Girls in the garden at “Orphan City,” an enormous orphan refugee camp of more than 30,000 children managed by Near East Relief in Alexandropol (modern Gyumri, formerly Leninakan), Armenia, circa 1920.
Chris Drury Covered Cairn, 1993 TICKON (Tranekær International Centre for Art and Nature), Langeland, Denmark. This was commissioned as a temporary piece and comprises a cairn of glacial boulders enclosed by a dome of woven sticks
Sebastião Salgado. Asháninka, State of Acre, Brazil, 2016.
“How quickly we exile the truth of love from the love of truth.”
—
Richard Jackson, from “The Rivers,” The Heart as Framed: New and Selected Poems (Press 53, 2022)
“Sevginin hakikatini nasıl da çabucak ayırıyoruz hakikatin sevgisinden.”
Yani diyor ki gerçek sevgi hakikatin sevgisinden (doğruluğa bağlılıktan) ayrılamaz. Ama genelde şöyle düşünmeye meyilliyiz: “Doğruyu bildiğim halde ona uygun davranamam. Eğer doğruyu söylersem dışlanırım (dokuz köyden kovulurum), daima doğruya bağlı kalırsam zarar görürüm, yoksa ben iyi biriyim ve gerçek sevgiyi hak ediyorum.” Hayır, etmiyorsun.
“Back in 1924, he [Paul Robeson] was rehearsing the last act of The Emperor Jones, and script called for Jones to exit, hands in his pocket, whistling a tune. Robeson said he couldn’t whistle. The director said, ‘Well, hum… or sing, if you want to.’ And that’s the beginning of his singing career.”
— From the documentary Paul Robeson: Tribute to an Artist (dir. Saul J. Turell, 1979)
Hieronymus Bosch - Scenes from the Passion of Christ, Reverse of Painting “Saint John the Evangelist”. 1489
Andrey Tarkovsky: A Cinema Prayer (Andrey A. Tarkovsky, 2019)
The Key To Nothing ⥲ Aide-mémoires séri. Tanya Rusnak, Décembre, 2019
Nell Dorr, 1939
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Manuel Álvarez Bravo
Mexico