodhisattvas arenât degraded at all, and you can safely eat and drink offerings afterwards (and not doing so would be wasteful). For buddhas and bodhisattvas offerings are just a sincere gesture; the ancestors do get nourishment from food offerings and they greatly benefit from it. Even so, food offered to ancestors is still perfectly wonderful to eat.
In other belief systems, some people think that eating offered food can actually make you sick, especially if itâs offered to the dead. This may be due to a metaphysical change in the food, or because the spirits donât want to share.
Sometimes, whether or not food is eaten after being offered depends on the type of spirit or god itâs given to; chthonic entities often seem to frown upon their offerings being eaten or shared.
Some believe that food offerings shouldnât be eaten but neither should they be trashed; they should be burned or buried.
Sometimes, dedicating a food or drink offering to a spirit is a way to bless it under their power. If I dedicate a glass of water to the Indweller of the Sun, itâs understood to be imbued with the virtues of the Sun. If I drink it, it becomes a form of equivalent exchange - I gave something to the Sun, it gave something to me, and this ritual action is completed when I consume the offering.
Given all these varieties of belief, itâs safe to say that you probably canât go wrong. If you canât or donât want to waste food, or it isnât counter-indicated by your path, eat food offerings.
If youâre especially nervous or worried about what might happen to you if you do eat them, then donât. Or, avoid the problem altogether by just giving energy or incense offerings.
your only job on this earth is to be so intrinsically yourself that the right people gravitate toward you and the wrong people move out of your way
Get to know your spell ingredients. Just because one ingredient is good for money doesn't mean it's a good fit for you.
There are a lot of parts to getting to know an ingredient.
You can research its functionality if it has an herbal use whether medicinal or culinary - the classifications of herbals help a lot in understanding a component's working in your spell, ie - how it will do what you want it to do. A warming herb has a different effect than a cooling herb, for example. An herb that drys out the body can also be used to dry out a situation. A purgative can be used to clear things.
You can research the historic uses of the spell ingredients - I would look at both medical and magical uses here. Though we have debunked a lot of old medicinal uses and I by no means mean to suggest that you use herbs by their old medical uses, these practices give an idea of the nature of the plant. Over time, particular cultures develop an understanding of specific planets and if you are respectful, you may be able to tap into this shared knowledge.
You can hold and interact with the ingredient. This is a must for me before I will use anything in my spell work. I am an animist - I believe that all objects (both inanimate and animate) have a spirit - both their own individual spirit and a connection to the great over-arching spirit of their class. For instance, the basil plants in my garden are three things: each is its own individual basil plant, also a combined Basil spirit that is growing in my garden, and a piece of the spirit of Sweet Basil as a whole. When learning to work with the energy of a spell ingredient, I need to know how it feels. How it interacts with my energy. Is it calming? Does touching it make me go buzz buzz. How does it smell? How does it taste (if its safe to consume, of course)?
You can grow/harvest/gather/mine that ingredient yourself. This only furthers your knowledge of this ingredient. Did you see it when it was a tiny seedling? Did you plant it in the ground? Did you spend hours in the woods looking for the perfect specimen or find a field full on your walk home from work one day? Sure, the seashell you picked up on the beach may not be as perfect as the one you can buy online but you have already established a personal connection with that shell by choosing to take it home.
There are so many more ways. You can write/photograph/draw your object. You can meditate with it. You can potentially communicate with it through dreams or other means of divination. You can experiment with using this spell ingredient by doing your usual spell work with it in addition or substitution to something that you normally use - did it make a difference? How did working with that ingredient change your magic?
Take notes on the different ingredients you use and become the scientist in your own witchy life.
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Items that you use in your protection spells become a part of your protection. Not just the pieces that you put into your spellwork, that spirit as a whole.
Let's just say that I was protecting with basil (I know that is not the best protection plant, lol, but I'm being consistent and using basil as my forever example). If I had a basil plant that I was growing in my house and it suddenly start dying, I would immediately want to check and make sure that wasn't a sign that something had tried to breach my protections.
There are always mundane reasons that a plant starts dying (not enough or too much water or light and pest pressures) but that doesn't mean that it still isn't a sign. You should see to your plant but then also do some divination to look into things.
I get that "this could be a sign" must be the most frustrating thing to inexperienced witches but also to overly anxious witches.
But here's the thing, anxiety - if well controlled - has some evolutionary advantages. If you are actually looking out for things, you notice what is going on. Some people could have all of the signs of their protection being attacked and they would never notice. Congratulations, you pay attention. Now double-check that it's not something you did (like gross negligence in watering your plant is not a sign) or a story that you made up because you're emotionally dysregulated.
I also want to clarify that seeing a random robin when you have no connection to robins is almost certainly NOT a sign whereas my basil plant is suddenly dying for no reason when you use basil as one of the primary ingredients in your protection spells is more likely a sign.
Do you see what I am putting down here?
This is obviously a ton of UPG (why do I have to say that - all fucking magic was once somebody's UPG) but whether you realize it or not, you are interacting with the Spirit of basil every time that you use basil in a spell. And if you used basil for protection - even if you hadn't used the basil from the plant growing in your kitchen (say its brand new, for example) - then the Spirit of basil has to take some of the brunt of any attack on you and it will be reflected in the plant in your kitchen.
That is, by the way, one of the benefits of using plants that you grow yourself in your protection magic but, also, it is also the disadvantage of using the plants that you grow in your protection magic.
It's really quite scary to watch your plant eat a spell. You have to be ready to watch that plant die.
Some of you may have already come upon this one, but Iâve found that when it comes to objects I want to imbue with magic or bring to âlifeâ (in an animist sense), simply just breathing on them goes a long way. Like a rock can be âdeadâ and then you can just breathe on it and the little fella just wakes up. Of course you can do this on anything you want, like stuffed animals and figurines and all of your tools. You could even do it on a snowman if ya want. So yeah. :D ETA: Breathing on things can also be fine for quick cleansings. Just blow on âem like youâre blowing off dust or whatever.
For the witchy asks: đčđŠ
witchy asks
8. (đč) - what's something that isn't talked about enough in the witchcraft community?
I don't know if it's not talked about "enough," but I find it very curious how many witches who are also animists totally ignore inherent correspondences within nature.
Arguments about where correspondences come from and what they mean very often seem to focus totally on human decisions and desires.
I've always been under the impression that the fact that correspondences for a single thing often vary from culture to culture causes people to assume that humans make them all up.
There rarely ever seems to be an idea that oak trees in England are different fellows from oak trees in Ohio (pretending that the couple hundred of species of oak don't exist and it's all just One Guy), and that authentic connection to the tree will validly produce different correspondences in each area.
Or that spirits are as multifaceted as humans. As an individual, to some people I bring pain and injury, and to others I extend deep love and protection. But if an animal spirit does so, that means those two "correspondences" are incompatible, and therefore the human made them up and projected them.
Or that as humans, two of us may see the same facet of a spirit and we ourselves respond to it differently - so of course, there is nothing inherent in the herb, all that matters are our own reactions, and there is no meaning within the plant beyond our attitudes towards it.
Or that the individual spirit of a single plant is an individual, and is not a nameless hivemind pouring fourth an unwavering, set pattern of meaning and power.
Of course not everyone works with spirits, or is an animist. But for spirit-working witches who are animists, I often question why they speak of natural things as being meaningless until a human ascribes the meaning.
