Crazy how many people want characters in fiction to speak and act like they’ve had 20 hours of intensive therapy. Could NOT be me I want these bitches fucked up insane
Part VIII
slightly open mouth
downturned mouth
eyes slightly more open
being hesitant in their movements
shrugging shoulders
wringing their hands
crossed arms to protect themself
buckling of the legs, becoming instable
speaking softly and shaky
openly smiling
relaxed face
bright, attentice eyes
steady and natural eye contact
open and upright posture
energetic and animated movements
speaking in an upbeat and positive tone
walking with a spring in their step
walking confidently
bright and open eyes
looking around
sweaty palms
trembling hands
heart racing
fidgeting with their entire body
crossing and uncrossing one's legs
having restless legs, rocking them
drumming with their fingers
bouncing on one's toes
shifting from one foot to the other
pacing around
fussing with clothes
eyes twinkling with mirth
chuckling
bursting out in laughter
eye contact to share their amusement
being open and relaxed
a genuine smile
raised eyebrows
crinkling around the eyes
tilting of the head
slapping their thigh
playfully nudging other characters
standing tall with good posture
maintain steady, appropriate eye contact
avoiding direct staring to not make them feel uncomfortable
speaking in a calm and measured tone
showing attentiveness by listening actively
using polite language and manners, not interrupting or talking over anyone
no crossing of arms and relaxed hands
More: How to write emotions Masterpost
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(📝Note: character voice is the way you convey your character's personality though their pov or dialogue when you write. No two characters speak the same📝)
I speak from experience when I say character voice is hard to get right. Characters, like people, have lots of layers that affect the way they see the world around them and how they interact with other characters. That's why character voice is so important in stories, and why if you write it in a compelling and effective way it will hook people into your story. I hope you learn something new in this post!!
When writing character voice, there's a list of things that you should take into account:
Where are they from? Their past and what they've lived plays a huge part in character voice. Maybe your character grew by the ocean, and so they compare things from the present to the beach, the rocks or the sea itself. You will rarely read about a sailor that is an expert in pants and compares scents to flowers. They might, instead, talk about how a house smells like the wet wood of a ship.
Think about how their personality shapes their language. If they are insecure, they might end most of their sentences with "isn't it?" or "right?" and ask a lot of questions, whereas if you have a confident character, you might find them saying things like "we should do this" or "that will be fun" instead.
What their "lense" is. This is more of an ethic aspect of the character. What have they learn it's okay, and what do they find uncomfortable? Would they find it gross if their friend left laundry on the floor?
Give them special traits (both for dialogue and narration). Maybe character A quotes a lot when they narrate and uses long paragraphs, or maybe B speaks about their past a lot and uses popular sayings. Personally, one character of mine has the tendency to repeat himself when he speaks, as in "yeah, yeah, I'll do it" or "no, no, no. Never" because he is really enthusiastic, and it fits really well with his character.
Pay attention to how they would talk about themselves. Maybe your character doesn't like people to know they're sad because it makes them feel vulnerable, so they will just say they feel annoyed or don't want to talk in that moment. This also means that they will not tell the reader something they are not comfortable saying in the first place.
How is their education? Education is also very important in this context. Did they went to university and have a rich vocabulary and structured sentences, or where they rised in a little farm far from town? You can also play with both a bit: maybe your character did go to university, but maybe they also came from a low income family, and characteristic of both things merge when they talk. Example: long, structured, sentences but a simple and sight forward vocabulary.
That's all for now and happy writing!!
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Drowning in September, Eric Pfeiffer
September, H Stuart
September Tomatoes, Karina Borowicz
One September Night, Franco Fortini
September Sunday, Lucille Broderson
September, 1918, Amy Lowell
September Midnight, Sara Teasdale
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"He would not fucking say that" but it's "He would not handle someone having a breakdown in front of him like that."
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