Enemies To Lovers Where They Really Hate Eachother But Somehow Their Words Have A Tint Of Flirt In It

Could we have some dark angsty prompts, mostly in the form of dialogue? :3

Dark Angsty Dialogue

-> feel free to edit as you see fit.

"You can’t save someone who doesn’t want to be saved." "Then I’ll drag you out of the darkness kicking and screaming if I have to."

"Every time you leave, it feels like you’re tearing pieces out of me." "Maybe if you felt the emptiness I do, you’d finally understand."

"I lied to protect you." "No, you lied because it was easier than telling me the truth."

"Do you even love me anymore?" "Does it matter? You’ll leave either way."

"You told me it would get better, but it hasn’t. It’s just gotten quieter." "Sometimes quiet is all we get."

"You never should’ve trusted me. I destroy everything I touch." "Maybe I’m okay with being destroyed if it means staying with you."

"Do you ever wonder what it’d feel like to just disappear?" "Every day. But then I think about who would miss me… and that’s the problem. It’s never you."

"If I had known what loving you would cost me, I wouldn’t have done it." "Liar. You’d do it all over again because it’s the only part of you that feels alive."

"I keep trying to hate you. It’d be so much easier if I did." "Don’t worry. I hate myself enough for both of us."

"Sometimes I think you hurt me just to see if I’ll still stay." "Do you blame me? You’re the only thing I’ve ever been afraid of losing."

"Tell me the truth. Do you regret it?" "Every single moment. And yet, I’d do it all again if it meant one more second with you."

"You make it sound so easy. Like walking away is just something you can do." "It is. You just take one step. And then another. Until you can’t feel me anymore."

Hi, i'm the previous anon and i guess i want to go off anon and send you a message instead, if that's okay with you?

yesss ofc!! i wanna make friends on here :3 feel free to hmu!

Let's get released from our growth tank with mama

Enemies to Lovers Energy

❥ "Get out of my way." – "Make me."

❥ "You’re bleeding." – "It’s just a scratch. Don’t get soft on me now."

❥ "I don’t need your help." – "Tough. You’ve got it anyway."

❥ "I hate you." – "Yeah? Then why are you still here?"

❥ "You think you're better than me?" – "No. Just smarter."

❥ "Stop looking at me like that." – "Like what?"

❥ "I’ve had worse partners. Slightly."

❥ "Try not to die, okay?" – "Touched by your concern."

❥ "If you betray me, I’ll kill you." – "That’s fair."

sex, gender & sexuality words:

last updated: 8 october, 2024.

yananchay - sexuality

kamamanta - gender (social). (back-formation of latin [genere] meaning type or kind, quechua [kama] meaning kind.)

t’ipip - sex (social & biological). (back-formation of latin [sexūs] meaning section or division, quechua [t’ipi] meaning division.)

chawpit’ipip - intersex.

runa - gender neutral term for human / person.

tinkuy - liminal space of unity, complementary forces, convergence, meeting of elements, roughly translates to nonbinary.

warmi - woman - feminine

qari - man - masculine

tikrachisqa [qari / warmi / runa.] - transgender / transformed people: tikrachisqa qari, tikrachisqa warmi, tikrachisqa runa, so on, so forth.

chakachisqa [qari / warmi / runa.] - transgender / trans meaning extending across, through, or over: crossing people: chakachisqa qari, chakachisqa warmi, chakachisqa runa. (alternative based on cross-linguistic analysis featuring the arabic language term for transgender, old based on transform / change [mutaħawwil] and new based on trans / extending across [ʕābir/ʕābira])

ch’usaq - zero - absent / agender

runapuri - genderfluid

warmiqari - feminine man*

qariqari - masculine man*

qariwarmi - man-woman* / masculine-feminine* / masculine woman* / liminal-gendered / historical transvestite {considered analogous to two-spirit identities in the north.}

