Monster The Movie : Johan Liebert

In 2035,

Great United States of America is ruled by AI.

You can't pay a fine to a machine or something.

Freedom warriors begin to rebel.

I created a simple image with stable diffusion and then composited it in Photoshop. It was a fun job.

original ai image

FAUAP : AV4-DFUFO6G95

 The image, captured by an aviator at a significant altitude, features a UAP bearing a characteristic flat disk shape. The most notable elements are the two light sources below the UAP, creating an impressive glow against the vast sky. Above the UAP, a spatial distortion manifests as a haze, adding an extra layer of intrigue to the scene.  Under the sunlight's illumination, the UAP exhibits a reflective quality, making it appear as if composed of smooth metal. This feature, along with the overall design, becomes strikingly clear in the high-quality picture, implying the possible existence of advanced technology.  This photograph remained hidden from public view until the data from the promptyper was leaked. The image, originally preserved as film, was printed for digital archiving by the promptyper, before being digitally scanned. The later leak of this data introduced this intriguing photograph into public knowledge, sparking speculation and excitement around its origins and implications.

FAUAP : JP3-IRW-UFO9D9

 The picture presents a beach scene in Japan with a metallic UAP hovering close to the waves. The UAP, looks white and of a size comparable to a small vehicle, exhibits intriguing features such as an observation device protruding from its underside and a repossessed structure on top.  There's speculation that this might just be a drone made by some Japanese engineer. The film used is an old model. It's possible that the image was taken recently using an old camera, but this theory is contradicted by the path of the leak and the time recorded at the time of the leak. This discrepancy makes it difficult to precisely determine when the photograph was taken, although it's believed to be from the mid-90s.

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.

 For us in our childhood, Vegeta was a terrible villain at first, but it became more and more like a symbol of 'Tsundere'. It was quite an impressive memory for me as a child.

 I thought that Saiyan's hairstyle would be very strange when imagined as a live action movie. But once I've tried it, it's within the bounds of recognizing it as an existential hairstyle.

 *To mention the meme It's over 9000, '8,000' is the official figure. (in japanese version.)

FARAS-1947 : 

Extraterrestrial Spacesuit Recovered from Roswell UFO Incident Debris

July 28, 1947

 Approximately four weeks following the UFO crash incident in Roswell in June 1947, a local farmer, Mac Politz, discovered what is presumed to be an extraterrestrial spacesuit on his property. FARAS-1947 report presents a detailed description and specification analysis of the discovered spacesuit.

 The spacesuit appears to be made of a composite material, with a particularly noticeable rounded visor. On each side of the helmet, there are plugs, presumably for connecting auxiliary devices. These might have been used to expand the functionalities of the spacesuit or to operate individual equipment.  On the interior hood of the visor, at the forehead section, there is a symbol that resembles a logo. This could potentially be an identification mark of the extraterrestrial civilization that manufactured the suit.  On the front of the suit, symbols similar to the alphabets 'O' and 'X' are drawn. While these could potentially be interpreted as the language of the extraterrestrials. It is hoped that the meaning can be grasped through the interpretation of the semiotic structure found in spacesuits and other recovered items.  Another notable aspect is the third sleeve emerging from the left side of the suit. This sleeve is presumed to be for an auxiliary arm, suggesting that the extraterrestrials could perform various tasks more efficiently.

Specification Analysis :

 The visor shows signs of wear and tear, indicating that the extraterrestrials used this spacesuit for a considerable period of time. This evidences the superior durability of the suit and is representative of the advanced technological capabilities of the extraterrestrials.

 The spacesuit itself provides basic protection, including thermal regulation and pressure maintenance. However, auxiliary components that would have been originally attached to the plugs on either side of the helmet are currently absent. It is inferred that these components would have performed a variety of functions, though it remains speculative without the actual components for examination.

 The extraterrestrial spacesuit demonstrates not only high technological capabilities and sophisticated design but also offers a unique insight into our understanding of extraterrestrial life and its advanced civilization. Further studies are necessary to fully comprehend the potential implications of this discovery.

 It has been treated as essential data for the design and establishment of the Apollo program and is believed to have been leaked through the PTAC(Promptyper Archive Company) involved during the planning period.

