Finally An Acknowledgment That The Eastman Dynamic Was Pretty Toxic To The Beatles Too, Not Just Klein.

Finally an acknowledgment that the Eastman dynamic was pretty toxic to the Beatles too, not just Klein. So many people think Paul was offering sone kind of reasonable alternative to Klein when in reality his management offer was his in laws who had no desire to represent the other Beatles and their interests. Klein may have been a bad choice but in my opinion the Eastmans would have been a disaster for the other Beatles in terms of representation

wait re your tags what do you mean by wives of two members having more influence. on the group? or on those two members?

Linda and Yoko were basically the other two Beatles for the remainder of 1969. Everyone talks about Klein and the fact he offered Yoko a successful career being the main reason John stuck with him at all, but Linda was the one who brought her dad into it, and the clash of titans between Eastman vs. Klein was just as big a reason the group broke up as the psychosexual crossfire of Lennon/McCartney, possibly an even bigger one. I’m not saying Linda was scheming in any way, but obviously her father was one of the best lawyers in American entertainment business, and her boyfriend was the biggest rockstar on the planet who was in a shitstorm of legal/money problems. Of course the two would meet, and Linda soon went from black sheep of the family to Golden Daughter.

But as the year went on, the JohnandYokoandKlein monster grew stronger against John Eastman’s aggressive and selfish business tactics. Sure, Klein and the others tried to pressure Paul into going with him, but Eastman wasn’t even remotely interested in taking on the rest of the band (was listening to a 71 Paul interview, and he said his father-in-law wouldn’t have managed the others if they paid him, and Paul still went with him. Hm). Yoko obviously tried to meddle in as much as she could, and John helped her do so; Linda found herself tangled in a web of shit that she originally wasn’t planning to get into, but she’s no pushover and so she went to meetings and was her husband’s only source of strength for the rest of these cockfights (to her own detriment as well).

My point was: where do George and Ringo fit into his? John didn’t turn to anyone in the studio for help except his wife, and Paul confided in no one else except his own spouse and her family of lawyers (who were managing Paul Solo from the start). George’s mother had been diagnosed with cancer that same year too, it was a hard time for him and he had no real voice (and I think patience) to deal with the whole Eastman vs. Klein debacle. George and Ringo went with John and Klein because they were the ones actually giving them what they wanted, not the Eastman-McCartneys.

More Posts from Tasryn1 and Others

2 years ago

Completely agree. This is why I’m not a Cyn fan. The woman wrote 2 exposes! The first because he husband at the time wanted a cash grab. Say what you will about Yoko and Sean but they’ve done an incredible job bringing John’s music to the next generation. That shows true love for John.

I just realized something.

Yoko never wrote an expose about John. Cyn, May Pang and Pete Shotton did, but Yoko didn't.

exposes kind of rub me the wrong way. This is someone who trusted you with everything, and then you turn around and write a tell-all about them. As a fan I love them, but I'd feel so betrayed if a friend wrote one about me.

Pattie Boyd, George Martin and Pete Best wrote books, but they were more about themselves and their connection to the boys than a fictionalized version of the past.

Ivan Vaughn, Jimmie Nicol, Jane Asher, Peter Asher and Maureen Starkey never did. They didn't even write autobiographies from what I can find.

I think that all speaks volumes.

Especially Yoko. No matter what you think of her, that shows a strong sense of character and respect that we just don't talk about enough when it comes to her.

3 years ago

This is adorable somehow. Why am I obsessed with these little moments?

a) Science boy johnny

b) something about the way paul responds at first…


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3 years ago

Friendly reminder that John wrote Ticket to Ride and obviously due to Paul revisionism some people have fallen for a different story. So annoying

Today's really strange lyric theory...

We all know now that Paul wrote Ticket to Ride about trips to Ryde with John because he literally said it in "The Lyrics" and when he says a song is about John I'm inclined to believe him.

But you know what other song has "ride"? "Got to Get You Into My Life"

I was alone, I took a ride I didn't know what I would find there Another road where maybe I Could see another kind of mind there Ooh, then I suddenly see you Ooh, did I tell you I need you Every single day of my life?

I'm not saying the song isn't about weed, but I think it's also about John and that trip too.

I mean...this is Paul, fucking every song he's ever written since his first song is about John in some way.

1 year ago
"Possibly I (would) Have To Marry A Very Rich Old Lady... Or Man, You Know, To Look After Me.": John
"Possibly I (would) Have To Marry A Very Rich Old Lady... Or Man, You Know, To Look After Me.": John
"Possibly I (would) Have To Marry A Very Rich Old Lady... Or Man, You Know, To Look After Me.": John
"Possibly I (would) Have To Marry A Very Rich Old Lady... Or Man, You Know, To Look After Me.": John
"Possibly I (would) Have To Marry A Very Rich Old Lady... Or Man, You Know, To Look After Me.": John
"Possibly I (would) Have To Marry A Very Rich Old Lady... Or Man, You Know, To Look After Me.": John
"Possibly I (would) Have To Marry A Very Rich Old Lady... Or Man, You Know, To Look After Me.": John
"Possibly I (would) Have To Marry A Very Rich Old Lady... Or Man, You Know, To Look After Me.": John
"Possibly I (would) Have To Marry A Very Rich Old Lady... Or Man, You Know, To Look After Me.": John
"Possibly I (would) Have To Marry A Very Rich Old Lady... Or Man, You Know, To Look After Me.": John

"Possibly I (would) have to marry a very rich old lady... Or man, you know, to look after me.": John Lennon's interview for French TV at Sutton Place, New York, April 5, 1975.

