They kept anthropomorphizing him more and more as the series went on. This tends to happen a lot with creatures in animation. It is honestly what happened with Sisu in Raya and the last Dragon I’m pretty sure. The initial concepts of the character /creature are created with a lot of distinct features that make the characters stand out. Then as the production continues, many more hands,(artists, modellers, riggers, texture artists, animators, etc.), all touch on and tweak the design and how the character moves. Some things get improved, some things get eroded away.
Not to mention the art direction and goals for what they wanted the dragons to look like changed from the first movie to the third. The first ones all feel more natural like you could see which dragons were related to each other and they blended in to where they lived. Most of the cast had dappled greens, yellows, and browns. They also had some display adaptations like the deadly nadder’s quill/spikes being a bright yellow against its blue scales, forming several ring display patterns to warn other animals that its tail is dangerous.
Those types of details were not as important to them as the series went on. I think they wanted to make each dragon distinct from the rest and instead favoured certain design trends or gave a dragon one really big distinct feature. Think the antlers on the Crimson Goregutter or how all the design features of the Deathgripper look like they are from either a scorpion or a whip spider. I don’t think they were spending as much time trying to blend these features together in a more natural sort of way. I don’t think that was there goal any more. Plus they probably didn’t have as much time to workshop the designs as they did the first movie.
speaking of how to train your dragon and creature design, the shift from the really naturalistic art direction and character animation for the first movie's toothless- the face getting flatter, the eyes bigger and closer together, getting rid of the little realistic details like the dust collecting between the scales, the pink splotching where the scales end at the nostrils, the muted markings, the animation making a shift from largely realistic animal behavior to much more anthropomorphic- is such a huge downgrade to me, made worse because it's subtle in such a way that you will sound insane if you mention it
(huge L for the "the audience's capacity to find a creature cute and empathetic and expressive is directly proportional to how much it looks like a human baby" principle of character design because the first one is so so much cuter)
Her design has a lot of influences from skunks and badgers but also has some snake and quail in there. Quail in the wings and snake in the jaw. I will post more on that later.
First post ever. WooHoo!!! This is a work in progress for one of my characters I have been using in a worldbuilding project and show concept. Her name is Houstan. More on her will likely be expanded upon later, as well as the world building project itself.
Thanks for dropping by though.
Beautiful feather texture!
One of my favorite birds is the bittern and one of my favourite dinosaurs is troodon! That's why I combined them into one! By giving this prehistoric creature a marking inspired by this wonderful bird.
Amazing work!
We are approaching the maximum of images you can post here so I thought it was time I make a little showcase of all the formation pieces we covered so far on the streams.
For people who don't know: for several months now I draw one formation or fossil locality every Saturday. The next place we visit is chosen by a wheel of names, which we also constantly fill up again when a new formation is picked.
I try to make it as interesting as possible in my composition and choice of animals and I can tell you this series has been a great training when it comes to constructing these, how I call them, Menageries.
I have to thank a team of friends and colleagues who help behind the scenes with research, creation of size charts and conversation partners when it comes to deciding on the compositions of these pieces. Their help has been invaluable!
A scavenger toll that is part of my little Rain World set.
Solar Eclipse Shadows
These solar eclipse shadows form due to the distance between the sun and the leaves on the trees. The distance and the proximity of the leaves to one another cause for a "lensing" type effect, making the eclipse shadow clearer to the human eye.
My name is Saja. I’m a wife, a mother, and a woman who once believed her story would be simple. I thought my days would be filled with watching my daughter grow — from her first smile to her first steps — surrounded by the small joys of everyday life.
But life had other plans.
War has returned to our home. Again. And once again, we find ourselves living under skies that never seem to rest.
There was a moment — a fragile, breathless moment — when the bombs paused and the world seemed to remember us. It gave us hope. We thought maybe, just maybe, we could start to rebuild. But now, we are back in the dark — hiding, holding on, praying.
I’m writing this not as someone seeking pity, but as a mother who has no other choice but to speak.
Imagine holding your baby in the middle of the night, not because she cried, but because the world outside roared too loud for either of you to sleep. Imagine whispering bedtime stories not to lull her into dreams, but to keep the fear from settling into her tiny bones.
This is my life.
This is my daughter’s life.
And even now — especially now — I believe in softness. I believe in kindness. Because when everything else is taken from you, hope becomes the most valuable thing you have.
Why I’m Reaching Out Our home has been damaged. Our lives changed. But through it all, my daughter wakes up every morning with a smile. She reaches for me with trust, with love, with faith that I will keep her safe.
That’s why I keep going.
I’ve launched a campaign to ask for help — not because it’s easy, but because silence is no longer an option. I am asking for support not just for me, but for my baby, and for the quiet strength of so many mothers like me who are fighting, every single day, to hold their families together.
How You Can Help: 🤍 Help us restore parts of our home so we can live with dignity 🤍 Support women and mothers in Gaza with access to care and resources 🤍 Keep the light of hope alive for a generation born in the shadows of war
💛 If you can, please support our journey here:
If you can’t give, please consider sharing. Your voice might be the reason someone else hears ours.
From My Heart to Yours Maybe our lives are worlds apart. Maybe you’ve never lived through war. But if you’ve ever held a child and wished the world could be better for them — then you understand more than you know.
I don’t want my daughter to grow up thinking the world turned away.
Please, if you’ve read this far — thank you. Thank you for seeing us. Thank you for caring. We are still here. Still hoping. Still holding on to every kind act like it’s a lifeline.
👀✨