9. (đŠ) - what's something that's talked about too much in the witchcraft community?
I'm not sure I can say. I haven't been back in a "big" community long enough to comment on it.
But you know what, let's go ahead with TikTok.
People talk about TikTok too much.
Norse Animism is based on the notion that we can socialize with the world and that the world socializes in return.
Which means our relationship with anything is inherently collaborative. We are not just interactinv with things, but participating in their existence as they participate in ours.
Norse Animism is based on the notion that we can socialize with the world and that the world socializes in return.
Which means our relationship with anything is inherently collaborative. We are not just interactinv with things, but participating in their existence as they participate in ours.
With some of the responses I've been getting on my post about connecting with nature, I realized I needed to write about this.
Folks have got to understand that connection is not a feeling. "I feel such a deep connection with-" nope, that's not connection you're feeling; that's fascination.
Whether it's nature, or a culture, or anything at all, connection isn't transcendent. It's something you build with actual physical effort. It's a relationship.
Let's say there's a stray cat outside, and I want to have a connection with it. So I go inside my house and meditate on the cat, visualizing myself sending out rays of love to the cat. I look at pictures of cats on the Internet. I collect cat memorabilia and pray to cat goddesses. But when I go outside and try to pet the stray cat, it runs away.
This is because I never built a genuine connection, or relationship, with this cat. I'm a parasocial admirer, at best. To the cat, I'm a weird stranger.
But let's say I put cat food outside, and I stay out there while the cat eats, and slowly get closer to the cat as it becomes more comfortable with my presence. Finally, I give the cat light touches, and it gradually learns that I am safe. And we become friends.
Now I have a connection with the cat, because we have a relationship. I feed the cat, the cat eats my food, and we're in each others' social networks.
"But what if I can't build relationships like this?"
It's okay if this is impossible for you right now. You're not going to be a Bad Pagan or a Bad Witch because you can't do something that is literally impossible at the moment.
But, if a connection is something you want to have, at some point? Get studying. You want a connection with nature at some point? Okay, then start studying ecology. Learn about the rain cycle. Learn about environmental damage. Find materials about the plants and animals in your area.
What about a culture? Okay, go learn about its history, go learn what kinds of problems its people are currently facing, and work on perceiving them as real, complex people instead of whatever stereotype you have in your mind right now.
And above all, remember: that's not a mystical connection you're feeling, that's fascination.
For the witches and pagans who need to hear it, connecting with nature is supposed to be about like, actually observing nature over long periods of time, not doing stuff like hoarding endangered bird feathers and beach sand, or just meditating out in aesthetically-pleasing locations. Can you tell me exactly when your wildflowers and weeds start blooming? When do your bugs come out of hibernation? When do migratory birds come and go? How does the air feel during different times of year? If you can't do stuff like that, you aren't connecting with nature.
I ask myself this a lot lately: is everything exactly what it seems?
The mind and the senses kind of naturally rail against those spirits we engage with that can't be categorized or rationalized easily - not the unknown, but rather the can't-be-known.
Some things have no name, others have no form. On a very surface level, we work to let go of expectations so we can see what's really there. In a deeper sense, I believe we have to continue to cast aside these constraints we put on the spirits we engage with, and our way of perceiving them.
Spirit work involves a lot of fighting against our own apophenia - a need to distort by forcing into form and creating connections that aren't there. It's really easy to want to assign name and nature to something that can't fit neatly into a box.
It's a fact that we will make mistakes, be mistaken about the nature of, or identity of, a spirit at some point in the journey. The trick is to keep peeling away the layers, until pretty wrappings and trappings fall away and we can see what's really in front of us.
Don't blink. Don't be afraid to take yourself apart. Let yourself, and the spirits around you, become complicated.
My new plant-love of this Spring season is the unassuming (and yet striking beautiful) Lamium purpureum, aka Purple Dead Nettle.  This wild forageable is considered a âweedâ in many yards and gardens and yet has great medicinal, edible, and magical properties. What more is there to love? I first noticed purple dead nettle after seeing it on a Youtube channel - it turns out, it was growing in my neighborhood all along and I had been oblivious! Purple Dead Nettles (Also sometimes called Purple Archangel) is found around the world. In warmer areas, it is a annual Winter weed that provides much needed ground cover - here in Southern New England it is a early Spring flower that blooms for about six weeks starting in mid April.  It is highly distinguishable by its square stem (proving its membership to the mint family) and distinct red/purple leaves. It can grow up to 8-10 inches tall but generally prefers to stick close to the ground. It is a super food - all parts of the plant are edible though its leaves are fuzzy so it can be a strange experience to eat it on its own. It can be added to salads, used as an edible garnish, made into pesto, or added as a green to smoothies.  Itâs flavor is green and reminiscent of grass or clover. Medicinally, it is an astringent, diaphoretic, and purgative.  It has anti-inflammatory, anti-bacterial, and anti-fungal properties. Itâs leaves can be made into a salve or applied directly for on-the-go wound care.  Consumption slows the production of histamines so it has a claim to fame as a plant used to treat seasonal allergies.  It can be dried and drunk as a tea but can have a laxative effect if consumed in quantity.  It is also listed as unsafe for pregnant and breast feeding humans. On of the best quality of this wonder-plant, in my opinion, is that it is one of the earliest bee friendly flowers that blooms in the colder climates. Bees and other native pollinators seem to prefer Purple Dead Nettle to other plants. Yet another reason not the mow this lovely plant down and let it thrive!
Magically it is associated with happiness and cheerfulness and considered useful for grounding when combined with yarrow.  Like all hearty plants that will grow âanywhereâ it also has an association with strength and resiliency. For magical purposes, dead nettle is most often dried and turned into an incense blend or tea (see the above mentioned warning about drinking too much of it.) Last but not least, I wanted to share a fun fact. The Latin name for Purple Dead Nettle (lamium purpurium) means âdiminutive purple monsterâ - a nickname given to the plant that spread out of control.  Laugh all you want but be careful where you plant it if you donât want a yard FULL of dead nettle. But for real - who wouldnât want a yard full of dead nettle? Certainly not me⊠Like my work? Please consider supporting me by Buying Me of Ko-Fi.
I find this technique to be extremely comforting. It may be adapted to many models of magic, including psychological ones.
I find that this shield is better performed alone or when you can focus on it. It is more of an event than a practical utility.
TL;DR: Put yourself in a headspace where your favorite natural biome is all around you. Call a guardian animal. Spend time with the animal and thank it when you are done.
TIPS & TRICKS: Build a folder of gifs, video clips, photos, audio tracks, etc. that just take you to your favorite biome (perfect chance to create mood boards really).
You can perform this technique as a meditation, but also you can employ it as energetic shielding.
SHIELDING: Choose what biome you want to spend time in. You can be very specific (like choosing to be near a body of water, the time of day, the weather patterns, or the types of flora and fauna present) or you can be very general. Decide if you would like to call on a specific animal from that biome, or if you will call for any animal in general.
Draw energy up a shield around you in whatever method you prefer. I generally find it to be much easier to pattern the shield while you make it, instead of creating a white bubble and modifying it after the fact (e.g. if you create your shields by exhaling energy, exhale the biome itself).
