Alphabet Soup

NSFW alphabet challenge (request) pairing: grey!Wally Clark x fem!reader premise: the journey of a clandestine love affair at several stages because Wally Clark craves what he can't have and refuses to keep his hands to himself. and you live for it. (Janet and Wally are dating to increase their social value. Meanwhile, Wally wants to get closer to her step-sister. You.) warnings: smut. AU - modern setting. romanticized toxic behavior. cheating (not on you). egregious use of the word 'baby'. all oneshots for this collection will be linked as they come out.

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A is for the addiction Wally develops once he sets his sights on you. He's feral with it. Can't get enough of your skin under his fingertips; your shapes fitted against his; the sounds you make when he takes you apart with his teeth and his tongue and his dirty fucken mouth. So different from the public persona he sheds the second you're behind closed doors.

B is for bad ideas. Like the one that crept in behind his eyelids the instant he noticed you, cute and soft and sweet as a kitten. God, he wanted to do something about it right there. In front of the roomful of people between you, no fucks given. Wally's impulsive on a good day and reckless on a bad day, and you inspire too many fantasies that he can't not want to live out.

C is for competency, control; the single-minded intensity Wally has for every task. How he moves with a perfect combination of aggression and grace on the field, catching the ball from the QB. Touchdown. How he folds over the hood of your car and fiddles with cables and tightens bolts and fixes the rattle in the engine. How he holds his own desire at bay to bring you to the edge, over and over and over again until you sob. How he makes you come as soon as he slides home, grinds in, measured and slow, making it last as long as he wants before taking pity on you and fucking you into the mattress.

D is for Wally's dirty mouth. The things he rasps at you as he takes you apart with his fingers, his mouth, his cock. "You feel so good, baby,"—"fuck, I love the way you taste,"—"I want you to come on my tongue,"—"that's it, fuck, yeah, don't stop, baby, just like that, so good for me, such a good girl..." His fingers dig into your hips as he guides you in his lap, up-down-grind-repeat; his lips on your throat, teeth in your skin, marking you up so everyone knows you belong to someone. Belong to him.

E is for the effort Wally finds himself making to see you smile. It's stupid, he thinks, because it's not like he loves you. He's horny and putting out isn't part of the deal he and Janet made at the end of Junior year. But then he sees some jackass try to touch you, making jokes Wally doesn't find funny, drawling that he'll treat you special and make you see God as you shove and kick at him. Then you start crying and Wally sees red. Steps in. Pummels the guy's nose into his skull so hard, Wally's knuckles are scraped and bloody when he caresses your face and kisses your forehead. Promises to drive you home from the party. "Fuck that guy, baby girl, he won't touch you again."

F is for the way Wally shamelessly flirts with you. The back-and-forth you and he have when surrounded by people. Dark and husky, leaning in close with his back to Janet who's too busy with her drones to care what Wally's up to. You're fierce and funny and you flirt right back once you're comfortable enough, but Wally's had a lot of practice and knows how you get you hot with the right inflections. Eyes dark and heavy, lips brushing your ear, breath ghosting your skin while his fingers trail over your hip, "I bet you'd look better on your knees for me, baby."

G is for the God-given talent Wally has. You know the one. That one he weaponizes when he wants you to stop being stubborn, be a good girl, behave. He spreads your legs, kisses down your body, then delivers his bribe; tongue-deep inside you, making out with your pussy it's like a gourmet dessert de la crème. He could spend hours there if you let him, moaning when you grind your pretty pink kitty against him, so close, Wally, oh God—it's all he needs to sustain himself.

H is for how Wally holds you down against the mattress; up against the wall; in his lap as he sits back on his haunches, one arm banded around your waist, the other braced behind him as he rolls his hips up, sharp thrusts and deep grinds into you, "That's it, baby, keep bouncing on daddy's cock...just like that...fuck." His big hand clasps your thigh when he flips you onto your back, pushing it up as far as your flexibility will allow, spreading you open for him, wanting to get as deep as he can, wanting to make you scream his name and forget your own.

I is for the intensity of Wally's stare as he watches you from across the room, his eyes tracking you as you laugh with your friends. He strips you in his mind, licks his lips as you expose your thigh when you cross your legs. A flash of pink lace, the panties Wally asked you to wear, that make his jeans tight and his lids heavy. He cups himself through the denim, casual, sprawled on the opposite couch, gaze smoothing up your legs to your hips to your collar, fucking you with his eyes until you notice and give your friends an excuse to follow Wally to the bathroom.

