Why Are My Favorite Ships Always:

thanks for the tag!!

Favorite color: forest green and light greenish teal (honestly any green + blue combination)

Last song: I love you by EXID

Currently reading: A Crack in the Marble by Steerpike13713 (Ace Attorney fanfic, 3-1 retelling with Bratworth early redemption! It's really good, I recommend it)

Currently watching: Nothing. Well technically the last thing I watched was Better Call Saul but I'm not committed to it.

Currently craving: Bread, like really good European bread

Tea or coffee: Tea 🍵 <3

Tagging (no pressure of course): @shrimppishh @azalawa-scroggs @huldraism @evelinessa @kobitoshiningneedle

Thank you P @jessicamdawn for the tag!

Fav color: White

Last song: A Thousand Years by Christina Perri

Currently reading: 'And here I thought it was me saving you' by @imogenegomi

Currently watching: The Eclipse

Currently craving: Alone time.

Coffee or tea: tea

No pressure tag!

@imogenegomi @midnights-dragon @quillswriting @oregano-gremlin @ririnya7

@theliteraryarchitect @zackprincebooks @randomia-in-wonderland @marlowethelibrarian @rose-coloured-windows

@raeality @dreaminghour

+ an open tag!

Currently halfway through Bridge to the Turnabout and no one told me I'd end up feeling bad for Larry. I feel like the developers made it their mission to hate on him specifically. And honestly out of every Ace Attorney character with trauma that gets unaddressed, why does it feel like Larry gets treated the worst by the game.

Everyone thinks he's useless and annoying. But I think the judge was correct when he said Larry has "quite a severe inferiority complex". Larry casually drops that he's been physically abused by two of his ex-girlfriends, but seems to think it's perfectly fine. He seems to believe he's utterly worthless and that he makes people "eternally unhappy". But he never changes because he suppresses his trauma so hard that he forgets about them. He actually feels so bad for screwing up in The Stolen Turnabout but instead of genuinely working on himself, he adopts a new identity because he can't stand himself probably.

But AA1 clearly shows that Larry is not "useless" or a "nuisance". After all Phoenix also wanted to repay Larry for defending him during the class trial. And not to mention Larry saved Edgeworth with his testimony in 1-4. Oh Larry you'll always be a part of the signal samurai trio.

Narumitsu enamel pin design!

Will produce it if enough people are interested 🫡

writing around feelings

imo the absence of a feeling in writing is more powerful than directly describing it. people comment about how i do this a lot in writing so i thought i’d share what i mean and how i do it

so basically i’m trying to articulate a feeling without actually acknowledging it in the writing. when people avoid a thought or a feeling they don’t give it a name. it’s like touching around a bruise, you feel a little around it but avoid fully touching it because it hurts. that’s what i mean

in practice i think i have a couple ways of doing this:

1/ does, doesn’t, would, could: even if a character doesn’t take an action or acknowledge a feeling, the possibility is there in the story and i like drawing attention to that, it addresses the periphery of an emotion in an interesting and internal way, examples:

Erik raises the visor of his helmet. A soft summer breeze hits his face, catching on the sweat and cooling him ever so slightly. He feels Istvan’s eyes on him but doesn’t meet them.

Ryunosuke faces forward, letting his hand drop from the hilt of the sword. He takes a short breath. He tries not to focus on the dust.

2/ flat description of actions: you can describe an action without describing the emotion attached to it. i feel this is more impactful than doing both at the same time, or just choosing to focus on an emotion. there is emotion in the action, the reader can decide which one, examples:

“Kate,” he says, a little too sharply. “Be very careful there. Be very careful.” His hands are shaking again. He crosses his arms and shoves his hands under his armpits.

His computer gives a soft chime. An email. A new lead, but the stories are safe and tame, nothing like the danger he was used to. He shakes his wrists again, warding off carpal tunnel for another day. Another chime sounds. He looks out the window again.

3/ bury emotion in metaphor: this one i do constantly, i’ll just go off on a tangent about something else and the emotion will come through, kind of like how a character will try to distract themselves when faced with an emotion they don’t quite know how to process, example:

Sunlight trickles in through the dense tree cover, like water. A ray touches Hans’s golden hair. Henry watches the light play on the yellow strands. His hair is combed back but a few strands fall onto his forehead, pushed around by some invisible wind. They could be harp strings, or silk threads. Something delicate and fine. Another ray of sunlight falls over Hans’s hair and it seems almost to glow.

He unclenches his hands one finger at a time. The stress of muscles tensing no longer exists, not here, but the ghost of tension still lingers, the memory of it, over his knuckles and in his wrists. He wishes he could just have this. Just the pain in his joints of holding onto something too tightly for too long.

