Equal opportunity benefits can be far-reaching
https://twitter.com/sarahmei/status/818682610712866817
Well. Now I have to read all of these, don’t I?
i need a list of the most unhinged drarry fics you've read with wild premises or events pls and ty
What an interesting ask! I think my picks here are very subjective - I went for spooky vibes and plots that blew my mind in general - but now I think about it, all these are among my all-time favourite fics. I hope they work for you!
Basement Level 9 by @fw00shy (M, 2k)
Draco was behind the bomb that blew up Level 10, though they didn't talk about it.
Not Waving by @sweet-s0rr0w (M, 3k)
Draco and Harry have been together for a few weeks now, and everything's going swimmingly. Or is it?
The Other Cottage by @corvuscrowned (T, 6.5k)
If Pansy wasn’t shagging Ginny Weasley, Draco would never have been dragged to Luna’s ridiculous Halloween party in the first place - meaning he wouldn't be sitting in the corner of the room with Harry Potter all night.
Doppelganger by @writcraft (M, 7k)
It was just a silly dare, but one ill-advised trip into the Forbidden Forest changes Harry’s life forever.
A Cold Spot in Hell by @drarrytrash (E, 8k)
When there’s nothing left to burn, you have to set yourself on fire.
you look so fine by michi_thekiller (E, 16k)
In which Draco is a Veela and Harry is his mate. Dark!Humor or Crack!Horror, you decide.
The Good Guys by Frayach (E, 26k)
The Second Voldemort War is limping into its fourth year, and the Forces of Shining Light are slowly turning into the Forces of Expedient Grey.
In Our Blood by secretsalex (E, 38k)
Draco is an accomplished pure-blood curse breaker, and Harry is tasked with accompanying him on his latest job—cleaning up the Van Boer mansion, which has been under a devastating fertility curse for seven generations.
If an Injury Is to Be Inflicted by @shealwaysreads (E, 45k)
Harry Potter disappeared a year after the Battle of Hogwarts, and with him went all hope for true change in magical Britain.
Timecode by Rasborealis (M, 73k)
Harry Potter has been dead for two years, and Draco would laugh in the face of anyone claiming differently.
Super Rich Kids by @thusspoketrish (E, 81k)
Draco Malfoy has become disillusioned by the glitz and glamour of the scandalous lives of the Post-Second Wizarding War Pureblood Elite.
Yours is the Earth (Hold On, Hold On) by chickenlivesinpumpkin (E, 127k)
After a serious accident in the Forbidden Forest, Draco's personality begins to undergo subtle changes.
Forgive Those Who Trespass by Lomonaaeren (E, 135k) - this is the most unhinged Drarry I’ve read so far, pls mind the tags
Harry Potter was convinced he had an ordinary, if inconvenient, life. Then Ron and Hermione vanished in the Department of Mysteries.
At the End of All Things by @quicksilvermaid (E, WIP)
The Four Horsemen of the Apocalypse are real and Harry starts dreaming of them.
In The Dark by @bixgirl1 (E, WIP)
In the aftermath of an apocalypse, Harry receives an order to find and bring Draco Malfoy nearly a thousand miles, to the tenuous safety of Hogwarts.
so like I said, I work in the tech industry, and it's been kind of fascinating watching whole new taboos develop at work around this genAI stuff. All we do is talk about genAI, everything is genAI now, "we have to win the AI race," blah blah blah, but nobody asks - you can't ask -
What's it for?
What's it for?
Why would anyone want this?
I sit in so many meetings and listen to genuinely very intelligent people talk until steam is rising off their skulls about genAI, and wonder how fast I'd get fired if I asked: do real people actually want this product, or are the only people excited about this technology the shareholders who want to see lines go up?
like you realize this is a bubble, right, guys? because nobody actually needs this? because it's not actually very good? normal people are excited by the novelty of it, and finance bro capitalists are wetting their shorts about it because they want to get rich quick off of the Next Big Thing In Tech, but the novelty will wear off and the bros will move on to something else and we'll just be left with billions and billions of dollars invested in technology that nobody wants.
and I don't say it, because I need my job. And I wonder how many other people sitting at the same table, in the same meeting, are also not saying it, because they need their jobs.
idk man it's just become a really weird environment.