warmiwarmi - feminine woman*

chiqan - straight / hetero

chinaku / warminchu - gay (qaripura kuyay - love among men / MLM)

qarinchu / ushuta - lesbian (warmipura kuyay - love among women, basically our way of saying WLW)

q’iwa - translates as necessary or sacred irregularity in life (surprise) or .. as we westerners say… being queer . dotty. pansy-like. a dandy. (also means imperfection, coward, could refer to any number of perceived flaws)

chawpinpashña - demigirl

chawpinmaqta - demiboy

yuquchu - asexual

kuyachu - aromantic

kaqllapura kuyay - homoromantic

chiqanpura kuyay - heteromantic

iskaypura kuyay - biromantic

llapanpura kuyay - panromantic

iskaypura yuquy - bisexual

kaqllapura yuquy - homosexual

chiqanpura yuquy - heterosexual

llapanpura yuquy - pansexual

(*doesnt take sexuality into account FYI)

(green text indicates brand new words)

main sources used:

Wiktionary, QichwaDic 2.0, Promsex, Glosbe

How To Write A Chase Scene

Before anyone takes off running, the reader needs to know why this matters. The chase can’t just be about two people running, it’s gotta have a reason. Is your hero sprinting for their life because the villain has a knife? Or maybe they’re chasing someone who just stole something valuable, and if they don’t catch them, it’s game over for everyone. Whatever the reason, make it clear early on. The higher the stakes, the more the reader will care about how this chase plays out. They’ll feel that surge of panic, knowing what’s on the line.

Sure, a chase scene is fast, people are running, dodging, maybe even falling. But not every second needs to be at full speed. If it’s too frantic from start to finish, the reader might get numb to the action. Instead, throw in some rhythm. Use quick, sharp sentences when things get intense, like someone stumbling or almost getting caught. But then slow it down for a second. Maybe they hit a dead end or pause to look around. Those brief moments of slow-down add suspense because they feel like the calm before the storm kicks up again.

Don’t let the setting just be a backdrop. The world around them should become a part of the chase. Maybe they’re tearing through a marketplace, dodging carts and knocking over tables, or sprinting down alleyways with trash cans crashing behind them. If they’re running through the woods, you’ve got low-hanging branches, roots, slippery mud, and the constant threat of tripping. Describing the environment makes the scene more vivid, but it also adds layers of tension. It’s not just two people running in a straight line, it’s two people trying to navigate through chaos.

Running isn’t easy, especially when you’re running for your life. This isn’t some smooth, graceful sprint where they look cool the whole time. Your character’s lungs should be burning, their legs aching, maybe their side starts to cramp. They’re gasping for air, barely holding it together. These details will remind the reader that this chase is taking a real toll. And the harder it gets for your character to keep going, the more the tension ramps up because the reader will wonder if they’ll actually make it.

Don’t make it too easy. The villain should almost catch your hero or the hero should almost grab the villain. But something happens last second to change the outcome. Maybe the villain’s fingers brush the hero’s coat as they sprint around a corner, but they manage to slip out of reach just in time. Or maybe your hero almost gets close enough to tackle the villain, but slips on some gravel, losing precious seconds.

And Don’t let the chase end in a way that feels too predictable. Whether your character gets away or is caught, it should be because of something clever. Maybe they spot a hiding place that’s almost impossible to notice, or they use their surroundings to mislead their pursuer. Or, the person chasing them pulls a fast one, Laying a trap, cutting off their escape route, or sending the hero down the wrong path. You want the end to feel earned, like it took quick thinking and ingenuity, not just dumb luck or fate.

if you have any questions or feedback on writing materials, please send me an email at Luna-azzurra@outlook.com ✍🏻

Lincoln Appreciation Week 2019 ↳ Day Three: Favourite Relationship - Linctavia

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BELLAMY BLAKE WEEK 2023 ⇢ DAY 2: Favorite Trait Protective!Bellamy (Clarke Edition)

“Bellamy! Are you alright?”