Honestly, to me Manfred seems like he would be too rational to spend time on hating a group of people like that. He's extremely obsessed with "perfection" and looking back on Turnabout Goodbyes, he's also ruthlessly efficient. He prides himself on finishing trials in mere minutes and when Phoenix exposes his crime, all he does it tell the judge to hurry up with putting him away. He only acts irrationally when his "perfection" is threatened, namely when he shot Gregory over a penalty. And he puts a lot of effort into regaining his composure (taking the only vacation of his career after his crime). And adding all that on top of everything OP said about him raising Franziska... Manfred being misogynistic just doesn't seem very consistent with canon.

It's really easy to hate Manfred if you love Miles or Franziska and there is nothing wrong with interpretations, but I would recommend taking a good look at the evidence in canon.

Kinda scared to post this, but this has been on my chest for years and I finally have a platform to air it out. I don’t understand people who think that manfred is misogynistic. I know it’s like the cool thing to do in the aa fandom to hate manfred for fanon reasons, but I think manfred being misogynistic is one of the most unrealistic ones for me. Especially since Franziska turning out to be, well, Franziska, indicates otherwise. Like, Franziska is a loud, outspoken, confident, man-hating lesbian with anger issues that scares tf out of people. Basically everything that men hate. If manfred was misogynistic he would’ve snuffed that out as soon as he could. But he doesn’t. Bc he lives for that shit. I highly doubt he would try to constantly bring her down bc she’s a woman and “manfred wanted a male heir” (a fanon idea I also don’t understand since the competition that she and miles had together was started between them, and not directly initiated by manfred at all). Franziska being the way the she is literally can’t be more fitting of Manfred’s ideal of a von karma.

I just think it’s funny that manfred raised an angry lesbian daughter, is supposedly a wife guy (aai2), and overall has never said anything directly misogynistic in the games and the aa fandom chose him to be the misogynist of all people just bc he’s a villain. Really feels like the only reason people do that is bc they hate him so much they pile quite literally every horrible human trait they can think of onto him, and not bc it’s actually justified based on his character….

Oh boy, this is a good observation but there’s one thing you’re missing. The game never explicitly states if Phoenix truly believed Edgeworth was dead. But at the end of Farewell My Turnabout, Phoenix says this: “I decided that the Miles Edgeworth I knew had died. …At least, that’s what I told myself”.

Phoenix lied to himself. Phoenix deluded himself into believing that the version of Miles Edgeworth he had in his head was dead. And then proceeded to act like he was grieving Edgeworth’s real death.

… I will do a full analysis on this one day.

phoenix wright is so funny like he doesn’t see edgeworth for years after edgeworth leaves school after his dad died and was lik e: edgeworth must be dead. ill never see him again.  then he became a lawyer and sees edgeworth and then almost witnesses him die bc of the law and was like: thank god he didnt die. now he’s here forever. then edgeworth quits for a bit  bc of cancel culture and phoenix legit is just like: hes actualy dead again and ill never see him again. hes for real dead like, he has no object permanence  emotionally or physically 

Someone finally said it!!! Edgeworth is a very nuanced character. He is more than his trauma, his "unnecessary feelings" for Phoenix, or his emotional constipation. Narumitsu is not a one-sided Phoenix saves Edgeworth all the time dynamic. They're equals! Does Edgeworth's insistence in Farewell My Turnabout that Phoenix is not a hero mean nothing? I want to do like a proper analysis of this sometime, probably after I finish Trials & Tribulations...

okay here’s a secret for you guys: i actually prefer mtnr over nrmt

im not even sure why LMAO the second i started shipping nrmt i automatically pictured miles as the top like it just came naturally to me ig?

idk what it is about him that comes off that way to me but in all the ships i like the serious character is automatically a top for me so..

and because of that i got genuinely suprised when i found out that bottom!miles was way more popular in fanart/fics than i initially thought

like i didn’t mind at first because im not THAT obssessed with top/bottom dynamics i didn’t care too much about that stuff as long as it’s a ship i like and i’ll forever be grateful and happy that i get to see content of my fav ship everyday regardless of it’s specific contents/character dynamics it’s just a personal preference that’s all <3

but ngl there are times where i get kinda miffed about how miles *specifically* is protrayed in these fanworks because they always… woobify him? and don’t get me wrong ur free to protray him however u want pls don’t let me stop u this is only my opinion😭

they always baby him too much and take away his most defining traits like his ruthlessness and intelligence so they could turn him into this oh so angsty sad little boy who cannot intuit any emotion that’s not sadness or grief and needs to be taught how to feel happy by phoenix all the time as if he isn’t capable of doing it himself and needs to be handheld constantly

idk about u guys but miles’ character isn’t just about him struggling with unecessary feelings or missing his dad or whatever and yes that’s a huge part of him but what im saying is that’s not the ONLY big part of miles as a character

let’s not forget this is the same dude who told someone he didn’t gaf if they k worded themselves and he spent the last couple years prior to reuniting with phoenix SENDING INNOCENT PEOPLE TO JAIL OR POSSIBLY EVEN GETTING THEM THE DEATH PENALTY like this man’s ruthless as shit even after his character arc which really shows that von karma’s influence will forever be a part of him no matter how much he changed😭 he’s not evil or malicious but he’s not ur “sweet and sad widdle boy who we must protecc🥺” either

i dont like it when ppl dumb down this ruthless, intelligent and traumatized man to “aww my poor sad widdle baby” no offense but that’s not miles anymore that’s a whole ahh oc atp LMAOOO