Once your biome shield has been created to your satisfaction, consider spending time within it to feel it. This is a good opportunity to practice psychic senses. Try feeling, smelling, seeing, tasting, and hearing what is within the shield.
When you are ready, speak, think, sign, or indicate that you want an animal to join you in the biome. If you use words, they might be, "otter, come join me. I need a friend and a protector. Come sit with me in my shield." Or, "Mother Earth, I've called you to be around me. Now I ask you send an animal to protect me and be my companion at this time."
If you do not want to use words, you can pattern an animal into your shield using energy work techniques or any technique you prefer.
Try spending time feeling, smelling, seeing, (maybe not tasting), and hearing the animal. Try talking to it and watching its behavior.
You can go about your day and this biome and animal will travel with you. Reinforce it by adding more energy to it using whatever technique you prefer. When you are done, if you remember to do so, thank the animal for its company and ask it to return home.
MODIFICATIONS: If short on time, create the shield to include the animal automatically, instead of having to invite it.
You can invite the same animal over and over again, or invite a new one each time.
The guardian does not need to be an animal and the environment doesn't need to be a biome. Consider a heavenly shield and pearly gates with an angelic guardian, for example.
Especially if you call out for a general guardian, your actual guardians and guides may appear, even if they are unknown to you at this time. Especially watch out for specific beings that show up time and time again. (this technique was how I first met my primary spirit guardian, although I didn't know it at the time!)
This technique can be a form of divination and self-reflection. Let everything be very general, including the biome. Pattern your energy work to "bring forth the environment I need the most." Call for "the guardian I need the most." Observe what is created around you.
As stated above, this technique in general is excellent for practicing psychic sensing.
Once you have a protection amulet or two in hand, try this in a natural area. Pattern your shield to be the energy of that area. Call for a local benevolent spirit. See what happens.
When it comes to kitchen magic (or really witchcraft in general), people get too hung up in correspondences, esp when first starting out. And I think focusing too heavily on correspondences is what ends up making people feel like they cant advance their craft.
In my opinion part of it is "you need to make your own correspondences". Sure some rosemary in a stew might work for healing or purification, but do you also associate the herb that way? I think of my beautiful rosemary bushes over the years, tying and drying their branches, the beautiful scent, previous spells I have done. It feels me with a certain feeling of safety that I can then channel into my work.
When it comes to cooking, I feel like it's a lot of energy work. All spell work incorporates our energies in some way, I especially feel it with cooking. Your hands and cooking tools are vessels to transfer your energy. You transfer your energy when you knead bread, cut veggies, wash the rice, stir the soup, you get the idea. Yes you can focus on a specific mantra, but the point is you don't always have to do that. You using your energy to change ingredients into something new, something nourishing for the body, is magic in and of itself.
I also use my energy to charm my tools instead of individual meals/drinks. A special tea cup charmed with a spell to bring me relaxation doesn't need me to do a small spell or mantra every time I make a cup of tea (because I would forget to do that anyways). Instead it holds the calming energies I have already given it until I feel it needs to be charged again. A favorite soup stirring spoon is going to spread my love to every meal I make using it just because it has picked up my own energy throughout its use.
I think just accepting the magic of the everyday and of your energy is esp important for those of us who feel like we have less spoons. Me cooking uses enough of my precious energy, but it's something I do out of love and because I enjoy it. That's where the real magic is.
Been tossing this idea around in my head but for spirit-working witches I lowkey think a good place to start is going around to make introductions to a variety of helpful spirits, either benevolent or neutral in moral dignity, who can be called on at any time.
Literally going around and meeting the archangels/monarchs/guardians/gatekeepers (etc/whatever) of the four elemental roads. Just shaking hands and saying hi. Asking for their support, patience, and grace in working with them and their domains.
Brief introduction to the structure you live in, or absent of that, the land you live on.
Choosing your top 5 personal favorite kitchen spices, one or two nice rocks, and the nearest convenient tree and just doing a series of private rituals to meet them one by one.
Because then by the time you want to get started with other stuff, like finding familiar spirits, learning new skills, or solving problems, you already have met several spirits who are likely to be easily invoked to stand by your side and offer protection, assistance, and guidance for the task at hand.
Just because you don't know any spirits on a friendship level doesn't mean you have to be alone. You can still have spirits standing with you to help and ensure things go well. You can lay a compass, call forth the elemental gods, and ask them to provide assistance for the duration of the ritual. You can ask them to send a teacher or a guide to you to help you with something important.
Etc.
This guide is intended to be allied to the type of spellwork that draws something towards you or is desirous of change within yourself. The goal here is to create actions throughout our day or week that bring our thoughts back to the magic that we have performed. From my way of thinking, this keeps the stream of magic flowing in the right direction through your returned focus. It can have the added benefit of reminding you to take the actions in the world that are necessary for the success of your spellwork.
There will be a number of examples following but they all have the same theme: doing something during your initial spellwork that you will return to after the spell has been cast to keep your attention focused in the direct on what you want. Some of these things will be very obvious and you will have seen them before - others may be less so and better suited to a person in the broom closet. Some of these are standalone spell techniques on their own; here I am trying to convey that when combined together, multiple types of spellwork can have a greater effect than individually.
The idea is to continue to do the things listed below until your spell has manifested. Yes, there are obviously too many to do all at once. You are, as always, free to pick the ones that fit the spell best or the ones that fit your own lifestyle. Or to disregard all of them altogether.
Create an altar for your spell Say that I was going to create a spell for money to make sure that I could pay my rent on August 1st. I would create a money altar for my spell, do my spell on the altar, and keep all of the spell ingredients (including candle remains and any nonperishable offerings) up for the month of July. If I was going to create a spell to combat the upcoming Venus retrograde, I would keep the altar up all the way through the end of the retrograde. The visual reminder of the altar helps to realign your thoughts toward that spell.
Feed your spell This one goes along with the first nicely. This can look like a lot of different things - it could be adding coins to a money bowl or a spoonful of sugar to a sweetening jar. It could be burning incense on your altar for success on your exams every Sunday. It could be successively lighting small candles to charge your spell for a set number of days, weeks, or on every full moon. If you work with spirits of deities, it could be making repeated offerings while you ask for help with your spellwork. If you are the type of person who sticks to schedules well, make it a scheduled thing. You could align it with the days of the week if you're into that or with the moon cycles. If you're not a scheduler, do it when you remember.
Mantras (and other Spoken representations of your spell) If you are a verbal person, word magic may work very well for you. This can be anything from one phrase to a rhyming couplet - the idea here is that it is something that you remember to repeat to yourself. I think that this type of magic work especially well when doing work on changing something about yourself, but you may find a use for it in other areas that I have not. Ideas for using mantras: say them when you wake up or before you fall asleep at night, say them while looking in the mirror while getting ready in the morning. Or, simply say them when it would be appropriate for the magic that you have worked.
Sigils (and other Visual Representations of your Spell) If you are a visual person, sigils and other types of art magic can help you to augment your magic. The idea is to charge or create your symbol during the casting of your magic and then return to it throughout your days. Depending on your situation, you may able to hang your artwork or sigil on your mirror in your bathroom or even on your fridge. If you cast a spell to get better tips, carry the sigil or wear it when you are working. You can draw sigils on your skin with lotion or other skincare. This can be at once the most obvious forms of magic (think the Bluetooth symbol) and the most discreet. You can incorporate your sigil onto something you handmake like clothing (inside your clothes or out), jewelry, or any number of other charms.