J is for the jealousy Wally has to keep tightly contained in his bones whenever he sees another guy approach you. Like Jacob from Pre Cal, who flirts with you as if he doesn't know you belong to someone else. Wally is too obvious, he's aware, glaring daggers at the retinue of possible others who dare step into your space. Careful, collected, Wally has to smile like he doesn't notice them as he struts over and positions himself at your back, hands on your hips to drag you against him, ass fitted into the cradle of his pelvis. He watches in satisfaction as the dipshits take their leave with their tails between their legs.

K is for how Wally kisses you. The variety of ways. Pushy and ruthless when he's agitated; too much energy and no outlet. Or soft and slow when he just wakes up, liquid smile and heavy eyes, hand cupping your jaw like you're something precious. He nips and tugs your lips with his teeth when a teammate makes a comment just this side of not fucking funny, Gary and Wally isn't allowed to do anything about it. Sometimes, his kisses are sharp, honed, exactly what you want to feel so he can get what he wants. Always, his kisses are stolen. Behind locked doors, in dark corners, wherever he can snatch them from you without getting caught.

L is for the feeling Wally is terrified to label. The one that blooms in his chest whenever you touch him, smile at him, say his name, move, breathe, exist. Shit. It's warm and tingly and drives him to distraction because this is just a fun way to pass the time, to make things more interesting; he can't want you like that... But he does.

M is for the mess Wally makes of you when he fucks you in an alley or an empty classroom or behind the stadium. Thick cock slamming into you until you come at least twice, your panties around your ankles, his jeans at his thighs, pounding into you as he grips your hips so hard you bruise. He pulls out just enough to paint your pussy with his come, smearing it through your wetness with the tip of his cock, letting his spend and your juices trickle down your leg. And when you're forced to wipe yourself off with your ruined panties, he pockets them before you can throw them away, smug and satisfied.

N is for the fact that there's nothing Wally won't try with you, do for you, take from you. He wants everything you have to give. Is determined to taste every inch of you, from top to bottom, back to front, he doesn't care, he wants it all. He's never been this consumed by someone, thinks it'll fade the more he fucks it out of his system. It doesn't work. There's always a next time, and a next, and a next. And every time he leaves wanting more.

O is for Wally's inability to be subtle when you're around. Overt, obvious, open stares of lust when you walk into a room regardless of who else is in it. His heartbeat quickens, his breathing shallows, and he feels like a mutt in rut. All dark eyes and desirous smirks, hands grazing your body when you get close enough. He thinks he's slick, secretive, getting away with murder. But the truth is, he couldn't hide how he feels about you if someone put a gun to his head.

P is for the pleasure Wally takes in pampering you. He's a gentleman like that. What makes you happy makes him happy and, fuck, he loves to dote on you. From opening car doors to surprising you with your favorite Starbucks order. Showering you in presents he thinks you'll fill out perfectly for him. His pretty little passenger princess; a precious paper doll that he dresses up like a gift just to unwrap immediately with greedy fingers.

Q is for the question Wally wants to ask but can't. The one that makes things official. That ties him to commitment and expectation. Ignoring that you're the only place he's getting his dick wet, he's not ready for that. Until he catches himself smiling—soft and fond and affectionate—when you send a text that has nothing to do with where you want him to fuck you next. And, ah hell, maybe he does want to ask. Too bad he doesn't have the nerve.

R is for how riveted, rapturous, fucking obsessed Wally is when you ride him. No matter what he claims—"your turn to do all the work, baby"—he can't hold back, always fucks up into you, flushed, panting, hands clenching your hips and stroking your thighs and squeezing your ass. He watches your body, sweet liquid movements as you ride his cock like a goddess, and comes faster than he otherwise would. But that's fine because Wally has the refractory period of a fucking nympho.

S is for those soft, sweet, silly moments that you share. The ones he coaxes out of you during the domestic lulls between fucks. He invited you over for the weekend, Janet at some friend's lake house and Wally's parents visiting his aunt one state over. Perfect timing. And it is all hard thrusts and pinned wrists and love bites on your thighs, but then it's jokes over pancakes. Forehead kisses as he holds you in the shower. Hand-holding while you walk to the gas station for snacks, his thumb sweeping the back of your hand like he loves you. Sentimental.

T is for the toys Wally loves to tease you with. He's not afraid to introduce other means of stimulation into the mix. He'll do anything if it makes you shake apart for him; if it'll make you whimper and beg for more before you plead for him to stop, too much, Wally, it's too much, I can't as he presses the vibrator against your clit. He never listens, too enraptured by the expression of pleasure on your face, the way your body responds for him, fuck, yes, "that's it, baby, come for me again, show daddy how good you feel."

