Tamembro - Tamembro

'young woman sitting under a tree'

A hand-stitched one of a kind piece inspired by childhood memories; 'young woman sitting under a tree'.

Hand embroidered with stranded cottons on a linen background; it measures: 16.5cm x 11.5 cm.

She's available from my store:

tamembro

tamembro

The visual storytelling of Tamembro. Works in thread and paint.

— tamembro, 2020

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Just looking / and considering / how one thing can change in relation with another / how that feels / how colour looks / and feels / how we experience colour / how it is a very personal thing / that experience.

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Acrylic paint on gesso, linen patches and paper: 10.5 x 14.8 cm

From the 'Movement' painting series (May 2019)

— Tamembro

Nothing in the universe or in life is simply black or white.

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Balance and Harmony

Hand embroidered on linen.

— Tamembro (2018)

1 Dec 2019

Remember to think of your emotions like the ocean. Feelings come in waves: some waves may be stronger than others, but they all will pass.

"Riding the Wave"

(my father recorded me on video 😄)

The Remains of the Day, Kazuo Ishiguro.

One available from my shop:

tamembro

'Reflections' Fields in Spring - embroidery artwork

a hand embroidered with stranded cotton threads on a linen background and stretched over thick paperboard; it measures: 18.8cm x 18cm the te

Reflections - embroidery work

Reflections

Hand embroidered with stranded cotton threads on a linen background, 18.8cm x 18cm

The texture study inspired by Claude Monet's brushstrokes, Fields in Spring (1887)

— Tamembro

make objects that talk — and then listen to them

Sometimes you need to scan the forest, sometimes you need to touch a single tree — if you can't apprehend both, you'll never entirely comprehend either. To see things is to enhance your sense of wonder both for the singular pattern of your own experience, and for the meta-patterns that shape all experience. All this suggests a useful working approach to making art: notice the objects you notice. (e.g. Read that sentence again.) Or put another way: make objects that talk — and then listen to them.

📖 'Art & Fear' : Observations on the Perils (and Rewards) of Artmaking (1993) by David Bayles & Ted Orland

Silently she is with her bruised soul, asleep in oblivion. She just so often want to reach out, grab her face and whisper ever so delicately: you are loved.

Hand embroidered with stranded cottons, coffee on a linen background.

— Tamembro

Whenever I look at the ocean, I always want to talk to people, but when I'm talking to people, I always want to look at the ocean.

📖 'Hear the Wind Song', Haruki Murakami

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"Message in a bottle"

Hand-stitched on used tea bag