1 year ago
What A Time To Be Alive And A Beatlemaniac.
What A Time To Be Alive And A Beatlemaniac.

what a time to be alive and a beatlemaniac.

BEATLES ARE FOREVER! ✌️💗

1 year ago

As written in the video section :"Paul listens to the song "Beautiful Boy" and tries to hold back the tears. Notice the tribute in the song to Paul ("every day, in every way, is getting better and better"). It's from The Beatles' song "Getting Better" - John's contribution to that song at the time was cynical and witty (his lyric was "it can't get no worse") but here he was sending a little message to Paul that Paul was right, life does just get keep getting better and better."

Seeing Paul holding back his tears makes me want to cry ugly.

2 years ago

But we can quote Paul’s Lyrics books because failing to mention John’s contributions is only a lie by omission 😂😉

PLAYBOY: "When You Talk About Working Together On A Single Lyric Like ‘We Can Work It Out,’ It Suggests
PLAYBOY: "When You Talk About Working Together On A Single Lyric Like ‘We Can Work It Out,’ It Suggests

PLAYBOY: "When you talk about working together on a single lyric like ‘We Can Work It Out,’ it suggests that you and Paul worked a lot more closely than you’ve admitted in the past. Haven’t you said that you wrote most of your songs separately, despite putting both of your names on them?“

LENNON: "Yeah, I was lying. (laughs) It was when I felt resentful, so I felt that we did everything apart. But, actually, a lot of the songs we did eyeball to eyeball.”

3 years ago

Dear friend! We already know his thoughts on Coming up from a few interviews and the same for Too Many People. I don’t entirely buy that Call Me Back Again is a McLennon song. But Dear Friend is 100 percent about John and given it came during a period of infighting, I want to know what John truly felt hearing that for the first time. Can I get Paul reacting to I Know, I Know as a bonus? And both of them reacting to I Don’t Know (Johnny, Johnny)?

Beatle (John) Hypotheticals #11

If you could be a fly on the wall when John listens to a song for the first time, which one of the following songs would you choose and why?

Too Many People

Dear Friend

Call Me Back Again

Coming Up

If you could choose another song, that isn’t listed above, which one would you choose and why?

3 years ago

My issue with this statement is that 1) there was no reason to mention John at all to make the statement Paul was inspired by literature 2) why did he single out John specifically? Presumably George and Ringo weren’t Shakespeare fans or if so I haven’t heard it. The only reason he did this was to take a pot shot at John being known as the “smart” Beatle. And it’s kind of unnecessary. After all Lennon never criticised Paul’s love of literature in the Lennon Remembers interview or in any interview in the 70s so it’s not like Paul is responding to anything from John. So why do it? It just seems kind of cruel and unnecessary and no I don’t think I’m being divisive in calling that out. This isn’t about giving Paul the benefit of the doubt or not. This is calling out crappy behaviour

“John never had anything like my interest in literature, though he was very keen on Lewis Carroll and, in particular, Winston Churchill. His Aunt Mimi had lots of books by Churchill in the front parlour. Not a bad basis for an education. In my case, I was always fascinated by the couplet as a form in poetry. When you think about it, it’s been the workhorse of poetry in English right the way through. Chaucer, Pope, Wilfred Owen. I was particularly fascinated by how Shakespeare used the couplet to close out a scene, or an entire play. Just taking a swing through Macbeth, for example, you’ll find a few humdingers, like: 'Receive what cheer you may: The night is long that never finds the day.’ or ‘I go, and it is done; the bell invites me. Hear it not, Duncan; for it is a knell / That summons thee to heaven or to hell.' This was Shakespeare’s way of saying, ‘That’s it, folks,’ and ‘The End’ was our way of saying the same. 'And in the end the love you take / Is equal to the love you make’ This is one of those couplets that can keep you thinking for a long time. […] I often muse upon what might have happened, had I not ended up in a band that rather took over my life. I wonder about the path I thought I was on with my A level in English literature and where that might have led me.”

— Paul McCartney, about “The End”. In The Lyrics (2021).

1 year ago
The Beatles Being Menaces In Ireland, 7th November 1963 - Part 1 (part 2)
The Beatles Being Menaces In Ireland, 7th November 1963 - Part 1 (part 2)

The Beatles being menaces in Ireland, 7th November 1963 - part 1 (part 2)

Just look at Paul’s life flash before his eyes…

The Beatles Being Menaces In Ireland, 7th November 1963 - Part 1 (part 2)
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tasryn1 - Mind Games To Nowhere
Mind Games To Nowhere

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