When I Secretly Wished For More Taylor Swift Songs To Apply To The Ineffable Husbands I Didn't Mean You're

im not immune to this looney tunes shit

You know, I think that you can pin down EXACTLY what kind of person someone is depending on whether they prefer Jane Eyre or Wuthering Heights

Okay yes we know that Andrew sprinted, dashed, HURTLED even, when he saw Neil on his knees even after blocking 150 + attempts on his goal because he loves that man. But also-

It had been Andrew’s idea to put Neil against Riko in the first place.

For Andrew it was reach Riko or die. (Die knowing that his contributing to exy ended Neil’s life.)

I really want Jean to have a moment where he truly gets over his complicated feelings for Kevin. To accept that things were fucked because there was no other option. That Kevin still cares deeply for him even if he doesn't see Jean that way.

I also want Jean to text Kevin "Had sex with your crush. Die mad about it" and not elaborate.

Everyone just thinks that hozier vibes are just cottage core with trees and animals and all that stuff, but i raise you Hozier's album vibes being:

Self titled: a beautifully old pub, with random guys in the corner screaming laughter with beers on their hands, a beautiful group of women happy in a table at the centre and a guy alone on one of the stools writing his diary

Wasteland, baby: a destroyed town due to some man made disaster and all that's left are ashes of what was once there and a couple that just fell for each other coming back to see what's left of it

Unreal Unearth: well maintained but abandoned cathedral at night with its affreschi coming off, a broken painting in the corner, and infinite history underneath it, a guy looking at all of it right after having his heart broken for the first time

Come with me down this rabbit hole if you will. The moment we the readers find out about how much Andrew cares is the moment he says "I hate you". Because of this one "throw away" line in the first book "I don't care about exy enough to hate it".

I personally think this is the exact moment HE relieved he was in love with Neil. Because he realized he does care, he cares so much it hurts. And he hates that, he hates his feelings, he hates the fact that Neil makes him feel- makes him care.

And so he hates Neil, because he loves him, because he wants him. Because he cares for him.

can Hozier release the new album plz. it would fix me

when hozier said “the likes of a darkness so deep that god at the start couldn’t bear” and when hozier said “i’d still know you not being shown you i only need the working of my hands” and when hozier said “some part of me must have died the first time that you called me baby” and when hozier said “i would still be surprised i could find you darling in any life” and when hozier said “heaven is not fit to house a love like you and i” and when hozier said “but if we fall i only pray don’t fall away from me” and when hozier said “you were steering my heart like a wheel in your hands and darling i haven’t felt it since then” and when hozier said “if there was anyone to ever get through this life with their heart still intact they didn’t do it right” and when hozier said “if i was a riptide i wouldn’t take you out” and when hozier said “darling there’s a part of me i’m afraid will always be trapped within an abstract from a moment of my life” and when hozier said “do you know i could break beneath the weight of the goodness love i still carry for you” and when hozier said “darkness always finds you either way it creeps into the corners as the moment fades” and when

What if I was all wrong about the "SINNER REPENT" wall writing. What if it isn't a manifestation of the social attitudes of the 1960s (compulsory heterosexuality, gender binary, etc.). What if, like Spock's message of "LOVE MANKIND," Jim's message also speaks to a hidden fear? A fear that is not the breaking of a social taboo (be it a captain's duty and Starfleet regulations, an affair, non-heterosexual love, etc.), but a haunting thought from Jim's past: that he should not be alive, that his continued existence breaks the order of life itself by cheating a certain death. Hence, the use of the words "SINNER REPENT," a phrase that matches how Kodos moralized basic survival needs to justify his eugenics and massacre on Tarsus IV.