Put it in a Jar (and other Physical representations of your magic) Yes, jar spells and other container magic are a topic all onto themselves. But have you thought about putting the remains of a spell into a jar? This is a very sympathetic view of magic, but it makes no sense to me to cast a spell to bring something toward you and then immediately get rid of the objects used in the spell. It's counterintuitive to throw something away that you want. N'est pas? Instead, put the items you used in the casting of the spell into a jar or bag and keep it somewhere safe until the spell comes to pass. This is where an altar to your spell comes in handy - it's a place to house this object. Bonus: this makes it harder for sneaky people or inquisitive animals to find their way into your spell components. Other versions of this include putting your intentions for the spell into an object such as a stone or a piece of jewelry and carrying it with you every day.
Invoke Your Senses Again, this is strictly my opinion, but magic involves both the unconscious and the conscious mind. The best way to hijack your unconscious mind and keep it aligned with your consciousness is through the base senses like smell and taste. They tap right the fuck in as they are deeply connected to our memory centers. Here I suggest picking a scent or flavor from your spell and incorporating it into your life for the duration afterward. If you use rose petals, buy yourself a rose-scented soap or rose perfume. If you use basil, make yourself pesto once a week or work to otherwise incorporate basil into your meals. As far as food goes, items like jams and simple syrups are perfect for this purpose if applicable. This involves a bit more planning than some of the other suggestions but can be very rewarding (and tasty!). Alternatively, if sound is important to you, you could use a piece of music during your spell and then play it repeatedly to reactivate the feeling of the spell. Or, if you're very musically inclined, you could write your own song or simply set your mantra/words to music in some fashion.
This is a very non-exhaustive list of some of the techniques that I have used to keep the energy of my spells flowing when I am working on a longer manifestation. Mostly, as stated above, these techniques are best used for magic designed to bring something towards you or to change something about yourself but they can be adapted for use with other types of magic as well.
Again, the goal here is to create moments throughout your day or week where your attention is turned back to your magic through repetitive actions such as showering with rose soap or donning a necklace you made with your sigil every morning.
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As an intuitive witch, I strongly believe in working with the plants that grow in your natural environment. It's a covenant that I have made with my spirits and the spirits of the land - it's invasive, I should use it all up or if it's native, I should help it to flourish and grow.
Enter jewelweed aka Impatiens capensis, Balsam Weed, Slipper Weed, "Touch Me Not"
Jewelweed is native to the American Northeast but is not often a gardenerâs friend.
I donât blame the intrepid gardener who, appalled at the HUNDREDS (literally) of jewelweed plants that spring up in their yard, pulls them all up in a haste to do be done with the voracious spreader (jewelweed is known as âtouch me notâ because its seed pods go off like a BOMB when touched, spreading its seed voraciously â one misstep with this and you will guarantee yourself months of weeding jewelweed out of every space you have).
Yes, almost every single plant in this following photograph is jewelweed! Dora has recently moved into her ancestral home and is trying to reclaim her gardens back from the mess that her Grandmother made of them to âfit inâ with the popular gardening trends of the â90s.
As often happens when you start to clear out a wild space, the first thing to move in are the âweedsâ â in this case â jewelweed!
Still, as a green witch, I know that even the most âobnoxiousâ plants have fabulous magical, edible, and/or medicinal properties. Jewelweed is a perfect example of this.
Jewelweed is both anti-inflammatory and an anti-histamine and can be used topically to treat eczema, bug bites, stinging nettles, and fungal rashes. It is best known for its ability to neutralize the urushiol compound in poison ivy that causes many people to have that horrible itchy rash. This can be done in one of two ways. Firstly, by applying the raw sap of the jewelweed plant directly to the area that you want to treat. For longer-term use, jewelweed can be made into a salve or tinctured (I am going to put mine into a Thatcherâs Witch Hazel toner because I know that my skin tolerates that well).
Magically, there is less information on the properties of jewelweed. Like many of the native plants to the Americas, there is a dearth of information due to the continued reliance on âold worldâ herbs in our modern crafts. Due to its healing properties and the wet environment in which it grows, the obvious elemental association is Water. The bright orange color of its trumpet flowers speaks to happiness and joy. I might simplify that plus its healing properties to a sense of âreliefâ.
My intention is to pick and dry some of the flowers and play around to see how it works out magically. Iâll update you with the results.
I am pleased with the medicinal applications of jewelweed. My partner has both realized their love of gardening and developed quite an intense contact dermatitis to something in my garden, so a jewelweed concoction is right on time. I intend to make both a salve and infuse into Witchhazel â they will ultimately be my guinea pig as to which is better.
In any case, Iâm very excited to be making a new plant acquaintance.
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Currently everything is expensive. like by a lot. so if you have money support the writers but if you dont you can check out mini libray i'm trying to sort
Witch Books - Google Drive
Have fun!
Hello! I've taken a peek at the witch craft book library you've put together, but I'm a bit confused how it works. I can't find books it says have been uploaded and I was wondering if you could help me figure out what I'm doing wrong. Thank you for uploading such a large amount of readings in one place âĄ
I completely forgot to update here! So due to the large amount, (and I refuse to give google my money for storage) I've been moving them to MEGA. I'm still slowly moving things over from the Google Drive, it's a work in progress and I haven't had much time lately. If you can't find what you are looking for then please don't hesitate to ask. âș I'll update the Masterlist to include the MEGA link as well so it's easier to fine. âș
Thanks everyone for being patient while things get moved around!
MEGA Library:
https://mega.nz/folder/gWM2VLqQ#WJogJj3_w3ysb0RxoX-igQ
Library Masterlist:
https://docs.google.com/spreadsheets/d/1-NC7wToVh0_hpNbuvhBEI2BUdWPbkpLlM2G15P76tiA/edit?usp=drivesdk
(Still Cleaning Out) Google Drive:
https://drive.google.com/drive/folders/10mkrjBylnr59A6lWrJQ7R7SNgbZTu8d4
Note: I'm drawing here from my knowledge of herbal energetics as they are recognized in multiple herbalism systems, my knowledge of astrology, and the concepts of sympathetic magic - if this isn't your thing, please just move along.
The four elements and the concepts of Energetics run consistently through the framework of much of the Western magic systems but it's something that is often overlooked. Suppose rather than relegating the elements to something that we call upon ritualistically to join us in our magic works (or, that must be represented on an altar), we instead stop and consider what they are, and what they do. In that case, we can gain a deeper understanding of how magic works on a human being.
The idea of the four elements and their associated qualities (dry, warm, cool, and moist - now known as herbal energetics) comes from the Athenian philosopher Aristotle. The fire element is warm, the earth element is cool, the air element is dry, and the water element is wet. This shows a remarkable difference from the modern astrological association of earth being opposed to water, and air to fire as it is shown on the astrological wheel; here, hot is opposed to cold (fire to earth) and dry to wet (air to water). It is worth noting that this can be somewhat proven through action - earth puts out fire, for instance. Today, we understand that there is more to healthfulness than balancing energetics (thank you antibiotics, vaccines, and insert your favorite modern medical miracle here) but there are still a number of views on wellness that encourage considering them. Maybe someday I will write more of this and how it relates to synastry, but let's focus on how this can be used in magic.