I absolutely LOVE it tho when people dive into his darker side it’s such a refreshing thing to see ppl do with his character like YES give me more fics where miles is willing to bend the law if it's gets in the way of the truth, and it has ACTUALLY HAPPENED BEFORE!!!

it’s also another reason why i like mtnr because the fans of that dynamic actually DO explore this side of him a lot more where he’s more in control of everything and just takes charge and does whatever tf he wants without caring about what others think it’s a really nice change for once LOL but said fanworks are few and really hard to find

and also ppl always think miles is the most law-abiding citizen in society or whatever but i think that's bcuz him being prosecutor (one of the best too) and how much he loves his job automatically means that he’ll follow the rules to the ends of the earth or something but it’s been shown multiple times that he cares more about the truth than law itself ESPECIALLY if said law prevents him from knowing what really happened

sorry if this comes off as mean and i genuinely do not have a problem with ooc protrayals hell i LOVE ooc fanworks they’re super fun and i eat those shit up like a full course meal it’s just that miles get babied by the fandom so much more than phoenix does and hardly anyone ever talks about his morally gray side that’s willing to commit literal crimes to bring the truth to light in favor of turning him into the poster boy for ace attorney angst and it just kinda annoys me sometimes💀

this was supposed to be me talking about nrmt dynamics but it turned into a miles character analysis(?) instead… whoops

THEY SHOULDVE HUGGED IT OUT 💔💔💔💔💔

I don't know if this has been talked about before, but I really disliked the way the Careers were characterised in sotr. They felt like more of a caricature than in thg1, even if they were the minor antagonists in both. But they seemed more believable in thg1, although they had less lines. More competent? Like, if they trained for the Games for years, why would they be so airheaded? If it were up to me I'd make sure my volunteers were both strong and bright. And teach them how to prepare for the interviews!

And them always being the bully stereotype misses out on really interesting topics. For sure fame is one of the motivators, they're teens made to believe the Games are the highest honour, but why do they always have to be fame seeking brutes? Why don't we ever see them from the angle of training to protect the younger or sick kids from their district, even if it's just implied? If someone is guaranteed to volunteer each year in the career districts, the non career kids have stress-free teens (unless there's a QQ twist, I guess). They can take all the tesserae they need because it doesn't really matter how many times your name is in the bowl, their parents need not worry, no one's starving...

Idk, I guess all these things can be implicit because we know the system, and it makes sense they're minor antagonists because we seem them from a non career pov. But. I feel like there's a lot of missed opportunities world building wise when it comes to Career districts; not in a way that woobifies them (they're not the most oppressed district if such a thing can be compared, although, they're still district yk) it's just!!! interesting stuff that makes sense and I wish it was more present. I have more to say but this post will be more of a jumbled mess than it already is lol.

No worries! It's pretty easy to miss.

Basically in Bridge to the Turnabout, Larry himself implies that two of his previous girlfriends have hit him. This is what he says when he's on the stand testifying about witnessing the lightning strike:

Yeah, I don't think there's any other way to interpret these lines. Poor Larry... someone needs to teach him what a healthy relationship is like.

Currently halfway through Bridge to the Turnabout and no one told me I'd end up feeling bad for Larry. I feel like the developers made it their mission to hate on him specifically. And honestly out of every Ace Attorney character with trauma that gets unaddressed, why does it feel like Larry gets treated the worst by the game.

Everyone thinks he's useless and annoying. But I think the judge was correct when he said Larry has "quite a severe inferiority complex". Larry casually drops that he's been physically abused by two of his ex-girlfriends, but seems to think it's perfectly fine. He seems to believe he's utterly worthless and that he makes people "eternally unhappy". But he never changes because he suppresses his trauma so hard that he forgets about them. He actually feels so bad for screwing up in The Stolen Turnabout but instead of genuinely working on himself, he adopts a new identity because he can't stand himself probably.

But AA1 clearly shows that Larry is not "useless" or a "nuisance". After all Phoenix also wanted to repay Larry for defending him during the class trial. And not to mention Larry saved Edgeworth with his testimony in 1-4. Oh Larry you'll always be a part of the signal samurai trio.