“I believe like a child that suffering will be healed and made up for, that all the humiliating absurdity of human contradictions will vanish like a pitiful mirage, like the despicable fabrication of the impotent and infinitely small Euclidean mind of man, that in the world’s finale, at the moment of eternal harmony, something so precious will come to pass that it will suffice for all hearts, for the comforting of all resentments, for the atonement of all the crimes of humanity, for all the blood that they’ve shed; that it will make it not only possible to forgive but to justify all that has happened.”
— Fyodor Dostoevsky, The Brothers Karamazov
tacita dean
zoleikha with her handmaidens after her second dream of yousef / yousef and zoleikha united after potiphar's death, 16th c., iran
Dogwood and Dead Vine, 5 4 21, Photo by Joe Bruha, Copyright 2021
Feelings unspoken are unforgettable. Nostalghia (1983) Directed by Andrei Tarkovsky
The Black Panther’s Free Breakfast for Children Program is probably their best-known initiative, the press finding an intriguing story juxtaposing the Panther’s tough-guy-in-leather-jacket image with the act of serving small children plates of hot food. Importantly, it was mostly women who led these survival programmes, and women made up a majority of the Panther membership. They served in leadership roles from ‘Officer of the Day’ (essentially the office – and people – manager for each branch), to organising the many details of a location’s breakfast programme to initiating and leading food justice, healthcare and housing programmes within neighbourhoods.
So why does the image of the Panthers as a masculinist and violent organisation persist? The answer lies in part with media distortion, influenced both by the sexism and racism that misrepresented the Panthers. There was also a misinformation campaign by the FBI, led by J Edgar Hoover, waged against the increasingly popular Panthers, which had an enduring impact on how people saw them.
Nostalghia (Andrei Tarkovsky, 1983)
Roy DeCarava, Woman walking above, New York, 1950
The Choice of Evil © Marilyn Kirsch Abstract Painting and Photography by Marilyn Kirsch