SOBBING ABOUT ORV AGAIN

Coming to terms with your mother's humanity

@death-born-aphrodite/@bitterl/Supernatural/8.46am on Instagram/Hailey Noecker/Fatima Aamer Bilal/Winterhats, literally from AO3/Mitski

started the first day of ramadan crying hello everyone how are you

babygirl i can be the one note on all your original posts

fake idgafer. i saw tht haunted look in ur eyes

MAGDALENE BRIDE

There’s guilt that I retch onto the floor, and my rotting flesh stains the chapel, seeping into the cracks more than any of my prayers ever could. I gnaw at my own ribs, scraping them to pieces. The priest has remnants of me defiling his mouth, and the stoic eyes gaping at me from the pews—painted the same white as the walls, which have long forsaken me—don’t betray their dignity. Their postures are perfect, their suits well-pressed, and their expressions unyielding. The one awaited does not show up; he has become a prayer. Instead, he turns the bend and smiles—a smile that hints at quiet encouragement.

My body hits the floor, my knees bleeding—applauses are what reverberate. The space reeks of jasmine and myrrh, and the cold bite of metal from the cross stings my skin. The communion wafers lie long forgotten, and the sacramental wine dulls with the passage of time.I witness the priest standing a few feet away, his hands trembling with hunger."Young girls have corruption in their minds," he says. The horror of Jesus, hanging limply from the crucifix, his hands bleeding where they’ve been nailed and his feet rupturing flesh, gapes at me with open eyes full of helplessness and dread. A rag—grey with time, stained with his blood that is infected with rejection—hangs at his pelvis. The wooden framework encasing his heart of impotence and throat of meekness withers and cracks in the sun, but the dews remain cold. The congregation jitters and jeers, repulses and admires, devours and purges—they merely talk.

The stained-glass windows have witnessed men and women alike, with the eyes of its saints gouged out and their presence bleached by the sun. The children sink their nails into my skin as they taunt with their smiles, the candles serving them, delighting in the play they call their game. They like their toy. The priest prays at my hips, the altar cold and unforgiving against my back. He probes and digs at my flesh, tearing at it, splitting the skin—it does not tear cleanly. It clings because it lies. It pretends to be whole. The fibers, caught in clumps, wrap around his fingers, the blood soaking into his robes. But the sinews keep winding around his nails as he sinks deeper into the pulp. I witness my gaze burdening Jesus; he trembles, but his feet remain heavy with inaction, his body slack—limp, listless, beneath the weight of his own faithless mercy. It starts slow—a tear—but then my skin stretches and squelches. The audience gasps and gapes, the children laugh, Jesus suffers the terror of ridicule, and the rosary beads are made ever more maroon with blood spooling onto them.

Patwo ki haveli (Jaisalmer)🪞✨

Litan, 1982, Jean-Pierre Mocky

21 January, 1926 The Letters of Vita Sackville-West to Virginia Woolf (1924-1941)

Sorry to break it to you but you literally have to face your fears and slaughter them. Otherwise you will live a small life that you do not want. You literally have to view your biggest fears and attack them head on. You have to fall into the abyss to find your way out. The easy path does not exist. There is no get out of jail free card. You have to allow yourself to die a spiritual death over and over again in order to reinvent yourself into the person you are actually supposed to be. And you have to be painfully honest with yourself and the people around you. It’s horrible but it’s truly the only way.