#hug makkachin too
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Listen to everything they’re taught, not just hearing
Take notes
Listen to opinions they don’t like
Be open to having their minds changed
Don’t listen to music with words when studying
Practise
Commit
Keep a regimen of self-discipline even in the face of a lack of motivation
Take breaks
Sleep regularly and more than expected
Work very hard during the day
Exercise
Plan in advance
Get small tasks done when there isn’t time to do bigger ones
Engage
Take failures as a learning curve
Think positively
Do their best work at the start of the year so they get more slack later
Talk to those who teach them
Debate
Do a little every day instead of all at once
Ask for help
Help others
Drink water
Work hard but work smart
Know what study setup is their most productive
Hold themselves accountable
Figure out which work is a priority
Don’t waste time re-reading as a form of studying
Find out things they don’t understand
Test themselves frequently
Work backwards through things to understand why something works
Learn more than they need
Have more interests and hobbies than just academics
Find out the most important concepts in a course
Learn the most important 20% of the course to get 80% of the grade
Don’t complain
Tailor their courses to focus on what interests them the most
Play hard after working hard
Read in advance
Know how to say no but don’t say no unless they have to
Take every opportunity they can
Eat well
Defend their personal beliefs
Don’t use other people’s successes/failures as an excuse for anything they do
Don’t let studying become the main part of their life
Understand that everything is temporary
Set goals, short- and long-term
Put their phones away/on silent when studying
Don’t expect any results immediately
ok so. the thing about jang hayoung is. her being transgender is explicitly meant to represent her autonomy as a person, and show how limited kim dokja's understanding of twsa is. like jang hayoung as the character kim dokja knows from twsa is perhaps the character who brings up the biggest questions re: character's personhood because kim dokja literally designed her, she's his oc. so we are forced to question her the most - are her traits and personality more attributable to her own choices, or are they entirely kim dokjas, for example. kim dokja knows everything about her, she was entirely his idea, and it leads to all sort of ethical dilemmas about exactly how much she can be considered her own person and what exactly their relationship to each other is.
or it would, if jang hayoung doesn't neatly sidestep all that 'does she even truly exist outside of kim dokja's perception of her' nonsense by looking firmly into the camera and saying yes, obviously. he doesn't even know im girl! so her gender is used to establish both her autonomy as a real human being AND demonstrate that kim dokja really doesn't know as much as he thinks he does, because hey it turns out even if you create them yourself people are sort of unknowable. i wonder if that relates to any of jang hayoung's themes about communication or something
anyway. these are two ideas firmly shoved into kim dokja's face by jang hayoung's gender identity, and they are two ideas he is deeply uncomfortable with. they force him to confront some thoughts he's been deeply suppressing and conflict heavily with his worldview. and unfortunately, sing shong decided to represent this discomfort with what jang hayoung's gender establishes by showing it as discomfort with jang hayoung's gender itself. that is not to say that kim dokja isn't being organically transphobic when he misgenders jang hayoung, just that that distaste for a conflict within his (gendered) worldview represents his distaste for a conflict within his (reader) worldview.
and this is bad. this is clearly a very transphobic and specifically trans misogynistic way to demonstrate this idea. its genuinely very distasteful to me that they decided to use a trans woman character like this. it casts a dark cloud over her character and the interesting things her transness represents - as well as one over the entire novel, not helped by the many other instances of transphobia we see. and i want to clarify that i do see it as bad and distasteful before i draw the following comparison, because as much as i love reclaiming homophobic and transphobic parts of the stories i like, i am deeply cautious of doing so without clearly acknowledging the harm they cause. also, i am a trans man, so i want to tread carefully when it comes to transphobia against trans women specifically.
but i do think its notable that sing shong clearly establish this link between transgenderism and autonomy and struggling to be understood within the story, and then give us a main character who's entire life has revolved around chasing those latter two things. a character who spends the arc jang hayoung stars in either in an opposite-sex-transformation or learning a 'woman only' sport as a 'man'. yoo joonghyuk, just like jang hayoung, is a character who challenges kim dokjas ideas about what it means to be a person vs character. yoo joonghyuk's entire arc is about chasing that autonomy that jang hayoung so clearly establishes through being transgender. yoo joonghyuk spends multiple arcs trying to get through to kim dokja that he does not understand yoo joonghyuk just because he happened to read about him in the way that jang hayoung clearly does when she declares herself a woman. this is a line that the story draws for me, not one im drawing on my own - this is a link between the autonomy yoo joonghyuk wants and the gender identity jang hayoung has that orv has already firmly established (although in a frequently transphobic way). and i think thats extremely interesting to acknowledge and explore, i think its a very clear part of yoo joonghyuk's character in this arc that never really goes away. and thats (part of) why yoo joonghyuk's end is [transition]
The word “girl” was originally a gender-neutral term for a child. Boys were called “knave girls,” and girls were called “gay girls.”
what we thought 2017 would be like:
flying cars, eco-friendly high-tech cities, levitating hover boards
what 2017 is actually like: brink of nuclear war, nazis on the streets