Sunsetdreamxr - Findingmysanity

part of the reason i love how bell hooks talks about masculinity is that she shows real compassion towards men suffering from the effects of toxic masculinity. she was conscious of how we need to unlearn the ways we talk about men + masculinity just as much as we need to unlearn the same for women + femininity. so many times ill see someone talking about toxic masculinity like (hyperbolizing here but only slightly) "these FUCKING STUPID BABY BITCHES won't MAN UP and go to a therapist!!!" and like. i get the anger. but you see feminists recreating patriarchal manhood by only promoting good behaviors through patriarchal frameworks. any use of the term "real men" is bad because it reifies the idea that manhood is a special title you must earn, and it is something possible to fail and fake. & as important as it is to promote sexual equality + the pleasure of non-cis-men, lots of people are essentially still working with the idea that men need sexual prowess to have worth but just shifting it slightly so there is more emphasis on women's pleasure. but I want cis men to think about their partners' pleasure because they care about their partners, not because they need to check a box in order to keep their man card. and don't get me started on small dick jokes– and the absolutely pitiful excuse people will use that "well, I don't believe it, but misogynistic men get upset when I say it, so it's okay!"

basically bell hooks is so fucking right. in order to create loving men we need to love men, simply for being alive, whether or not they are performing. as much as we need to actively unlearn misogyny (and we do), it's equally vital we unlearn patriarchal ways of seeing manhood. we can't just assume that taking a feminist perspective automatically means there is no work to be done there.

there are these books that seem more like a symphony, with beauty and rhythm, words rising and falling like a slow, sleeping breath, and it’s like i’m sitting in a theatre with the music echoing through me, while my eyes are closed and i watch a lifetime projected on the inside of my eyelids, and that is why i read.

Conscientious Objector

I shall die, but that is all that I shall do for Death. I hear him leading his horse out of the stall; I hear the clatter on the barn-floor. He is in haste; he has business in Cuba, business in the Balkans, many calls to make this morning. But I will not hold the bridle while he clinches the girth. And he may mount by himself: I will not give him a leg up. Though he flick my shoulders with his whip, I will not tell him which way the fox ran. With his hoof on my breast, I will not tell him where the black boy hides in the swamp. I shall die, but that is all that I shall do for Death; I am not on his pay-roll. I will not tell him the whereabout of my friends nor of my enemies either. Though he promise me much, I will not map him the route to any man’s door. Am I a spy in the land of the living, that I should deliver men to Death? Brother, the password and the plans of our city are safe with me; never through me Shall you be overcome.

-Edna St. Vincent Millay

reblog for good things to happen to you

the universe will listen

:)

"It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn."

-Donna Tartt, The Secret History

Spoiler warning

TL;DR horrible adaptation, but very enjoyable on it’s own

(Also just wanted to say I was so sure I was going to hate this bc of what’s different but they changed so much the cartoon and the live action are barely connected in my head)

Okay my review will be split up into two parts: fate: the winx saga as an adaptation and as a standalone work

As an adaptation:

0/10. Maybe 0.5 if I’m being generous.

The things that were unchanged from winx club:

There are characters named Bloom, Stella, Musa, Aisha, Sky and Riven

Aisha, Bloom, Stella and Sky resemble their cartoon counterparts

Riven is an asshole

Bloom is a dumbass

Magic exists

The specialists exist

Main characters go to schools for magic and specialists respectively

The dragon flame is a thing

Witches exist

Other than that it’s a completely different show. The plot vaguely resembles season 1 of winx club only in that Bloom is trying to discover her true heritage. Musa, who is supposed to of East Asian descent is not, Flora was not included and in her place is a different character with similar powers, Tecna was excluded entirely ( I believe this was to distance the show from the futuristic elements of winx club and focus only on fantasy, which doesn’t make sense since they changed Musa’s powers ).

The magic system was changed. Fairies don’t on the regular transform since in the show the know-how to do so was lost, though Bloom does unlock the ability in the finale. Instead of each being a fairy of an individual concept, everyone’s powers ale element based, with Musa’s powers being changed to her being an empath. While this does feel more generic, it makes more sense from a world building perspective and I can see why they changed it.

The fashion is horrible. You will never be able to convince me teenagers dress like that. One of the reasons the original cartoon was enjoyable was all the colourful, fun clothing. The clothes feel dated and too mature for the characters, like I can see a twenty-something person in 2013 wear some of those outfits. It especially feels like a missed opportunity since 2000’s fashion is coming back into style.