U is for how uncharacteristic, unpredictable, underutilized Wally's control has become since he started this with you. He was the image of dark and dominant behind closed doors, but, three months in, he can't keep himself in check. If he has you—against a wall, in the backseat of his car, in bed, in the shower, in. on. against—his control snaps as soon as you make a single sound of wanting pleasure. He goes feral for those noises. They're his complete undoing. And he'd surrender everything you asked for just to hear them one more time.

V is for the voice notes you and Wally swap when you and he aren't together. When he hasn't had a chance to sneak away from Janet or football practice or homework in too long and he's desperate for release. He strokes himself to the tempo of your whimpers and sighs, fucks his fist when he gets to the edge before slowing down and switching voice to video. He loves to show you what you do to him, how heavy and flushed and thirsty he is for you. "Your pussy sounds so nice and wet...now show me how you want me to fuck you, baby."

W is for every whim and want Wally indulges. Of yours. Of his. Mostly of his. Gluttonous and gourmand. You want to taste caramel on his cock? Go for it, baby. He wants to get messy with whipped cream? Okay, daddy. He wants to tease you with vibrating panties while you're trying to eat at that new place on Lasher? Okay, daddy. He wants to tie you up and spank you because you came before he said you could? Fuck, yes, daddy! ... Good girl.

X marks the spot Wally hammers into at exactly the right angle when he's feeling generous. And he always feels generous with you. He's addicted to the way you look when you come. Because he did that. He made that happen. It's empowering and euphoric and he can't get enough even though he should've by now.

Y is a word followed by 'not'. A question you ask when Wally hoists you into his arms and pins you to the wall with his hips after one of the leads in the school play asks you out. He grinds against you, cock throbbing, head angry, and reminds you who you belong to; why you can't say yes to Alex Greenberg even though it's all pot kettle black. Still, as he tears your panties at the seam and fucks you with abandon, desperate and aggressive, he makes a convincing argument.

Z is for how it ends. With her, not with you, because Wally's too far into the addiction and wouldn't last a day without getting his fix. He needs you. Wants you. Fucking shit, he loves you. So it's goodbye Queen Bee Janet and hello to her silly, sexy bombshell of a step-sister. Wally has no regrets, his hand on your ass as he walks you into Homecoming, fist-bumping his friends and saluting the principal. He loses his crown and doesn't care at all, too wrapped up in you to notice. Hands on your hips, brow against his, fitted perfectly against him like a puzzle piece.

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above and below are the links to the complete collection of Alphabet Soup. you can also find all related content HERE as well as reformatted chapters on AO3.

~ 🩵👻

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

don't stop (thinking about tomorrow)

wc: 2.3k

cw: live!reader who can see wally, fun little meet cute that freaks wally out, tw for two sentence mention of harry potter, set in 2023 but nothing with maddie happens, and as always i am writing with a plus size!reader in mind, but this one is gender neutral!reader as well so far

a/n at the end!

pt. 1 - pt. 2 - pt. 3 - pt. 4

masterlist

He was never supposed to find out that you can see him.

You could see all of them - the beatnik with the sour expression plastered on her face, the sweetheart in the jean jacket, even the blonde dude who’s always at the pottery wheel during your second period ceramics class.

You’d spent the last four years perfecting walking right past them, not looking up, not laughing at the jock’s jokes when you’re seated near them in the library.

Your ‘gifts’ are too confusing to explain, and even if you attempted to confide in someone about them, you know it would be too hard to believe.

It freaked your parents out when you were little - your comments about how Grandma talked to you long after her passing, how you waved to people on the street that nobody else could see. They never took you to be tested - worried too much that you’d get taken away or put in psychiatric holding.

So if you came home looking tired and drained, or sometimes, a little scared, your parents understood.

When you started high school, you hadn’t expected there to be so many dead people. It was so weird, seeing people your age walking around stuck in the clothes representative of their times.

You’d told your mom about the kids as you distinguished them from the living ones - sadness in her eyes growing when you’d mentioned the lanky one in 80s athletic gear. She’d gotten her own Split River yearbook from the shelf, flipped to the memorial page and pointed at Wally.

“Is that who you’re talking about?”

You’d nodded, confirming her suspicions. She’d been in his graduating class, though not in his social circles. He’d been your stereotypical jock when he was alive, for all the pros and cons of it. King of the ragers thrown after games, not always a bully, but often a bystander. Gone too soon, but quickly forgotten in the grand scheme of things.

