Cursed Footage Returns.

Tw: Child abuse

While I don’t envision Harry to be a particularly jealous person in the books, I can’t help but think about certain situations with Severitus where that emotion might come out.

I especially think about it when fanfics depict Severus as a protector for abused children in slytherin or Hogwarts as a whole. I think Harry seeing how Snape treats other children compared to him would enrage him.

Just seeing everything that he could have if things were just a little bit different, if he was sorted into slytherin, or if he just had a different father, or some other insignificant thing, he could have had the love, care and protection he always wanted. He could have had someone on his side who actually fought for him, was willing to do the hard stuff for him.

But he doesn’t just get jealous of how Snape treats other children, he gets jealous of the fact that Snape FINDS OUT about the other children’s abuse. He sees how easily Severus seems to pick up on other kids flinching, hiding injuries, or peculiar behavior, taking them aside after class within the first year, first month of school. Yet, after years of knowing him, Snape seems to have no clue. He sees that and can’t help but think why not him as well, he gets so so angry.

The anger and jealousy doesn’t stick however as he just ends up thinking maybe the way the dursleys treat him isn’t so bad, after all, if the number one person in the school for detecting abuse can’t see it, maybe it’s not actually abuse. And anyways, he should be grateful the other kids have someone to go to.

And somewhere deep down he thinks it’s his fault, because he has gotten rather good at covering up their tracks over the years. How can he blame the Professor when he purposefully hides the evidence?

Anyways hope yall enjoyed this rant :D

Death(s)

Death is a merciful being, or so he, himself thought. He, who stood at the pinnacle of magic, in his life granted mercy to those who he dearly loved. One and foremost to his lover and others to those who, he could call his “sons”.

The three brothers, grew up with pain embedded into their flesh and bone. The first brother received it from the way he was brought to this world, the second alongside his mother received it from his own father, and the third received it from the family that was supposed to raise him. But alas, they continue to survived and finally meet death halfway through their life. Death seeing himself in them, welcomed and congratulate them for surviving.

Death asked them what is their most deepest desire.

The eldest brother, wished for power, magic more powerful than any in existence. The second brother, wished for protection for the one he loved. And the third brother, wished for his life to be void of pain. Death guided them to achieve their wish but never granted them any of it directly. Even though he had the power to granted it in seconds. In the end, none of his sons’s wish came true, since to be loved by death only means to gained his mercy. His mercy to then orchestrated your death the way he thought you wanted to. But beware, for his mercy is not freely given, for everything came with a price especially for his love.

Death loved his sons, that’s why he keeps delaying their death even though their flesh already rotted, blood coated into black, and their bones snapped with each step they took. Death gives mercy, as he is a merciful being. his hands shall be clean and devoid of his sons’s blood. For his sons, he allowed one to kill him directly, one to kill his younger siblings, and one to end them all. As he watched their downfall from his throne, death smiled to himself, praising himself to be the one who saved these poor souls from misfortune. His three beloved sons. His masterpieces. His very own deathly hallows.

Little prince

Sukuna is so cute dusting himself 😭😭

If anything, Sukuna has class

TRANS WOMEN ARE WOMEN

I love #Harrypotter but I totally hate all of JK Rowling's transphobic comments. I wanted to make a drawing, it seemed appropriate that it be in the month of June . Amo #Harrypotter pero aborresco totalmente todos los comentarios transfobicos de JK Rowling. Queria hacer un dibujo, me parecia apropiado que sea en el mes de Junio . instagram, tiktok, youtube, twitter, threads: _natu_art_ . . .

Two up, two down

We talk about Potter as a timeless series, as quills and parchment will never date, but there are a few key elements which are of their time, and I sometimes suspect that eventually, their original meaning may be lost.

Snape’s house in Spinner’s End is one of these.  If you visit Surrey, a house akin to Number 4 on Privet Drive can be found on hundreds of identical estates.  Indeed, the three-bedroom house with a garage, and both front and back gardens, situated on a private housing estate in leafy surburbia is one that most British people will have strolled through at some point.

But Snape’s house in Spinner’s End is the opposite of the Dursleys’ aspirational abode, and is somewhere that few modern readers will have seen in its original form with their own eyes.  Snape’s house in Spinner’s End is a traditional two up, two down through terraced house, mired deep in a maze of identical cobbled streets, overlooked by a looming mill chimney, and seemingly – by the 90s – entirely abandoned.

The difficulty that some may have in accurately picturing this scene is because these houses, in this state, no longer exist.  A large percentage of two up, two down terraces were demolished as part of slum clearance, which should tell you all that you need to know about the state of the houses.  

Those which remained have been extensively modified – usually knocking down the privy (outside toilet), and then building a two storey extension across the bulk of the yard to create a third room downstairs, and a bathroom upstairs.  Some houses only have a single extension; it is rather common in some areas of the Midlands to have a bathroom that leads off the kitchen downstairs – because the bathroom was the missing room, and it was cheaper to build one storey than two.

Pottermore had an article earlier in the year which explained how the filmmakers originally wanted to film on location, but could not, because the houses simply did not exist in their traditional state.

The houses were typically constructed with two rooms downstairs and two rooms upstairs with a tiny backyard entry leading to the outhouse. Craig actually considered shooting on location, but even though the buildings were intact, they had been brought into the modern era, with up-to-date kitchens and plastic extensions, so the set was built at the studio.

Throughout the 20th century, cobbled streets were routinely replaced by various other road surfaces, namely tarmac and asphalt – and, of course, the scarcity of cobblestones now means that such streets are aesthetically desirable.  However, the cobblestones in Spinner’s End are not an indication of affluence, but an indication of an area left behind. This is further illustrated by the rusted railings, the broken streetlights, and the boarded up windows.

These were workers houses, often funded by the owners of the mill, and therefore tied – meaning that rent was deducted from your wage before you received it.  There were benefits to being in tied accommodation, including being close to work and having a guaranteed landlord – but that was as much benefit to the mill owner as the worker.  Seeing great competition, some mill owners invested in their properties to entice workers – but Spinner’s End is not an example of this; Spinner’s End would’ve been regarded as little better than a slum even when fully occupied.

The narrow streets are indicative of when these houses were built, presumably in the late 1800s – cars were not a concern, and the attitude was to build as many houses on as small a piece of land as possible.

By the time the 90s roll around, and we see Narcissa and Bellatrix descend upon the street, Spinner’s End appears to be mostly deserted.  With the closure of traditional manual industries, families would be keen to relocate to where work could be found.  Estates which hadn’t already been cleared by the 60s would find themselves left to rack and ruin, their former occupants long gone – whether seeking a new life elsewhere, or having died.

For once, Bellatrix is not being anti-Muggle when she sneers at the Muggle dunghill; she is unnervingly accurate. It is a slum by her standards, but most importantly, it was a slum by everyone else’s standards as well.  By the time Severus was born, work should’ve been well under way to clear the area, or to renovate it.  This evidently did not occur – which itself explains how undesirable the area is; nobody wanted to spruce it up - they wanted to leave.  There were no jobs, no amenities, no services – and eventually, no people.

We often ponder why Snape remains at Spinner’s End, but perhaps there lies the answer; he wasn’t just hiding from the magical world, but he was also hiding from the Muggle world as well…

Capeless Vader

how to draw arms ? ?