FARAS-1947 : 

Extraterrestrial Spacesuit Helmet Recovered from Roswell UFO

July 30, 1947

 This is a summary from the leaked FARAS-1947 document, which covers a different type of helmet than mentioned in the previous report.

 The helmet, distinctly larger and more streamlined than the previous one, is characterized by its robust, chalky white exterior. Unlike the previous helmet, which featured a large, transparent visor for easy observation of the surroundings, this helmet is equipped with a considerably narrower visor in the frontal area, suggesting a greater emphasis on functional attributes such as protection and internal heads-up display (HUD) capabilities.

Specification Analysis:

 This helmet's design and features could indicate that it was used for more specialized activities, potentially combat. The narrowed visor and the presence of the internal HUD suggest that it was built to prioritize user safety and information feed in high-risk situations.

 The connector terminal on the left side could be used for attaching various equipment or accessories, although without the actual components for examination, the specific purpose of this terminal remains speculative.

 Aliens appear to have tried to thoroughly destroy accessories connected to the helmet terminals and hide or dispose of helmets if possible to comply with their own technology leak prevention protocols.

Conclusion:

 The discovery of this advanced helmet adds another layer of complexity to the ongoing FARAS-1947 investigation. Its unique features hint at a more specialized use, possibly combat-related, underscoring the technological prowess of the extraterrestrial civilization that created it. Further studies and continued analysis are required to fully understand the nature and purpose of this artifact.

FARAS : Other Possibilities

 I've been trying to create several interesting images of Roswell aliens for a while. I'm going to reveal a few images here.

 Aliens are usually depicted naked. But if they're intelligent, they'll wear clothes. In that sense, I also tried to dress them in clothes that reflect their own culture.

 If aliens are physical beings, they may also be powerless individuals like us after being isolated from their advanced technology. What if the aliens that crashed into Roswell in 1974 were some kind of bored millionaires who were traveling in space, and the UAPs that are coming now are search teams to find them?

 How does it feel when you meet aliens? We don't know what they're going to do after landing or crashing, but it's going to be a very strange feeling when you first encounter them.

 If aliens were within Area 51, they would have wandered there in their own way. Are there any lucky people who would have witnessed such a sight?

 Aliens may look like us, or they may be very different. Could they breathe in the Earth's atmosphere? In many parts of the outer world, will each intelligent creature reach a similar form through some sort of convergent evolution? Or did it evolve into something completely different in a completely different environment?

 I want to move on to a different topic for a while after this work. I think many people were surprised by the recent disclosure of the hearing that alien bodies are being kept in the United States. I'm really curious about what the truth is.

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 When I was a child, the concept of being an artificial person itself felt strange, and it felt very scary to have numbers on their names.

 I actually barely remember the process of her pairing up with Curirin. I was attending an academy at the time, so I couldn't remember the contents in between. I think I'll have to watch it again someday. In the process of turning us humans into humans, I think reading comics and manga well also plays a pretty important role. Much of our childhood memories are cartoons, manga, and animations.

Doom : Rip and Tear The Live Action Movie Poster

 I made a live-action movie poster for DOOM.

 It was thought that the process of coordinating the description between the symbolic form of the original DoomGuy in the game and the details suitable for realistic movies would be quite difficult. But I was able to finish this work easily, because I found a good LoRA that someone had made.

 The image resource of DoomGuy in the game seems to have quite short arms, which continued to apply to the results. I tried to offset this with a few prompts, but when I lowered the weight, I had a problem moving away from DoomGuy shape. I just decided to supplement this in Photoshop.

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.

 Frieza remains one of the most terrifying villain in my memory. I rarely saw Dragon Ball Z on the air to attend the academy on time, but I don't know if this Frieza, who appeared in his spare time, was a man or a woman, and I was really scared to see a huge force coming out of his fingers.

 And as we'll find out later, Frieza is obviously a villain, but he's quite gentle and funny. Decades later, many people were reevaluating Frieza (such as using honorifics for subordinates and enemies)  It is hoped that in order for today's growing children to be able to see Dragon Ball again, one day they will have to expand to other media or remake it.