The characterization of some of the characters compared to winx club was hit and miss. Riven was an ass and Bloom was impulsive and naive, which is accurate, but Stella, oh Stella was a disappointment. Stella was a jealous, manipulative bitch, which in context of her character backstory makes sense, but is so far from her original portrayal. Cartoon Stella was spoiled and at times self centered, but she was also genuinely kind, helpful and bubbly. To see her character take a 180 and become the all too familiar jealous ex archetype was upsetting.

Now, aaaaall that being said, I don’t believe we should judge this as an adaptation. They changed so much that it is quite literally a new story. So let’s see how it stands up on it’s own.

Summary, taken from the wiki

The series tells the story of Alfea, a fictional boarding school where teenagers study. The world inside this universe is not only magical and full of monsters, but it is also a world of real teenagers who do the most common things: make friends and enemies, go out and of course... fall in love. They are eager to find their place in this world. This universe is different from the one we have all known for a long time.

The attention is focused on a group of proud teens, also well-designed female characters. Sometimes they are heroines, sometimes weak girls. Sometimes they are friends, sometimes rivals. Of course, they are not perfect, but they are real. A group of girls who did not know each other until they are included in the same team inside a school that is strange to them. They will meet forces that are beyond their control and things they do not understand. But, throughout the series, they will find themselves, form an indestructible bond, and transform into powerful and strong girls, ready to change not only the supernatural world, but also ours.

Character summary:

Bloom is a newly discovered fairy from the human world who is attending Alfea college in the otherworld. There she meets her new roommates: chatty Terra, athletic Aisha, uptight Stella and stand-offish Musa. She also meets Sky, Stella’s ex, who is training as a specialist.Shortly before coming to Alfea, Bloom discovers she has magic powers by almost burning her house down and killing her parents. She is distraught over this and it is why she is eager to gain control of her powers.It is discovered that Bloom is a changeling, a barbaric practice where a fairy baby is exchanged with a human one. This leads Bloom on a quest to discover her true heritage.

Musa is an empath, she can feel the feelings of everyone around her. To shut them out and escape she listens to music through her headphones. This leads to her initially coming off as uncaring when Terra tries to get to know her better.

Terra is an earth fairy with a particular talent for making plants grow. She is very nice and chatty, eager to make friends, but not afraid to stand up for herself. She struggles with finding someone to like her and compares herself to “cool girl” Beatrix who has boys following after her.

Aisha is a water fairy who swims twice a day every day. She comes off a a good person who wants to make friends and do the right thing. She also tries to do everything in her power to protect her friends.

Stella is a light fairy and princess of Solaria, the realm in which Alfea resides. She is repeating her first year due to an event prior to season one where she lost control of her powers and blinded her best friend. She is very uptight due to her perfectionist mother and tries to exert control in every other area of her life, when this doesn’t work, e.g. when someone flirts with her on-again-off-again boyfriend she gets jealous and causes trouble. She is also generally rude to the people around her.

Sky is a specialist legacy and Stella’s on-again-off-again boyfriend who has an interest in Bloom. His father was a famous specialist and he was raised by his father’s best friend.

Riven is Sky’s roommate, best friend and a genuine asshole. He insults and antagonizes everyone around him and gets involved with Beatrix. He seems dissatisfied with the life of a specialist.

Beatrix is an air fairy with a lightning powers. She seems mysterious and looks to be the villain of the season. She has enlisted the help of Riven and Dane.

Dane is a first year specialist who first seems to be friendly with Terra but gets sidetracked after spending time with Riven and Beatrix.

What I didn’t like:

The world building is sparse and the magic system is generic. I feel like things could have been better expanded upon. Throughout the show they bring up archaic fairy magic but it’s never really explained how that’s different from current fairy magic.

The interactions between Riven and Dane come off as a bit queerbait-y although they could be setting things up for a second season.

Everyone is constantly so rude towards Terra. Even her supposed friends are mean to her. What gives?

Stella was constantly rude to everyone but by the end they are all the best of friends when she really hasn’t changed much. Also Stella being the jealous controlling ex archetype and not enough people calling her out on her bullshit.

What I did like:

For a Netflix teen drama there is surprisingly little sex between the teenagers. This might be subjective but it was refreshing for me.

Again subjective but I could definitely relate to Bloom’s antisocial teen flashbacks

Beatrix was a fun villain

Though the story might be a little generic, I felt it was compelling throughout. I genuinely wanted to know what happened next.