And for real, this fandom has so much talent in it that we already have about 30 gorgeous fanfic that are probably better than the actual third season might be.
As someone who's a fan of Good Omens (the show and the book), in the wake of the revelations about Neil Gaiman I want to say that the victims' wellbeing is more important than any closure from the completion of Series Three. If the showrunners find a way to remove Gaiman and complete it without any input from him, that would be a blessing. But if it never sees the light of day, I'll accept it.
We had one amazing first series that was based on the novel which Terry Pratchett's daughter has stated was 75% his work. The second series ... well, no matter how good you think it is (or isn't), it feels like an impostor now - a way to string out the story and keep fans on the hook with a cliffhanger ending before rewarding us with a final series based on some alleged ideas that the two authors once had for a sequel. For me, I think I can be OK without it.
I'm angry and disgusted with Gaiman but I realised that I don't feel sad. For his victims, yes. For other fans who lost faith in an author they loved, yes. But not for myself as a fan. Because as good a writer as he was, his own books were never, unlike Terry Pratchett's, up there with my favourites. And that's because, ironically, Gaiman fails at writing happy endings.
The “getting it done in an unconventional way” method.
The “it’s not cheating to do it the easy way” method.
The “fuck what you’re supposed to do” method.
The “get stuff done while you wait” method.
The “you don’t have to do everything at once” method.
The “it doesn’t have to be permanent to be helpful” method.
The “break the task into smaller steps” method.
The “treat yourself like a pet” method.
The “it doesn’t have to be all or nothing” method.
The “put on a persona” method.
The “act like you’re filming a tutorial” method.
The “you don’t have to do it perfectly” method.
The “wait for a trigger” method.
The “do it for your future self” method.
The “might as well” method.
The “when self discipline doesn’t cut it” method.
The “taking care of yourself to take care of your pet” method.
The “make it easy” method.
The “junebugging” method.
The “just show up” method.
The “accept when you need help” method.
The “make it into a game” method.
The “everything worth doing is worth doing poorly” method.
The “trick yourself” method.
The “break it into even smaller steps” method.
The “let go of should” method.
The “your body is an animal you have to take care of” method.
The “fork theory” method.
The “effectivity over aesthetics” method.
I mean, last time I was active everything was on Livejournal. So fandom dragged me back in HARD.
That feeling when a fandom got you on a chokehold so bad that you started being active on tumblr again, resurfacing to the streets of tumblr like that one character that everyone thought was dead.
The little photo of Wolvie with a heart drawn around it is so cute. He is showing off his boyfriend. 🥺
Really like this thing Walz does when they're appearing side by side -- he points at Harris or gestures at her in some way like "hey! Look at her! Here she is, the star of the show!"
He's doing for her what Biden did for Obama: an old white guy being visibly happy to play the part of the #2/sidekick/hype man for the younger person of color. (I know that Walz and Harris are technically the same age, but yknow.) In her case, he's also showing that it's cool for a guy to be there to support a woman, and for her to be the undisputed boss. All of which are great qualities in a VP.
Honestly, this sounds fucking FANTASTIC to me, and we should do it. Cry harder, Mitch.
why is this about to make me sob
I needed to read this, so now you will too.
Daily reminder that we do not actually live in a dystopian movie put the apocalypse down and back away slowly. You know when your cleaning a room and you pull everything out of it's draws to sort through it and you're like "what the fuck have I done I'm never going to be able to tidy all of this" I think that's the stage we're at in the world. Thanks to social media we've pulled out all the messed up shit from the cupboards of the world, it was always there but now we can see it and we're going to have to sort it all out we made this mess and we can fix it. Falling to the floor sobbing will not clean a crusty room. A group of people working systematically (preferably with music in the background) will.
