Avoiding The “Mary Sue” Trap While Creating Characters.

Avoiding the “Mary Sue” trap while creating characters.

A “Mary Sue” is that charact. Perfect; bends the story to their will, faces no meaningful struggles, and often feels too idealized to be relatable. The thing I like most is when an author makes a character, a situation, a scene, realistic. I like heavy realism in my books. I know we read to escape reality, but there's a way to do that.

1. Give Them Flaws Not the checklist kind. Not "clumsy" or "bad at math" unless that genuinely bleeds into who they are and how they move through the world. I mean the kind of flaws that crack open relationships. That drive certain choices. That make you want to shake them. Flaws should cost them something. Otherwise, they’re decoration.

2. Let Them Fail Failure is the most human thing. It brings shame, doubt, growth, all the stuff that makes a character feel alive. Let them try, and stumble. Let them mess up something important. Let them hurt people and not know how to fix it. Failure opens narrative doors that perfection just slams shut.

3. Don’t Make Everyone Love Them If every side character is just there to admire your MC, you’re not writing a story—you’re writing propaganda. Let people mistrust them. Let some hate them. Not everyone sees the same version of a person. Maybe someone sees behind their act, maybe someone’s immune to their charm. That gives perspective.

4. Make Their Skills Believable A skill with no backstory is just plot armor. If they're good at something, show why. Time. Training. Failure. Maybe they’re not even the best—just someone who works harder than they should have to. That’s infinitely more compelling than someone who just is talented for no reason.

5. Avoid Overloading Them With Traits They don’t need to be smart, funny, hot, tragic, a prodigy, a rebel, and an empath who bakes when sad. Choose what matters. Strip it down to the few traits that define them, the ones they carry into every scene. Complexity is about layers, not a pile of labels.

6. Give Them Internal Conflict We all contradict ourselves. That’s the beauty of it. Your character should wrestle with decisions. Regret them. Say one thing and feel another. Inner conflict is what separates a walking trope from a person we believe in.

7. Let the Plot Push Back The world shouldn’t bend for your character. The plot should push them, break them, make them bleed for the win. Their goals should cost something. The story isn’t just their playground—it’s the pressure cooker where they get tested. If they’re never cornered, what’s the point?

8. Ensure They Don’t Eclipse the Entire Cast Other characters are not props. Give them wants, voices, limits. They don’t exist to spotlight the protagonist—they exist to breathe life into the story. And your MC is more interesting when they’re surrounded by people who push them, contradict them, challenge them.

9. Avoid Unrealistic Morality Nobody’s always right. And honestly, it’s annoying when they are. Let them justify things that aren’t justifiable. Let them fail to see another perspective. Let them believe they’re in the right—until they’re not. Give them a compass that doesn’t always point true north.

10. Make Them Struggle to Earn Trust Trust is a slow build. People remember hurt. They hesitate. Let your MC do the work—prove themselves, fail, rebuild. Trust earned over time is more satisfying than instant loyalty that comes out of nowhere.

I hate perfect characters. Especially when it’s pretend perfection. Like what do you mean he has abs when he has no time to workout? Like what do you mean she is so put together all the time? In this economy?

let's write something raw, something realistic.

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More Posts from Sparklingsilvermagnolias and Others

money is such an underrated accessibility option.

like people want to think any disabled person who is after money is morally suspect some way, because they're not asking for "treatments" or "accommodations" like a lot of our issues can be fixed way more easily with money. can't drive? paying for a taxi is often one of the more accessible alternatives. can't cook? you can pay more to have prepared food delivered to you. food restrictions? that food straight up costs more money. can't clean? you can pay for someone to do that. house inaccessible? having (lots) of money can help with that, you get the gist.

having money won't make us abled. it also won't stop our symptoms from being distressing, painful, or debilitating. but there's a huge gap in experience between the average poor disabled person and someone who's actually wealthy. you can buy your way out of some of the difficult situations most disabled people are left to rot in. wanting money, needing money, asking for money is pretty natural when it's such a useful tool. why get so weird about disabled people wanting money like i'm pretty sure everyone wants money anyway


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🍀 21 Plot Twist Ideas 🍀

Stuck on your WIP? Unsure of how a scene should go? Feel as though your story is lacking substance? Enduring with the frustrations of writer’s block?

Why not try throwing in a plot twist?