The story was well paced. It never felt like anything was dragging along

Overall:

The show was definitely enjoyable to watch. There is a lot of room for improvement. It sometimes felt like different plot lines were unconnected and the costume choices leave a lot to be desired. Aside from that they set up a solid story and likable characters (some of whom I love love and love to hate) which I very much want to see further developed in the future. As a stand-alone work 6/10

Can't agree more

Is it just me or are in home libraries like the dreamiest thing? A little cozy room lined with shelves, full of books of all shape and color that you’ve collected over the years, with a big round window in an alcove where you can sit and sip some tea and thumb through your favorite novel and listen to the rain pattering against the glass. Thats the life

I see a lot of dark academia aesthetic involving the classics fields, literature and languages and theater and music, but can the STEM kids get in on this too? Where’s my dark science aesthetic at? where’s my STEM gothic?

•  It has to be a mistake, on the syllabus your professor e-mailed over yesterday. The lab class can’t possibly start at 8pm. Not that you’d notice the time of night anyway, considering that for some reason it’s held in a basement of the STEM buildings that you were sure was closed off. You’ve never seen anyone emerging from its depths, and honestly you’re not even sure how to get down there. But not to worry, your professor assures you when you reply with your concerns. He’ll send his TA to pick you up. Just try not to stare at their hand. Especially if it sparks. They’re still working out the kinks.

• The transparent lightboard you use in your apartment building for working out math equations that require more room is the only illumination piercing your otherwise dim living room. You’ve been working for hours, and haven’t noticed how late it’s become, mostly because you’re pretty sure that you accidentally just determined exactly when the world is going to end. Before you can grab your phone to tell everyone, there’s a knock at your door. “Well done,” the man and woman in dark clothes and glasses that reflect even the minor light so that you can’t see your eyes as they enter your apartment. “A little too well done, we think. You’ll be coming with us now.”

•   H2 = H 2 0 [ Ωm(1+z) 3 +ΩDEexp {3 Z/z 0 dz 1+z [1+w(z)]}

•  “We are doctors,” in heart if not yet in degree,” the neurologist teaching your afternoon class says, laughing. “We are the ones who stand between that looming reaper Death and all of our patients, scalpels and syringes in hand, and say “not today, old friend. Not this one.” But then the mirth fades from his voice, and his gaze drifts to the left of the lecture hall for some odd reason, fixed on some dark corner. “That’s why it hates us, you know. Death. All of us. We as doctors must be very, very careful in our everyday lives, because Death despises us for stalling its work time and time again, and it constantly has its eyes on us. Waiting for us to relax, to look away. There are rituals, as we get older and Death steps closer every day…” but then they come back to themselves, shaking their heads and laughing. “Not enough coffee for me today, apparently!” Shadows in the corner where no one sits seem to be shifting.

•  The chemistry majors always seem to know something that no one else does. They all keep tiny glass bottles of clove oil in their backpacks at all times, for some reason. You’re starting to wonder if it wouldn’t be smart for you to do the same.

•  The engineering majors know exactly what the chem majors think only they know, and they laugh when you mention the clove oil. “They really think that will protect them,” one future robotics pioneer says to you, shaking his head. “They really think they can stop what’s coming.”

•  Something in the forensics lab whispers at night, but only when a lone student is working down there alone. One of them snags you in the halls one morning and says, “I know you’re not forensics and you’ve never heard it before, but last night I was working on a paper down there and, well. It knows your name.”

• Your roommate is a biogenetics student. She keeps beakers brimming with bubbling fluids in the fridge, and she often seems restless and distracted. You’ve caught her stealing hair off of your brush before, and one night as you watch her mixing and stirring and taking notes as she’s hunched over her desk, you realize that a single blinking eyeball is staring back at you from the green fluid surrounding it in her glass tube.

•  The mathematics students have figured out what the chemistry students know, and what the engineering students have known for years. They all look anxious now, walking around campus and constantly looking over their shoulders. One of them suggests to you that maybe you should start stockpiling bottled water. Just in case.

•  An astronomy major comes barreling into one of your classes one dim and dying afternoon, slapping a star chart down onto a desk in front of a newly enlightened mathematics student, sweating and furious. “You weren’t even going to tell us, you bastard?! You were just going to let it happen while we sat around unprepared?!”

•  A week later. You sit up in bed and your roommate is gone. Their things are gone. Campus is still and quiet, the chem and engineering and astronomy and mathematics students having all cleared out save for you. The bio, forensics, and med students are left blinking, dazed. Clearly you’ve all missed something important, but your roommate responds to your text with assurance that it’s fine. You’ll all know soon enough.

Okay, you need to make sure you play this game at some point. Maybe not today or anything, because you’ll need about thirty minutes and a serious willingness to understand how it works, but - it’s so worth it. It’s basically an answer to our occasional frustration - why do assholes always come out on top? - and the beautiful thing about it is that not only does it explain how that happens, but also how we can change it.

“In the short run, the game defines the players. But in the long run, it’s us players who define the game.”