Okay, I definitely need to read this and I’m definitely going to buy it to do so.
ive been reading a book that basically explains how so-called “brain differences” between the genders is the result of gendered socialization and not the cause of it. i honestly expected the book to be very cis-centric but its actually the opposite, the author stresses that testimony from trans ppl is actually indispensable because we’ve, in a sense, “lived both experiences”
more cis feminists should have this mindset
Ooooooooooh.
If you wouldn't go to someone for advice, don't take their criticism either.
Gorgeous artwork for a gorgeous fic.
Do you want your heart broken? Yes you do:
This fic will break your heart several times per chapter but you will like it! It's a glorious fanfic.
Its about ghosts and the ocean and (at least the metaphorical ??) string of fate. Gosh I love it so much and drowning is kinda my thing but usually the other way round.
Still trying stuff out with digital painting but it's getting there. (Also I feel like this composition has been done to death (ha!) but it was fun to do!)
A beautiful love story and peak parenting, all in one post. ❤️
Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.
Anthony and Cleopatra: here's the BBC version
As you like it: you'll find here an outdoor stage adaptation and here the BBC version
Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston
Hamlet: The Kenneth Branagh 1996 Hamlet is here, the 1964 russian version is here and the 1964 american version is here. THe 1964 Broadway production is here, the 1948 Laurence Olivier one is here. And the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation. Have the 2018 Almeida version here.
Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.
Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.
Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one.
King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here.
Macbeth: here's the 1961 one with Sean Connery. Here's the 1971 by Roman Polanski, with spanish subtitles. Here's the 1948 www.youtube.com/watch?v=ljZrf_0_CcQ">here. The 1988 BBC onee with portugese subtitles and here the 2001 one). The 1969 radio one with Ian McKellen and Judi Dench is here and the 1966 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here.
Measure for Measure: BBC version here.
The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie.
The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.
A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version.
Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.
Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.
Richard II: here is the BBC version
Richard III: here's the 1955 one with Laurence Olivier, and here's the 1995 one with Ian McKellen. (the 1995 one is in english subtitled in spanish. the 1955 one has no subtitles and might have ads since it's on youtube)
Romeo and Juliet: here's the 1988 BBC version.
The Taming of the Shrew: the 1988 BBC version here, the 1929 version here, some Ontario stuff here and here is the 1967 one with Richard Burton and Elizabeth Taylor.
The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one.
Timon of Athens: here is the 1981 movie with Jonathan Pryce,
Troilus and Cressida can be found here
Titus Andronicus: the 1999 movie with Anthony Hopkins here
Twelfth night: here for the BBC, herefor the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.
The Winter's Tale: the BBC version is here
Please do contribute if you find more. This is far from exhaustive.
(also look up the original post from time to time for more plays)
everyone's doomed by the narrative bitch let's get you some fruit
Can you or your followers recommend fics, that speculate what might have happened 1941?
I can offer you this short, soft first kiss fic but other than that i’m going to have to call upon the gomens hive please help a bestie out and share your recs in comments or reblogs
(source)
I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.
Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,
We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.
I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.
Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)
That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.
Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.
But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.
And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.
I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)
But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.
Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).
Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.
(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)
At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.
“We could make a difference.” We could save everyone.
Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.
Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.
But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.
Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)
Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.
Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”
____
In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.
Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.
Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.
And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.
And he’s still going to do that. But it hurts him that he has to do that alone.
Anne Carson, from The Glass Essay
kaveh akbar, 'calling a wolf a wolf' // doc luben, 'love letters or suicide notes' // @/nutnoce, tumblr // 'my body's made of crushed little stars', mitski // @/ojibwa, tumblr // 'spring', mary oliver
Jihyun Yun, from Some Are Always Hungry; “Reversal”
[Text ID: “I so want to survive this. Please lead me whole into another season so I may dare begin again.”]
Some real relatable energy here.