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Writeblr Introduction

Hi, I’m Andromeda (she/they). I am returning to Writeblr and decided to start a new blog for my WIPs and writing updates! I want to use this blog to shout out other Writeblrs, make posts about my current WIPs, and experiences in publishing. I mostly write original fiction but write fanfic when the inspiration strikes. I love Writeblr games and asks!

This blog is a safe space for all identities, gender & sexuality, neurodivergence, race, and religion. I do my best with content and trigger warnings.

My Writing: Genre and Representation

I love horror, sci-fi, and fairy tales 

I don’t enjoy romance (if it’s only the pursuit and drama), but I love writing nuanced love stories where people communicate well and put effort into building relationships

Lots of queerness and queer relationships

BIPOC main characters

Neurodivergence- shout out to the undiagnosed ADHD queens, the anxiety, and masking/coping behaviors

Trauma, out of context, is seen as personality

Smut- sex is a part of life and it’s fun to write. Get down, make mistakes, get messy. My sex scenes aren’t just conventionally attractive people putting on a show. I emphasize body diversity, complexities of gender identity, and emotional state

Tropes:

Found Family

Villains

Redemption- working to be a better person, even when it’s hard

Poly-Amory- we often have more than one close friendship, and have variety and nuance in those different relationships, so the same thing goes for romance

Morally gray/Feral girls- women have so much responsibility put on them for the emotional wellbeing of others, but what if they aren’t capable of that? (think Broad City/ Bottoms)

Finished works:

The Devil You Know- short story- been submitting this one and just got an acceptance letter today! I’ll keep y’all posted!

Genre: horror, vampires, fairytale

Vibe: The Green Knight x The Witch

Anya has built a quiet life for herself, trusted as the village healer as long as she keeps her magic hidden. All of that changes when a strange traveler arrives at her doorstep. The man looks human, but Anya senses an old and powerful magic within him. Intrigued, she allows Owen inside. He claims to have been an apprentice to a witch, and Anya, despite her suspicions, finds him to be a kindred spirit. They begin a romance, both finding comfort in one another.

Their peace is broken when a family comes to Anya in crisis. Their child has been cursed, and is transforming into a monster. Desperate to save the boy, Anya asks Owen for help. He can grant her the power to break the spell, but it requires blood and forbidden rites. Knowing that she can’t break the curse alone, Anya faces a choice with deadly consequences.

WIPs:

Bubblegum Capital

Genre: Queer Cyberpunk

Vibe: 1984 x Legally Blonde

Novaczek is on the brink of fame. They’re an amateur gamer about to break into the pro leagues. But their dreams are crushed when work denies them time off for the championship.

Novaczek decides to play on shift and is caught. Everything comes crashing down. They find themselves at rock bottom having lost their job, company housing, and girlfriend all at once.

In a world where your value is measured by your social ranking, Novaczek has to claw themselves back up, hustling for money and favors from friends. As they work their way back up the ranks they discover an underbelly where nothing and no-one are what they appear to be.

Love, Asunder

Genre: Gay Vampires, Family Saga

Vibe: 1917 x Hellboy

James Townsend was supposed to be starting his new life, an American abroad, with a Fellowship at Oxford University. All of that changes when Germany marches on Paris. James can’t remain in the classroom while teachers and students leave their desks for the battlefield. So James enlists as a volunteer ambulance driver on the Front. The days stretch long with violence and misery, but he finds purpose and friendships in the trenches. 

Then he meets a man, a smuggler providing supplies and information to the Allies. Etienne is so different from the soldiers, bright and charming. They begin a secret romance, disappearing together when they can, and writing letters in between. 

An opportunity comes to meet in Paris, and James is overwhelmed at the opportunity to spend time with Etienne in the City of Love. Free to spend their days together, James quickly discovers just how much Etienne has been hiding from him, and enters a world of magic, beauty, and death. 

