Writing Subplots

Writing Subplots

Who doesn’t love a good subplot? Some of my favorites books are the ones that have super interesting subplots because who doesn’t love hearing about that secondary character development arc or those lovely side characters with the inevitably doomed romance? What’s not to like? But, subplots can often be one of the hardest to write and the most misunderstood storytelling elements. They aren’t part of the main narrative thread, so they can’t overtake it, but they also need to have their own story arc separate from the main plot. It’s a delicate balance that can be kind hard to strike, because subplots aren’t just secondary plot-lines, they have to serve a narrative purpose and engage with the story’s central conflict. 

First, let us define some different kinds of subplots

Mirror Subplot: A subplot where a side character experiences a conflict that mirrors the protagonist’s main conflict and gives the protagonist the insight or motivation they need to resolve their own conflict.

Romantic Subplot: The protagonist’s relationship with a love interest complicates their journey to resolve the story’s central conflict.

Parallel Subplot: a subplot where something seemingly unrelated occurs at the same time as the main plot and then all of a sudden the two plots collide towards the end of the book.

Complicating Subplot: a subplot where a secondary character’s actions actively complicates the protagonist’s journey with the central conflict

Foil Subplot: a subplot where a secondary character experiences the same or a very similar conflict as the protag but wants to resolve that in a different way (this contracts or creates a “foil” that highlights the protagonists qualities and characteristics)

There are a lot more different kinds of subplots, but these are some of the most common, so here are some tips for writing subplots!

Is That Necessary? 

This is the first question we should ask ourselves anytime we add anything to our stories, but especially subplots. Sometimes, authors (meaning me) will get to the end of writing their first draft and realize that they are not anywhere close to their goal word count. To remedy this, they will just throw in a cute little subplot. Unfortunately, friends, this does not work. The best, effective subplots should be integral to a story’s central conflict. If you can remove your subplot from the story without their being a big impact on the central conflict, then the subplot doesn’t really serve a strong narrative purpose. We most often see this problem arise in romantic subplots. Authors will just throw in a romance or the dreaded love-triangle as a subplot for absolutely no reason. I’m the first person to admit I love a good romantic subplot, but I also like it to be there for a good reason. That is why the Hunger Games will never go out of my top five all time books/series because despite what a lot of people think the romantic subplot in that story is essential. Katniss and Peeta’s love story is the reason they both survive the Games which is the central conflict of the book. It works perfectly, and if you want a good example of a subplot done well, look no further.

Keep the SUB in Subplot

Honestly, sometimes the subplot really is better than the main plot. That’s not necessarily a good thing, but I think we have all read a book where the main plot just drags and you just can’t wait to get back to your favorite side characters and their little adventure. But, a good subplot shouldn’t steal the limelight from the main plot. It should enhance the main plot and maybe add a layer of complexity but never overshadow. Going back to my example for the day, the Hungers Games does a really good job of this. I read something once where someone said Katniss’s romance overshadows the Games and the Rebellion, and I was like, did we read the same book? If you go back and read the books, Katniss doesn’t think about her romance with Gale or Peeta all that much. She’s mostly thinking about her own survival and the survival of her family. Both of which relate directly to the main plot. We never forget about the romance in the book because it is important, but in my opinion, it never overshadows the main plot of the Games and the Rebellion even in the first book where it’s more heavily featured. 

But, Its Still A Plot

On the flip-side of that, even though the subplot shouldn’t overshadow the main plot, it still needs to follow its own narrative arc. This is where a lot of new author’s get lost. A subplot is way more than just a short conversation or a quick event that inconveniences or helps the protagonists. All your subplots need their own beginning, middle, and end. Make sure that you definitely developed all of your story’s subplots accordingly. That includes paying attention to all of your characters’ goals, motivations, and the conflict that they experience. Generally when I’m in the development stages of the subplot, I develop it the same way that I develop one of my main plots. While they do not necessarily need the same attention or development as your main plot, developing them with the same goals in mind will only help you in the long run!

More Posts from Scritohr and Others

8 months ago

Prompt: Either Time and Malon have announced they're having a baby or Malon has just had a baby and they're introducing them to the chain when Time finds some big insecurities from one of his boys he doesn't expect; Wild. Thing is, Time (and to an extent Malon as well) is the only parental figure he knows. Any memories of his parents are long gone along with any record of who they might have been so Time acting in a familial manner means a lot to Wild. But he's worried now that the man is an -actual- father that it means he'll be withdrawing that affection from the chain (himself, really) in favor of focusing on his child. Time goes above and beyond to prove him wrong.