A messenger brings bad news

Something important is stolen

Someone vanishes without a trace

An important item is damaged

Protagonist recognizes a face in the crowd

Someone seems to intentionally fail

Protagonist finds an item thought lost

A charitable act has a harmful result

A cruel act has a beneficial outcome

Someone unexpectedly returns the favour

A raging storm moves across town

A gift makes a character the target of a murderer

A fallen enemy makes one last attack

Only one character in danger can be saved

An enemy saves the life of Protagonist’s friend

A will from a long-lost relative appears

A secret rival seeks to replace Protagonist

A thief makes Protagonist their next target

An obscure law suddenly becomes important

Strangers mistake Protagonist for a fugitive

A tool breaks when needed most


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hi dhaaruni! i want to learn about radical feminism, could you rec some books/texts? thank you <3

Hi Dhaaruni! I Want To Learn About Radical Feminism, Could You Rec Some Books/texts? Thank You

YES.

Right-Wing Women, Woman Hating, and Letters From a War Zone by Andrea Dworkin

Are women human?, Only Words, and Toward a Feminist Theory of the State by Catharine A. MacKinnon

The Second Sex by Simone de Beauvoir

The Politics of Reality: Essays in Feminist Theory by Marilyn Frye

Sexual Politics by Kate Millett

Sister Outsider by Audre Lorde

The Feminine Mystique by Betty Friedan

Women, Race, & Class by Angela Davis

Invisible Women: Data Bias in a World Designed for Men by Caroline Criado Pérez

This Bridge Called My Back by Cherríe Moraga and Gloria E. Anzaldúa

The Industrial Vagina: The Political Economy of the Global Sex Trade by Sheila Jeffreys

Against Our Will: Men, Women, and Rape by Susan Brownmiller

We Should All Be Feminists by Chimamanda Ngozi Adichie

Material Girls: Why Reality Matters for Feminism by Kathleen Stock

Of Woman Born: Motherhood as Experience and Institution by Adrienne Rich

The Beauty Myth by Naomi Wolf (it was published in 1990 before Wolf went cuckoo for cocoa puffs)

On Rape and Sex and Destiny: The Politics of Human Fertility by Germaine Greer

Bad Feminist by Roxane Gay (just never look at her Twitter if you haven't already since this book really is very good and her Twitter ensured I'm never reading another book of hers ever)

And thank you for enjoying my newsletter!!


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20 Ways to Show Extreme Fear in Your Writing

As I dive into researching signs of fear for my horror WIP, I wanted to share some of the most compelling and visceral reactions I’ve come across. Whether you’re writing a chilling scene or crafting a character’s panic, these 20 signs of fear can help bring tension and realism to your story.

Physical Reactions

Hyperventilating — sucking in air but never feeling like it’s enough

Chest tightens — feels like a weight or hands pressing down

Limbs shaking violently, knees buckling

Complete loss of muscle control — collapsing or unable to stand

Cold sweat soaking through clothes

Heart hammering so hard they feel it in their throat or head

Tunnel vision — the world narrowing down to one terrifying focal point

Ringing in the ears or sudden deafness, like the world drops away

Dizziness / feeling faint / vision blurring

Dry mouth — unable to speak or even scream

Uncontrollable Behavior

Screaming / sobbing / gasping — involuntary vocal outbursts

Panic run — bolting without thinking, tripping over everything

Clawing at their own skin / chest / throat — like trying to escape their body

Begging / pleading out loud even if no one’s there

Repeating words or phrases — “No, no, no” / “This isn’t happening”

Hiding instinctively — diving under tables, closets, or corners

Desperate grabbing — reaching for someone, anything solid

Loss of bladder or bowel control (for extreme terror)

Total mental shutdown — frozen, slack-jawed, staring blankly

Memory blackout — later can’t recall what happened during the worst moment


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Writing Tips Master Post

Edit: Some posts may be deleted

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Writing Grumpy x Sunshine Tropes

Writing Sexuality & Gender

Writing Manipulative Characters

Writing Mature Young Characters

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Things to Consider Before Killing Characters

Foreshadowing

Narrative (+ how to write):

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Writing Miscommunication

Writing Unrequited Love

Writing a Slow Burn Btwn Introverts

Writing Smut

Writing Admiration Without Attraction

Writing Dual POVs

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Translation Software for Writing

