A “Mary Sue” is that charact. Perfect; bends the story to their will, faces no meaningful struggles, and often feels too idealized to be relatable. The thing I like most is when an author makes a character, a situation, a scene, realistic. I like heavy realism in my books. I know we read to escape reality, but there's a way to do that.
1. Give Them Flaws Not the checklist kind. Not "clumsy" or "bad at math" unless that genuinely bleeds into who they are and how they move through the world. I mean the kind of flaws that crack open relationships. That drive certain choices. That make you want to shake them. Flaws should cost them something. Otherwise, they’re decoration.
2. Let Them Fail Failure is the most human thing. It brings shame, doubt, growth, all the stuff that makes a character feel alive. Let them try, and stumble. Let them mess up something important. Let them hurt people and not know how to fix it. Failure opens narrative doors that perfection just slams shut.
3. Don’t Make Everyone Love Them If every side character is just there to admire your MC, you’re not writing a story—you’re writing propaganda. Let people mistrust them. Let some hate them. Not everyone sees the same version of a person. Maybe someone sees behind their act, maybe someone’s immune to their charm. That gives perspective.
4. Make Their Skills Believable A skill with no backstory is just plot armor. If they're good at something, show why. Time. Training. Failure. Maybe they’re not even the best—just someone who works harder than they should have to. That’s infinitely more compelling than someone who just is talented for no reason.
5. Avoid Overloading Them With Traits They don’t need to be smart, funny, hot, tragic, a prodigy, a rebel, and an empath who bakes when sad. Choose what matters. Strip it down to the few traits that define them, the ones they carry into every scene. Complexity is about layers, not a pile of labels.
6. Give Them Internal Conflict We all contradict ourselves. That’s the beauty of it. Your character should wrestle with decisions. Regret them. Say one thing and feel another. Inner conflict is what separates a walking trope from a person we believe in.
7. Let the Plot Push Back The world shouldn’t bend for your character. The plot should push them, break them, make them bleed for the win. Their goals should cost something. The story isn’t just their playground—it’s the pressure cooker where they get tested. If they’re never cornered, what’s the point?
8. Ensure They Don’t Eclipse the Entire Cast Other characters are not props. Give them wants, voices, limits. They don’t exist to spotlight the protagonist—they exist to breathe life into the story. And your MC is more interesting when they’re surrounded by people who push them, contradict them, challenge them.
9. Avoid Unrealistic Morality Nobody’s always right. And honestly, it’s annoying when they are. Let them justify things that aren’t justifiable. Let them fail to see another perspective. Let them believe they’re in the right—until they’re not. Give them a compass that doesn’t always point true north.
10. Make Them Struggle to Earn Trust Trust is a slow build. People remember hurt. They hesitate. Let your MC do the work—prove themselves, fail, rebuild. Trust earned over time is more satisfying than instant loyalty that comes out of nowhere.
I hate perfect characters. Especially when it’s pretend perfection. Like what do you mean he has abs when he has no time to workout? Like what do you mean she is so put together all the time? In this economy?
let's write something raw, something realistic.
money is such an underrated accessibility option.
like people want to think any disabled person who is after money is morally suspect some way, because they're not asking for "treatments" or "accommodations" like a lot of our issues can be fixed way more easily with money. can't drive? paying for a taxi is often one of the more accessible alternatives. can't cook? you can pay more to have prepared food delivered to you. food restrictions? that food straight up costs more money. can't clean? you can pay for someone to do that. house inaccessible? having (lots) of money can help with that, you get the gist.
having money won't make us abled. it also won't stop our symptoms from being distressing, painful, or debilitating. but there's a huge gap in experience between the average poor disabled person and someone who's actually wealthy. you can buy your way out of some of the difficult situations most disabled people are left to rot in. wanting money, needing money, asking for money is pretty natural when it's such a useful tool. why get so weird about disabled people wanting money like i'm pretty sure everyone wants money anyway
Stuck on your WIP? Unsure of how a scene should go? Feel as though your story is lacking substance? Enduring with the frustrations of writer’s block?
Why not try throwing in a plot twist?