Sky glared grumpily at the postman as he delivered mail to everyone. Legend snickered and elbowed his friend, making the usually cheery knight even more sour.

“Chin up, Sky,” Wild chuckled. “Nobody can outrun that guy from what I can figure. At least that’s what the old man says.”

Time didn’t even flinch at his mention. It wasn’t new - he tended to tune out the younger ones what they got rambunctious. But something about the intensity of which he was looking at his letter from Malon caught Wild’s attention.

“Everything okay?” Twilight asked, also picking up on it.

Time glanced at Twilight, eye fixed on the younger man, then back at the letter. Then he closed both eyes and smiled.

“It’s fine,” he said quietly, folding the letter.

“That looks like more than fine,” Warriors noted, wiggling his eyebrows. “What are you hiding, old man?”

“Is Miss Malon okay?” Wind asked, poking his head over Warriors’ shoulder, having been sitting on the ground behind the captain, who had plopped on a stump.

“She’s fine,” Time replied warmly. Then he sighed a little, gentle cheer dashed by a cool, worried gaze.

“That wasn’t very convincing,” Four whispered to Twilight.

Time glanced around at the group, now that everyone had honed in on him. Then he seemed to come to a decision, huffing a little and saying, “Since none of you seem to know how to mind your business, then I’ll tell you.”

Warriors scoffed, “I’ll have you know I am perfectly capable of minding my own business until gossip is involved.”

Hyrule laughed. “It’s pretty funny listening to people’s drama in town, honestly. But I hope there isn’t drama in your house, old man.”

“There isn’t,” Time assured him. “But there will be someone new living there.”

“Is it that Ingo guy you got mad about?” Sky asked, tilting his head to the side.

Time outright laughed. “No, Sky. No. It’s… Malon’s pregnant.”

The group went silent for a long while before it burst into excited chatter. Warriors was the first to congratulate Time, with Sky coming shortly after, followed by Four and then everyone else in quick succession. Wind excitedly asked about baby names, Sky interrogated him about what course this journey might take now, if they should find a way to return to Lon Lon Ranch—

That was probably the point that Wild felt his stomach twist into knots.

He didn’t quite know what was wrong, at first. He congratulated the old man alongside everyone else. This was a great occasion, after all. But Sky mentioning how maybe Time would want to visit Malon really made Wild realize…

Was he going to leave the group now?

Wild… didn’t want him to leave.

It wasn’t that he was particularly close to Time, more so than the others. Wild was closest to Twilight, after all. But… something about the eldest Link was… comforting. Guiding. Wild couldn’t put words to it, except that… it reminded him of… he didn’t know. He just… he couldn’t remember anything. He didn’t know anything. But the Hero of Time became a staple in his life the last few weeks, a father figure of sorts (and he knew he wasn’t alone in this—the worried disappointment that Wind was trying to hide, the way Legend suddenly became aloof as if already distancing his heart from the matter, the way Sky took four steps away from their leader after running up to him to congratulate him—these were all indications of the same sentiment) when Wild could hardly remember any family at all… and he… was going to lose him too.

He supposed the only true constant in his life was Zelda.

It wasn’t as if he didn’t know this journey would come to an end, but he hadn’t expected their group to lessen during the journey. It had been horrifying when Twilight had almost died - now Time was going to just leave them? Leave him?

Wild found he couldn’t speak after his initial words of cheer for the old man, and he started to slink away into the woods. He wandered aimlessly, shivering a little, feeling far more alone than he had in a while. He tried to cheer himself up with some kind of logical argument—even if he does leave, you still have the others, you have your brothers, you have Twilight—but none of it quite filled the hole that was quickly forming.

At least this time he’d have a chance to say goodbye.

Wild eventually made his way back to the camp just in time - Warriors had been readying to search for him, and he didn’t want to cause such a fuss. He avoided Time for the rest of the night, settling in to take first watch as everyone else went to bed.

He hadn’t expected Time to sit beside him.

“Something’s bothering you,” Time said. It wasn’t a question, but it was held in the air like an invitation.

Wild sighed. “I… wouldn’t worry about it. We’ll find a way to get you home, old man. Wouldn’t want you to miss your actual family.”

There was a period of silence, only interrupted by the crackling of the fire. Wild felt a strange ache in his chest, a longing for someone he could no longer remember. He shriveled into himself a little, shoulders slumping, letting time pass by as he looked into the flames.

“Link… I’m not going home.”

Wild didn’t register the words for a moment, still lost in his own mind and thoughts, before he blinked and glanced over at the older hero. “Wait, what?”