From here, we need to take a dive into modern herbalism. Why are we doing this? Because most people use all sorts of herbal components as ingredients in our spells and many of our correspondences have their roots in how that plant matter interacts with the human body. One of the major considerations when choosing an herb is what its Action is on the human body. These actions include Heating (Warm/Fire), Cooling (Cool/Water), Drying (Dry/Air), and Wetting (Moist/Water).
We use these actions all of the time without even knowing that we are doing them. Most cocktail people know that you want to drink a Mint Julip in the summer to cool you down (mint is a Cooling herb). On the other hand, if you need a pick me up, Chai tea which is full of warming herbs - even noncaffeinated versions like Bengal Spice - does the trick. The marshmallow (a Moist herb) does the coating of the throat in "Throat Coat" tea. The conditions of warm/cool/dry/moist are so normal to use as human beings that we tend to overlook them and adjust for them automatically.
With this in mind, I want to bring up a few ways in which this can be applied in witchcraft.
Warm is nice and pleasant. A lot of the warming herbs are used in money and sex magic - they make us feel good. But, like any good thing, they might need to be consumed in moderation. Candles carry the innate action of warmth and just think about how important fire safety is. Some herbs that warm cannot always be handled with bare hands (spicy peppers cause capsaicin burns) and these have long-documented uses in baneful magics of all kinds.
Cool magic can be used to calm and control. It can be used to put a particular situation on ice so that you don't have to deal with it. It can bring down fevers. It can soothe bad tempers and hot-headedness. It can preserve. It can also protect and insulate.
Dry magic can also be used to preserve. It can dry up emotions and stifle passion. It can draw out something or draw something away from a situation. It can create space.
Moist magic can be overflowing and generous. It can also be stagnant and suffocating. Moisture can revive life. It can also drown it.
It is worth noting that all aspects of these factors are always present in our lives. And they don't exist in a vacuum - everything is a combination of the two Aristotlean categories: you have Warm Moist or Warm Dry, and Cool Moist or Cool Dry.
We use these principles in magic all of the time. Anytime that you are using a liquid in a jar spell, you are applying the concept of Moist. If you are applying salt or rice to drain an object, you are using the concept of Dry. A freezer spell is an obvious example of Cool and any time that you are burning something you are using the concept of Warm.
But let's go a step further. If you are trying to do a warming spell, wouldn't it make sense to use specifically only warming herbs - or, at least - herbs that don't counteract Warmth (aka abstain from using cooling herbs?). Remember, these herbs have a natural and calculable effect on the human body so one would assume that, when used as part of a spell directed at a human body, they will have a similar effect. Even if you're a total candle head (I get it - I LOVE candle magic), consider not adding a candle to a spell meant to freeze somebody out.
When casting a hex, it is worth considering whether you want to burn them out with fire or take the slower more calculated path of ice. (Stop me from quoting Robert Frost here...) If you need to separate a couple who thrives on relationship conflict, drying them out could be a good option - more specifically, I'd probably use cool/dry.
Really we are getting into the basics of all sympathetic magic: using a thing that has an obvious effect to transfer that effect, through our spell, to the spell's intended target. This is why I have been very specific in saying that this applies to magic cast on a human being - here we are using the principles of Energetics and how they affect humans. For a spell on an animal or your house, entirely different sympathetic principles would apply.
The next time that you are choosing between two herbs that are said to have the same associations, consider whether one might be better than the other based on the Energetic nature of that plant. You might find a whole new level of casting open up to you.
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Note: I called this a green witch spell because it calls for caring for a living plant. That means providing it with the correct levels of light and water for its care. You do not have to call yourself a Green Witch to use this spell. You do, on the other hand, need to be able to care for a plant. Be advised. Note: There are a lot of parts to this spell. This isnât the kind of thing that should be undertaken lightly or can be accomplished, in most cases, in a single weekend. This is by design. Be aware that in assembling the items to complete this spell, you have begun the action of casting it. You are creating a living ward that could live for upwards of ten or twenty years or more â treat it with the reverence it deserves.
This spell is designed to create a living plant ward tl protect you and your environment. It uses a combination of candle magic (as an initial charge for the spell) and green magic to power the spell. I also suggest the use of additional elements such as bindrunes, sigils, or intention papers but they are not necessary. As always with my spells, I expect you to bring your own magic to the table here â how you empower this spell should be determined by how you cast magic.
I will also include some sections on how to interact with your plant ward â they are just that, suggestions. Take what resonates with you and leave the rest.
1 Jar Candle appropriate in size to use as a cachepot (3âł, 4âł, 5âł or more)
Oils or herbs to anoint your candle (optional)
A paint pen or other permanent marker (optional but recommended)
A plant (I suggest one that you associate with protection magic)
A pot with drainage holes that will fit into your cachepot
Soil, Water, and Sunlight to care for your Plant Ward
The goal of this spell is to prepare a vessel and imbue it with protective energy and then to permanently home a plant in it to create a living ward that you feed with water regularly. Steps 1 and 2 of this spell can be performed congruently or separately. They are interrelated â the size of your plant will dictate the size of your cachepot/candle, so keep this in mind during your choosing process. If you choose a cachepot that is too small for your plant, you will need to transplant it out quickly, defeating this process. If you choose a cachepot that is too large for your plant, you risk root rot. As you might imagine, a dead plant is not an effective ward.
Ultimately, your plant choice is up to you. There are, however, some things that I think it is important to keep in mind when choosing a plant for a spell like this. The first is that we need to keep this plant alive so choosing a relatively âeasyâ plant is a good starting place. You know how much time and care you like to put into your plants, now think about this also as the time and care that you want to put into your wards. If you want to maintain your wards more often, you may wish to choose a plant that is more thirsty or time-consuming. If you are more of a set-it-and-forget-it type of magic user, something more low-key may be more your style.
The second thing is that your plant needs to be able to grow effectively in your environment. I would lean towards choosing a plant that you have grown before in your current living space as you will know, for sure, that it is a good fit and will thrive in your home.
Things like rose bushes and herbs have a lot of protective properties but can be difficult to grow in a home environment. I suggest thinking about what protection means to you â there are many ways that plants can be protective (bark, thorns, poisonous leaves, vines that strangleâŠ) besides the obvious protection associations in That Big Green Book.
Keep in mind that the size of the plant in its mature form will come into play here. Some plants can be continually divided to remain in the same pot for a long time while others will outgrow their homes in 1-2 years. A plant that can stay in its cachepot for at least a couple of years â either through the slowness of its growth, division, or because it prefers to be a bit snug in its home â is preferred for this type of spell.
Plants can be expensive but this step doesnât have to be! Check your local plant groups for free plants or propagate an existing plant you already own. I would suggest that the plant become fully acclimated to your environment before you actually use it in this spell.
Once you know what type of plant you want to grow as a ward, it is time to find yourself a vessel to house your ward. Here we are looking for a candle in a pretty jar* that you like enough to keep as a decoration. You may have one in your house already! The one condition is that whatever sized plant you have chosen should be able to fit inside your candle jar as a cachepot. It doesnât have to fit exactly (thereâs a possibility here of choosing a large cachepot to give your plant ward space to be repotted and grow!) but you should be able to comfortably sit your plant into the candle jar.
