Fun Fact: 

A full-size replica of Robert Picardo’s Meg Mucklebones from Ridley Scott’s 1985 fantasy epic "Legend".

Ed Wood by Tim Burton.

One of my favorite Tim Burton movies. A film about a man whose name is synonymous with bad filmmaking.

If you want to talk about the father and pioneer of bad cinema, Ed Wood is your guy. He directed such "classic" films like "Plan 9 From Outer Space", "Glen or Glenda", and "Bride of the Monster".

His films were notoriously known for their poor and sloppy direction, their terrible and cheap production value and (even worse) acting, even when compared to the films of his time.

But ironically enough, this man and his poor films are more celebrated and liked today than they were when they originally came out. Not because everyone was blind to the fact that these were great films. No, no, they're liked in the more ironic way of being so bad that they're hilariously good. If I wanted to have a good laugh at a creatively bad film, "Plan 9 From Outer Space" is one of the films I would watch.

In my opinion, this is not only one of Burton's best films and a long-lasting meditation on art and commitment, but a great piece of cinema writing. Johnny Depp and Martin Landau are utterly perfect, as is Rick Baker's make up effects.

Little known fact: Johnny Depp's delivery of Ed Wood's enthusiastic speech pattern was partially based on Casey Kasem.

Macbeth (or The Tragedy of Macbeth) by Roman Polanski.

A most powerful, vital adaptation of The Scottish Play.

An epic, inventive, and heart-breaking story of ambition.

"By the pricking of my thumbs, Something wicked this way comes..."

- The Weird Sisters

Viktor Vasnetsov and Hayao Miyazaki.

Sleeping Beauty/Howl's bedroom.

Two senseis of the visual arts.

I agree with Miyazaki.

Some animated running by Yoh Yoshinari (吉成曜)

Tutorial by the director of Little Witch Academia, and key animator in: Gurren Lagann, FLCL, KILL la KILL, Evangelion, Panty & Stocking (X)

Did you know that in Southeast Asian folklore there's a flying bat monkey hybrid that abducts children?

It's called the "Orang Bati" and it's described as being four to five feet tall with reddish skin, large black leathery wings and a long leathery tail. Said to inhabit the island of Seram in Indonesia, the Orang Bati is a nocturnal creature with a diet that mostly consists of small, adorable children who are easy to pick up and fly away with. It's raids take place in the darkness of night and before descending into the villages and cities that border it's territory, the airborne attacker will emit a shrill wail that warns any child who hears it that it's already too late to escape. The residents of Seram insist that the creature is a flying monkey, while outsiders have suggested it's more than likely a giant bat. However, some researchers have stated that physical descriptions (including the shrill wail it lets out before a hunt) match pterosaur physiology.

Mythic stories fall into several categories. There are sagas, epics, and fantasy stories called "märchen." These stories depend on something difficult for us to conceive these days: Simplicity or the "Logic of the Fairy Tale." In other words: things are just what they are, because that’s just the way they are.

These stories frequently examine or teach a moral lesson, exalting it or exposing a particular flaw. If the story is a parable or doctrinal, one of its goals is to delineate the characters as "types" in order to illustrate this basic lesson, characters which make the story whole and who are also contained by it. The lives of these "types" can and must have links with the past and the future but their role ends with the story.

In a magic story, the flow is more important than the logic. Man invented monsters to explain the entire universe (Norse and Greek mythology, for example). Once man began to live in an organized way, with a "social contract," an abyss was opened up between his instincts and his thoughts, and monsters started to REPRESENT another universe altogether: man's inner universe. The pagan prefigures the social and offers us a glimpse of the deepest reaches of man's soul, articulating a primordial, savage universe, populated by elves, fauns, ogres, faeries, trolls, and demons.

Taxi Driver by Martin Scorsese.

Saw this on Netflix, and I say it's pure art.

A study of masculinity, existentialism, isolation, and delusion.

The Red Turtle (French: La Tortue Rouge; Japanese: レッドタートル ある島の物語) by Michaël Dudok de Wit.

One of the most beautiful animated films.

A story about the circle of life and all its splendor and benign brutality. It's a masterpiece. Sublime animation and a deep meditation about life, love and man's place in the natural world.

The main character faces mysteries that elude him, but eventually surrenders to love, life and his place in the universe. This film is a poem.