Hozier writing De Selby (Part 2) inspired by a character in Flann O’Brien’s novel The Third Policeman makes the music video so much more compelling and absolutely bananas to watch, not just because Domhnall Gleeson is a treasure and delivers a killer performance without even saying anything, but also like… let me get into the lore of this:
The Third Policeman is about this mad scientist/philosopher/scholar who robs and murders someone in the midst of academic pursuit and enters this literal nightmare world where he’s punished by these policemen who are monsters and is doomed to repeat his mistakes forever. And the visuals of Domhnall Gleeson’s character are so similar the drawing of the central characters of the novel as seen above. The shabby brownish clothing, the hair colour, the shovel in hand, it all matches.
The story is also a slight condemnation of science and views trying to establish ultimate truth as prideful and heresy. As an article from The Irish Times on The Third Policeman states: “As a consequence, all theories are crackpot, all knowledge is useless and the only meaning is that life is a hell of endless repetition.”
it also states, on the novel: “To illustrate the futility of scientific theorising, O’Brien uses a recurrent theme of infinite regression. One of the characters has eyes with a pinpoint behind which are eyes with another pinpoint and so on to infinity; the narrator wonders if his soul is “a body with another body inside it in turn, thousands of such bodies within each other like the skins of an onion, receding to some unimaginable ultimum”; De Selby studies in a series of parallel mirrors infinite reflections of his face going back to early youth; and Policeman MacCruiskeen has constructed a series of nested chests with the last few so small that they are no longer visible to the naked eye. So speculation and experiment are mad activities that literally disappear into nothingness.”
And then we see Dumhnall Gleeson in the music video on a cycle he doesn’t know how to break, some violent repetition where he’s burying himself and going crazy, and the imagery of several versions of one person fits this PERFECTLY.
can we talk about the car loving aziraphale as a manifestation of crowley's repressed feelings?
i wasn't convinced of it until it started inching towards him but. Crowley can feel everything that happens to the Bentley. Because it's an extension of Him. It's full of his essence. It loves Aziraphale because Crowley does. I'm going to be sick.
Kirk: You mean to tell me your people just walk into a disintegration machine when they're told to?
Don't make comparisons to Tarsus IV, don't make comparisons to Tarsus IV, don't make comparisons to Tarsus IV
Is this why Kirk is so instantly, adamantly, ready to disrupt this entire culture?
He's the survivor of a genocide, and I can't imagine that the thousands of people murdered by Kodos walked quietly, willingly, obediently to their deaths. Like those who walk into the disintegration machines, their deaths were painless, but they are all still dead.
And now Kirk is watching the same thing happen, only on a much larger scale. And it lacks the terror, the fighting, the starvation, the horrors that stain his early childhood, and because of that it continues.
No wonder he's almost gleeful when he threatens to give them the horrors of war - because he knows from personal experience that even the threat of that, even the memory of that, even the echo of what was or what might be - it's enough to make it stop.
Yes, yes, the "i forgive you," the "no nightingales," and the "nothing lasts forever" are all great lines. But to me, the most heartbreaking was this one
And not enough people are talking about it.
This is the moment where Aziraphale breaks. This is the moment he realises the severity of their conversation. The horrible consequences that could follow.
This is the moment where Aziraphale, for the first time in probably all 2 seasons, spoke from his feelings instead of his logic.
Accompanied by Michael's breathtaking acting, where in just 2 seconds, he managed to convey all the excruciating and tragic feelings that Aziraphale has been going through all this time. His eyes, relaying the utter pain Aziraphale is, and has been, feeling for a long time, that he's finally unable to control anymore.
This is the moment where we and Crowley understand that Aziraphale has been lying this whole time.
"He's not my friend. We've never met before we dont know each other." Yes, he is. Yes, we have. Yes, we do.
"Were not friends." Yes, we are.
"We have nothing whatsoever in common, I don't even like you." Yes, we do. Yes, I do.
This is the moment he admits that every time he's called Crowley a fiend, an enemy, evil, not his friend, he has been lying through and through in an attempt to hide what he really feels, what he really thinks, should by chance Heaven or Hell get a word of it. He has been lying every single time.
This is the moment where he lets his true feelings out. Prompted by sheer desperation and panic, he finally said what he's been denying for millennia.