From there, the choices are very much up to you and virtually endless. You can choose based on a color association that you have with protection magic, or maybe it is the scent of the candle that makes you think of protection here. I suggest choosing a scent that you enjoy (or scentless altogether) as you are going to burn this candle out before we use it as a home for your new plant.
If you make your own candles, there is some amazing room here to further your own magic by choosing an appropriate vessel and then making a protection candle to go inside of it.
Candles, especially bigger jar candles, can be quite expensive. This isnât about going out and spending a lot of money here (though you can, of course, if you wish). You can often find unburned candles in thrift shops or at discount stores of all kinds.
*If ascetics arenât important to you, you can skip this step.
Now that you have chosen a vessel, we want to imbue it with the energy of protection. This is basic candle magic 101 and can be done in many different ways. Many people will start by cleansing the candle with their preferred methods. Many people like to write their intentions or sigils/bindrunes/magic symbols onto the candle â you can write all around the outside of the candle to create your own art effect or stick to the bottom of the candle to be more discreet. You want to use a permanent marker that wonât wash off if at all possible.
Some people will meditate with the candle, send their power into it, or imbue it with another energy source such as the sun, moon, or Reiki. Many people dress their candles with magical oils, protective powders, or gemstones.
Do what works for you and your practice. If you need a very basic protective spell, you can draw the Algiz rune on the bottom of your candle, anoint it with olive oil, and add a couple of pieces of finely ground rosemary to the edge of the candle (away from the wick). Please practice fire safety here.
Ultimately, I feel that the goal of this candle burn should be to burn your candle out as efficiently as possible to minimize soot stains on the jar and to burn as much of the wax as possible. To do this requires some candle tending. Generally, to burn a jar candle down completely you need to wait until the top layer of wax has melted before you extinguish it on each burn. The amount of time that will take is determined by a ton of factors: the temperature, the type of wax, the number of wicks, the type of wicks, airflow, and other things as well. You may not be able to let your candle burn for that long with every lighting, but I suggest at least attempting to.
Thereâs a lot of additional magic that you could add to this step. You could speak words of protection over your candle as you light it. You could light it once a week on a Tuesday in the hour of Mars. You could light it every day for a number of days that is magically significant to you. You could dedicate the candle to a protective force that you work with. Or burn it on a protection altar. You could write a petition paper and place it under the candle while it is burning.
I personally think that including your plant in the spell here is very useful for creating a connection â I would keep my plant near the burning candle as the spell progressed to strengthen the connection between the plant and the energy of the candle burn that fuels the spell.
Continue with this step until your candle has completely burned out. From here you want to clean out your vessel of any remaining wax, soot, or other leftovers from your candle burn. Take care to try not to remove any protection symbols on the jar, but things happen. Itâs okay to go back over and redraw your protection sigils if you have to here.
Note that I do not say PLANT your plant into its new home. We are using the candle jar here as a CACHE POT, not the direct home of your houseplant. This is because your houseplant likes to have drainage holes and the candle jar has none.
As you do this, you might wish to talk with your plant about how and why you are putting it into its new home. This is when, in my practice, I would Name the plant if I had not discovered its name prior. Giving a plant a name creates a connection between the spirit of that exact plant and you; it also gives you a nice way of addressing the spirit of the plant! (if you donât do spirit work, feel free to skip this step) I like to tell my plants that I am enlisting them in the protection spell that I have cast and asking their permission.
Place your plant in a place where it will get its needs met and watch it grow! Congratulations, you have just made yourself a living ward.
Properly caring for your plant wards is an important part of this spell and is a type of repetitive magical focus. The goal is to focus on your plant as it grows and check up on its needs. This allows you to feed your spell as you water your plant and the growth of the plant feeds the ward itself. Forge a connection to your plant as you care for it â think about its growth, think about the magic that you imbued into the creation of the ward, and think about the candle burning that fueled the spell! Depending on your sensitivities, you may be able to âfeelâ the ward.
Over time, you may want to burn additional candles to add power to your living ward. You can do so by anointing the candles in the same way that you did your original (with the same symbols, oils, and herbs) and burning it close by to your plant. Depending on your practice, you may also be able to change the ward with sunlight, moonlight, or words of power. Use what you are good at here!
It is wise to remember that this is still warding/protection magic so I would refrain from telling people about your ward or sharing photos of it on social media.
Eventually, depending on your plant ward, your plant may outgrow the container that this spell was built for. Consider this to be a great success! You choose to continue to work with this plant by transplanting the plant into a larger pot, finding a new vessel, and casting the spell again â or -by finding a new plant sized small enough to fit into your current vessel. You may be able to divide your plant and keep a part of it for your spell while âretiringâ the rest. (think about the power of continually dividing a pothos and each time creating ANOTHER living plant ward that you put in a different space in your houseâŠ) What to do if your plant ward dies or is not doing well: This happens to the best of us. Some people might consider a plant ward dying to be a sign that something magically is amis in your environment. You need to decide for yourself if that makes sense to you. I would consider what is going wrong with your plant â have you been under or over-watering it? Is it dying because itâs too rootbound and needs to be repotted? Does it have a plant pest? Did it scorch in direct sunlight?
You not caring for your plant properly is almost never going to be a sign that somebody else is messing with you. But if your plant ward is suddenly dying for no reason (and youâve thoroughly checked the reasons) â do some divination on it, please. Also, unpot your plant and check the roots because thatâs always the best practice.
If you need to move house, you will need to decide what to do with your plant ward. If the ward is more designed around protecting you as a person, it may be able to move to your new place. If it is designed around protecting your space, it should probably be recast in the new location. In that case, I would choose a new jar candle and cast the spell anew. When in doubt, I suggest casting a new spell.
Though this spell is written to create a protective ward, it can be altered easily to fit most other long-term goals. You could use a plant associated with tranquility to make your space more peaceful, as an example. I suggest sticking to magical goals that affect your environment or your person here. The reason for this is that I believe that this spell works because you and your plants share the air in your house â you breathe in oxygen and breathe out carbon dioxide and your plants âbreatheâ in carbon dioxide and âbreatheâ out air. If your belief system of how magic works differently, your experience may vary.
There are always ways to vary this spell to suit your needs - if you come up with a cool one and feel like sharing, I'd love to hear about it!
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If you've been hanging out for more than a hot minute, you have probably caught on to a secret about my kitchen witching: it's not the NUMBER of ingredients you enchant; it's how you enchant them. For the purposes of witching, I prefer simple recipes (ingredient-wise) that have a bit of oomph to them. Do you need to stir a pot for 45 minutes straight? (see also my french onion soup recipe) What about starting a vinegar infusion that needs to be shaken every day?
This, as the saying goes, is where the magic is made. At least, for me.
So, imagine my surprise when my friends introduced me to a long-form way of making lemonade. Rather than simply juicing the lemons and adding some sugar and water - you combine the sugar and lemon peels and let them sit for some time to release the lemon's essential oils.
Not only does it make a superior lemonade (can confirm!), but it immediately had my magic wheels turning.
The goal is to make lemonade that will sweetly cleanse you of what ails you. This spell can easily be adapted to add specifiersâsee the end of this post for more details.
As always, I will not tell you how to do YOUR magic. This is a technique, not a magic tutorial.
Lemons have a long history of use as a cleansing agent. Cunningham's infamous green book lists them as a feminine plant, under the purview of water and the moon and used for the powers of "longevity, purification, love, friendship." (for what that's worth) From an herbal energetic perspective - lemons are considered to be cooling - they are used in the summer to cool hot termperatures and applied to the sick to help bring down fevers. Citric acid is also a bladder stimulant, which we will be making use of for the purposes of our potion-making.
