I Will Never Get Over How Gorgeous He Looks In This Game. I Liked DBFZ Frieza But This One Is The Most

just a girl and her mutated goats

The Last Supper by Marcelo Ventura

I'm so obsessed with the current ATLA comics artsyle. Everyone looks SO GOOD. I love how handsome and perfect Aang, esp that he's 16 in the comics. I love how cute and badass Toph is. I love the rigid shapes on Sokka that show his masculine personality, but still combined with his smug expressions. I love the texture of Katara's hair. I LOVE how BEAUTIFUL Azula, Zuko, and Ursa are and how they all kind of have the same face. I love how Azula looks in her comic so much, I can't describe why, but she just looks so good. Iroh looks the same tbh, he's just chilling. AND SUKI LOOKS SO MASC HERE!!

Artist is Peter Wartman and the Colors are done by Ryan Hill btw

Lae'zel joins the short hair crew

Ignoring everything else about the comic, I liked how baby Azula is drawn. Like, she looks like a cat!

Also:

Baby cheeks. Azula and Mai are so adorable.

ROUND 1

SOBBING UGH!!! I miss fricell, I miss seeing the narcissistic green bug and sociopathic white lizard go at each other's throats

Why do I keep ending up in fandoms that glorify and romanticise abuse? I don’t know how it keeps happening, but here’s what I signed up for when I entered my fandoms, vs what I got:

Helluva Boss expectation: Wacky assassin comedy about demons killing people in the living world on behalf of sinners in Hell

Helluva Boss reality: Watch Blitzø get raped and then be forced to date his rapist but also feel bad for the rapist because he’s an uwu soft sad gay bean

Fruits Basket expectation: A drama/slice of life show about a girl finding family, and her and said family healing from their trauma

Fruits Basket reality: All of the trauma in the Sohma family can be boiled down to the most abusive cunt you’ll ever meet in your life, but also WHY DON’T YOU FEEL BAD FOR AKITO THE ABUSER? DON’T YOU WANT HER AND SHIGURE TO DATE? Also there’s incest and pedophilia and for some reason that’s treated like it’s ok

She-Ra expectation: Reboot of that cool show from the 80s about magical princesses fighting against the EVIL OVERLORD

She-Ra reality: Abusive war criminal gets away with all of her crimes, and as a bonus, she gets to date the very girl she abused. NOW FEEL BAD FOR THE ABUSIVE WAR CRIMINAL

Tw: Graphic depiction of suicide and discussion of abuse

This animation is spectacular and I adore every second of it. This is the true mask-off moment the show was too cowardly to give him and it is my canon end to the series at this point.

The song used for the animation is "Now That You're Gone" by The Raconteurs is very obvious about its meaning that the animation has taken full advantage of. It begins with the image of Stolas asking an absent Blitz what he'll do "now that [he's] alone" and the image cuts to a closeup of Blitz struggling through a white landscape littered with those golden feathers from Truth Seekers.

It's clear that Stolas is getting a petty revenge from breaking Blitz's pride. But the framing of the song makes it very clear what direction the narrative is going. Stolas goes back to his normal life (presumably the video was being made before Mastermind) where he takes back the book and gets back with Stella. Clips of him enjoying his high roller life of luxury. The line that best emphasizes what Stolas is actually trying to do is in the line:

"Who is going to love you if it isn't me?"

Which goes back to my point about abuse in relationships and how that very much is the ground floor of control. Where they isolate their victims from others in order to warp their perception of reality. If you rewrite their world where no one else will ever love them, that will be true. If you can alienate someone from what a healthy and loving relationship looks like, just then saying "I love you" is the proof of their love. It allows the opportunity for the victim to justify the abuse for the abuser to make it make sense that their abuser must love them.

And my favorite part is how, on beat, the animation cuts to Blitz being comforted by Moxie and Millie where Moxie flicks away the golden feather on top of their three entwined tails. A short but powerful bit of storytelling that lingers just long enough, unlike the show that tends to rush every single frame. The feather landed on top, just like how Stolas inserts himself in their lives, and Moxie is rejecting it so as to protect his friend.

And then the music cuts as Stolas changes the lyrics from "What will you do now that I'm gone" to "What will I do now that you're gone".

Which recontextualizes the delivery of the song and connect the early tells to a more overt understanding. Stolas stares into the camera and becomes progressively more unhinged as he realizes he did lose.

The entire point of someone saying "You won't find anyone better than me" isn't a farewell for better things. It's expressly to reel a victim back in, and it lines up perfectly to Stolas' unwillingness to talk to Blitz or have any conversation where he acknowledges his own issues, especially in Apology Tour.

I know some will say Stolas shit talking about the Blitz Hate Party is a sign that he knows he is pathetic, but he doesn't talk to Blitz about that in a way that lumps himself in with the rest of it. He talks about "All these people" without ever acknowledging specifically that he is an active and enthusiastic participant in this pity party. Even ending the episode for Stolas with him begging to have literally anyone love HIM, even as he is at this party, partaking from the table, over how much he felt entitled to Blitz.

This animation fits perfectly in with the events and logic of the show and Stolas in the canon.

Honestly the ending of this animation is the only self-actualization I support for Stolas and Blitz in the canon series. This is my finale, anything after this is a zombie fic that refuses to just stay dead.