đŚ
This is Charles. He wants to go on a journey around tumblr. could you show him around?
Where do you see yourself in 5 years?
Look buddy, iâm just trying to make it to Friday.
Itâs the best!
rip to you guys but i love assembling ikea furniture its so fun its like legos
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Whumptober 2023: Day 3 - Make it stop
Warnings: child abuse, domestic violence, brief touch on car accident that killed Clintâs parents and CPS
Word Count: 1.8k (Image not mine)
Summary: Clint Barton didnât have an easy childhood, but one safe person made all the difference.
A/N: please read warnings attached to the chapter. Thereâs a reason thereâs not too much before the cut starts, as it starts heavy and stays that way. Please take care of yourself.
Masterlist
Whumptober Masterlist
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1984
IOWA
âMake it stop,â he whispers to Barney.
Drunken footsteps are loud as his father shouts for more.
Clint can hear his mother opening and closing the fridge and the tirade of abuse continues.
âWe canât, okay?â Barneyâs fists clench, his black eye from the week before still not healed and Clint knows itâs an unfair request.
âNot tonight, Mum will have to deal with him,â Barney looks scared and Clint doesnât understand.
âWhy?â
Barney looks down at his little brother and sighs.
âHeâs not going to work tomorrow. He got fired.â
Fear and adrenaline dumps itâs poison into Clintâs veins.
âButâŚâ
âYeah; heâll be here all day now.â
Barney finishes Clintâs thought.
A slap reverberates through the house and both boys cringe.
Clint canât take it, he hates the thought of anyone touching his mother.
Heâs at the door before Barney can stop him.
Opening it, he finds his father standing over his mother and they both turn to look at the movement and noise. His mothers face is red, hands touching the swelling of her cheek.
âStop it,â he growls, smelling the alcohol and poison on his father.
The laugh of derision and dangerous smile that follows, makes Clint take two steps back, almost regretting his bravery.
âStop it?â his father laughs as he repeats Clintâs words, picking him up and throwing him to the side.
âFine,â he smirks dangerously, âIâll âstop itâ but you need to go get me more beer, okay boy? She says weâve run out.â
Clint feels like heâs been thrown a lifeline, a chance to get out of the house and away from danger; even if itâs at the expense of his mother.
He scrambles, Barney close behind him.
âWe donât have any money?â Clint asks.
His father raises a hand and Barney pulls him away.
âItâs fine,â he yells, as he pushes Clint out the door.
They run, only stopping when Clint pus his hands on his knees, out of breath.
âIf he doesnât go to work, heâs going to be at home with Mom,â Clint mutters, dragging his feet.
Barney grabs his hand.
âItâll be okay, heâll get bored and go out to the pub.â
Clint canât see how thatâs better, using their money to buy a drink that only leads to raised voices and sharp hits.
The shopkeeper stares at the two boys as they enter.
âGo distract him,â Barney urges, âand Iâll go get the beer.â
Nervously, Clint walks to the front of the shop.
âCan I help you?â
Clint nods and tries to smile.
âI.. uhhh.. Need something,â he starts, unsure what to say.
âYou need something,â the man asks, suspiciously.
âYeah,â Clint looks around, âI need those,â he points.
The man chuckles.
Clint shrugs.
âDo you know what I should buy?â
He knows nothing of the product heâs pointed too, knows that heâs seen it in his bathroom before, and thereâs many types on the shelf; so the stab heâs taken doesnât seem like a bad one.
âYou need.. Pads?â The man questions, still smiling at Clintâs ignorance.
âYeah?â
Clint thinks he can keep it going, make the man distracted enough; untilâŚ
Thereâs a clink and a crash and Barney swears as the man moves to back, Clint hot on his heels.
Spilled beer cascades and Barney looks up, guiltily.
Standing frozen, Clint doesnât know what to do. The man takes a step forward.
Clint weaves in and stands between his brother and the shopkeeper protectively.
âYouâre the Barton brothers arenât you?â
They both look at the floor, and Barney speaks for the both of them.
âYes sir,â he says softly, âplease donât call the police.â
The man shakes his head.
âYour father is not a good man, is he? Hmm? He send you out here?â
âHe hit our mum because we ran out of beer,â Clint tells him, only to get shoved by Barney.
âIs that so?â
The man motions for them to move out of the glass.
âIt shouldnât be like that,â he tells them, handing a beer to Barney.