What we associate with lemon as the "cleaning agent" is believed to come from limonene, a terpene found in the peels of most citrus fruits that is both antiviral and antibacterial. Lemonene is used in many cleaners that you can buy on the market but can also be extracted directly from the fruit, as we will do in this recipe.
This standard high-end bartender technique makes wonderful, complex sour mixes that can absolutely make the perfect cocktail. Rather than extracting the limonene from the citrus using alcohol or vinegar, we use sugar.
This technique is called oleo-saccharum, which means "oil-sugar" - you are using sugar to draw the essential oils out of the lemon peels, making a natural (no heat) syrup. Note here: this syrup can be used on its own for all sorts of syrupy needs - you could stop the preparation here if you don't love lemonade.
This can be done on the fly (an hour or so), but I highly suggest letting this sit for 12-24 hours for the full effect.
You will need:
5-6 lemons, the best-looking ones you can find
1 1/4 cups sugar
Filter Water (to taste)
Peeler, citrus juicer, optional
Additional magical flavoring, optional
Become better acquainted with your lemons. For the purposes of this recipe, I do this by holding them, talking to them about what I want from them (general or specific cleansing), and rolling them across a hard surface. This last part helps to separate the peel from the pith, which will help you cut away the peel in the next step. Because we intentionally try to release the limonene compounds in this recipe, you may wish to begin by carving your lemon at this step (BEFORE you peel). You could carve your intentions, your name, the names of the people you are looking to cleanse, or any cleansing runes or sigils that you use in your craft.
Carefully peel your lemon. You want to get as little pith (white parts) as possible, as they don't taste good. Take your time here. Really breathe in the scents of the lemon during this. This is the first part of the cleansing process - you are incidentally cleaning yourself and your kitchen as you do this part of the spell. Lean into this. It smells amazing. Revel in it. Think about how it reminds you of everything being shiny and clean as a child. Lemons ARE cleansing - really feel into this here. We won't use the rest of the lemon until tomorrow; you can juice it here or store it overnight in an air-tight container)
Add your lemon peels and the sugar to a mixing bowl and thoroughly massage the sugar into the lemon peels. This should take some time - think fives of minutes at least. You want to do this until you can feel the change in consistency in the sugar - try to incorporate all of the sugar with all of the lemons. Remember, sugar is inherently sweetening, and lemons are inherently cleansing - you combine these two elements here to make a sweet, cleansing spell. Let the smell of it clean out your nose and your sinuses. This is the meat of your spellcasting - you are working your spell into your ingredients. Talk to it. Use your energy. Pray over it. You will know when this step is complete.
Cover your bowl and let it sit at room temperature overnight or for up to 24 hours. The longer this extracts, the more intense the flavor in the finished product. In a pinch, give it an hour, but I suggest waiting at least 8-10 for the best effect.
The next morning, add 2 cups boiling water to your lemon paste and stir until it has thoroughly combined - this is a great place to reinforce your magic from the day beforehand. (This version had the addition of some freshly picked sour cherries which gives its red color)
6. When this has cooled, add the lemon juice and additional water to taste. I personally put this in a half-gallon ball jar and filled it with water, and then my partner and I further diluted it from there.
7. Drink and enjoy. For an extra cleansing effect, consider that part of the act of citrus is that of a urinary stimulant - it will make you pee. Think about how peeing removes things from your life. Remove what needs cleansing. Your spell is complete.
This spell is as simple as that but it can be dressed up in some many different outfits with very little effort. Do you know a flavor (remember, all edibles here) with the right magic associations to add to this spell?
Add some blackberries at the infusion stage for good old-fashioned hedge witch protection. If you really need something out, you could experiment with infusing some jalapeno after you've made the lemonade (tread with a lot of care here...). I've worked with lavender and hibiscus here for calming, cool energies. I recently added a cup of sour cherries to Step 3 for a love-cleansing effect.
There are two ways you can add flavors to this spell: you can mix your flavor in during the sugaring phase, or you can do a secondary infusion after your lemonade has been made. Use your best judgment here - fruits can go in with the citrus peels for sure, but herbs and other more "tea like" ingredients might be better steeped afterward.
I haven't tried it yet, but I'm eager to use some of my savory kitchen herbs the next time I near to clear out my money flows.
Or alternatively, use it as the first step in a witchy cocktail (my go-to, as you know). This lemonade makes an exquisite base for a margaritaâfor a bougie twist, use white Patron and some Chambord; you will not be disappointed.
This is almost a blank slate - sweet cleansing could be used for anything you put your mind to.
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Whatever religious or spiritual tradition they identify with, most witches agree that there is something sacred about the natural world. We draw our power from the earth beneath our feet, the sky over our heads, and the air in our lungs.
And yet, many of us live in societies that are actively contributing to the destruction of the natural world. Most developed nations have a linear economy, which means resources are extracted and then sent on a one-way trip to consumers who will use them and then throw them away. This leads to overflowing landfills, air and water pollution, and quickly disappearing resources. The World Economic Forum predicts that, if our habits donât change, there will be more plastic than fish in the ocean by 2050. And I dearly hope that by now weâre all familiar with the reality of climate change and its devastating impact on global ecosystems.
Iâm not trying to scare you, but I do want to point out the hypocrisy of drawing power from the Earth in our magic while simultaneously contributing to her destruction. If we truly want to consider ourselves spiritual allies of the planet, we need to make an effort to live our lives â and practice our magic â in ways that are less harmful to her.
You donât have to become an environmentalist or switch to a zero waste lifestyle, but we can all make little changes for a more sustainable life. Thereâs lots of information out there about how to live a more Earth-friendly lifestyle, so in this post Iâll be focusing on how to apply that same philosophy to your witchcraft.
Limiting your consumption will automatically lower your negative impact on the planet. Follow my previous guidelines for avoiding consumerism to start shrinking your carbon footprint.
Avoid plastic as much as possible. According to the WEF, 70% of our plastic ends up in a landfill or in the worldâs waterways, and according to Julia Watkins, author of Simply Living Well, only 9% of household plastics get recycled. Plastic (unlike glass and metal) cannot be recycled indefinitely â it can only be recycled a handful of times before it becomes too degraded to be repurposed any further. There really is no way to make plastic safer for the planet, so itâs best to just avoid it altogether. Look for tools made of metal, wood, or glass instead of plastics, and try to order things shipped in paper and cardboard when possible.
Create spells that wonât leave leftovers. One of the big contributing factors to our current environmental crisis is that we just produce too much waste. You can avoid this in your magical practice by crafting spells that wonât leave you throwing away a big ball of candle wax, herbs, and paper. Kitchen magic is a no-brainer for this, since kitchen spells are meant to be eaten. If you want to do a candle spell, use small candles that will burn up completely â I find larger candles are more likely to leave leftover wax. Making magical bath salts is another great option for leftover-free spells â just make sure everything you include is safe to go down the drain and wonât contribute to water pollution!