For your safety, you’d agreed that you wouldn’t ever speak to any of the ghosts. Your mom had clocked the dreamy glaze in your eyes while looking at Wally’s picture, and while she couldn’t stop you from talking to him, she’d told you what you already knew. It wasn’t smart, and it wouldn’t end well.

In your mind, letting any of them know that you could see them would be more cruel than just letting them go about their usual business. Even if you made contact, spoke to them - hung out with them - you were leaving after graduation, and they’d be alone again, without any contact with the living world. It seemed unfair; pointless.

It’s not Wally’s fault he’s so fucking pretty.

He moves about the school the same way you do - not looking at or paying attention to the people around him - because he has no reason to believe he can be seen. It’s worked out entirely in your favor thus far, because you can stare at Wally Clark for small periods of time without him noticing. On the occasion that he turns his head in your direction, a shift of your eyes to the right or left has him believing you’re just staring off into space.

He’s so nice to look at. His slightly curled waves of black hair, gold chain gleaming under fluorescent lighting. There’s depth to him, too. When he’s around his friends, he’s energetic - bouncy, cracking jokes and patting people on the back too hard. When he’s alone, though, he seems calmer. More reserved.

You get bolder with it, the staring, lulled into a sense of safety because you’re just another face in the ever-rotating crowd of high schoolers that pass through Split River. He’d seen forty generations of kids move on at this point, stuck as a fresh 18 year old with dreams and aspirations he’ll never be able to achieve.

It must suck, having to stay behind and watch as other seniors get a chance to do what he never did. You wish you could comfort him, maybe even help him find a way to move on. It’s harder for the people who die traumatically.

So much unfinished business and pent up emotions make it difficult to find the peace needed to pass onto the next plane. It’s easy to tell -there’s always a certain aura around the sad ones. Like the air around them is heavier, darker.

You’re not complaining, though, as fucked as that may sound. Especially not when you’re lounging under a tree near the football field, not so subtly watching as a shirtless Wally picks up replicated footballs and throws them aimlessly in different directions. If you hadn’t been daydreaming about being able to talk to him, you would’ve noticed the ball soaring towards you.

You look up, just in time for the phantom ball to hit the ground next to you, bouncing to land at your feet. Absent-mindedly - and almost jokingly - you kick it away from you, suddenly aware the ball was solid against your foot. In the time it takes you to realize you just interacted with a phantom football, it's faded away into the ground, and its sender is staring at you wide-eyed.

There’s a beat of stillness, soundtracked by the cicadas and other teens on the field before you begin to move.

You scramble to throw your shit into your bag, and speed walk back inside.

“Holy shit? Wait! Hey, wait!”

He follows you, because of course he does, and you try your best to ignore the panic and guilt rising in your throat. You just keep walking, hoping that he’ll give up. He doesn’t.

“Can you slow down please? I know you can see me!”

Wally catches up to you, jogging a few paces ahead to try to cut you off. You’ve never been this close to him - you have no idea if he’ll pass through you the way you’ve seen the other ghosts pass through living people before or if you'll make contact like you did moments ago with the ball he had thrown.

It blows your cover even more than kicking the ball away, but when Wally goes to stand in front of you, you attempt to veer out of his path. And then he grabs you. Or, he tries to, anyway. He’s not fully solid, not enough to place a firm hold on you, but enough for you to genuinely feel it.

His hand does go through you, but there’s resistance to it. It makes you shiver, the ice cold sensation of his palm trying to hold your shoulder but not being able to fully grip it.

“What the fuck?” He looks down at his hands, then back towards you.

He’s caught off guard enough for you to truly get away this time. Rest of the school day be damned, you make a break for it and throw yourself into your car.

The stale air does nothing to help your nerves, your shaking hand turning the ignition to blast AC at yourself. You lean forward, resting your head on the steering wheel and try to breathe through it. This is bad. Like, really fucking bad.

You don’t know much about him, but you seriously doubt that this is the kind of thing he’d just let go.

You’re in it now, for better or for worse.

You can’t tell your mom. It’s selfish, and misguided, and you hadn’t even said anything to him, but it was something. It was yours, and you don’t want to share. It makes the guilt worse, and your drive home is spent in dissociated silence.

When you get home, your mom is in the kitchen, bouncing around to 80s music and chopping onions. The slam of the front door alerts her to your presence, and she pauses her music, concern etched in her features.

“Hey, sweetheart. Everything okay? You’re home early.”

You don’t want to lie.

“Yeah, I’m alright. Just got a headache, that’s all. Thought I should come home and take a nap.”

Spending a few days at home would probably be for the best - it would give you time to come up with some sort of plan on what to say to Wally. You have no idea what the best course of action is. He knows you can see him now. You can’t take that back and make him forget it, and you don’t even know if you’d want to.