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

Writing Tips

Writing Fantasy

Miscommunication Prompts

Variety in Sentence Structure (avoiding repetition)


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physically go to your local library at least once. seriously.

look around. find a random book with a cover that catches your attention. read the description. read the first page. if you like the sounds of it, borrow it and take it home to read. borrow a handful of books even.

if a book loses your interest, drop it. if a book grips onto you, ride that wave.

i've struggled to read recreationally for years despite having read so much as a kid. a lot of us are frozen by the seemingly infinite choices. even when we buy books to take home, we don't read them because which book is worth reading first? we don't have to decide, we have it right here in our bookshelves, we have an eternity of never deciding.

in this past month, i have read five books, most of them i've never heard of when i spotted their cover at the library. most of them, i've ended up loving. the due date of library books maintains the ability to read a book so i can return them to the library and leave the library with more books. an even better incentive than borrowing ebooks, because i actually have to leave the house and not be a hermit.

so if you used to enjoy reading but struggle with it now, ignore the book recs you hear. go to the library, come across a book that piques your interest, and read one page after another until you either lose interest or finish the book.

then it's onto the next one.


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Subtle Ways a Smart Character Shows They're Smart

✧ They notice what isn’t said. The gap. The silence. The missing piece.

✧ They explain complex things in the simplest words. No ego, just clarity.

✧ They pause before answering, not because they’re unsure, but because they’re calculating what not to say.

✧ They remember names. Tiny details. The kind of stuff people don’t expect anyone to keep.

✧ They don’t correct people when they’re wrong. Unless it matters. Then it’s precise.

✧ They ask smart questions and actually listen to the answers.

✧ They use sarcasm as camouflage, people underestimate snarky geniuses.


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Soooo maybe an oddly specific question. Could you recommend your favorite books about politics in the last decade? Or even in the last 20 years? My school sucked and I'm trying to learn about modern politics on my own but there's so much content available that I'm lost. And you're very smart and read a lot, so I'm hoping you have recommendations. Thanks!!!

Omg thank you, I do read a lot so I’m glad someone appreciates it. 

Here are my top 20 books on politics and related sociological issues. I included some of these in a list I made over Christmas but I'll add to it here, and most are from the last 20 years. 

This Town: Two Parties and a Funeral — plus plenty of valet parking! — in America’s Gilded Capital by Mark Leibovich

They Were Her Property: White Women as Slave Owners in the American South by Stephanie E. Jones-Rogers

The Destruction of Hillary Clinton by Susan Bordo (pair with What Happened by Hillary Rodham Clinton)

All the President's Men by Carl Bernstein

We Were Eight Years in Power: An American Tragedy by Ta-Nehisi Coates

Caste: The Origins of Our Discontents by Isabel Wilkerson

The Cruelty is the Point by Adam Serwer

Why We're Polarized by Ezra Klein

Women & Power: A Manifesto by Mary Beard

The Soul of America: The Battle for our Better Angels by Jon Meacham

This Will Not Pass: Trump, Biden, and the Battle for America's Future by Jonathan Martin and Alexander Burns

Political Fictions by Joan Didion

A Promised Land by Barack Obama

The Origins of Totalitarianism by Hannah Arendt

Team of Rivals: The Political Genius of Abraham Lincoln by Doris Kearns Goodwin

The Optimistic Leftist: Why the 21st Century Will Be Better Than You Think by Ruy Teixeira 

The Perils of “Privilege” by Phoebe Maltz Bovy

Both/And by Huma Abedin

Renegades by Barack Obama and Bruce Springsteen (usual recommendation to listen to their podcast)

Beautiful Things by Hunter Biden (As you can tell by the below excerpt, Hunter Biden is me fr fr)

Soooo Maybe An Oddly Specific Question. Could You Recommend Your Favorite Books About Politics In The

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the problem with addiction is not that it's pleasurable. it's not "having too much fun" disease. it's not even a requirement for addiction that you have fun at any point in the process at all and to be honest it is incredibly common that no pleasure is gained from substance use. imagining that addiction is about pleasure does two things: 1) demonises feeling good (there is nothing wrong with wanting to be happy/comfortable/etc), and 2) frames addicts as people who Like Having Fun Too Much. it's simply not useful to frame things this way as well as just fundamentally not being true


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"women Didn't Invent Anything"

"women didn't invent anything"


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