A messenger brings bad news
Something important is stolen
Someone vanishes without a trace
An important item is damaged
Protagonist recognizes a face in the crowd
Someone seems to intentionally fail
Protagonist finds an item thought lost
A charitable act has a harmful result
A cruel act has a beneficial outcome
Someone unexpectedly returns the favour
A raging storm moves across town
A gift makes a character the target of a murderer
A fallen enemy makes one last attack
Only one character in danger can be saved
An enemy saves the life of Protagonist’s friend
A will from a long-lost relative appears
A secret rival seeks to replace Protagonist
A thief makes Protagonist their next target
An obscure law suddenly becomes important
Strangers mistake Protagonist for a fugitive
A tool breaks when needed most
hi dhaaruni! i want to learn about radical feminism, could you rec some books/texts? thank you <3
YES.
Right-Wing Women, Woman Hating, and Letters From a War Zone by Andrea Dworkin
Are women human?, Only Words, and Toward a Feminist Theory of the State by Catharine A. MacKinnon
The Second Sex by Simone de Beauvoir
The Politics of Reality: Essays in Feminist Theory by Marilyn Frye
Sexual Politics by Kate Millett
Sister Outsider by Audre Lorde
The Feminine Mystique by Betty Friedan
Women, Race, & Class by Angela Davis
Invisible Women: Data Bias in a World Designed for Men by Caroline Criado Pérez
This Bridge Called My Back by Cherríe Moraga and Gloria E. Anzaldúa
The Industrial Vagina: The Political Economy of the Global Sex Trade by Sheila Jeffreys
Against Our Will: Men, Women, and Rape by Susan Brownmiller
We Should All Be Feminists by Chimamanda Ngozi Adichie
Material Girls: Why Reality Matters for Feminism by Kathleen Stock
Of Woman Born: Motherhood as Experience and Institution by Adrienne Rich
The Beauty Myth by Naomi Wolf (it was published in 1990 before Wolf went cuckoo for cocoa puffs)
On Rape and Sex and Destiny: The Politics of Human Fertility by Germaine Greer
Bad Feminist by Roxane Gay (just never look at her Twitter if you haven't already since this book really is very good and her Twitter ensured I'm never reading another book of hers ever)
And thank you for enjoying my newsletter!!
As I dive into researching signs of fear for my horror WIP, I wanted to share some of the most compelling and visceral reactions I’ve come across. Whether you’re writing a chilling scene or crafting a character’s panic, these 20 signs of fear can help bring tension and realism to your story.
Hyperventilating — sucking in air but never feeling like it’s enough
Chest tightens — feels like a weight or hands pressing down
Limbs shaking violently, knees buckling
Complete loss of muscle control — collapsing or unable to stand
Cold sweat soaking through clothes
Heart hammering so hard they feel it in their throat or head
Tunnel vision — the world narrowing down to one terrifying focal point
Ringing in the ears or sudden deafness, like the world drops away
Dizziness / feeling faint / vision blurring
Dry mouth — unable to speak or even scream
Screaming / sobbing / gasping — involuntary vocal outbursts
Panic run — bolting without thinking, tripping over everything
Clawing at their own skin / chest / throat — like trying to escape their body
Begging / pleading out loud even if no one’s there
Repeating words or phrases — “No, no, no” / “This isn’t happening”
Hiding instinctively — diving under tables, closets, or corners
Desperate grabbing — reaching for someone, anything solid
Loss of bladder or bowel control (for extreme terror)
Total mental shutdown — frozen, slack-jawed, staring blankly
Memory blackout — later can’t recall what happened during the worst moment
Edit: Some posts may be deleted
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Character Voices
Creating Distinct Characters
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Building Tension
Writing Grumpy x Sunshine Tropes
Writing Sexuality & Gender
Writing Manipulative Characters
Writing Mature Young Characters
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Things to Consider Before Killing Characters
Foreshadowing
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (+ More)
Transitions
Pacing
Writing Prologues
Dialogue Tips
Writing War
Writing Cheating
Writing Miscommunication
Writing Unrequited Love
Writing a Slow Burn Btwn Introverts
Writing Smut
Writing Admiration Without Attraction
Writing Dual POVs
Worldbuilding: Questions to Consider
Creating Laws/Rules in Fantasy Worlds
Connected vs. Stand-Alone Series
A & B Stories
Writing YouTube Channels, Podcasts, & Blogs
Online Writing Resources
Outlining/Writing/Editing Software
Translation Software for Writing
Losing Passion/Burnout
Overcoming Writer's Block
How To Name Fantasy Races (Step-by-Step)
Naming Elemental Races
Naming Fire-Related Races
How To Name Fantasy Places
Character Ask Game #1
Character Ask Game #2
Character Ask Game #3
Writing Tips
Writing Fantasy
Miscommunication Prompts
Variety in Sentence Structure (avoiding repetition)
physically go to your local library at least once. seriously.