âYou didnât get that from me, okay?â
Clintâs relief is palpable, and Barney canât stop staring at the gift theyâve been given.
âThank.. Thank you,â he stutters, stuck on the spot.
Clint smiles, âyeah, thank you,â he repeats.
The shopkeeper it seems isnât done in his generosity.
He hands them each a chocolate bar, and then on a whim throws Clint a box of pads.
âGive them to your mother,â he smiles, âsheâll be thankful you got something for her too.â
.
Gus the shopkeeper is wirey, thinning hair with dark eyebrows.
Clint finds him funny and kind and when walking home from school, he always gives him a piece of fruit to munch on.
Barney doesnât like it.
âPeople donât do things out of the goodness of their hearts, baby brother.â
Clint ignores the warning, trusting his own instinct of people. He doesnât agree.
He does things out of the goodness within him, why wouldnât others?
He tries not to impose on the manâs friendship, wanting to always be around Gus but knowing he probably shouldnât be.
Sometimes his piece of fruit is all he gets for dinner.
The summer comes too quickly, and Barney gets a job delivering papers. It leaves Clint with too much free time, which he inevitably spends at the shop.
His mother encourages it.
She kisses his forehead and tells him to remember their code.
If his father is on a bender then sheâll put flowers in the window, if heâs not the window will be clear.
Itâs a system thatâs saved both boys a black eye or concussion a few times. Sometimes though, no amount of code words and secrets saves them from the wrath.
Gus seems to understand.
In the heat of the summer, he finds Clint sitting on the side walk, and invites him in.
Cold drink in hand, Clint grins at the pictures on the wall.
âYou used to be in the circus?â
Gus nods, a wistful look on his face.
âAcrobat,â he comments, pointing to picture.
Clint looks in awe
âThose days are long gone now.â
âCan you show me something?â
Gus laughs.
âSomething acrobatic?â
He shakes his head, âno, but I can show you something useful.â
Suddenly, thereâs a coin in his hand and then itâs gone.
âMagic?â Clint scoffs.
âItâs a skill,â he defends.
Clintâs wallet is suddenly in his hand and Clintâs brain almost short circuits in how useful learning pick pocketing might be.
âYou have to teach me,â he exclaims.
âPlease!?â
Gus laughs.
âOkay, fine, come back tomorrow.â
.
They start easily.
The summer nights pass quickly with Gus.
Barney notices it, and he seems glad that Clint has somewhere to go.
He rubs his little brothers head and encourages it.
âHey Barney,â Clint asks, one night, âteach me how to fight like you?â
Barney shakes his head, ânah, little bro, youâll fight like someone different. But I can teach you the basics.â
Clintâs heart leaps.
He hugs him spontaneously and Barney pushes him back.
âIâll catch you later okay?â
Clint nods, his smile big.
.
âTry again,â Gus tells him.
The watch sits on his wrist and he holds it out.
âItâs harder if you know itâs coming,â Clint complains.
Gus laughs.
âFine take it, you need the practice anyway.â
Clint nods, taking it off his friendâs wrist.
âSame time tomorrow?â
Gus nods.
âYou better practice,â he waves, and Clint nods.
Clint walks off, heading home, playing with the watch on his wrist, the clasp coming away easier.
He walks to the door and hears it, his mother shouting, his fathers fists hitting wood.
He cringes as he opens the door and tries to sneak in.
He forgets the second stair squeaks in his haste and the sound of footsteps makes him freeze.
âBoy,â his father bellows, âwhere have you been?â
Before he can even answer, heâs back handed into the stairs.
âWhereâs your brother?â
Clint grabs at his face.
Heâs better now at not letting the tears fall, even when he wants them too.
âI donât..I donât..â he stutters.
âYou donât know?â
Harold seems to grow twice as large as he points to the garage.
âGet in the car, weâre going to go find him.â
Clint can smell the toxicity of his breath, but is powerless to say no, as his mother gathers him up, kisses his cheek and tells him it will be okay.
Itâs not though.
The red light.
The other car.
Screams.
Blood.
His head hurts.
He thinks thereâs a bright light coming for him.
.
âTheyâre dead,â he opens, the shop doors opening for him as he stares through Gus.
The older man runs to him, and gathers him in a hug.
âWhereâs Barney?â
Clint holds the watch in his hand.
âTheyâre taking us, but I stopped them because I needed to give you this.â
He holds it out.