"I need you"
aftg is eating up my brain so badly, I have a constant stream of ideas and I’m shit at actually writing them but I need to get them out of my system bc it’s suffocating, so:
• an au where king and sir turn out to be shapeshifters so andreil magically acquire two spoiled kids
• andreil saying to each other ‘IU’ instead of ‘I hate you’ or ‘I love you’ or anything else. they use it in every kind of situation bc it’s the testament of how much they feel about each other and that’s more important to them than anything else. they’re fighting? IU (I hate you, I’m scared for you, I’m scared of how much power you have over me, I still want you to stay) they’re having sex? IU (I trust you, I love you, I’m going to take care of you, I’ll make you feel good) they’re breaking down? IU (I’ve got you, I’m here, I’m going to stay, I’m going to help best I can)
• a fic where neil dies in baltimore and we see the aftermath told from his perspective as a ghost: introspection, character study, cannibalism, polaroids, inspired by strangers by ethel cain:
• neil taking great pleasure in buying andrew expensive things and seeing him use them, not out of possessiveness but bc he truly just wants andrew to be happy and taken care of. and andrew learning to accept those gifts bc neil never wants anything in return, not even gratitude
• neil getting drugged at eden’s by some stranger and proceeding to glue himself to andrew’s side. the next day andrew is frustrated by that show of trust and he asks how neil could know that it wasn’t him doing the drugging. to which neil replies that he didn’t know that, but he knew that andrew wouldn’t drug him or let anyone touch him without a good reason. so it was okay, he just needed to trust andrew’s judgement and stick by him. and then andrew realising just how much faith neil has in him and having a breakdown about it
• after neil’s bad days, andrew spoons neil and keeps his hand wrapped around neil’s throat while they’re sleeping. it makes neil feel safe and grounded and makes andrew drunk on trust and control (bonus scene: foxes witnessing this one day and completely failing at understanding their dynamic)
• neil getting into a habit of spitting after his time at the nest bc riko used to spit into his mouth and make him swallow it as a power play. whenever neil remembers it the thought of any spit in his mouth, even his own, makes him sick. so he spits
• whenever aaron is on the edge of relapsing instead of telling anyone he just trails after andrew 24/7 bc he knows his brother won’t let him destroy his life
• tlou au where andrew is traveling the world in search of his twin brother and he’s hired to transport neil somewhere. meanwhile, they fall in love with each other and they find out andrew was supposed to deliver neil into his father’s hands (andrew promised neil safety and he refuses to break his promise so this becomes the first job andrew ever failed)
• andreil breaking up and neil desperately trying to prove to himself that he can move on so he takes the page from andrew’s books and starts sleeping around, but he only succeeds in hurting himself and feeling miserable (they get back in the end bc I need them to be happy)
• OH MY GOD HORNY KANDREIL CLASSICAL MUSIC AU!! kevin (and neil?) playing violin and drew being freakishly good at playing every instrument he ever touches but especially the piano. kev giving a performance and andreil sitting in the first row, neil getting a hard on bc kevin looks so good in his suit, with slightly greying hair combed back and passion burning in his eyes. andrew discretely edging him on, palming neil’s dick through the fancy suit’s material and keeping eye contact with kevin the whole time
AND SO MUCH MORE AAAAAA. this is insufferable, I’m writing fics in my head to fall asleep and then I’m waking up literally quoting aftg (genuinely happened last week, I felt like a lunatic) and then I’m going to uni and I spend every lecture thinking about how I can use my degree to better write about those stupid murderous college athletes. what kind of crack did you put in this series, nora?????
what am i supposed to do with the fact that kirk is like "oh btw the words 'let me help' are stronger even than 'i love you' haha" and then in the very next episode spock says 'let me help' to kirk
trelane really said punish mr. spock rn and kirk said no, actually, mr. spock gets a gold star.
then trelane said but i don’t like him! and kirk said get off my ship.
unreal unearth has so many echoes of his debut album. "de selby pt 2" and "to be alone" in the desire to kill the lights and become one, "butchered tongue" and "foreigner's god" in the struggles of language, "first time" and a very early interview where he describes falling in love as a death. it's not a rehash - it feels like simply a returning, reflecting on those same themes (and on, perhaps, the same events that inspired them) through new eyes. as a long time fan, it feels like coming home
andreil dead poet society AU fanfic when??
neil as neil obviously and todd as andrew 🙁
hey hold on a sec. we talk about what baltimore was like for kevin, neil, andrew, but can we talk about wymack for a second. Can we just.
the year before the twins and nicky signed at psu, two of wymack's foxes, ian and kirk, died in a car crash.
the next year, kevin day broke his hand and went to wymack, the only person he thought would keep him safe.
the year after that, seth gordon, the only surving member of wymack's original lineup, overdosed after he was so nearly clean, and it almost destroyed allison.
months later, andrew was attacked in columbia and committed to easthaven. aaron killed someone. andrew was gone and the others came back shattered.
then neil claims to go home for the holidays, they don't hear from him all of christmas break, and on new years, neil calls him and asks wymack to pick him up from the airport. he's there instantly and god, he looks half-dead. neil sees the 4 tattoo and tries to cut it off his face. all he can say is that he didn't sign to the ravens.
then there's the blood in the locker room. wymack can't push away the feeling that something's getting closer, something is coming to hurt his foxes and there's nothing he can do to stop it.
then. the game at binghamton. neil looks on edge but wymack doesn't ask what's wrong. neil and andrew are above his paygrade. then the riot. he can't see any of his kids in the crush. he finally pulls them all out, one, two, three, four, five, six, seven, eight–
neil's gone. neil's gone and they can't find him. andrew can't find him. neil got taken by someone. what was that like for david wymack? did it feel too familiar? did he look at his kids and think not again, i didn't lose another one again. does it ever scare him. does it terrify him. when aaron came back from the police station in columbia, twenty four hours in holding and he couldn't look wymack in the eye, did he think what if i can't save these kids? when andrew was lying in a hospital bed, too drugged to react, did he think what if i can't give them their second chance? when neil grabbed that knife, when he fell to pieces on wymack's kitchen floor, when he came back to them in baltimore, bloody and broken, did wymack think why am i always too late?
But I can see a lot of life in youSo I'm gonna love you every day
148 posts