Tropes and fun stuff:

Butch witches

Femme werewolves

Playing the vampire tropes straight

Magical Underground

Found Family

Bio-Family responsibilities

Many, Many different kinds of love

I'll be sharing moodboards and snippets along the way! Looking forward to learning more about the other talented Writeblrs out here!

tagging: @hillnerd-art @suffrajett @starknstarwars @em-dashes @blind-the-winds @leave-her-a-tome @athenswrites

YALL. Holly Black has a list of resources she's used for writing her books on the fair folk. I'm OBSESSED. I love her work and world building. it's so true to the heart of faeries

Here's some of the @jstor articles I've found really interesting in this line of study:

From my gender/sex variance studies

Erecting Sex: Hermaphrodites and the Medieval Science of Surgery

Mary or Michael? Saint-Switching, Gender, and Sanctity in a Medieval Miracle of Childbirth

The Image of the Androgyne: Some Uses of a Symbol in Earliest Christianity

Transvestites in the Middle Ages

Two Cases Of Female Cross-Undressing In Medieval Art And Literature

Concerning Sex Changes: The Cultural Significance of a Renaissance Medical Polemic

Relating to disability

Sitting on the Sidelines: Disability in Malory

A Dwarf in King Arthur's Court: Perceiving Disability in Arthurian Romance

Disability and Dreams in the Medieval Icelandic Sagas

The Disabled and the Monstrous: Examples from Medieval Spain

Relating to sexuality

Sexual Fluidity “Before Sex"

The Disclosure of Sodomy in Cleanness

"Be more strange and bold": Kissing Lepers and Female Same-Sex Desire in "The Book of Margery Kempe

I will continue to update this list of sources as I find pertinent articles!

Your mileage may vary on these, not all of these have the most tactful or respectful dialogues but I found them interesting.

[oc] you won't be alone

warning!! modern ‘poetry’ is turning our daughters into beautiful bisexual men!!

“The Tomb I will serve till the end of my days, and then see me buried in two hundred graves”

This book is everything.

everthing sucks but atleast i drew Meleoron

yeah i did his hoodie bad urmmm forgive me

happy WBW! i am so intrigued by prisma and wonder if you could go into a little more detail abt the colour coding? :)

Thank you for the ask! Conveniently, this is actually the subject of my brainrot and thus you are a very kind mutual. Sorry if this is a bit incoherent btw. I'll deep-dive the specific components at a later date.

The colour coding is a huge part of Prisma both in it's conception and worldbuilding. Each story revolving around their respective protagonist is coded a colour (I.E, Jack's story and red); themes, ideas, and symbolism regarding this occur both in a meta way and in an in-universe way.

Neat fact: Prisma is a play on the word "Prismatic", nodding to the fact that white can be split into the spectrum of colours by a prism.

Quick Breakdown of Prisma:

Prisma is the setting of these stories, and colours - hues are the primary power/magic system. A surreal other-land where figurative can become literal and vice versa. Hues are it's fundamental building block, existing both as an abstract but also a resource. Here is where our three protagonists come in: at some point in their stories they become 'Key Figures', a facet of that colour embodied in a person. I'll elaborate on that particular concept in another post.

I'll give you the rundown on each protagonist and their relation to the colour coding. These aren't the only aspects of the hues, but the main ones.

Jack, Red -

“It doesn’t matter what powers you hold, or the trials you’ve faced; as long as I reach into the four corners, my Judgement is tangible irregardless.”

Red watches over rules and conventions. It's a hue of hierarchy, of domination and submission, of judgement. It works with the pre-existing fabric of things, tending towards tangling things in it's rules rather than violating it's own tenets.

There's also another aspect integral to red: Mediums. In Prisma, a Medium is not someone who merely gazes ghosts, but possess sight that stretches past horizons; the domain of a medium is to wrench meaning from things. Mediumship as a quality is inherently linked to the hue of red.

What this means for Jack, my favourite red-eyed little bastard, is that his power is in pulling at exposed threads. People constantly transgress all sorts of rules - personal, natural, even physical rules; it just isn't noticed. Jack as a key figure is an Arbiter. By acknowledging a transgression the appropriate punishment is applied automatically as a principle of Prisma itself.

He can gaze at the True Names of things, unravel their nature and bring forth what lays dormant.

As a whole it also ties in with Jack's character and background. There's more to it but I'll elaborate on a dedicated post.