“My place is here,” Time explained quietly, almost what seemed gently. “I would never abandon all of you like that. I love Malon dearly, but she isn’t my only family.”

Wild wasn’t sure what to say to any of this, but the hope in his heart couldn’t be ignored, and he burst out, “You’re not leaving us?”

There was something about Time’s expression that Wild couldn’t quite read. The older hero’s eyebrows seemed to relax from their previously stern position, face softening, eye looking Wild over. “No, young one. I’m not leaving. What we will do, though, is turn back towards the town. I want to write to her. I want all of us to write to her. We’ll have to keep tabs on how she’s doing far more often.”

“Why all of us?” Wild asked.

Time reached forward, messing with the teenager’s hair as he smiled. “If I’ve had to parent all of you, then you’re certainly earning the right and responsibility to ensure your new little sister is alright.”

Wild yelped a little at the gesture before laughing a little, swatting Time away. “Sister, eh? You think it’s a girl?”

“Goddess, I hope so. I have enough boys to take care of.”

Wild’s laugh nearly woke the entire group at that remark. When he’d settled, Time smiled at him, laying a hand on his shoulder. The gesture was reassuring, a physical representation on the promise that Time hadn’t spoken. He didn’t need to. What he’d said was enough.

The ache in Wild’s chest didn’t squeeze quite so hard. But he yearned for the contact, and so he leaned forward a little, just a little, just enough to be perceived without invading the man’s space. Time understood the motion for what it was, and he smiled a little more, pulling Wild into a hug. For the briefest moment the champion felt a little silly or embarrassed at the vulnerability he’d just shown, and then he decided he didn’t care - if he truly viewed Time as a father figure then he should be comfortable showing such insecurity around him. He’d done as much with Twilight.

Twilight. Time’s descendant. Between being viewed as a brother by Twi and a son by Time, Wild actually… he really…

He let out a shuddering breath, and Time’s hand swept up and down his back slowly.

For the first time in as long as he could remember, Wild actually felt like he belonged in a group, in a team, in a family. He could imagine the Champions smiling at him, and the tears finally did fall.

1 year ago

when no one has written the exact fic to scratch a very specific emotional itch and you absolutely do not have time to write it yourself but you still want to read it dammit

1 year ago
To Whoever Needed To Hear It

To whoever needed to hear it


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1 year ago

Hot take: the Spiderverse movies are quite possibly the most relatable superhero movies I’ve ever experienced because I’ve never seen a superhero movie nail the ‘being queer and closeted’ experience down to a T

Like the AMOUNT of experiences they get down so well is just

- not feeling accepted anywhere, even within your own community sometimes, feeling like a mistake no matter where you go

- hiding half your identity from your parents (I swear to god that scene where Miles is about to tell Rio he’s Spiderman in ATSV is literally me trying to come out to my parents and chickening out, it hurt to watch)

- fearing rejection from your parents (“Dad, do you really hate Spiderman?”)

- finding out the people you look up to and trust wouldn’t accept you and would actually try to harm you and the sheer terror that comes from it (god the Prowler reveal in the first movie still hurts me)

- gravitating more and more towards friends who are also queer because they get you (aka the spideys from different dimension just gravitating together)

- just. having a secret identity, in general

- the underlying theme of the movies that despite anything, despite the world rejecting you, despite your own community rejecting you, you are valid and you are loved and you should never forget that (which is not an inherently queer experience but g o d)

I could go on, but. Just. Dammit, these movies mean so much to me.


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8 months ago
Sorry For My Absence Guys I Just Started My Junior Year In High School 🙁🙁

Sorry for my absence guys I just started my junior year in high school 🙁🙁

Anyways have this art of the silliest of bros which has been sitting in my gallery for weeks and I barely decided to color it

Art Base/reference belongs to @/E_meres.zzoA

1 year ago

I don't want to be that person, but can we, like... make fan-content of Miguel O'hara adopting every young spidy (including the live action movies) or something like that


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1 year ago

"Still...I am sorry you were born, child. I have brought you a hero's fate, and a hero's fate is never happy. It is never anything but tragic."

GOD I WAS ALWAYS GOING TO LOVE PJO


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6 months ago

Lovers to Enemies

BUT instead of bitter exes they are still so in love with each other it hurts, they don't hate each other, even if they wanted to they just can't, they're simply two poor loving and devoted soulmates doomed by the narrative where fate ripped them apart


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scritohr - No Thoughts Just Found Family
No Thoughts Just Found Family

he/they | 🇸🇻 | I write fics and make translation in ao3

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