âOh Clint,â he holds him at arms lengths, sees the kindly lady step out of the car, and Barney deliberately not looking towards them.
âKeep it, borrow it, and when we see each other again, you can give it back to me.â
Clintâs eyes well up with tears and hugs Gus again.
âCan you take us?â he asks.
Gus shakes his head.
âNot yet,â he whispers.
âBut this is not the end of our friendship, okay?â
Clint steps back, unable to look at him, disappointment radiating off him.
âKeep practicing and come back when you can.â
The woman calls for Clint to come and he backs up slowly.
âGoodbye,â he whispers.
âGood luck,â Gus whispers back.
.
Gus growls.
âI tell you, heâs got potential, get him out of foster care and youâll see.â
Swordsman hums, contemplating his words.
âAnd youâd vouch for him?â
Gus swallows, knowing the heaviness of his words.
âAnd his brother, yes.â
He pauses.
âClint has aim like Iâve never seen it, has a reason to fight and his brother just needs a mentor to channel all his rage.â
âAim huh?â
Gus nods into the phone.
âTrickshot would do wonders with him.â
He wonders as the words come out of his mouth if heâs further dooming the Barton brothers.
Swordsman thinks on his words.
âFine, but heâs in foster care now, how do you propose we find him?â
He shrugs.
âHeâll find me again.â
âOkay, then keep him with you and weâll come to you, it canât be now, we still have the operation to finish here, give us a year, and then, if heâs willing and able and maybe can add to the crew, then we will take him.â
âThanks,â Gus sighs in relief.
Clint has his watch. Heâll come back.
âOh and Gus,â Swordsman counters, âdonât forget to send the money through.â
He swallows, âuh. Yeah. Of course.â
Swordsman laughs, âyou have to pay to stay out, otherwise weâll welcome you back when we welcome the two boys you so desperately want us to save.â
âIâll have your money, when you come get them.â
Gus hangs up, deal done, and gets the deposit ready in savings.
A year.
Clint just has to survive the year.
.
Iâve noticed lately that itâs often Americans who leave tags like âI donât even care if itâs made upâ on posts I make that are not particularly unbelievable, but are pretty specific to my way of life or corner of the world (like the one about the cheese vendor). It reminds me of that tweet that was circulating, that said Americans have a âmedieval peasant scale of worldviewââI mean, if you donât want to be perceived this way by the rest of the world maybe donât go around social media saying that if a cultural concept or way of life sounds unfamiliar it must be made up?
Itâs the imbalance thatâs annoying, because likeâwhen I mentioned having no mobile network around here I had people giving me info about Verizon to fix my problem. I post some rural pic and someone says it must be somewhere in the Midwest because the Southwest doesnât look like this. My post about my postwoman has thousands of Americans assuming itâs about the USPS. On my post about my architect thereâs someone saying âitâs because architecture is an impacted majorâ and other irrelevant stuff about how architecture is taught in the US. This kind of thing happens so so so often and Iâm expected to be familiar with the concepts of Verizon and the Midwest and impacted majors and the USPS and meanwhile I make a post about my daily life and Americans in the notes are debating like âdunno if real. it sounds made upâ
Going online for the rest of the world means having to keep in mind an insane amount of hyperspecific trivia about American culture while going online for Americans means having to keep in mind that the rest of the world really exists I guess
Reblog to give the person you reblogged from the ability to finish their WIPs
Nicole W. Lee, from "Even the Dust"
Happy Friday, friends!
Clint flits between anger and sadness. He lays down, his back towards her, trusting sheâs likely not going to kill him.
Itâs cold in the vents, the occasional blast of warm air floating through making the air dry.
They need sleep.
Rest.
Something.
Fatigue makes for bad decisions.
He wants to check that sheâs sleeping too; but his anger keeps him stationary.
He falls into an uneasy sleep, eyes closed, breathing like a sniper.
Itâs easy when you know how to put yourself into a trance.
He hears rustling of a wrapper and is glad that sheâs at least eating something.
Theyâve been on the go for around 24 hours and he doesnât think either of them got much sleep the night before.
Clint drifts into an uneasy sleep, dreams are unkind and he sees girls with braids, blood and bombs. He opens his eyes and breathes shallowly.
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Shamelessly poaching someone elses idea, social media poll but the options arent solely geared 2wards 15 year olds
Reblog 4 a bigger sample size dadada you know how it is w polls