look around. find a random book with a cover that catches your attention. read the description. read the first page. if you like the sounds of it, borrow it and take it home to read. borrow a handful of books even.
if a book loses your interest, drop it. if a book grips onto you, ride that wave.
i've struggled to read recreationally for years despite having read so much as a kid. a lot of us are frozen by the seemingly infinite choices. even when we buy books to take home, we don't read them because which book is worth reading first? we don't have to decide, we have it right here in our bookshelves, we have an eternity of never deciding.
in this past month, i have read five books, most of them i've never heard of when i spotted their cover at the library. most of them, i've ended up loving. the due date of library books maintains the ability to read a book so i can return them to the library and leave the library with more books. an even better incentive than borrowing ebooks, because i actually have to leave the house and not be a hermit.
so if you used to enjoy reading but struggle with it now, ignore the book recs you hear. go to the library, come across a book that piques your interest, and read one page after another until you either lose interest or finish the book.
then it's onto the next one.
✧ They notice what isn’t said. The gap. The silence. The missing piece.
✧ They explain complex things in the simplest words. No ego, just clarity.
✧ They pause before answering, not because they’re unsure, but because they’re calculating what not to say.
✧ They remember names. Tiny details. The kind of stuff people don’t expect anyone to keep.
✧ They don’t correct people when they’re wrong. Unless it matters. Then it’s precise.
✧ They ask smart questions and actually listen to the answers.
✧ They use sarcasm as camouflage, people underestimate snarky geniuses.
Soooo maybe an oddly specific question. Could you recommend your favorite books about politics in the last decade? Or even in the last 20 years? My school sucked and I'm trying to learn about modern politics on my own but there's so much content available that I'm lost. And you're very smart and read a lot, so I'm hoping you have recommendations. Thanks!!!
Omg thank you, I do read a lot so I’m glad someone appreciates it.
Here are my top 20 books on politics and related sociological issues. I included some of these in a list I made over Christmas but I'll add to it here, and most are from the last 20 years.
This Town: Two Parties and a Funeral — plus plenty of valet parking! — in America’s Gilded Capital by Mark Leibovich
They Were Her Property: White Women as Slave Owners in the American South by Stephanie E. Jones-Rogers
The Destruction of Hillary Clinton by Susan Bordo (pair with What Happened by Hillary Rodham Clinton)
All the President's Men by Carl Bernstein
We Were Eight Years in Power: An American Tragedy by Ta-Nehisi Coates
Caste: The Origins of Our Discontents by Isabel Wilkerson
The Cruelty is the Point by Adam Serwer
Why We're Polarized by Ezra Klein
Women & Power: A Manifesto by Mary Beard
The Soul of America: The Battle for our Better Angels by Jon Meacham
This Will Not Pass: Trump, Biden, and the Battle for America's Future by Jonathan Martin and Alexander Burns
Political Fictions by Joan Didion
A Promised Land by Barack Obama
The Origins of Totalitarianism by Hannah Arendt
Team of Rivals: The Political Genius of Abraham Lincoln by Doris Kearns Goodwin
The Optimistic Leftist: Why the 21st Century Will Be Better Than You Think by Ruy Teixeira
The Perils of “Privilege” by Phoebe Maltz Bovy
Both/And by Huma Abedin
Renegades by Barack Obama and Bruce Springsteen (usual recommendation to listen to their podcast)
Beautiful Things by Hunter Biden (As you can tell by the below excerpt, Hunter Biden is me fr fr)
the problem with addiction is not that it's pleasurable. it's not "having too much fun" disease. it's not even a requirement for addiction that you have fun at any point in the process at all and to be honest it is incredibly common that no pleasure is gained from substance use. imagining that addiction is about pleasure does two things: 1) demonises feeling good (there is nothing wrong with wanting to be happy/comfortable/etc), and 2) frames addicts as people who Like Having Fun Too Much. it's simply not useful to frame things this way as well as just fundamentally not being true
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