Since I read the 5º book I knew I needed to draw this scene, I know there are already a lot of drawings about this, but still I couldn't resit to do my own version. Kaladin is my fave character and seeing him finally being happy and enjoying life made my heart melt.
btw, I got a little carried away drawing them and ended up sketching two different versions! XD For the second one, I wanted the two of them to look like constellations in the Cosmere sky :')
And some extras! A close-up and clean version:
It really hurt when Hoid respawned after being vaporized and immediately frantically wanted to go back. He's been such a strange character in these 5 books. I've never been able to unhear him saying he'd let Roshar burn before he let Odium free (presuming that is what he meant), but when push came to shove even he admitted that he didn't know if he could do that. He loves that world. He loves the people on it. He didn't want to return because he thought he actually had a chance at stopping Retribution, he wanted to return because people he loved were there and he didn't want them to suffer alone.
It's only after he realizes that Roshar actually has a genuine chance at winning that he stays where he is. Because Dalinar did something wonderful and frightening and brilliant, and Hoid can use that.
He can do more to help by influencing the other worlds to grow in the ways they need to, and trying to convince the other Shards to listen. And so when he does come back to the place and the people he loves, he will be prepared to help them win.
In the forest
Adorable! I love them
letterpress postcards by Pottering Cat, Japan
Winter
One of my favorite parts of The Stormlight Archive, especially The Way of Kings, is how Sanderson introduces this deeply alien landscape to us. He does so mostly by not introducing things specifically, only narrating as if the viewpoint character were looking at normal stuff that everyone sees all the time—which, to them, they are! Sanderson also often uses one-off names for things, like I think he uses the word "chull" before he actually describes one, and leaves you, the reader, to make your assumptions on what those words could mean. Often you assume you're in "rabbits are called 'glips'" territory, where normal things are called by a fantastical name just for flavor.
The reason why I like this is that you get some moments that are... the closest feeling I can compare it to is "dawning horror," when you realize your assumptions are wrong. Like I heard about "songlings," and I assumed, "Ah, yes, birds!" And then I heard about axehounds and I assumed, "Ah, dogs :)"
And then you actually encounter songlings in the text and. Oh. They're cricket-crab things. Uh.
And then Sanderson actually shows you an axehound and it's even worse, it's a crab-dog!
After that you're left sweating. What else is actually crab? Are the horses secretly crabs? They keep mentioning hogs, but we never see a hog described, are they actually crabs??
But the answer is no. They're just pigs. Brilliant.
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