Hel, Blue -

Blue is to expand and grow endlessly. It's boon and plight is that everything that that it is will behold genesis, but all that they are is the horizon's boundary

The sky, the ocean; a roiling pit of genesis from which life sprung. Blue is desire and manifestation - the self crystalised into something tangible. In it's purest form as a hue it is creation unbridled. However, blue - deep, roiling blue, horizon spanning azure - is crystallisation of self. It's dominion ends past the boundary of self, past the ownership of such a minor existence.

Blue can create vast shapes and forms, even spring life to being with it's lustre, yet it has no control over that which it did not create.

Hel first wields this hue in the form of the Principle class artefact 'The Flask', a portion of the sky stolen and inverted long ago, bound by it's own genesis. Hel's character arc is about identity and assumptions, of presumed boundaries and humanity. And how enough imagination can transcend flesh.

Absorbing The Flask at the precipice of death something much vaster, and above all free. The key limitations of this hue remain true, but post-rebirth Hel's entire body is comprised of blue, they let it seep into the ground and spread themselves vast and wide. Something brilliantly inhuman.

Dorothea, Purple -

Pocket watches running in parallel and paradox to the march of moons

Such an awfully royal colour, and so fitting is it for sovereignty to be it's domain. Many things hold power over others: the moon over night and the passage of time, the land from which things sprout, and of course what every person owns: themself.

Dorothea's sovereignty is to fragment - split things into parts, isolate them and take ownership. If she wins ownership over something she can even fragment it's time; send things backwards, freeze things into a single state, steal something's time spent.

Red, Blue, and Purple form a colour triad, and one of purple's specialities is 'borrowing' from these. Out of all the hues Purple is the only one able to use aspects of another by collecting fragments belonging to them.

To the Lilac Sovereign what may be someone's present is merely a puzzle to rearrange to their whims.

Without subjects sovereignty means nothing. Thus, in pursuit of her own royalty Dorothea fragmented herself to become her very own pawn.

Extra Tidbits :

The powers a hue possesses has a lot to do with the associations and symbols connected with them, and while each hue has a scope of it's own they can present in several ways. A key figure is a pure manifestation and expression of the hue, often taking a specific thematic direction. Hues are used by others in the form of materials imbued with it naturally, artefacts, or by acquiring it as a part of oneself.

Red as a hue is violent and bloody and passionate, essential yet bitter like blood. That's kind of why I went with hierarchy/rules. Also got some prey/predator stuff going on.

Blue, to me, is a colour of imagination, creation, and things so vast it's terrifying. Think like life arising from the sea.

Royalty for purple, obviously, but I think it's a very moon-ish, celestial and mystical colour. Time, both as an invention to understand the passing of events better, and as a natural mechanism are very big here.

There are other hues and such and they do stuff but I'm focusing on blue, red, and purple as they're the colours of the respective protagonists.

The colour triad dynamic is kind of:

Red is concerned with rules and convention, judging and causing conclusion in the present.

Blue is creating things anew in the present that persist.

Purple isn't tethered to present: rearranging and altering the state of things.

ALSO: I really didn't want to do like "Red=Fire" or something and I wanted something symbolic to fit my surreal little world so the hues do not function in such a straightforward way.

Whats the history of executioners as a societal class? Im ready

this article provides a pretty good quick but in-depth summary on the subject. it's a really interesting case study in social exclusion and class/caste system dynamics!

Thumbprint Challenge

Thanks for the tag @moondust-bard !

RULES: Look back on your work, both past and present, finished and unfinished. What are five to ten narrative elements or tropes that continuously pop up in your work? Give a list of these things!

Inhumanity as a neutral thing rather than 'good' or 'bad

Things™️ are not what they seem to be

Body horror

Fae or fae folklore inspired elements

Intricate magic systems heavily interconnected with the setting

Gods as eldritch entities

Neurodivergent characters. Everywhere.

Misfortune striking but the character is just a bit too fucked up to be bothered all that much

Distorted environments

Tagging: @sparrowrising, @violets-in-her-arms-writes, @tea-and-mercury