Instead, you barrel into school the next day, head down and earphones blasting music. Your eyes don’t leave the linoleum floor except to put your bag in your locker. The grumble of frustration and annoyance that leaves your body when three Tears for Fears songs play in succession draws the attention of other students in the hallway, but you pay them no mind.

You don’t even make it to third period before you see him.

Sitting in the corner of ceramics class, shaky hands denting an already uneven vase, the slam of the classroom door makes you jump - effectively destroying the soft clay cradled in your palms.

“There you are! Dude, I've been looking all over for you.” He sidles up to you, plops down in the seat directly to your right, the heat of his gaze burning into the side of your face and making your cheeks hot. You sigh, squishing the clay down and shaking your head.

“That’s fine, you don’t have to talk. I can talk for both of us. I can just talk, and talk, and talk, and-”

Your hand shoots into the air, a frantic “Can I use the restroom please?” leaving your throat.

It’s your worst nightmare and a dream come true, being alone with Wally. He walks next to you in the hallway, and when you pass the bathroom he pauses.

“You’re not going in? I thought you needed to go.” He’s teasing, you know he is, but you still huff at him.

You keep your pace, calling out behind you, “No, Wally, I don’t need to use the bathroom.”

You don’t turn around to see it, but you can hear the slightly shocked giggle that leaves him.

“Oh, c’mon, really?”

He catches up to you, and when you crane your head to the side to make eye contact, he sucks in a little breath. It’s the first time you’ve actually looked into his eyes. It throws you off kilter a bit, and you feel the need to make up the difference with a quip.

“What, you’re Moaning Myrtle now? You feel like talking and hanging around in public restrooms?”

The laugh that leaves him surprises you, Your eyebrows raise, not expecting him to understand the reference.

“Ms. Williams plays the movies during finals week like every year,” he shrugs, “I’m dead, not blind.”

You’d taken your things with you - skipping the rest of your class to spend time with him, to answer the questions you know he wants to ask. You go back to the football field, under the same tree you’d been under when you kicked the football away from you.

He’s waiting for you to speak, to help him understand what’s going on, but the words are caught in your throat, cheeks hot and skin itchy. Your hands fidget, picking dried clay from under your fingernails and flicking it onto the grass nearby.

You look at him, trying to decide where to start.

“I’m not really supposed to talk to you.”

“Why not?” He laughs then, shakes his head a little. “It’s because I’m dead, right? Do you have a problem with dead people?”

“No, I-” You start on the defensive, but soften when you see Wally’s smirk. He’s a little shit, you should've known. You roll your eyes, “You’re not supposed to know I can see you for your own sake. What good would it do? Hanging out with me for the next three months until I graduate and you can never see me again? It’s unfair.”

He looks away from you for a second, sly smile wiped off of his face, replaced with a sadness you hadn’t seen from him before. You reach out, trying to make contact, and your hand just meets the air. When he’d tried to grab you yesterday, he was slightly more solid than he is now. You don’t know why.

“Yeah it is unfair,” He turns to face you again, brown eyes glassy and tear rimmed, “but you can see me, and that’s the most exciting thing that’s happened to me since I’ve been here.”

Something in your chest stirs, and you know there’s no universe in which you would’ve been able to stay away from him. You’re worlds apart, or planes apart, but it doesn't seem to matter as much as you used to think it did.

“I think it’s the most exciting thing that’s ever happened to me, too.”

You spend the rest of the school day - without being caught, thankfully - in deep conversation. The shrill ring of the bell signaling the end of the day cuts you off in the middle of a sentence, and you stand from your place on the grass, dusting yourself off and gathering your things.

The silence between you is comfortable now, as he walks you to your car. He can’t step off the curb - he’d explained the boundaries of the school to you, that he’d be thrown back to the field if tried to leave. You hover together, not wanting to part.

“I’ll see you tomorrow? We can hang out more, I have study hall during 5th period.” You tuck a stray hair behind your ear, and he follows the movement with his eyes.

“Yeah, see you tomorrow.”

You blast your 80s playlist on the way home, while you’re in the shower, while you’re doing homework.

Wally Clark is gonna be the death of you.

a/n: hiii i feel like this part was a little lackluster but !!!! i have a whole plan for what i want to do with this fic and i'm really excited about it. it should be four parts, but that's subject to change as i keep writing.

if you liked this and want to read more of my little stories, my masterlist is linked at the top! if you have ideas or just want to chat, my inbox is always open!

pls don't forget to like and reblog! love you mwah

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