Forage for your own spell materials. One of the best ways to avoid plastic packaging and cut down on emissions from shipping is to use materials from your backyard! Learn about the plants, animals, and minerals native to your area, and take regular nature walks where you can gather what you need. Remember to only take as much as you need and to be careful never to damage the plants you harvest from. Make sure to carefully disinfect any animals bits you pick up â you can do this by burying them in salt for a full moon cycle and/or setting them in the sun/under a UV light for several days. If you find a dead animal and want to strip and clean its bones for use in ritual, this is a much more involved process and will require special research, equipment, and lots of time. And, of course, never eat anything you have foraged unless you happen to have an advanced degree in botany.
Keep a magical garden. Another great way to connect with the planet and shrink your carbon footprint is to grow your own herbs, vegetables, and fruits. You can, of course, grow food for your kitchen if you have space, but even if you live in a tiny apartment you can grow a handful of magical herbs in pots. For a list of common houseplants and their magical associations, check out this post.
Shop for spell materials at a local farmerâs market. Buying local is a great way to avoid the environmental impact of shipping produce, and it allows you to support small farms. Farmerâs markets also typically carry seasonal produce, which can help you align your magical practice with the cycles of nature. Farmerâs markets are a great way to find seasonal fruits and vegetables for kitchen magic, but you can use the produce you find there for other types of spells as well.
Trade paraffin wax candles for beeswax or soy wax. Paraffin, the material used for most cheap candles, is a by-product of crude oil, which is not only highly unsustainable but contains carcinogens (chemicals that may cause cancer). Beeswax is a sustainable alternative, and beeswax candles produce a âcleanâ burn, meaning it does not negatively affect air quality. Soy wax is a slightly pricier, vegan-friendly sustainable option that also produces a clean burn.
Use undyed, unbleached paper for your written spells. The bleaches and dyes used in most commercially available paper have a toxic effect on the environment. Colored paper cannot be recycled or composted because it will contaminate everything it touches. Use plain, unbleached paper for your written spells, especially if you plan to bury them in the ground or dispose of them outside.
Make sure your essential oils are ethically harvested. Essential oils are tricky â although they are marketed as natural, many of them are produced through unsustainable methods. Because essential oils are concentrated, it may take thousands of pounds of plants to produce a single pound of oil. This can have a devastating impact, especially for endangered plants like white sage or palo santo. Look for ethically-sourced, wild-harvested essential oils â these are oils that are gathered from the wild in ways that donât hurt the local ecosystem. Mountain Rose Herbs and Edenâs Garden are two brands that are committed to sustainable essential oil production.
Instead of burying a spell in a jar, bury it in a hollowed-out fruit or vegetable. Many traditions call for spells to be buried in the ground. Items like jar spells and witch bottles are traditionally buried on the witchâs property. The problem with this is that plastic and glass bottles do not biodegrade, and will remain in the ground for years. Instead of putting these materials in the ground, bury your spells in a hollowed-out fruit or vegetable. As a bonus, you can choose this item to support your intention. For example, you might use an apple for a love spell or a spicy pepper for protection. Just make sure everything inside the spell is also biodegradable!
Keep a compost pile as an offering to your local land spirits. Compost is an easy way to reduce food waste, and it gives your garden a boost! Even if you donât have your own garden, you can give your compost to a fiend who does or look into donating it to a community garden. When composting, itâs important to maintain a balance between carbon-rich âbrownâ ingredients (leaves, undyed paper, cardboard, etc.) and nitrogen-rich âgreensâ (fruit and veggie scraps, coffee grounds, egg shells, etc.) â you want about four times as much brown as green in your compost. Start your compost with a layer of brown â preferably twigs or straw to allow good airflow. Alternate layers of green and brown materials as you add to the pile. Every time you add to your compost, verbally express your gratitude to the land spirits. Your compost should be moist, but not soggy â youâll know itâs ready when itâs dark and crumbly and smells like soil.
Make your own tea blends with loose herbs and a reusable tea strainer instead of buying teabags. Witches and tea go together like peanut butter and chocolate, but the individual wrappers on teabags create a lot of waste. On top of that, since many of these wrappers are dyed, they may not even be recyclable. Keep your teas earth-friendly by buying dried herbs in bulk and blending your own teas. Making your own blends is not only better for the planet, but also allows you to choose each ingredient for a specific magical intention.
Find ways to use your trash in your craft. This one is pretty self-explanatory. Instead of throwing things away, find ways to use them in your magic! Use food scraps from cooking, like carrot greens and potato peels, in spells. Turn an old shoe box into a travel altar. Add your coffee grounds to spells to ground them and manifest results in the physical world. You get the idea. Be creative!
Research different models for Earth-friendly living, like the zero waste/low waste lifestyle, sustainability, and the solarpunk movement. This will give you more ideas for a sustainable lifestyle, as well as a sustainable magical practice.
The funny thing about Earth-friendly living is that, the more time you spend taking care of the planet, the more connected you feel to it. I encourage you to try some of the ideas on this list â youâll be amazed by how quickly you develop a deeper relationship with the Earth and all her creatures.
Resources:
Of Blood and Bones by Kate Freuler
Simply Living Well by Julia Watkins
âBy 2050, there will be more plastic than fish in the worldâs oceans, study saysâ from The Washington Post
A Sustainable Mind podcast
Practical(ly) Zero Waste podcast
It's actually been on my mind for a while so now I have an excuse to talk about it!
But I think it's a good idea to read public/beginner oriented/teaching posts with a critical eye to ask how the author might have edited or adapted that information specifically to communicate a concept in only a few hundred words.
In my faith reciprocity and mutual support with spirits is central. It's both spiritually sacred and sorcerously vital. This reciprocity is multifaceted, individualized, and impacted by my bioregion. To fully step out my beliefs on this topic in a public-facing way might take 20k words or so. Longer if it's explicitly for beginners and more things have to be explained along the way.
But in a 400 word post about spirit-working sorcery, this entire sphere of my practice gets distilled down to: "always pay the spirits for their help in your spells."
Over time I've received a few asks (and a couple vagueblogs! lol) which implicitly assume the basis for my spirit-working is transactional, cash-in-hand gig labor.
I do think that people want to take public-facing posts written for the masses and use them to reverse-engineer insight into someone's practice. I think wanting insight is perfectly fine, of course.
But I also think that it's good to question exactly why Contentâą posts are saying what they're saying.
Is the author just parroting what they heard? Do they claim to have direct experience with the topic at hand?
Is the author claiming to be providing insight into their real practice, or are they writing a general how-to on the topic?
Who is the target audience of the post? If it seems like it's for beginners, is it likely the author chose to present only beginner-friendly information?
If the author didn't include disclaimers and warnings, is it likely they would have been scolded for not including them? Does this have an impact on how much of the post relates to their real practice?
Maybe this is just me, but I feel I have very often run into the following 2 situations:
It's pretty clear to me the author has no direct experience, they just learned about something and they're excited about it, and they're parroting warnings, disclaimers, and "rules" because everyone else says them.
It's pretty clear to me the author has a lot of direct experience, knowledge, and insight into the topic, but that they have edited their work to either avoid being yelled at, and/or to surgically install training wheels into the topic to help beginners avoid breaking an ankle.
("Why don't people just be honest with their practice without everything being edited for polite society or the palates of beginners?" because they will be yelled at and driven off the website, lol)
If you want my opinion... I think there are a lot of great writers out there trying to provide good information on how to practice witchcraft. I just would be very hesitant to assume much about what they're actually practicing based on those posts.